KASAL (Ruel Bayani, 2018)

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SPOILER ALERT!!

My notes on Kasal:

1. According to the Urban Dictionary (one of my online sources of truth), the word “triggered” meant getting filled with hate after seeing, hearing, or experiencing something you couldn’t stand. By the end of this completely offensive movie masquerading as an LGBTQ+ advocacy film, you could definitely consider me triggeredt (with the additional t for emphasis, and also as a millennial).

I actually decided to let my emotions simmer down before writing anything but after a full 8 hours of sleep, I was still feeling the exact same thing. Who were the bright minds behind this monstrosity??!

2. Anybody who had seen the teaser/trailer would already have an inkling on the much-hyped twist here. If you guessed that Philip (Paulo Avelino) and Wado (Derek Ramsay) were previously lovers and their entire history would be the major cause of drama prior to the wedding with Lia (Bea Alonzo), then you had a much better story right there.

The only twist here wasn’t exactly a twist. Philip was just secretly gay. Yun na yun. Now that would have been fine if only the movie had the thoughtfulness to handle such a topic. Shown after the heels of the critically-adored Love, Simon, one would expect that homosexuality would no longer be used as a regressive plot device and that serious topics like coming out would be handled with the required sensitivity. But no, this was a Star Cinema movie where a gay lead character would actually identify as bisexual because heaven forbid it would end without a happy couple walking out of the church very much in love.

3. Did I mention that Wado was the straight ex of Lia and part of his plan to win her back and break up her engagement with Philip was to blackmail the latter by playing footsies with him and using a seduction video of them in the shower (complete with an ominous, slightly porn-ish musical score)? Huh?? Seryoso? Wouldn’t Lia even question why Wado was also making out with another guy? In the shower??

Even worse, the video showed Wado physically and sexually assaulting Philip! How could that possibly work in his favor? That was obviously just another stunt to get two heterosexual local actors kiss (oh, how brave!). And no, Paulo’s upper-half butt exposure was not enough to appease me.

(Side note: A couple of women next to me were loudly screaming “Yuck!” during the entire sequence. I hope that was their reaction at the apparent foolishness of the movie and not at the sight of two men kissing because, c’mon guys, it’s 2018!)

4. But wait, I hadn’t even touched on the worst scene in this awful mess. After Philip’s (who was running for mayor) secret was revealed in public, Lia confronted him and said something like “Ang tatay ko transgender. Ang fiancé ko bisexual. Konti na lang mabubuo ko na ang LGBTQ!”. Please note that Philip in this supposedly emotional scene was just outed without his consent and had a bloodied face after a scuffle with Wado and the entire cinema was howling with laughter because of that dialogue.

And then Lia backtracked by saying that she wasn’t really mad about his sexuality, but at the deception and lies that she had been experiencing all her life. I was so happy you corrected yourself and made it all about you, girl! Confetti and glitter for you!

5. Since Lia was such an endearing and selfless character, here are my words of advice for her: 1) never wear white pants when doing an ocular visit in a dusty location, 2) learn to listen every once in a while and stop these empty declarations (“Don’t you ever speak to me about pain again!”, “Sino ka para sabihin sa akin kung anong gagawin sa buhay ko?”), and 3) if your wet armpits had always been an issue in previous relationships, there are several deodorants and anti-perspirants in the market to choose from (I can attest to the miraculous powers of Arm & Hammer).

6. I was surprised this wasn’t made into a teleserye since most of the characters seemed to be plucked from local soap operas:

• Philip’s controlling mother (Cherie Gil) to blushing bride-to-be Lia: “I was supposed to let you wear my custom-made Oscar dela Renta wedding gown. Of course, I was slimmer then, baka hindi magkasya.”

• Domineering father (Christopher de Leon, with flaring nostrils as always) to his wimpy, disappointing son Philip: “If only your brother Andrew did not die in that accident!”

• Olivia Papa in her signature white blazer (Cris Villonco): “!!!!!!!!!!!!!!!!!!!!!!!!!!!” (Basta laging galit at sumisigaw.)

• Lia’s realizations after getting her heart broken by a bisexual: “Now I know that marriage is not just one big event. It’s a choice that you make every single day.”

Jusko, not even Primetime Bida levels! More of Kapamilya Gold. With another Moira dela Torre theme song. Bagong-bago! Itigil ang kasal!!

Rating: ★☆☆☆☆

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CineFilipino Short Films – Set A (2018)

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#CineFilipino2018 – SHORTS A

LUISA AT GUADA (Jude Matanguihan, 2018) – ★★★★★

I’m such a sucker for these old people stories. Maybe because I’m not just an old soul, I’m just really old (huh?). The sungka reference, the pop culture chismisan about Kris Aquino and James “Uy”, the usual lola shade of “Ganyan ba manamit ang matinong babae?”, and the subsequent “Santissima!”. More relate, more fun.

Sherry Lara and Peewee O’Hara were terrific as the lifetime BFFs. One could only wish for a lasting friendship like theirs.

*****

RUFYLA (Coleen Tanco, 2018) – ★★☆☆☆

I really liked the tranquil opening sequence that also served as an introduction to the majestic T’boli culture, but then it devolved into a melodramatic public service ad about exploitation of probinsyanas (and to an extent, indigenous people). Literal kung literal.

*****

BINATA NA (Dexter de Jesus, 2018) – ★★☆☆☆

Interesting choice of not showing the faces of the actors, but it wasn’t able to add much on the discussion of circumcision as a Pinoy rite of passage to manhood. Of course there had to be a shot of a banana being peeled. I would have preferred an eggplant’s tip being chopped off, though.

*****

BOYET LOVES YOU (Josel Fajardo, 2018) – ★★★★☆

An effective horror-comedy that didn’t resort to cheap scares. Terrific performances from the two girls (one of them’s viral sensation Kat Galang) who had me from the moment they discussed the urban legend of the Snake Man in Robinson’s Galleria. You would probably piss your pants from laughing and/or pure terror.

*****

TUGMA (Joshua Tayco, 2018) – ★☆☆☆☆

Clearly well-intentioned, but its inauthenticity made it unbearable to watch. What rhymes with corny? (This had a rapping kid obviously named Rap so please don’t say horny.)

*****

SI APONIBOLINAYEN AT ANG MGA BATANG LUMILIPAD (April Aspiras, 2018) – ★★☆☆☆

Another social commentary, this time about displaced Lumads set in a constantly smoky place to establish atmosphere (seriously though, bakit laging mausok?). Very much like the kids with their glider, one would hope that this would soar, but it crashed with a resounding thud. (Pa-smart lang ako. Di ko lang talaga naintindihan.)

CineFilipino Short Films – Set B (2018)

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CINEFILIPINO 2018 – SHORTS B

.RAW (Eugine Frondoza, 2018) – ★★★☆☆

Reminded me of two things: 1) the belief that there was a certain gloom behind these perfectly-edited pre-nup videos, and 2) my undying love for Mara Lopez. I just wish it went beyond the “love the raw and unedited version of your other half” message.

*****

GABI NG KABABALAGHAN (Stephen Lopez, 2018) – ★★★★★

My easy favorite from this set. It was a well-crafted, inspired, and wicked take on Magandang Gabi Bayan’s iconic Halloween special. Those hilarious reenactments with the White Lady were just spot-on. Best end credits sequence, too. Made me excited to see what else this director had to offer.

*****

LASINGTUNADO (Miguel Fernandez, 2018) – ★☆☆☆☆

With its corny jokes and extended fight scenes, this one felt very much like an annoying, drunk next-door neighbor who went way past the allowed 10pm videoke curfew. If only it had more of that smart Bituin Escalante reference.

*****

AMUSIN PA (Raiza Masculino, 2018) – ★★☆☆☆

Spotty Southern Tagalog accents aside, this didn’t really offer anything new to the puppy love slash coming-of-age genre. At least it had the same kid in the wonderful Ang Painting ni Tatay.

*****

DUYAN NG ALON (Kaye Banaag, 2018) – ★★★★☆

I really liked this version of Cast Away imagined through the eyes of a child. It also had some really striking visuals, including a precious shadow play sequence that I could probably watch all day.

*****

ATE, KUYA, GUSTO KONG KAPE (Mark Bayani, 2018) – ★☆☆☆☆

Even an all-“star” cast that included Epy Quizon and 90’s Most Promising Actor Jao Mapa could not save this obvious headscratcher. “Sino si Ate?” Did anyone really care?

*****

SIYUDAD SA BULAWAN (Jarell Serencio, 2018) – ★★☆☆☆

There was an underlying sadness in this story of miners (and minors) working in a city of gold, but the film ended without really saying much. It looked really good, though.

DOTGA: DA ONE THAT GHOST AWAY (Tony Reyes, 2018)

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SPOILER ALERT!!

My notes on DOTGA: Da One That Ghost Away:

1. I was surprised that Vhong Navarro wasn’t included in the cast given that he headlined the last two horror-comedy films of Star Cinema (please note that I didn’t consider the unintentionally comedic horror films of Kris Aquino, like Segunda Mano where she pissed her pants in terror for buying a secondhand Prada bag).

In terms of comparison, this one was less like Bulong (actually a guilty pleasure) and more of Da Possessed (which had the gall to make fun of Vhong’s rape case). I already expected tons of corny jokes and lame slapstick humor, but even with my IQ lowered and in full babaw mode, I could only muster one giggle in all 100 minutes (again, I only counted the intentional one because I spent the entire movie hysterically laughing at Enzo Pineda’s acting that he equated with wide eyes and flaring nostrils).

2. Carmel (Kim Chiu) and Jerald (Ryan Bang) were ghost hunters slash con artists that brought along their team dressed as horror film characters (Ghost Bride, Chucky, Tiyanak, etc.) to terrorize and pretend exorcise haunted houses. She used a magical triangle (yes, the musical instrument in the percussion family) and shouted nonsensical chants (“Mother Ignacia! Sergeant Esguerra! Papuntang Abra!”) as part of her ritual. I was surprised that there were people who actually fell for this kind of silliness (although their first victim was a Krizzy impersonator and we all knew how gullible she could get).

3. This movie was rated PG because the MTRCB thought that parents could easily explain what Carmel meant when she said “Sabi na di ako nagpi-pinger eh” after using a dating app called PinGer. Or why she kept emphasizing the name of Enzo as JACK COLmenares (just in case it still wasn’t obvious enough, his name was written exactly like that on a white board). Should we expect the Colmenares sisters to be named Jaja, Nadia, and Gina? Seriously, this type of Pinoy green humor hadn’t been funny since my high school days circa ‘90s.

4. Terrible, terrible editing. In one scene, Serrah (Maymay Entrata) was looking at her compact mirror and asking “What is that ghost I see?” and then it abruptly cut to her and Chire (Edward Barber) walking to school. What was that about?

(Also, as a huge #MayWard fan, please give them a good film that they actually deserved! Sayang talaga sila!)

5. Oh, Jerald also worked as a language teacher in a school called Fil-Eng-The-Blanks. Wala na bang ikaka-corny pa ang pelikulang ito?

6. The only funny scene that I mentioned earlier was a brief gag where Carmel hugged a sweaty Jack, then wiped the wet part of her cheek with her left hand, and smelled it like she was endorsing the newest Downy fabric conditioner. It was a testament to Kim’s charm and sharp comic timing that a throwaway moment like that would actually work.

7. If Enzo acted like his life (or career?) depended on it, on the other end of the spectrum was Ronnie Alonte who didn’t even feel the need to act at all (was it because it was just a cameo role?).

8. Tabako vs Sadako? Bearable. Valak vs Halak? Meh. Black Panty vs Black Panther? Wala na maisip??

9. I felt bad for the extras in the scene where they pretended to freeze as part of a spell (think Mannequin Challenge only without music). Carmel had this really lengthy monologue (“Oo nasaktan na ako lola. Shinota niya ang best friend mo!!”) and you could actually see some of them in the background starting to shake (as in nanginginig na sa sobrang ngalay). I could have subbed for any of them because I had always been a master Statue Dancer.

10. Carmel: “Ikaw pa rin ang DOTGA ko!”

Jerald: “Da One That Ghost Away?”

Carmel: “Da One That Gusto Ako Pero Baka Maging Gusto Ko Rin!!”

Huh? Isn’t that DOTGAPBMGKR?!

Kimmy, pinapainit mo ang anit sa ibabaw ng ulo ko!!

Rating: ★☆☆☆☆

THE SIGNIFICANT OTHER (Joel Lamangan, 2018)

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SPOILER ALERT!!

My notes on The Significant Other:

1. After a round of the most laughable sex that involved scenes of sweating backs, shaking thighs, and curling feet, Nicole (Erich Gonzales) asked Edward (Tom Rodriguez) about the status of their relationship. She wanted to put a label on it since she already said “I love you” to him on their first date, plus they had been making out for the longest time already (the first being inside a car on an open field, next to a peeing kalabaw; how romantic!).

He could not give a straight answer since he was secretly married to supermodel Maxene (Lovi Poe) so with his signature constipated look, he assured her that she was his “significant other”. Not boyfriend-girlfriend, not boo, not sweetheart, not jowaers, not we’re-in-a-loving-relationship-since-we-had-sex-next-to-a-pissing-carabao, but just significant other.

Nicole, being the typical clueless kabit who had no self-respect and was devoid of any self-worth, lapped up his every word and reacted very much like the Sultan of Brunei just proposed to her. Gurl, since Edward was neither gay nor a millennial, being called a significant other was tantamount to being a kept woman. Yes, kerida, kabit, number two, mistress!! (Did I miss anything Terry?)

2. It was this kind of silliness that permeated throughout the entire movie:

• Where a candidate for a beauty pageant called Binibining Bacaycay fainted onstage and yet a talent agent was more concerned on recruiting her for a possible modelling career (shouldn’t someone be bringing her some Aceite de Manzanilla?).

• Where a high-profile dermatologist would use a flashlight for five seconds very much like a laser pointer to check a birthmark (fun fact: he called it a cafe au lait; do they also come in other fancy coffee names?) and immediately scheduled surgery to have it removed. One should also note that he was a complete pervert (he actually said the line, “Bibigyan kita ng gamot para mawala ang kati” and then promptly kissed the patient’s affected neck area after the laser treatment). Eww!!

• Where said high-profile dermatologist had an assistant nurse slash secretary whose main purpose was to sit at a desk armed with just a clipboard to welcome guests. No desktop computer, no laptop, not even a calendar or planner. Every appointment was on her magic clipboard. Where could I get one?

• Where a character said something like, “Wala nang mas gaganda pa sa bulaklak na niluto ng Diyos.” (Wait, bakit niluto ang bulaklak?)

• Where an extra delivered the line “Nicole, tinawagan ako ng nanay mo” then realized that she was a bit thirsty, asked for water while saying “Ako’y init na init na”, drank said glass of water, and without skipping a beat, repeated the exact same line “Nicole, tinawagan ako ng nanay mo”. Jusko!!

3. Speaking of lack of self-respect, there was a fashion show where Nicole and Maxene wore the latest Avel Bacudio wedding collection (sheer skirt over visible undergarments susmaryosep magagalit si Mother Butler!) and they took turns kissing Edward to stake their claim over him. It escalated into a slapping showdown and then a heated shouting match.

Nicole to Maxene: “I’m his significant other!!” (Like that actually meant shit.)

Edward: “Shhhhstop! Ssshhhhtop!!”

Maxene to Nicole: “Ginamit ka lang ng asawa ko bilang parausan!!” (The subtitles actually said: “You were just used by my husband as a pass time.”)

Avel Bacudio (played by Ricci Chan, the only actor here who was intentionally funny) then came out from backstage and started screaming (subtitles: “Are you finish? I, Avel Bacudio, is the star of this show!!”) and the two women had to regain their bearings and walked on the ramp again while the crowd cheered. Santissima santa!!

4. But wait, there’s more! When Maxene discovered that her husband was cheating, her first instinct was not to confront him, but instead to look at their happy family pictures and reminisce about the good ol’ times. More flashback while the theme song played. “I recall when you said that you would never leave me…” More hikbi. Dear Malabanan Services, please help because the amount of shit here is completely overflowing!!

5. Sample words of wisdom:

• “Yang kerida salot sa lipunan yan eh. Yan ang dapat tinotokhang!!”

• “Pag malaman ko lang sino ang babaeng yun, bubudburan ko ng asin para mawala ang kati!!”

• “Ikaw ang nagtulak sa kanya. Naghanap sya ng init sa puso.”

“Kahit anong sabihin mo kabit ka lang habang buhay!”

“At least ako ang pinili. Belat!” (I just added the belat part, but it wouldn’t feel out of place, right?)

6. After all the catfights and empty one-liners, the pervert, the negligent wife, and the kabit reconciled and became friends in the end. Because nothing screamed Pinoy soap opera more than a legal wife and a mistress winding up as mag-kumare for that requisite happy ending. “I’ll just keep on dreaming till my heartaches end…”

Rating: ★☆☆☆☆

FIFTY SHADES FREED (James Foley, 2018)

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SPOILER ALERT!!

My notes on Fifty Shades Freed:

1. When Anastasia Steele (Dakota Johnson; were you expecting anyone else?) said something like “Look around! There’s nothing but boobs as far as the eyes can see. It’s Boobs in Boobsland!”, she could very well have been referring to her own movie. For a supposed chick flick, there was just way too many scenes of Dakota’s exposed breasts that I couldn’t help but silently scream “Utong na loob please!” or “Utong ina! Yan na naman!” every time they would make an appearance. I swear, this movie gave a whole new meaning to the word “buyangyang”. Scarred me for life, too.

2. Although this one wanted to be a sex-thriller with a subplot about a stalker (the smartest, slickest and most invincible fiction editor ever!) who was threatening their lives, I was more bothered that Anastasia was no longer using her brand new rose gold iPhone that she received as a sweet gift in the last movie. Her Macbook seemed to be missing as well. Geez, nagka-jowa lang ng mayaman nagwaldas na agad ng pera!

This was the same reason why I never really fell for her still-innocent facade here, like her faux bewilderment upon seeing the Grey private jet (“You own this?”). Oh please, drop the naive virgin act gurl! How could you still be surprised by how rich your new husband was when he basically bought your entire publishing company just because he wanted to? And let’s not forget that he crashed a personal helicopter as well in the last installment. Enough of this arte. You’re no Laida Magtalas!

3. If Christian Grey (Jamie Dornan) was a billionaire, how could he not afford some decent bodyguards? The one person that he hired to protect his wife was so pathetic that basically everyone else was able to outsmart, outrun, and even outdrive him (to be fair, Anastasia could do a mean parallel park so…). Even worse, the Matt Bomer-lookalike actor that played him looked more Christian Grey than the actual Christian Grey. How sad.

Better security could have prevented the assault of Anastasia that left her in a coma (after just a mag-asawang sampal and a kick in her pregnant stomach, really??). Rita Ora should be thankful though since it gave her an additional (albeit still forgettable) scene that displayed her best acting work since last season’s America’s Next Top Model.

4. Why was he being such a big baby over her pregnancy? I could understand him disrupting a professional meeting just to complain about her not wanting to change her name on the work email, but I just didn’t get all the fuss about him being a total loon about the baby. No, let me correct that. He was jealous of the baby. His own baby. What happened to being a (kinky) Prince Charming?

5. Precision. Style. Comfort. The new Audi Quattro. And if the Fast & Furious style mini-commercials weren’t enough, they just had to include a scene where Anastasia toyed with Christian’s stick shift. At least I finally discovered his flaw when he blew his load during that car sex scene after a mere ten seconds of pumping (not gas, obviously).

6. Oh and those terrible sex scenes were a fitting end to this flaccid series! What happened to the perverse/deviant aspect? One involved a vibrator that resulted in… what’s the equivalent of blue balls? Blue clit? There was another one where he spread ice cream on her vajayjay and started to lick it off and I swear my tongue made a deep dive into my esophagus and I almost choked to death watching a silly S&M movie (how apt!).

At least this one further supported the basic fact that cheesy porn was meant to be enjoyed alone in the comfort of one’s own home where you wouldn’t hear the shocked person behind you mistaking a butt plug for a spoon (“Kutsara ba yan?). Ate, stay out of my kitchen!!

Rating: ★☆☆☆☆

MY FAIRY TAIL LOVE STORY (Perci Intalan, 2018)

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SPOILER ALERT!!

My notes on My Fairy Tail Love Story:

1. Never ever commit the mistake of making an analogy between Oscar-less Amy Adams and Grammy-less Katy Perry because I would surely hunt you down. It was this undying love for Adams that made me promise to watch Enchanted at least once every year. You know, that clever retelling of a fairy tale where she played a storybook Disney princess banished by her stepmother into the real world and searched for her ever ever after.

I think this movie wanted to be very much like Enchanted (aside from the obvious The Little Mermaid), but it failed to capture the magic of that film. Its idea of romantic love was having a character deliver the line, “With or without your tail, kahit amoy palengke ka pa, bottomline is mahal na mahal kita”. I guess it was meant to be sweet, but overall this mermaid out of water story felt very (insert Ariel’s voice here) what’s that word again… bilasa.

2. I actually thought the movie never recovered from the moment Chantel (Janella Salvador) cracked a joke during her birthday party, “My late mother would be proud of me. Oh, she’s not dead! She’s just late.” Nyek! And that was only ten minutes in.

The only source of fun I had was listening to every properly enunciated word coming out of her mouth (Tita Lea Salonga would be proud). It might be intentional (I’d like to say it was more fortuitous), but Janella sounded very much like a theater actress. If Atlantis Productions would ever stage The Little Mermaid again locally, I’m sure she would be great in the lead role.

3. Wait, if Chantel was a mermaid, why didn’t she have any problems living and breathing in a water-free environment? Instead of a bathtub, she spent her days on a bed. Or even jumping (!!) around from room to room (let me see you do that, Ariel!). Seriously, if I had scaly legs, I would always make sure they were properly moisturized.

4. I couldn’t get over the fact that Chantel immediately accepted that she grew a palikpik overnight, but fainted in the bathroom at the sight of Noah’s (Elmo Magalona), uhm, baby shark?

5. To be fair, the production design and the underwater photography looked really good. One of the very few clever bits here was when Chantel surfaced on the beach with a plastic bag on her head. Environmental awareness from a fantasy film? Not bad. Liked the theme song, too.

6. Speaking of fantasy film, you know you were watching one when spoiled rich kid Chantel looked giddy and excited upon seeing the racks of wonderful clothes that were available in… Robinson’s Department Store.

7. Burning questions:

• When Chantel broke into the highest falsetto and cracked her mirror, how did Noah’s designer glasses remain intact?

• Did Chantel readily own a pair of orange seashell bikini top to match her tail? (More importantly, how much do they cost in Robinson’s Department Store?)

• When Noah mentioned that being in a wheelchair was the latest fashion craze in New York, how dumb were those kids to believe him? And how many PWDs did he actually offend?

8. Chantel was head over heels in love with Ethan (Kiko Estrada) even if he had Keempee de Leon hair and dressed very much like a typical 50ish gay uncle who was on vacation from Saudi Arabia. Didn’t she smell anything fishy?

Rating: ★☆☆☆☆

WINCHESTER (Michael & Peter Spierig, 2018)

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SPOILER ALERT!!

My notes on Winchester:

1. Popularly known as “the house that spirits built”, the Winchester mansion in California looked every bit the oddity that you would expect from its ghost architects. With seven storeys and over a hundred rooms, it was meant to both please and distract the entities haunting that place. There were secret rooms, doors that led to nowhere, early intercoms that utilized pipes, thirteen (supposedly a lucky number) items in every room, and weird staircases meant to assist the house owner Sarah Winchester (Helen Mirren) who was suffering from arthritis.

It was an ongoing construction for over forty years that only ceased upon Mrs. Winchester’s death. Now open for public viewing as a popular tourist spot, I would certainly want to visit the place and squeeze my brain out wondering how much staff and how long it took to actually clean the entire house. I might even bring my own bottle of Lysol.

2. Even with such an interesting history, the movie itself failed to capture the mystery surrounding the house and its occupants. It relied on the usual scare techniques that would only work on people that had never actually seen a horror film. Reflections of ghosts in a mirror, a character looking under the bed to check creaking noises, demons that peek in keyholes and in between door spaces, tired tired tired. One character mentioned that “fear is all in the mind”, but no matter how much I opened myself up to getting scared silly, it just never worked.

3. The great Mirren was the only reason why I even bothered with this. Caligula aside, I don’t think I had ever seen her in a horror movie. The closest would have to be the execrable Teaching Mrs. Tingle, which was still surprisingly much better than this one.

I seriously wish she was paid handsomely for this project because it seemed like the budget for the script was given to her instead. At least it was fun seeing her look like she was ready for Halloween 2018 as wedding belle Ivy Aguas.

4. Every time I hear “laudanum”, it would always be in the voice of Kirsten Dunst as Claudia in Interview with the Vampire, coyly telling Lestat that it “keeps the blood warm”. Hey, now that was a great horror movie! Time to revisit.

5. Oh, this also served as a propaganda flick against gun violence. One character actually mentioned that guns were evil because they were instruments of death. I found it really odd then that the ghost (no, not Charlton Heston) sought revenge by using a rifle. In turn, he was vanquished back to the afterlife after getting shot. So anti-gun laws or what?

6. Wait, was the falling nail during the final scene audaciously even hinting at a possible sequel? Que horror!!

Rating: ★☆☆☆☆

The Best of Pinoy Cinema 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes, 2017)

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SPOILER ALERT!!

To say that this was inspired by Train to Busan would be an understatement since it directly lifted several key scenes (and characters) from that Korean sleeper hit. In this Kalyeserye version though, Lola Nidora (Wally Bayola) played the role of Gong Yoo (shoray ni lola!), also bitten by a zombie in the end before she jumped (was pushed?) off a moving speedboat. (Don’t worry, the saltwater magically cured her for the requisite happy ending.)

We rarely get local zombie movies (either we’re not technologically advanced to accidentally unleash a new virus strain or our bodies were just auto-immuned from all the pollution and dirt in our country) so I was a bit excited to watch this one. Unfortunately, it relied too much on slapstick humor that it ended up without a sense of danger or threat on any of the characters all throughout.

In one scene, the ragtag group (mostly Eat Bulaga alums) just happened to pass by a welding shop and it took a miraculous two-minute montage for them to fortify their bus. In another, the barbed wire separating the humans from the zombies was (questionably) raised so that Angelika dela Cruz could easily run to her zombie husband for a dramatic reconciliation.

Nothing here really made sense. Which would have been fine if at least the gags were funny. The three lolas pulled all the weight and the drop in energy was noticeable whenever they were offscreen. I would love to see them next in a family drama. Mukhang magaling magpaiyak ang JoWaPao. Until then, we’d have to be contented with this zombie movie where the undead extras try their best to avoid a rampaging bus.

Rating: ★☆☆☆☆