My notes on Kiko Boksingero:
1. In the same way that men would never understand the pains of menstrual cramps or childbirth, I think women wouldn’t also fully realize the physical and psychological effects of circumcision. The humiliation of being called supot, the mixed fear and anticipation of that chosen summer, the embarrassment in asking your father to accompany you to the nearest hospital, the excruciating agony of walking around in XXXL basketball shorts, and the horror of letting your mother (mine’s a nurse huhu!) tend to your wounded member (in full kamatis mode) would always be an essential and memorable part of a young Pinoy boy’s rite of passage.
2. In one touching scene, Kiko (the endearing Noel Comia, Jr.) was explaining to his estranged dad George (a terrific Yul Servo) that all the other boys in his school got circumcised the previous summer and that he missed it because he didn’t have a father to go with him. It was such a simple moment, but heartbreaking enough to make me text a single mom friend about how sad it made me feel and that I would be willing to be a proxy circumcision father for her son as needed.
The scene ended on a light note with George joking about the high medical fee (“Sana pala sa albularyo na kita dinala. Ako nga pukpok lang. Kita mo ang laki na!”) and it just made everything feel really genuine.
3. It was this kind of authenticity that made this perfectly-told coming-of-age film really special. It could have easily gone the typical Pinoy melodrama route, but it decided to keep things very straightforward. There were no big moments, no acting highlights, no twists, no spoonfeeding of explanations, no unnecessary frills, no pretensions and yet it kept me thinking and made me burst with emotions (yes, I sobbed like crazy) as soon as the end credits rolled.
4. I really loved the movie’s take on a modern family. We were basically just watching Kiko and Yaya Diday (Yayo Aguila) do the most ordinary things (the scene where she applied baby powder on his neck and placed a bimpo on his back took me back to my grade school days).
I smiled every time she lovingly corrected him on his lack of manners (“Para kang sira”, “Para kang sira PO”) and laughed every time she would complain that she should have picked him up from school, but never really bothered to do so.
Yayo (in a career-best performance) fully captured the essence of her character and it would make everyone wish that they had a Yaya Diday to comfort them during times of trouble and force them to eat their veggies every meal time.
5. In one emotional scene, a heartbroken Kiko (abandoned yet again) and Yaya Diday hugged each other while we were treated to a majestic view of the Baguio landscape at night. Definitely one of the best moments in Pinoy cinema this year.
6. Originally titled Pacboy and supposedly about a kid’s quest to look for his father Manny Pacquaio, I was actually happy with all of the creative changes (I heard that the legendary boxer didn’t approve of the story). Since the updated plot just had him as Kiko’s favorite boxer, it further highlighted the difference between his hero worship vs idol worship. This was even more obvious when George asked Kiko if he wanted to be the next Pacquaio and his smart retort was, “Ayoko maging senador”. Now that was a knockout line.