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The Spotless Mind

Musings of a Non-Film Reviewer. I pay, I watch, I comment.

Month

December 2016

The Best of Pinoy Cinema 2016

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TOP 10 BEST FEATURE LENGTH FILMS

#10

ANG BABAE SA SEPTIC TANK 2:#FOREVERISNOTENOUGH

Written by: Chris Martinez
Directed by: Marlon Rivera

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#9

SEKLUSYON

Written by: Anton Santamaria
Directed by: Erik Matti

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#8

PAMILYA ORDINARYO

Written by: Eduardo Roy, Jr.
Directed by: Eduardo Roy, Jr.

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#7

FOREVER BRIDGELESS

Written by: Racquel Zaballero-Sanchez and Glenn Ternal
Directed by: Racquel Zaballero-Sanchez and Glenn Ternal

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#6

STAR NA SI VAN DAMME STALLONE

Written by: Ronald Allan Habon
Directed by: Randolph Longjas

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#5

SAKALING HINDI MAKARATING

Written by: Ice Idanan and Petersen Vargas
Directed by: Ice Idanan

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#4

DIE BEAUTIFUL

Written by: Rody Vera
Directed by: Jun Lana

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#3

MA’ ROSA

Written by: Troy Espiritu
Directed by: Brillante Mendoza

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#2

SUNDAY BEAUTY QUEEN

Written by: Baby Ruth Villarama
Directed by: Baby Ruth Villarama

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#1

TUOS

Written by: Denise O’Hara
Directed by: Derick Cabrido

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2016 Scorecard:

★★★★★
DIE BEAUTIFUL (Jun Lana)
FOREVER BRIDGELESS (Racquel Zaballero-Sanchez, Glenn Ternal)
FOREVER NATIN (Cyrus Valdez)
MA’ ROSA (Brillante Mendoza)
OKTOPUS (JP Habac)
ANG PAINTING NI TATAY (Sigrid Andrea Bernardo)
SAANMAN NGUNIT DITO (Cheska Salangsang)
SAKALING HINDI MAKARATING (Ice Idanan)
STAR NA SI VAN DAMME STALLONE (Randolph Longjas)
STOP. STEADY. SAYAW. (Dan Villegas)
SUNDAY BEAUTY QUEEN (Baby Ruth Villarama)
TUOS (Derick Cabrido)
XXX (Allison Barretto)

★★★★☆
ALWAYS BE MY MAYBE (Dan Villegas)
CAMP SAWI (Irene Villamor)
CHICBOY (Jasper Ramon Tulabot)
DIGPAN NING ALTI (Bor Ocampo)
FISH OUT OF WATER (Mon Garilao)
ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera)
KATOK (John Rhys Guarina)
KUNG ANG ULAN AY GAWA SA TSOKOLATE (Galileo Sioco Te and Prime Reyes)
LUMAYO KA NGA SA AKIN (ASAWA NI MARIE) (Chris Martinez)
MERCURY IS MINE (Jason Paul Laxamana)
MRS. (Adolf Alix, Jr.)
AN ORCHESTRA IN SEARCH OF A HOME (Ida Anita del Mundo)
PAMILYA ORDINARYO (Eduardo Roy, Jr.)
PEKTUS (Isabel Quesada)
SEKLUSYON (Erik Matti)

★★★☆☆
THE ACHY BREAKY HEARTS (Antoinette Jadaone)
AREA (Louie Ignacio)
ANG BABAENG HUMAYO (Lav Diaz)
BAKA BUKAS (Samantha Lee)
BAKIT LAHAT NG GWAPO MAY BOYFRIEND? (Jun Lana)
BESHIE (Joyce Bernal)
DUKOT (Paul Soriano)
DYAMPER (Mes de Guzman)
EVERYTHING ABOUT HER (Joyce Bernal)
EXPRESSWAY (Ato Bautista)
GET CERTIFIED (Isaias Zantua)
HELE SA HIWAGANG HAPIS (Lav Diaz)
IMAGINE YOU & ME (Michael Tuviera)
JUST THE 3 OF US (Cathy Garcia-Molina)
LUNA (Rae Red)
MANILA SCREAM (Roque Lee, Blair Camilo)
MGA BITOON SA SIUDAD (Jarell Serencio)
NAKAUWI NA (John Relano, Patrick Baleros, Luis Hidalgo)
NED’S PROJECT (Lemuel Lorca)
AN OPEN DOOR (Paul Soriano)
ORO (Alvin Yapan)
SAVING SALLY (Avid Liongoren)
SITSIRITSIT (Brian Spencer Reyes)
SINA DINO AT ANG KANILANG SIKRETO (Miller Ursolino)
ANG TABA KO KASI (Jason Paul Laxamana)

★★☆☆☆
1ST SEM (Allan Ibanez, Dexter Hemedez)
ANG BAGONG PAMILYA NI PONCHING (Inna Salazar Acuña, Dos Ocampo)
BARCELONA: A LOVE UNTOLD (Olivia Lamasan)
BUGTAW (Noah del Rosario)
BUHAY HABANGBUHAY (Paolo Herras)
BUTAS (Richard Cawed)
DAGSIN (Atom Magadia)
ECHORSIS (Lemuel Lorca)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
ANG HAPON NI NANDING (Milo Tolentino)
HIBLANG ABO (Ralston Jover)
HOW TO BE YOURS (Dan Villegas)
HOW TO FIND LOVE (Quark Henares)
I AMERICA (Ivan Andrew Payawal)
I LOVE YOU TO DEATH (Miko Livelo)
KABISERA (Arturo San Agustin, Real Florido)
KUSINA (Cenon Palomares, David Corpuz)
LAKBAY2LOVE (Ellen Ongkeko-Marfil)
LILA (Gino Santos)
LOVE IS BLIND (Jason Paul Laxamana)
LOVE ME TOMORROW (Gino Santos)
LUMAYO KA NGA SA AKIN (BALA SA BALA, KAMAO SA KAMAO, SATSAT SA SATSAT) (Mark Meily)
LUMAYO KA NGA SA AKIN (SHAKE, SHAKER, SHAKEST) (Andoy Ranay)
ANG MAANGAS, ANG MARIKIT, AT ANG MAKATA (Ibarra Guballa)
MANSYONG PAPEL (Ogos Aznar)
MITATANG (Alvin Jezer Gagui)
MY CANDIDATE (Quark Henares)
NOT APPLICABLE (Carl Chavez)
PUNLA (Kenneth Mandrilla)
THE SUPER PARENTAL GUARDIANS (Joyce Bernal)
THE THIRD PARTY (Jason Paul Laxamana)
THIS TIME (Nuel Naval)
TISAY (Alfonso Torre III)
ANG TULAY NG SAN SEBASTIAN (Alvin Yapan)
THE UNMARRIED WIFE (Maryo J. Delos Reyes)
VINCE & KATH & JAMES (Theodore Boborol)
WHISTLEBLOWER (Adolf Alix, Jr.)
WORKING BEKS (Chris Martinez)

★☆☆☆☆
AKI (Milo Tolentino)
BIRDS (Christian Paolo Lat)
DIYOS-DIYOSAN (Cesar Buendia)
ELEMENTO (Mark Meily)
ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera)
THE ESCORT (Enzo Williams)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
LANDO AT BUGOY (Vic Acedillo, Jr.)
MANO PO 7: CHINOY (Ian Loreños)
MY REBOUND GIRL (Emmanuel dela Cruz)
PASSAGE OF LIFE (Renz Vincemark Cruz, Hannah Daryl Gayapa)
STRAIGHT TO THE HEART (Frank David Fabros)
THAT THING CALLED TANGA NA (Joel Lamangan)
TPO (TEMPORARY PROTECTION ORDER) (Joselito Altarejos)
TUPANG LIGAW (Rod Santiago)

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Metro Manila Film Festival 2016 Scorecard

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After travelling to three cities and four cinemas in two days, I have officially completed the MMFF2016 marathon.

I’m happy to report that the festival achieved its goal and stayed true to its promise of change, of giving the Pinoy audience something new during the holiday season.

Even with a supposed indie selection, I still had a great time in cinemas. Some films made me laugh out loud, some made me cry like a baby, one scared me to my core, the rest I enjoyed watching with young ones (yes, even kids liked these indies!), but most importantly, they required me to think.

Napakasarap makatikim ng ibang klaseng putahe ngayong Kapaskuhan. Hinihintay na lang nila ang ating suporta.

With that said, here’s my festival scorecard:

Best Picture

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1. SUNDAY BEAUTY QUEEN (Baby Ruth Villarama, 2016) – ★★★★★

Napakagandang pelikula! Matututo kang magpasalamat sa bawat biyayang natanggap, pati na rin sa mga sakripisyong hindi mo ginagawa.

At bes, huwag mong sabihin na ayaw mong manood ng malungkot ngayong Pasko dahil sigurado akong pinanood at iniyakan mo lahat ng Christmas ads ng Uber, Selecta, at Coke. Magdala ng isang box ng tissues.

Dahil ang Pasko ay para sa mga bata, isama ang buong pamilya at manood na kayo. Now na. Tapos group hug kayo after. Merry Christmas!! 😊

 

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2. DIE BEAUTIFUL (Jun Lana, 2016) – ★★★★★

Nakakatuwang makatikim ng isang matalinong comedy sa MMFF. Yung nakakatawa ang mga linya at patok sa masa kahit wala ni isang karakter na nahuhulog galing sa bubungan.

Mas nakakatuwa na ang ganitong klaseng produkto ay tinatangkilik ngayon ng mga manonood (puno ang sinehan nung screening namin sa GB3). Pwede naman pala. Kaya naman pala.

Ang talento ni Paolo Ballesteros sa pelikulang ito ay directly proportional sa kanyang kagandahan bilang Trisha Echevarria. Ang husay! Hindi rin nagpakabog si Christian Bables na napakagaling bilang si BFF Barbs. #FriendshipGoals talaga sila. Sana masungkit nila ang Lead at Supporting Actor trophies.

Nuod na mga bes!! 😊

 

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3. SEKLUSYON (Erik Matti, 2016) – ★★★★☆

Sobrang nanghihinayang ako sa pelikulang ito dahil mas maganda pa sana siya kung marunong lamang umarte ang apat na deacons lalo na si Ronnie Alonte.

Ang husay ng technical aspects mula sa production hanggang sound design. Mahirap makalimutan ang lahat ng religious imagery na ginamit dito. Mahusay din ang direksyon para sa isang kakaibang Pinoy horror movie.

Ito talaga ang perfect anti-Christmas movie ngayong taon. Hahamunin kang mag-isip tungkol sa katatagan ng iyong pananampalataya.

 

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4. ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera, 2016) – ★★★★☆

Para sa katulad kong napanood na ata lahat ng Pinoy rom-com at kabisado na ang Star Cinema formula, natawa ako sobra sa pagka-brutal ng pelikulang ito. Bugbog na bugbog ang mainstream filmmaking at escapism in cinema. Walang sinanto katulad ng ginawa nila sa indie filmmaking at poverty porn doon sa unang pelikula.

Awakening talaga ito ni Eugene Domingo. Amoy na amoy ko na naman ang deserving na panalo as Best Actress. Sa three levels of hugot pa lang niya, sulit na ang bayad.

Magaling din si Jericho Rosales bilang Jericho Rosales. May self-awareness ang pagka-plakado bilang rom-com leading man. Naalala ko tuloy si Jaclyn Jose dun sa film within a film ng Tuhog.

Medyo off lang yung abrupt shift in tone dahil sa love story ni Kean Cipriano (na isiningit to ground the film). Pero totoong hinika ako kakatawa hanggang sa pinakahuling sequence. Waging-wagi!!

 

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5. SAVING SALLY (Avid Liongoren, 2016) – ★★★☆☆

Gusto kong tumira sa makulay na mundo ni Marty kahit puno sya ng mga monsters dahil gusto ko makita ang Warner Barberos at Sandara Park. Naalala ko tuloy ang fantasy element ng Scott Pilgrim Vs The World dito.

Nakakakilig at bagay ang tambalang Enzo Marcos at Rhian Ramos. Sana lamang hindi sila Ingles magsalita kasi medyo off para sa akin. Ang hirap lubos na ma-feel ng story dahil sa coniotic speak (ironic ba?). Para lang akong napadaan ulit sa THE Ateneo conyo bench sa labas ng caf. Higad na lang ang kulang para makumpleto ang experience.

“You wanted mayhem, war, and chaos, but isn’t that what love is all about?” Tumpak!!

 

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6. ORO (Alvin Yapan, 2016) – ★★★☆☆

Nag-flashback sa akin ang mga naunang seasons ng American Horror Story sa mga tilted frames na parang see-saw sa pagpapalit-palit. Parang weighing scale na mahirap hanapan ng balanse.

Maganda ang mensahe ng pelikula bilang environmental drama. Malaman ang sinasabi at mabigat sa mga metaphors at symbolisms. May bonus pa na supernatural element (na hindi ko nagustuhan sa Ang Tulay ng San Sebastian pero pasok sa banga sa An Kubo Sa Kawayanan).

Palaban si Irma Adlawan (lagi naman eh). Tindig at upo pa lang naniniwala na akong siya talaga si Kapitana. Sana lang hindi reactionary ang halos lahat ng kanyang eksena kasi siya ang totoong ginto ng pelikula.

 

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7. VINCE & KATH & JAMES (Theodore Boborol, 2016) – ★★☆☆☆

Walang bago maliban sa mga artista. Pinagtagpi-tagping cliches na napanood na natin sa mga dating rom-coms. Hindi rin naman masyadong na-utilize ang textserye origins niya. Halos nakumpleto niya ang checklist ng Star Cinema formula na kinukutya sa Septic Tank 2. Sunset lang ang kulang.

May natural charm itong si Joshua Garcia. Magaling siya dun sa confrontation scene nila ni Ina Raymundo, parang early John Lloyd. Akala ko maiirita ako kay Julia Barretto dito kaya nagulat ako na maayos naman siya, parang early Ate Clau.

Kinilig ang mga teenagers na kasabay kong nanuod. Masyado na ata akong matanda para sa ganitong genre.

 

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8. KABISERA (Arturo San Agustin, Real Florido, 2016) – ★★☆☆☆

Maganda sana dahil napapanahon ang tema nito tungkol sa extrajudicial killings ngunit hindi maayos ang pagkakalahad ng kwento.

Parang binigyan ang bawat artista ng kanyang sariling dramatic highlight para magpakitang-gilas kaya lahat sila eh three notches higher ang akting. Maliban kay Nora Aunor, parang hindi na mabibigyan ng susunod na project ang supporting cast kaya bigay todo na sa pag-ngawa kahit hindi naman kelangan sa eksena.

Ang daming mga bagay na parang walang sense at pinahaba lamang para mapuno ang two hour requirement. Mas mabuti pa yata kung ginawa na lamang siyang episode ng MMK.

 

Best Performance by an Actor in a Leading Role

1. PAOLO BALLESTEROS (Die Beautiful)

2. JOSHUA GARCIA (Vince & Kath & James)
3. JOEM BASCON (Oro)
4. ENZO MARCOS (Saving Sally)

Best Performance by an Actress in a Leading Role

1. EUGENE DOMINGO (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
2. IRMA ADLAWAN (Oro)
3. NORA AUNOR (Kabisera)
4. RHIAN RAMOS (Saving Sally)

Best Performance by an Actor in a Supporting Role

1. CHRISTIAN BABLES (Die Beautiful)

2. LOU VELOSO (Seklusyon)
3. JERICHO ROSALES (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
4. NEIL RYAN SESE (Seklusyon)
5. LOU VELOSO (Die Beautiful)

Best Performance by an Actress in a Supporting Role

1. RHED BUSTAMANTE (Seklusyon)
2. PHOEBE WALKER (Seklusyon)
3. MERCEDES CABRAL (Oro)
4. MIMI JUAREZA (Die Beautiful)
5. GLADYS REYES (Die Beautiful)
6. SUE PRADO (Oro)
7. CAI CORTEZ (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)

Until next year!!

EX WITH BENEFITS (Gino Santos, 2015)

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SPOILER ALERT!!

My notes on Ex With Benefits:

1. Why did the “10 Years Ago” Derek Ramsay look exactly like the present old-looking Derek? And did the movie really expect me to believe that he only had a 4-year age gap with Coleen Garcia? Really?! Also, is he wearing eyeliner?

2. Was this supposed to be a sex comedy? The “I Love You Always Forever” montage was cringe-worthy. And how horny were these two to actually make-out in a theater showing Feng Shui? Kris Aquino and Lotus Feet as aphrodisiacs? Eek!

3. This was another one of those petty people with petty problems movie. In one scene, Derek defended the pagkababae of Coleen by punching another student. After he got suspended, he immediately lashed out at her and blamed her for what happened. Huh?! Why should I be rooting for their love story?

4. In another scene, Derek was supposed to take his revalida and asked the proctor for two minutes to talk to Coleen. The proctor kept saying, “Kapag nag-umpisa na, wala na pwede pumasok” and yet several students still kept entering the classroom. How’s that for conflict?

5. Rayver Cruz’s constant use of the word “Bro” will forever haunt me in my dreams. Am I the only one annoyed by this term? It reminded me again that hindi lahat ng paminta ay nasa adobo.

6. My biggest problem with the movie was that Coleen’s character was a smart and beautiful girl and yet she had to use her body to get her way in life. And did she really have to do the nasty with the Dean just to save Derek’s future career? Iha, matalino ka. Gamitin mo naman utak mo.

7. I wonder how med reps will react on these spiteful lines:

“If you can’t be a doctor, date one.”

“Wag utak doktor. Dapat utak med rep.”

8. 50 Shades of Grey, Gone Girl, The Fault in Our Stars. The screenwriter loved pop-culture references.

9. If you’re watching for the sex scenes, be warned. It consisted mostly of Derek rubbing his face on Coleen’s various body parts.

10. There were so many lines that made me (unintentionally) laugh.

On the idea of romance: “Babalik ka na parang fungi.”

On jealousy: “Kulang na lang eh hubaran mo siya!”

On pain: “Kelangan nya masaktan para malaman nya na buhay sya.”

By the way, the last line was about a newborn na pinalo-palo ng nurse so it would cry.

I told you the movie was a hoot.

Rating: ★★☆☆☆

MANO PO 7: CHINOY (Ian Loreños, 2016)

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My notes on Mano Po 7: Chinoy:

1. ‪I learned two Chinese words in college that would appropriately describe my viewing experience of this movie. Yes, both are nasty curse words.

I suddenly missed the glory days of Regal Films when it rightfully earned that crown in its bright red “R” logo (shown in their ’90s OBB that resembled a horror movie) and it wasn’t reliant on a tired franchise that just seemed to get worse with every new sequel. Seriously, the Mano Po series would be no different from an inaamag na tikoy.‬

2. I had high hopes for this one since Ian Loreños directed one of my favorite films of 2012, the father-son drama slash human trafficking cautionary tale Alagwa. I remember sobbing hysterically by the end of that movie and taking a mental note that I would never leave any child unattended ever. It was that powerful. I wondered what happened with this one. The only reason I could think of was that it was rushed to ensure a slot in the MMFF. Such a waste of talent.

3. For a Chinoy movie, there was nothing distinctly Chinoy about the problems of this family. The stories here could very well have been another family drama with all-Pinoy characters directed by Laurice Guillen.

It was a disaster from the moment Enchong Dee (as the black sheep) made a grand entrance in his parents’ 25th anniversary party. That scene was no different from the first Mano Po with Ara Mina disrupting the engagement party of sister Maricel Soriano by showing up in a backless dress with the cut dropping all the way to her butt crack (that’s how you do it, Enchong).

4. Good news: At least we didn’t get actors donning exaggerated chinky eyes and speaking in weird Chinoy accents that bordered on being racist.

Bad news: Except for the veteran greats like Jean Garcia (looking very much like the lovely Michelle Yeoh) and Eric Quizon (such an underrated actor), the rest of the Chinoy cast seemed to have been chosen because they looked the part even if they couldn’t act the part.

The worst offender was Sir Chief Richard Yap who only displayed two types of emotions in the entire movie: furious with matching nanlilisik na mata and shocked with matching nanlilisik na mata. He displayed more range playing the chef in that Chowking commercial.

5. Rose Po Que? Really? Didn’t these Chinese name jokes peak during the Bubble Gang era?

6. Sir Chief’s character was supposed to be cold and uptight because he had a damaged childhood. His mother was so strict that she wouldn’t let him play in the street with the other kids. In effect, he wouldn’t let his wife join him in bed without cleaning up first after a long day at work. But wait, wasn’t that the first rule of hygiene regardless?

7. Several scenes were spent on the rehab love story between Enchong and Jessy Mendiola (who probably watched Girl, Interrupted several times before taking on the role) but it really had no weight on the story, except to assert his masculinity and dismiss all the gay rumors.

8. I would probably go crazy the next time I see a board meeting where somebody would be presenting a pitch like “The higher the risk, the higher the reward” and everyone would be nodding their heads and smiling like it was Confucius talking and they were just blessed with his wisdom.

9. You knew immediately that Jake Cuenca’s character would be a villain because he looked so sleazy in a man bun. Besides, why would a customer like him confide to a Miladay jeweller like Jean after his fiancee broke up with him? Sabagay, kapag malungkot din ako ang unang tinatawagan ko ay ang alahera ng nanay ko.

10. I wouldn’t have been too harsh on this movie if there weren’t so many groan-worthy scenes (Enchong running after his father’s car while saying “Papa!”, Jake’s breakdown scene in the car, Enchong wailing in a van with an overdosed Jessy, “Gumising ka! Lumaban ka naman oh! Waaaah!”, Janella Salvador hugging Jean from behind and saying “Mama, don’t go!”, Marlo Mortel punching a maniac professor while screaming “We will report you and sue you for harassment!!”, and Sir Chief asking his estranged wife to dance as a gift to his daughter). Very much like airplanes, cinema seats should be equipped with barf bags, no?

11. In one scene, Sir Chief was jogging around Nuvali. He suddenly stopped and bent over and I really thought for a moment that it would turn out to be an ad for Flanax (he ended up having a Ventosa).

12. Bakit wala yun bunso sa Taiwan family trip? Kinulang sa budget?

13. Two hours and the movie still didn’t want to end. Siao siao!!

Rating: ★☆☆☆☆

‪ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera, 2016)

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My notes on Enteng Kabisote 10 and the Abangers:

1. I already wasted two hours of my life watching this movie and I figured that I wouldn’t want to waste more time writing down these notes, but then it would be a crime not to share my grueling experience and let other people suffer the same fate. So let me start with these brilliant lines that might convince you to rethink that planned family bonding to the cinema:

• Joey de Leon as Pandoy, Alalay ng Panday: “Pang-araw lang yun kaya Pang-Day. Ang pangalan ko kapag gabi, Pang-Gay.” And then he swished and sashayed down the corridor. Groan.

• Ken Chan and Bea Binene getting scared from an approaching villain: “May tatlong bibe akong nakita. Mataba, mapayat, mga bibe.” HUH?! Groan.

• Vic Sotto on Aiza Seguerra: “Akalain mo mahilig pala sa itlog ang batang yun.” Groan.

• An employee of Enteng Kabisote Robotics introducing the new Iron Man-like costume: “Eto ang bagong Kalba Kalba Kalba Kameleon.” Groan.

• Bossing to his four employees speaking in unison: “Nag-duet pa kayong apat ha!” HUH?! Groan.

2. As a huge fan of the Okay Ka, Fairy Ko TV series, I could only cry in my seat while seeing this tenth film installment mutate into the lamest Marvel wannabe. Ina Magenta had the right instincts about Enteng Kabisote after all. The ending even had the gall to hint at another sequel. Kapag natuloy ito, ako na mismo ang magsisimula ng Infinity War.

3. Infer, ang lakas maka-gwapo ng ash silver hair ni Bossing. I might try that shade soon.

4. Poor Epy Quizon was in full acting na acting mode even if his character didn’t really have much to do except be included in an embarrassing battle sequence ala Mortal Kombat set to the Tatlong Bibe Remix.

5. Most of the jokes were as outdated as Pandoy. The extended walling montage set to April Boy Regino’s Di Ko Kayang Tanggapin was just annoying. That Madam Oring line? Eek! And they still had a stale Pabebe Girls reference. Wala na talagang ibang maisip?

6. Why were Alden Richards and Maine Mendoza (in ugly heavy eyeliner! as a huge fan, I am incensed beyond belief) inserted in every Bohol scene even if their characters didn’t really serve any purpose? How many times did Bossing have to ask the perennial “Kayo na ba?” question before it started getting old? Were the filmmakers scared to shortchange AlDub Nation lest they get burned at the stakes set up in Kamuning?

7. If there was one good thing here, I only noticed a single product placement (for O+). Consider that one tiny step for mankind.

8. I couldn’t stop laughing at the drones that looked like they were purchased from CD-R King. Also, why did the team spend a lot of time assembling one drone when Oyo Boy Sotto’s character could magically reproduce the same thing pala?

9. During the climactic fight scene, laser beams were shooting out of Bossing’s groin while he furiously pumped his hips (or more appropriately, made kadyot motions).

Yes, this is really the kind of family movie that kids should be watching for Christmas.

‪Rating: ★☆☆☆☆‬

THE SUPER PARENTAL GUARDIANS (Joyce Bernal, 2016)

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SPOILER ALERT!!

My notes on The Super Parental Guardians:

1. When it was first announced that Joyce Bernal would be taking over the reins of the late Wenn Deramas in the newest Vice Ganda MMFF entry, I felt excited and hopeful that the new combo would bring something new and fresh to the Pinoy comedy genre. Sadly, this movie basically recycled every single joke and gag that worked in previous Deramas-Ganda collaborations slash blockbusters (beating a dead horse? wink, wink).

It actually felt like Vice commandeered the entire thing (he even received an “Additional Scenes and Dialogue” credit), not wanting to change anything that he perceived wasn’t broken (or in his own words, “quality”). The result was a disappointing rehash, no different from eating last night’s cold leftover pizza.

2. Sample checklist for reference:

• Outrageous outfits – In one scene, he wore a rejected ribbon dress from the Lady Gaga collection that would obviously be unwound in a succeeding scene (because seeing Vice in a black leotard was supposedly funny). Oh, and the punchline was that he was advised to dress for the occasion and the said event was a ribbon-cutting. (Wenk, wenk.)

In another, he attended a funeral wearing a costume with a matching headdress that made me want to do the Shigi Shigi dance from Shaider.

• Word(name)plays – Remember the restaurant scene in Beauty and the Bestie where they joked about looking like Bea Bunda and Liza Lorena? Here, they had a Kath Tonying Taberna, Liza de Lima, Nadine Munyoka, and Arci Taulava. How about the “Ang bata na-bonjour” joke in Praybeyt Benjamin? This time it was “Ang bata nalaglag” in a terribly unfunny “miscarriage” gag.

• Sidekick slapping and insults – Now he had Kiray to slap as well. And of course there were several pockmarked face jokes.

• Game of the year – Ooh, Vice wearing an Ash costume while collecting pokeballs from a spinning pokestop. How current! Except that Pokemon Go mania died a couple of months ago.

• Duet – The Hold On sing-off was a highlight in BatB so they obviously needed to do it again here (this time with Coco Martin singing his heart out to “Kung wala ka nang maintindihaaaaan…”, one of the possibly three times that I actually laughed throughout the entire movie).

• Pinoy films homage – This was a staple in Deramas movies because you could feel his obvious love for them. Here, they just needed to include a bit from Minsan Lang Kita Iibigin because, well, just because.

3. Why wasn’t this called Ang Probinsyano the Movie? It really wasn’t any different from the series (down to the repetitive Wag Ka Nang Umiyak gag), except that Coco looked like a deranged Harley Quinn who was late for the Valkyrie Halloween party.

Also, what were all of those mini-explosions in the slums fight sequence? If this were New Year’s Eve, the best term to describe them would be “supot”.

4. I found it really weird that a strong proponent of LGBTQ rights would subject his character to the stereotypical perception of gays to generate laughs. One with him quivering in seeing topless construction workers, or him acting like a sexual predator to a drunk straight man (sinukahan na, kinilig pa rin), or him giving all of his cash to a tormentor simply because he looked good.

In a year when other films (The Third Party, Bakit Lahat ng Gwapo May Boyfriend?, Working Beks) tried to change how gay characters were portrayed in Philippine cinema, this one seemed to be contented with them being the laughing stock of society.

5. Onyok Pineda wasn’t as funny here compared to his stint in Ang Probinsyano where his genuine reactions to a closeted friend were comedy gold. He did have one cute scene that worked (“Kuya pangkain lang po. Ganern!”), but he was clearly overshadowed by Awra Briguela.

I wish they gave Awra more to do than the endless showdowns with Vice. His funniest moments to me were when he wasn’t even trying (just him sharply enunciating “freshly picked tomatoes” had me giggling in my seat). I also couldn’t stand all the physical abuse that he received from Vice (that sabunot scene would have been funny in the ’90s before the launch of Bantay Bata).

6. As expected, there were mini-commercials for Gluta-C, King Cup sardines, and even (gasp!) Pigrolac?!

7. Matet de Leon’s character here was addicted to balut, which shouldn’t come as a surprise because her sister in real-life is Balot. (If you got that reference, then you’re way too old.)

8. Although most of the corny jokes failed (that low batt modelling sequence, the used hanky scene, the Ilonggo-maskara bit, the Train to “Boosan” gag, the Baron vs Matos fight), there was one that really made me laugh. It involved Vice getting thrown in all directions for a Family Day dance number and his resulting expressions were just too funny. We needed more of these and less of the out-of-the-blue Leila de Lima impersonations.

9. “Bakit di nila tayo isinama sa filmfest? Itong mga batang ito ata ang malas!” Nope, definitely not their fault.

Rating: ★★☆☆☆

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