JUANA AND THE SACRED SHORES (Antonne Santiago, 2017)
Similar to Pina, this dance film was just too artsy for my basic tastes. Kwento ko na lang sa inyo mga bes.
So merong long-legged Ate Dyosa na nag-trip magsayaw sa maduming batis. Biglang dumating si Gluta Koya na may dalang santol at more join sa ballet nya. Nagpagulong-gulong sila sa putikan at nagtastas ng damit. Biglang may Grindr notif si Koya so itinigil nya ang pagkaladkad kay Ate Dyosa na naninilaw na. Paggising nya, naka-blusang itim na sya at nagpapaligo si Gluta Koya ng isang bata.
Tungkol ba ito sa colonialism? Oppression of women? Dance as art form? Ang deep, men!
MARIA (JP Habac, 2017)
Aka the Reproductive Health Law Movie.
From the opening breakfast scene with a dozen children of all ages grabbing for the remaining food on the table, to the endless petty fights between the siblings (that would put Bunak and Bilog to shame), to the mother giving birth yet again to her twenty-nth baby inside a tricycle, it was enough for me to wish for an instant vasectomy.
Strong message and good production values, but it just fell short from being a public service announcement.
NAKAW (Arvin Belarmino, Noel Escondo, 2017)
Single take, poverty porn, murky lighting, shaky cam, gratuitous sex and violence, social relevance, Kristoffer King. This short was able to tick everything off the Brillante Mendoza-lite checklist. Didn’t really feel necessary.
HILOM (P.R. Patindol, 2017)
There was something sweet and completely unsettling between the bond of the young twin brothers in this short. When Blue Twin developed a stronger friendship with another boy, you could actually feel the jealousy of Pink Twin. At the end of the day though (and amidst the malicious gay accusations), blood was still thicker than water.
Solid production values all-throughout. I just wish it didn’t hold back and ventured darker than expected.
BAWOD (TM Malones, 2017)
Although I liked the initial focus on the charming relationship between the grandfather and his thirteen year old granddaughter (especially the opening sequence with their constant banter that ended up in a carabao ride), it failed to capitalize on this and instead chose to take a philosophical route (similar to that clichéd bamboo metaphor).
The ending made me scratch my dandruff-free head.
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar, 2017)
A well-intentioned short dealing with extrajudicial killings that was tough to watch given its crude technical aspects. It was like watching a Powerpoint presentation that would always fade to black before moving on to the next flashback scene. Most of the performances were terrible (the part where the friends delivered the bad news to the father was cringe-worthy). The blatant audio issues were also very distracting and in the only scene that was meant to be affecting, the musical score started to swell before the sappy theme song was played.
Maiiyak na sana ako sa dulo nang biglang lumabas ang multo ng napatay na anak. It was probably meant to be sentimental, but I walked out of the cinema laughing instead.