ONE HOUR PHOTO (Mark Romanek, 2002)

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SPOILER ALERT!!

My notes on One Hour Photo:

1. Remember when your parents would invite guests over and the worst thing that your mother could do was bring out her stack of family albums and proudly show your most embarrassing photos to these strangers? Like that picture of you swimming nude in a palanggana looking really silly and it would be everyone’s source of laughter? No? Then you must have been born after the digital revolution.

In my time (did I again sound like I just lived through the Mesozoic Era?), the term Kodak wasn’t just the most popular brand name in the world of photography (sorry Agfa and Fuji!), it was actually a verb synonymous to taking a selfie (“Kodakan na! Piktyuran na!”). Except that it would be really hard to take a selfie back in the day with those chunky Olympus cameras.

2. With the number of filters and Photoshop tools available now, film photography could definitely be considered a lost art. There was always that feeling of excitement in having your film roll developed (I actually missed that whirring sound when rewinding), crossing your fingers that it wouldn’t be exposed (otherwise, goodbye memories!), and just admiring the finished product that couldn’t be saved by any second takes or Camera 360.

3. Although this film might feel a tad dated (Robin Williams’ Sy Parrish actually said “When people’s houses are on fire, what’s the next thing they save after loved ones and pets? Family photos!”. Uhh, I don’t think so), the idea of a lonely psychopath stalking people through pictures could very well apply in this world of Facebook and Instagram. In hindsight, these social media platforms actually made it easier to gain access to people’s lives, unlike before when only the film developers could see you in your kinkiest outfits (hmm, I was suddenly reminded me of a grade school teacher who “accidentally” shared her scandalous lingerie photos to some of the boys in class).

4. The late great Robin Williams would always be Mrs. Doubtfire to me, but he was undeniably better in his more serious roles (his critically-acclaimed turn in Good Will Hunting, his criminally-underrated performance in Insomnia, etc.). His character here may be downright creepy (in one hair-raising scene that was the stuff of my nightmares, he imagined trespassing in his victims’ house and decided to poop in their toilet, their TOILET! Nooooo!), but he still exuded a certain warmth that made it hard to completely be scared of him.

His best scene was that reaction shot of him after being told that he was getting fired. The way his face scrunched up not because he was losing his job, but because he realized that he would lose access to the private lives of his victims was terrifying.

Side note: His set of baby blues were just perfect for all the blatant eye symbolisms used in this film.

5. “Nobody takes a photograph of something they want to forget.” Ironically, happy couple pictures would usually be the first to get deleted in your camera roll after a bad break-up. Just me? Okay.

6. I was weirded out a bit in that market scene where old family photos were put up for sale. Why would people sell pictures of their loved ones? And who would buy these stuff (because apparently there were potential customers if these were being sold)? Didn’t they see The Others?

7. I wonder how many people would feel paranoid about posting their photos online after watching this one. Just imagine all the possible stalkers lurking out there. Don’t worry, I promise never to poop in your toilet.

Rating: ★★★★☆

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MAID IN MANHATTAN (Wayne Wang, 2002)

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A Republican senator falling for a Latina maid would be even more of a fantasy now compared to when this fairy tale originally came out fifteen years ago. I’d be less surprised to see a movie with Jennifer Lopez as another Boy Next Door-ish cougar to Tyler Posey, who actually played her very young Bread-listening son here.

Poor Frances Conroy and the late Natasha Richardson were wasted as secondary caricatures, but even moreso the Actor Commonly Known as Voldemort. It was a bit uncomfortable to watch the dignified Ralph Fiennes trying his best Hugh Grant impression, made worse by his complete lack of chemistry with J.Lo. They obviously needed a dose of love potion from the Weasleys.

To be fair though, this movie (along with Miss Congeniality) had one of the most memorable makeover reveals in current cinema outside of the Anne Hathaway Universe (The Devil Wears Prada, The Princess Diaries, Les Miserables, err…). A radiant J.Lo in a pink strapless chiffon gown with a million dollar Harry Winston wreath necklace would be a maid’s ultimate dream. Well that and of course Gelli de Belen and her unlimited bikini collection in Ikaw Lang ang Mamahalin (Camiguin).

Rating: ★★☆☆☆

PANIC ROOM (David Fincher, 2002)

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I miss Jodie Foster. Even with Angelina Jolie kicking ass in her movies, I think that Foster is still the toughest heroine in Hollywood.

In this engrossing suspense/thriller, she plays a game of cat-and-mouse with bumbling intruders taking over her new house. The first half of the movie is great but when the characters start doing things they shouldn’t be doing (especially growing a heart), it quickly loses its momentum.

A pre-Twilight Kristen Stewart also stars and you start to wonder what happened with her potentials.

Rating: 3/5