AWOL (Enzo Williams, 2017)

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SPOILER ALERT!!

Forget that the movie was pro-EJK (it really wasn’t any different from a Fernando Poe, Jr. or Charles Bronson revenge flick), it was just terrible. It couldn’t even give the audience a decent showdown between the bida and kontrabida (puro batuhan lang ng putang ina).

Why did Gerald Anderson talk that way? Parang namamaga ang dila.

Mag-ingat sa lechon. Nakamamatay.

Rating: ★☆☆☆☆

(Originally published August 21, 2017.)

100 TULA PARA KAY STELLA (Jason Paul Laxamana, 2017)

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SPOILER ALERT!!

Sabi ko hindi ako iiyak eh pero masyadong ginalingan ni JC Santos. Nasabayan ko tuloy sya sa paghagulgol nung sinabi nya na “Ikaw ang naging mundo ko.”

The love story here reminded me so much of the one that Forrest Gump and Jenny had.

Rating: ★★★☆☆

(Originally published August 21, 2017.)

TRIPTIKO (Miguel Franco Michelena, 2017)

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SPOILER ALERT!!

What a joke (and the joke was on us)!! These three episodes could have worked better as ten-minute shorts instead.

The only one that I kinda liked was Musikerong John because of its Twilight Zone feels, but everything else just felt like extended gags.

If your idea of weirdness was seeing Joseph Marco chug down a thimbleful of nana that came from his own pigsa, then this dark comedy would be right up your alley.

I’m staying away from anything Bavarian forever.

Rating: ★☆☆☆☆

(Originally published August 21, 2017.)

BAR BOYS (Kip Oebanda, 2017)

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Taking the Bar might be a more pleasurable experience. I could watch the great Odette Khan trying to make an affecting Carlo Aquino pee in his seat for an hour, but there just wasn’t enough going on here. And in what world is Sebastian Castro considered chakabelles?

Rating: ★☆☆☆☆

(Originally published August 17, 2017.)

ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman, 2017)

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One long and badly-edited sitcom. It would have been more bearable if most of the jokes (in the vein of Dolphy and Babalu circa 90s) were actually funny, except that they weren’t. I had more laughs watching The Lilian Velez Story.

Sharon Cuneta’s dramatic breakdown scene during the latter part of the movie reeked so much of desperation. She hopelessly attempted to out-uhog Viola Davis for that coveted Balanghai.

Even worse, people would most likely remember Moi Bien’s performance.

Rating: ★★☆☆☆

(Originally published August 9, 2017.)

BAGAHE (Zig Dulay, 2017)

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Angeli Bayani for all the awards!! She was just so good that it felt like I was watching (and personally knew) Mercy the entire time.

I really liked how the first half made the audience go through the entire investigation process. I felt embarrassed and violated and I almost fainted when she had that actual (?) blood test.

The second half felt a bit aimless and too on the nose with its constant explanations (at least now I know the adoption guidelines for an abandoned baby). It was unfortunate that it didn’t know when and how to end the movie.

Also, that ensemble with some of the most amazing character actors in Philippine cinema! Wow!!

Rating: ★★★☆☆

(Originally published August 9, 2017.)

HAUNTED FOREST (Ian Loreños, 2017)

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SPOILER ALERT!!

My notes on Haunted Forest:

1. This movie is shaping up to be one of the worst movies of 2017 so I will just provide a blow-by-blow so that you can all save your money. Obviously, spoilers ahead.

2. So the first twenty minutes consisted of a gagamba running after a taong grasa played by Jerald Napoles. As the resident baliw, he was blamed for the death of a woman hanging from a tree even if obvious naman na hindi niya kaya magpulupot ng thick branches ng puno (can anyone?).

3. Raymart Santiago and his bitchy daughter Jane Oineza went to the province for vacation (or prolly to do some soul-searching) after the death of his cancer-stricken wife. They stayed at the house of Maris Racal and Beverly Salviejo (and it’s a mystery how she’s related to them).

4. All the women in town are fond of wearing white kamison while strolling the haunted forest at night. Yes, this is a Mother Lily-produced movie.

5.

Maris: Di naman ako mahilig sa social media kaya ok lang kahit walang signal sa bahay.

Maris after looking at Jane’s iPhone: Uy, add mo naman ako diyan!!

6. Joey Marquez plays a cop with a habit of hitting suspects at will. I’d like to say that his character’s trapped in a Pinoy 90s sitcom, but he very much seems to fit right in the current police force.

7. Ok, mukhang gorilla yung killer.

8. Sample conflict…

Maris: Naku, naiwan ang bawang! Paano ako maggigisa nito?

9. Sumakay si Jane sa dimples ni Jameson Blake para balikan ang naiwang bawang. Kaso naaubutan sila ng malakas na ulan. Walang silong kaya basang-basa sila. Sabay labas si Jameson ng panyo.

Jameson: Eto, punasan na lang kita.

Seryoso??!

10. Kanina umihi sina Joey at Raymart sa gilid ng kalsada. Ngayon naman umiihi si Jane sa damuhan. Eh kaya kayo minumulto kasi di kayo marunong magpasintabi sa mga nuno. Mga bastos!

11. One sequence looked like the director was just having fun with a Snapchat filter. Hihihi!

12. Hirap ng role ni Jane. Her character fainted for the fourth time already. On the other hand, it’s the third time I’m trying not to fall asleep.

13. I probably would have been more scared of Myrtle Sarrosa’s dead character if she didn’t look like she was wearing the wrong shade of foundation and just forgot to brush her hair.

14. So the sitsit was supposed to eat Jane, but changed his mind when he saw Raymart. May sensual wagging of the tongue involved pa. Should we consider this as a step forward for equal representation of the LGBTQ community in local cinema?

15. So ayun na nga dinukot na ng sitsit ang gusto niyang dukutin kay Raymart. Tegi.

16. Everyone knew the tree where the sitsit lived but the townspeople decided to do a prayover around it instead. Nobody bothered to burn or cut it down. Until today.

17.

Jane to sitsit: Hoy! Magpakita kita!

After magpakita…

Everyone: Takbooooooo!!

Tengene.

18. Ayan happy ending na for Jane. Masaya siya kasi kahit napatay ng sitsit ang tatay niya nagka-lovelife naman siya sa probinsiya. Hindi na nga naman masama.

The end. Leche.

19. Ay buti di ako agad umalis. May mid-credits sequence. Buhay pa ang sitsit at lumipat sa katawan ng bangkero. Ready for a sequel kaso mukhang flop. Paano na?

Rating: ★☆☆☆☆

(Originally published January 3, 2018.)

The Best of Pinoy Cinema 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

SMALLER AND SMALLER CIRCLES (Raya Martin, 2017)

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SPOILER ALERT!!

One character probably summed it up best when he mentioned that the others may have seen one too many Hollywood crime films since there were no serial killers in the Philippines (hail Queen Jessica Zafra!). Although this adaptation of the Palanca-winning novel by F.H. Batacan had a distinctly Pinoy setting (what screamed poverty more than the Payatas dumpsite?), nothing else felt authentic in this slow-paced procedural slash disappointing non-thriller.

I couldn’t get past the unnatural dialogue between the two conyo Jesuit priests (Nonie Buencamino and Sid Lucero). When the latter said something like “Nobody raised a stink?”, I just wanted to make tungga a bottle of holy water. Although these served well during one Atenista joke, the English conversations just felt (what did you call it again, Holden Caulfield?), ah yes, phony. Don’t get me started on the unnecessary (oh look we’re multilingual!) French talk.

Even the themes didn’t exactly break new ground. Inefficiency of our local crime units? Politicians taking advantage of the poor? Abusive power of the Church? Pedophile priests? Where was Joel Lamangan when you needed him? Worse, the big reveal of the killer felt very anticlimactic with the introduction of a last minute character (and not in a menacing Kevin Spacey in Se7en way) whose motives and modus weren’t fully explained.

At least it had the budget for a competent all-star cast, lovely cinematography and terrific production design (that fully captured the grimy late 90s aesthetics). It also obviously wasn’t a rushed production with a pre-keto diet Mae Paner (and was that the late Joy Viado in one scene?).

I got bored during the sluggish killer confession scene so I just imagined a more interesting version of the movie in my head. I renamed Buencamino’s Father Saenz as Father Science since he was a forensics expert anyway and with all the victims’ missing hearts and genitals, he sought the help of Kim Chiu’s Mayen who already had an experience with monsters that shove organs down people’s throats. Chito Roño’s Smaller and Smaller Bagwas, anyone?

Rating: ★★☆☆☆