MOVIE REVIEW: MADRASTA (Olivia Lamasan, 1996)

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SPOILER ALERT!!

My notes on Madrasta:

1. Bakit obsessed ang Hollywood sa pag-plagiarize ng films ni Claudine Barretto? Masyadong glaring ang similarities ng Got 2 Believe at 27 Dresses. Lalong hindi ako maniniwala na coincidence lang ang mga eksena na parehong-pareho sa Stepmom at Madrasta (kasama na yung confrontation scene ng dalawang nanay sa restaurant at yung ending na pagsali ng madrasta sa family picture). Akala n’yo tayo lang ang walang originality lagi ha. O ayan may masusumbat na din tayo sa Hollywood. Sana ang susunod na gayahin nila ay Kailangan Kita, where we’ll see a braless country girl played by Jennifer Lawrence fall in love with New York celebrity chef Chris Evans.

2. Isa siguro ito sa mga pelikula na kaya kong sumulat ng 1,000-word essay of random thoughts na walang kahirap-hirap. Memorable pa siya kasi bahay ng friend ko nung high school ang ginamit na location dito. Muntik na nga ako magka-film debut nung sinabihan niya kami na naghahanap ng extras for a party scene ni Ate Clau. Ang tagal ko pa namili ng best Giordano outfit ko tapos biglang na-pack up. Ayun siya na lang ang nakasama nung sumunod na shooting day (wearing her best Giordano outfit). Pero feel na feel ko pa rin na kasama ako sa pelikula by association.

3. If you’ll watch this through woke lenses in 2020, lalabas talaga na sobrang problematic niya. Marami kasing aspects ang film dealing with the class divide (“Pinakikisamahan ko na ang mga anak mo. Pati ba naman mga katulong kelangan ko pa pakibagayan?”) to the patriarchal system na hindi na acceptable ngayon. Although it did speak to an audience that lived through that period. Yung mga nakaporma ng Umbro jerseys or yung mga 90’s titos and titas na nagulantang ang pagkatao nang makita si Mariel (Megastar Sharon Cuneta) na nakaupo sa kubeta.

4. Peak Tita Shawie talaga ito. Deserved ang Grand Slam kasi ibang-iba ang atake kumpara sa mga blockbuster 80’s melodramas niya. Yung tahimik lang umiyak pero ramdam na ramdam yung sakit na kahit anong gawin niya, hindi siya talaga magiging parte ng pamilya ng asawa niya. Na kahit nagreklamo siya na lagi siyang nag-take ng backseat para sa mga bata, ang sinagot lang sa kanya ay, “I cannot give importance to my happiness at the expense of my children”. Saklap! Nasabihan pa na hindi masarap ang gawa niyang baked mac huhu.

Best scene niya dito yung almost wordless na pag-iyak niya sa deathbed ng kanyang favorite lolo set to the haunting Moonlight Sonata. Parang binuksang gripo ang mga mata niya pero very restrained ang acting. Halos hindi na rin ako makahinga kakaiyak nung umabot na sa sweet and touching na pa-ilong nila.

5. Nagustuhan ko yung twist na hindi madrasta ang maldita for a change. Effective talaga si Ate Clau basta pasaway ang roles niya (see also: Anak, Dahil Mahal na Mahal Kita). Kahit yung jumper outfits niya parang nagsusumigaw na super bitch. Tawang-tawa ako nung ibinibida siya ni Mariel sa kapatid nito by saying, “Mukhang suplada lang si Rachel pero kapag nakilala mo… ano… (two second pause)… ok naman.” Hahahaha!

Si Ms. Vangieeeee Labalan naman sobrang atribida as the household mayordoma. Walang bukambibig kundi ang kanyang idol na si Ma’m Sandra (Zsa Zsa Padilla). Feeling ko kung ganun din ang ugali niya sa akin, di rin siya magtatagal ng isang linggo. Either that or lagi ko papatunugin yung bell na pantawag sa kanya (very 90’s burgis film nga diba).

6. Speaking of social classes, ang galing nung juxtaposition ng lunch scenes ng dalawang pamilya. Yung kina Mariel talagang magkakatabi sila in a compact dining area tapos ang ingay mag-kwentuhan. Tapos nung kina Edward (Christopher de Leon) na, nasa may garden at naka-long table tapos very refined at tahimik lang. Yung mom lang niya (Madam Tita Muñoz) ang nag-lead ng entire conversation (at mukhang siya rin ang totoong may-ari ng bell).

Naalala ko nung pinanood ko ito sa sinehan sobrang lakas ng tawanan na more lamon ang brother ni Mariel (Cris Villanueva). Tapos biglang sigaw naman nung nahulog ang crab ng isang sister niya (Eula Valdez) na pinulot bigla at inilagay niya sa kandungan. Very relatable talaga sila.

Although ang funniest scene ni Eula for me still was yung pinabili siya ng McCormick Black Pepper tapos ang binili niya cornick kasi akala niya kelangan ng chichirya sa fancy birthday party ni Ate Clau. Bwahahaha!!

7. One of the few local films that first used live sound kaya minsan di mo marinig ang sinasabi ng characters kasi mas malakas pa ang mga palaka sa background.

8. Points to ponder:

“Meron ba namang nagmahal na hindi nasaktan? Kaya ka nasasaktan kasi nagmamahal ka. Pero mas masakit kung naghihintay ka ng kapalit. Yun bang iniisip mo kung ano ang dapat mong matanggap sa halip na isipin mo kung hanggang saan ang kaya mong ibigay. Kasi tayo eh mahilig tayong tumingin sa katabi kapag tayo ay nasasaktan na. Yun bang iniisip nating sila ang may kasalanan. Bakit? Wala din ba tayong mga pagkakamali?”

Rating: ★★★★★

MOVIE REVIEW: AMA, INA, ANAK (Jose Javier Reyes, 1996)

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“There are more ways of gaining fulfillment as a woman maliban sa pagiging isang mabuting ina at asawa. Eh kung yan ang gusto ng Mother Nature eh di sana anim ang dede natin sa katawan.”

I really love the wit and humor of Joey Reyes’ screenplays. His insights on gender politics in the ‘90s were just spot-on. He has also mastered the art of emotional manipulation, this time related to infertility issues and adoption (in one heartbreaking scene, the adopted kid played by Angelica Panganiban asked a pregnant Maricel Soriano if she also came from the latter’s tummy). I just wish that Edu Manzano’s character wasn’t a complete caricature that turned into a monster and then had a sudden change of heart in the end.

Also, I found it funny that eleven years later, this mother and daughter tandem would be bitter rivals fighting over Aga Muhlach in A Love Story. Parang episode lang ng Face to Face with Tiyang Amy.

Rating: ★★★☆☆

MOVIE REVIEW: WANTED: PERFECT MOTHER (Ike Jarlego, Jr., 1996)

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SPOILER ALERT!!

My notes on Wanted: Perfect Mother:

1. A strict father slash widower in need of someone to discipline his brats, er, kids hires a singing tutor slash nanny that teaches them the power of love, kindness, and respect through various song and dance production numbers.

Yes, this was The Sound of Music with Regine Velasquez sporting a faux-hawk and heart choker instead of a nun’s habit.

2. So much had changed in terms of child-rearing within the last few decades. There were several scenes here where adults would use force to make the children follow their will (e.g. the yaya played by Tita Winnie Cordero would grab and pull a young girl who didn’t want to go to school). Today, these things would easily fall under child abuse (hello Bantay Bata!). Our elders were able to get away with a lot back then, no?

3. The dad (played by Christopher de Leon, naturally) felt the need to look for a mother to his kids because: a) he didn’t know what tie would match his suit, b) he always woke up to the sound of his kids screaming their lungs out, c) as one of his friends put it, “Kelangan mo maghanap ng matinong babae na mag-aalaga sa’yo”. Which all begged the question, did he really need a spouse or a maid?

(No wonder Tita Shawie threw a bitch fit in Madrasta: “You’re absolutely right. Yan lang ang tingin mo sa akin. Taga-handa ng isusuot mo, ng kakainin mo. Taga-ayos sa bahay mo. Taga-salo sa mga problema mo.” I guess some things never changed.)

4. One of the best things in watching these old movies was a look back at the fashion during that time. Some of my favorite looks here were the mosaic top and black leather pants (and the perennial heart choker, of course) worn by Regine in the audition scene, the black baby doll dress with zippered red lips on the breast area matched with tattered tights (her idea of sexy when the bar manager said that her show needed “konting landi”), the high-waisted pants worn by the guys (with the belt area way above the belly button), and Bobby Andrews’ head scarf which looked like a cross between Ms. Celia Rodriguez and Madam Auring. Noted for next year’s Halloween.

5. Bing Loyzaga (who else?) played the wicked third party signaled by the dark eye shadow that covered the entirety of her eyelids (as if her flaring nostrils weren’t a giveaway). She was supposedly the evil one because she was cultured (she took the kids to a museum and they found her entire explanation on national painters really boring), she had pit stains in one scene, and she got mad when the kids wanted her to peel the shrimp for them (also, when they requested for sukang may bawang as a substitute for lemon butter sauce). Apparently, the fondness for art and the idea of independence was too elitist and therefore not mother material.

6. There were so many unintentionally hilarious lines in the movie but these were my favorites:

• “Bakit ka bibili ng alarm clock eh sa gabi naman ang trabaho mo?” (Collective groan from BPO associates.)

• “Miss Barubal! Miss Barubal!!” (Regine calling her landlady because that was her actual name.)

• “Kilala mo ba si Mickey Mouse? Diba lagi siyang hinahabol ng pusa?” (Huh? Sino? Si Hello Kitty?)

• “Ang alam ko sa butter palaman lang yan sa tinapay eh.” (Another point against lemon butter sauce.)

• “Ang trabaho mo tutor lang meaning glorified alalay.” (That’s why it’s always important to check the job description before applying.)

7. Do you still remember Kim delos Santos? Raven Villanueva? Mumay Santiago? Graciaaa? Welcome to the oldies club!

8. There was one touching moment when the kids were talking about their fears of somebody replacing their real mom. The youngest one even cried, “Sana hindi na lang kinuha ni God si Mommy.” So many realistic issues here that could have been explored in a much better movie (see Madrasta).

9. I loved how Regine was like the Pied Piper who turned tantrum-throwing brats into obedient angels with just her magical voice, all the problems vanishing after every musical number. One rendition of You Are My Song (of course I sang along) resolved all the issues and they lived happily ever after.

10. Oh, and the movie’s last line was Christopher asking Regine to change her blue nail color. To match her pink maid’s uniform, perhaps?

Rating: ★★☆☆☆