Search

The Spotless Mind

Musings of a Non-Film Reviewer. I pay, I watch, I comment.

VALERIAN AND THE CITY OF A THOUSAND PLANETS (Luc Besson, 2017)

IMG_3456

SPOILER ALERT!!

My notes on Valerian and the City of a Thousand Planets:

1. I remember watching the execrable Jupiter Ascending and wishing that it was a ride in Enchanted Kingdom’s Rialto instead. I had the exact same feeling with this newest flick by Luc Besson, something that I should probably have seen in 3D/4DX.

The lack of a solid story would have been forgivable with a more immersive viewing experience (moving seats to match all the chase sequences, blasts of wind from giant ceiling fans, a spray of mist here and there). I was also curious to know the aroma of all those pearls being pooped by the alien armadillos.

2. Kainggit si Ate Avatar. Her prep before an “I woke up like this” Instagram selfie consisted only of a simple facial wash of gold pearls (water-free!) and a few pisil-pisil on her already glowing cheeks. She actually resembled a bald version of Wilma Doesnt, if Wilma ingested a ton of silver and jars of glitter.

3. I know a lot of people that hated Cara Delevingne because 1) she’s part of the Bad Blood squad, 2) they immediately judged her after her snarky (er, frank) comments at a group of elderly morning show hosts while promoting Paper Towns, and 3) they would never ever ever be her. Wait, why do I sound like Tay-Tay? (Answer: I’m a Swiftie and I adore her posse.)

Cara was more of her same sassy self here, trying desperately to create sparks with Dane DeHaan who really looked like her twin brother that hadn’t slept since 2015. I could imagine her rolling her eyes upon reading the part of the script where she was supposed to be hit by the alien king’s crown and had to act funny while fainting cross-eyed. Oh, the things them British had to do to win over the American market!

4. To be fair, this was a visual treat as expected from the same director of The Fifth Element and Lucy. I particularly liked the concept of that CGI market where patrons had to walk around a vast desert while wearing high-tech helmets to see the actual funkadelic stalls.

5. The biggest surprise here was a shape-shifting, pole-dancing, cabaret-performing Rihanna. Sure, the role basically required her to just dance while transforming into a naughty nurse, a naughty school girl, a naughty Roller girl from Boogie Nights, and a naughty French maid among others (if she was a shape-shifter though, why did she choose to always look like Rihanna?), but she brought the necessary sizzle even as a mere voice for her blobby character (best line: “Life’s a drag when you don’t have an identity to call your own”).

I actually stopped caring about the Wonder Twins as soon as she showed up. Her character’s demise signalled the start of another nap in time for the third act.

6. I was a bit distracted by the silver patilya of Clive Owen. Also, Kris Wu. WUW!!

Rating: ★★☆☆☆

KITA KITA (Sigrid Andrea Bernardo, 2017)

IMG_3368

SPOILER ALERT!!

My notes on Kita Kita:

1. Where do we draw the line between persistence and obsession? Do we consider a grand gesture like asking someone out for a coffee date via a huge billboard in Morayta sweet or repulsive? If Xian Gaza actually looked like Daniel Matsunaga, would he still be considered a creepy stalker or just a determined romantic?

2. One of my biggest concerns with this movie was that after it made us fall in love with its unconventional lovers, it tried to sell us this disturbing (and Machiavellian?) big reveal that nothing was actually wrong with the couple’s predator-prey relationship history (I felt the exact same way when Maricel Soriano fell in love with her rapist in Dahas, but then that wasn’t even close to being a romantic-comedy). He knowingly took advantage of her disability, period.

It was truly unfortunate not only because the first two-thirds of the movie was deeply engrossing and enjoyable, but also because it didn’t really need any twist to come up with an interesting resolution.

I was more curious to know how Lea (Alessandra de Rossi) would have reacted after she regained her sight and discovered the true physical aspects of Tonyo (Empoy Marquez). In one scene, she even joked “Kung makita kita, baka pang-leading man ang mukha mo”. Wouldn’t it have been great to know her actual feelings upon seeing that he actually looked more like a stuntman?

3. Having said that, I was really impressed with the #AlEmpoy tandem because despite the odd pairing and clunky third act, they really made this love story work. Halos mamatay ako sa kilig sa unang Two Less Lonely People in the World montage. I swear I had this huge smile plastered on my face during that sequence. I even teared up a bit because I get really emotional whenever I see two people happily in love. Sobrang bagay sila.

4. Alessandra has always been consistently good in everything. Here, she was empathetic even as a cranky and bitter blind woman. When she cried while drawing on the eyes of the Daruma Doll to complete her wish, I was crying along with her.

The bigger acting surprise though was Empoy. He was just effortlessly funny whether he was applying breath freshener on his wrists, or mangling idioms (“The way to man’s heart is through large intestine”), or delivering a throwaway quip (“Kelangan mo ng asukal, ang asim kasi ng mukha mo”). There were moments when Alessandra looked like she was no longer acting while laughing at some of Empoy’s hilarious jokes (best one: “We have similar. Rities.”).

And that ramen scene, oh my heart!!

5. Pinoy Film/TV Trope: Any character crossing the street or standing near the sidewalk with vehicles zooming by has a 90% chance of getting run over. Survival rate of that unfortunate soul would be 10%. The victim in this movie did not beat any of the said odds. Enough please.

(Also, what happened to that sickness storyline of Tonyo?)

6. Some of the dialogue in the movie sounded off, like when Lea kept saying PG-rated lines (“Puputulin ko ang talong diyan sa gitna ng mga hita mo!”, “May nunal ka sa pribadong parte ng katawan mo!”) or sexist remarks (“Mas malandi ka pa sa babae!”). She also had this Isa, Dalawa, Tatlo voiceover during the confrontation scene with her cheating boyfriend that lasted forever. It was supposed to sound poetic, but fell flat.

7. Several scenes had poor lighting and instances where the camera kept tilting and shaking violently. What happened there?

At least those gorgeous shots in the Sapporo Botanical Garden (?) more than made up for them. I really need to visit Japan soon. Friends, ano na? The international setting was also really apt since this had the feel of a (Japanese? Korean? Thai?) rom-com.

8. For a blind person, Alessandra’s eyebrows were always on fleek, no?

9. Sigrid Bernardo is one of my all-time favorite local directors. If you end up really liking this one, you should also watch Ang Huling Cha-Cha ni Anita, Lorna, and her short film Ang Painting ni Tatay. I loved every single one of those (all five-star films, sadly her streak ended here).

10. So all this time I thought that “nomo” was actually gay lingo (or jeprox slang) for “inom”. I had no idea that it was an actual Japanese word that meant “let’s drink”. Nyeaaaaaaaam!!

Rating: ★★★☆☆

BLOODY CRAYONS (Topel Lee, 2017)

IMG_3293

SPOILER ALERT!!

My notes on Bloody Crayons:

1. During the height of Scream fever in the late ’90s, Viva Films attempted to create (read: blatantly ripped-off) a Pinoy version of that popular slasher flick and came up with the terrible Sumigaw Ka…Hanggang Gusto Mo. It was directed by Eric Quizon who had the audacity to cast himself as the movie’s killer and also included the entire cast of T.G.I.S. (kids today would never know the kilig brought by the Wacks and Peachy love team), plus other GMA Artist Center artists question mark.

In one scene, the killer (probably a fan of Mara del Valle) was running after Gladys Reyes who actually tried to escape by climbing up a fireplace. She ended up getting roasted, of course (silly girl, not even Becky would go up a chimeneya to run away from Ms. Minchin).

It was the kind of So Bad, It’s Horrible type of movie that you would only want to see once in your life due to severe trauma, but couldn’t resist to mock whenever it would get shown on cable. It was also the reason why a number of my friends that I forced to watch with me ended up swearing off ever watching Pinoy films in cinemas. I hope you could forgive me, FDCP.

2. Bloody Crayons would probably be the millennial equivalent of that trashy movie, only this time produced by Star Cinema and starred a number of Star Magic starlets. Most of the previous horror films directed by Topel Lee had obvious influences from popular Asian counterparts and this one was no exception (albeit more of Hollywood movies from the opening film-within-a-film sequence used in the Scream series down to the other ones reminiscent of the Final Destination series, Identity, Cabin in the Woods, Don’t Breathe, and countless others of the same genre).

I hadn’t read the Wattpad novel that this was based on so I really wasn’t sure if the lack of originality was from the actual material or the treatment itself. (I was also confused by the separate original story credit given to its three writers when this was clearly an adaptation.)

3. The horror genre had always been the waterloo of our best local directors so I really wasn’t expecting much from this slasher flick. Unfortunately, it still lacked the fun and excitement of seeing mostly annoying characters get killed one by one. Really, all I hoped for was that the cast would be killed according to their acting prowess (naturally starting with the most bano ones), but that obviously didn’t happen with Ronnie Alonte and Elmo Magalona as two of the three remaining survivors.

I actually couldn’t decide who gave the worse performance since both of them could easily replace Aljur Abrenica as the real-life Machete. Ronnie still sounded like a talking robot jakono while Elmo acted like he was a hypnotized victim of the Budol-Budol Gang (except in one kitchen scene where he delivered his lines like he was having a seizure, complete with flailing hand movements). Seriously, mas gusto ko pa si Elmo nung nagpagulong-gulong siya sa burol with Julie Ann San Jose in Just One Summer.

4. Wait, a young wannabe director obsessed with shooting a horror movie near a body of water? Oh, Dawson Leery!!

5. I still couldn’t fathom why there had to be a sequence where the entire gang decided to go for a swim at the beach and they took their clothes off one at a time while the camera voyeuristically lingered on their young bodies (slow motion shots of topless, abs-less guys and granny bathing suit-wearing girls, really?!).

I could almost hear the director saying, “Pasensiya na kayo sa acting ni Ronnie. Eto additional three seconds ng pusod nya para di kayo masyadong lugi.” Next time please leave this type of sexploitation to the experts (yes, Seiko Films of course!).

6. Speaking of acting, I really liked the performances of Jane Oineza and Maris Racal. I wish they could be given more to do in future Star Cinema movies other than the typical best friend or sister roles.

On the other hand, could somebody please tell Yves Flores not to imitate Jake Cuenca’s “akting na akting” delivery? People laughed hysterically in the scene where he was screaming “Bro, anong nangyari sa’yo??” to a corpse with huge stab marks on its neck. Was he gunning for the PMPC Star Award for Best New Movie Actor?

7. If you’d seen a lot of horror movies (or read a lot of R.L. Stine and Christopher Pike) with fake twists and red herrings (this one reminded me of The Last Act), it really wasn’t too hard to guess the identity of the killer. All it took was just a single head shot to ruin the surprise.

8. I was really interested to know more about the Bloody Crayons game since it looked fun to play during a barkada night out. Sadly, I couldn’t see any group including it in any of their parties any time soon since the rules were just too complex (relative to Truth or Dare). Who would even remember what each color stood for when all of you would be presumably drunk on Red Horse?

Also, was it just my oily skin or do crayons really not work as markers on the face? Did they use craypas instead? So this should have been Bloody Craypas?

9. Where was this movie shot? (I noticed one of the characters was carrying a Bohol bag so…) The place looked gorgeous. At least maganda ang cinematography.

10. One character’s words of wisdom to another standing on a cliff: “Mag-ingat ka ha. Pag mahulog ka dyan, baka di ka na makabalik.”

Wehhh, di nga??

11. I wasn’t sure if I laughed the loudest when the group used a rattan chair as a battering ram, or when a character was miraculously saved from a gunshot by his dog tag, or when Umagang Kay Ganda suddenly played during the final sequence.

12. BBC One recently adapted Agatha Christie’s And Then There Were None into a mini-series. Better actors, better production values, better use of your time.

13. Hanggang sa horror movie may hugot pa rin ang hindi maka-move on na killer? Tengene lungs.

Rating: ★☆☆☆☆

MISS YOU LIKE CRAZY (Cathy Garcia-Molina, 2010)

IMG_3225

SPOILER ALERT!!

My notes on Miss You Like Crazy:

1. In our province of Batangas back in the late 80’s/early 90’s, we had not been introduced yet to a loofah so we would use these pumice rocks (also known as panghilod) while bathing (usually in a batis) to scrape off all the dirt and grime from our skins.

They were all I could think of whenever Mia (Bea Alonzo) would leave signed copies of panghilod basically everywhere. More than sayang, I felt really bad imagining such a lovely girl all covered with so much libag.

(Tita Tip of the Day: Forget all the exfoliants in Lush. Grab a rock from your garden, use it in the shower, and wash all of your problems away.)

2. John Lloyd Cruz (as Alan) still wore these long and baggy pants in the movie so this was obviously during his pre-Liz Uy days.

Now his trousers all look so tight like he doesn’t want to have kids and they’re always cropped at least two inches above the ankle (read: bitin and/or baston) like he’s auditioning for the role of Bilbo Baggins in a local version of the Lord of the Rings.

(Yes, inggit lang ako kasi hindi ako fashyown.)

3. This love story relied too much on serendipity. It was the kind of movie where two random vehicles would end up next to each other in traffic because the fated lovers were meant to have a Tutuban Mall date (sorry, it was done much better in Minsan, Minahal Kita).

Years later, they would bump into each other in a hotel in Malaysia because, well, destiny.

Seriously, Lolo Uly (Noel Trinidad) and his magical prediction essentially told the entire plot during the movie’s 30-minute mark. The remaining one and a half hours was completely unnecessary (and very bagot because the movie actually felt like three hours).

4. Since this was a Cathy Garcia-Molina flick, somebody had to wear her trademark wigs. Poor Maricar Reyes (as Alan’s girlfriend Daphne) had to sport a hairstyle that was a cross between a mullet and a pixie cut and made her look like she just recovered from a heavy bout of typhoid fever.

Also, why was she portrayed as a villain just because she didn’t find the idea of a Pasig River cruise romantic? Anak ng Pasig naman ang pagiging anti-elitista dito.

Even worse, in a succeeding scene where Alan explained to Mia that Divisoria briefs were not good fixed assets (pati underwear investment na din?), he was just giving sound advice. Why the double standard? Pfft!!

5. “Alan ba talaga ang pangalan mo? Bakit ka lingon nang lingon sa August?”

Dear, whenever somebody shouts a name (any name for that matter) in a crowded place, expect people to look. I’m sure everyone would be curious to know who that crazy screaming woman was.

6. So Alan’s fridge was stocked with microwave-ready food like filet mignon, garlic mashed potatoes, cordon bleu, fettucine alfredo, and chicken rosemary, but he chose to eat…Greenwich pizza, of course!!

7. Sex on the stairs. Ang sakit siguro sa likod nun. I wasn’t surprised that Mia was crying after Alan climaxed twenty seconds later.

8. Paco Park should get secondary billing in future Star Cinema movies as the ultimate love destination (also seen in Starting Over Again, Barcelona, and even Dolce Amore). Still single? You know where to go.

9. Maswerte yung Malaysian version ni Paolo Bediones ha. Nakarami ng halik kay Bea infer.

10. In one scene, Mia had this huge stain on the vajayjay area of her dress so it looked like she peed herself. In another scene, Ryan Eigenmann’s entire forehead looked sunburnt.

Poor production values or were they also destined to be that way?

11. “Fate only gives us one chance to get it right.”

Hindi totoo yan dahil may sequel pa nga ang One More Chance.

Rating: ★★☆☆☆

ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores, 2017)

IMG_3082

SPOILER ALERT!!

My notes on Ang Pagsanib Kay Leah dela Cruz:

1. Sarah Lahbati, in an effort to act like a tough and cool policewoman, decided to strip down all possible emotions from her character and spoke in a weird monotone with a slight gruff reminiscent of Sharon Cuneta’s performance as the tomboy-ish jeepney driver Jack in the 80’s cult classic Jack & Jill. She had an air of “I may look and sound like a bad-ass lesbian, but I’m still straight as an arrow deep inside.” Never forget to check the label, Mommies!

(Not like anybody would actually think that she bats for the other team since she sashays in every scene wearing her butt-hugging jeans and high-heeled boots like a smoldering beauty queen doing her farewell walk.)

2. Although the story about a satanic cult and its link to the possession of Emily Rose, er, Leah dela Cruz left much to be desired, the movie made up for it through some gorgeous visuals.

I really liked the opening scene with the abandoned road and the phantom kids running after the car and how they all tied up to that chilling image of dead children forming a circle with demonic symbols.

3. Why do a lot of Pinoy horror movies happen during Holy Week (especially Good Friday) and end up with catharsis and redemption on Easter Sunday?

Sana next time Valentine’s Day naman para maiba. Tapos walang catharsis. Scary diba?

4. When Yaya Rosario referred to Leah as “ba-it”, I was reminded of my grandmother calling the rats in our house the same way before poisoning them with cheese-crusted Dora. Apparently, being nice to rats and using pet names would prevent them from nibbling on your clothes and you could nicely drive them out like you’re the Pied Piper of Hamelin. Oh wait, didn’t that story involve a lot of missing children as well?

5. In one scene, an intubated Yaya Rosario kept talking wildly to non-lesbian policewoman about all the secrets that she knew. I think I had seen enough Grey’s Anatomy episodes to know that this wasn’t possible since that tube would actually go through her trachea (friends from the medical field, please correct me as needed).

Unless of course that was a dental suction whose main purpose was to suck the saliva of poor Yaya.

6. My favorite part was the Lights Out scene that tried to subvert the genre with the heroine fearlessly chasing after the lady ghost instead. Talk about a great diva showdown.

7. Shy Carlos as the possessed Leah surely had a lot of fun in the role. She was really good without going overboard and I probably would have been more impressed with her performance if I hadn’t seen her do the exact same thing in Lumayo Ka Nga Sa Akin. Still, she was one of the few reasons to watch this.

8. Every time Jim Paredes as a priest (!!) would mention the word demonyo, I actually expected him to go on another endless anti-Duterte tirade.

Also, that bit with Angelina Kanapi as a nun on the run sounded a bit like Sister Act, no?

9. “Ang pagtatalik ay isang uri ng pagdarasal at bata ka pa lang dapat marunong ka na magdasal.” Creepy and icky. It needed more of this and less of the horror movie clichés.

Rating: ★★☆☆☆

CAN WE STILL BE FRIENDS? (Prime Cruz, 2017)

IMG_2955

SPOILER ALERT!!

My notes on Can We Still Be Friends?:

1. I had an overwhelming sense of dèjá vu during the opening scene with Sam (Arci Muñoz) looking bored and restless while her long-time boyfriend Digs (Gerald Anderson) was intently watching a show on TV. When she started complaining about the fact that they never really did anything else (“chill lang nang chill”) and that she wanted to do something different, I realized that I had been in this kind of relationship. I had been faulted (and eventually dumped) for the apparent lack of excitement and opting for a quiet and relaxed (ergo monotonous?) way of spending our quality time together. In the next scene, when Sam complained that they were having problems paying their bills, my inner meanie almost exploded with the thought, “Ang lakas lakas mong mag-aya wala ka naman palang pera!”

In another scene, she asked Digs to pick her up after work and she kept bugging him to hurry up. (Nagpapasundo na lang, siya pa nagmamadali?!) But wait, there’s more! When Digz finally arrived, she actually wanted him to do a u-turn so that she wouldn’t have to cross the street. She even had the gall to call him inconsiderate when he didn’t oblige. (Tatawid ka na lang gurl anubanaman!!)

Uhh, why was I so affected when this wasn’t even about me?

2. People expecting to see #TeamLablab in another Always Be My Maybe would be hugely disappointed since this was actually closer to One More Chance (they even recycled the “Pwede ba tayo na lang ulit?” line). In lieu of kilig moments, it was stuffed with mundane scenes of a couple realizing after nine years of being together that they actually hated each other. Its depiction of the breakdown of a relationship (down to petty quarrels over empty water bottles returned in the fridge) was so realistic that I wish it stayed true to the promise of a story about exes trying to maintain a post-breakup friendship.

3. Did Arci re-dub her lines? I noticed that her delivery in the actual movie was normal compared to her pabebe voice in the trailer. It was definitely a good decision because it just made her character more grounded. She was still an effective actress here and looked really gorgeous, but I wish her lips weren’t too distracting. Weirdly enough, they reminded me so much of Vibora, the talking serpent of Valentina. Star Cinema, has that role been cast already? You could thank me later.

In the end though, this was an acting showcase for Gerald who continued to display such depth and maturity in his role. I actually shed a tear in that confrontation scene when he said, “Tama ka naman eh. Hindi ako ang taong magpapasaya sa’yo.” Dear fellow Popsters, is it time to finally forgive him? (Putting my foot down on that Budoy bit though because it was more offensive than charming.)

4. That gif-worthy Magic Mike scene ooh-la-la! It was just funny though that the production couldn’t afford Ginuwine’s Pony so they had to create a Rite-Med version of the song. Still, all that grinding had me shooketh.

5. Juan Miguel Severo is officially the ultimate success story in local cinema. In every movie, his character would always end up with the cutest onscreen boyfriends (here it was Markki Stroem). I wasn’t a big fan of his spoken word poetry in On the Wings of Love and I still didn’t like how it was utilized here as part of the wedding vows. As soon as he started reciting lines like “Pipiliin kita sa araw na hindi tayo magkasundo…” in full “Oh captain, my captain!” mode, my eyes started rolling wildly in their sockets.

6. Mannequin challenge proposal? Very 2000 and late. Besides, who would take the video that they would eventually post on social media?

7. I still could not understand the couple’s decision to co-habitate after the breakup. I couldn’t even be Facebook friends with an ex agad agad. Not surprised that it led to the requisite Star Cinema happy ending. In TimeZone. Oh, TimeZone. So many memories.

8. “Kapag kaya mong maging friends sa ex mo, either mahal mo pa talaga or di mo talaga minahal.”

Nope, definitely not true. With acceptance comes maturity. Sabi nga ng Little Mix, “Shout out to my ex…you made my heart break and that made me who I am.”

Rating: ★★★☆☆

MY BEST FRIEND’S WEDDING (P.J. Hogan, 1997)

IMG_2951

SPOILER ALERT!!

My notes on My Best Friend’s Wedding:

1. Has it really been twenty years already since the psychopathic Jules (Julia Roberts) tried to sabotage her best friend’s wedding because she was deluded enough (hopelessly in love? What’s the diff?) into thinking that he preferred her Jell-O to Kimmy’s (Cameron Diaz) crème brulée? The answer was a glaring yes coming from the chunky cellular phones with long antennas (resembling pang-kaskas ng yelo!) that were used in this film.

2. That joyous I Say a Little Prayer sing-along would be the scene most remembered here, but I would always be partial to the frothy, silly opening title sequence with a bride and her three chuwariwap bridesmaids singing and dancing along to Ani Di Franco’s Wishin’ and Hopin’. It was just the perfect way to set the tone for this lighthearted (and surprisingly subversive) rom-com.

Additional tidbit: I owned a cassette tape copy of the soundtrack that I listened to every single day for about two months. How could you not fall in love with Jann Arden’s You Don’t Know Me, The Exciter’s Tell Him (pre-Ally McBeal), and Tony Bennett’s The Way You Look Tonight? Perfect wedding playlist.

3. I remembered making a similar pact with a friend that when we turned 30 (or was it 35?) and we were still both single, I would either marry her or have a kid with her. I was so happy when she found herself a boyfriend because I ended up having my baby juice all to myself. Wait, that sounded really disgusting (but not as much as picturing myself in a tux and getting married).

4. To this day, I still couldn’t see why these two beautiful women were fawning over Michael (Dermot Mulroney). He was just too bland and fickle-minded and unhygienic (never forget that he sucked that ring off of Jules’ finger; nope, not romantic because my head was screaming BOOGER!!, er, GERMS!!).

Seriously, everyone was probably rooting for George (Rupert Everett, snubbed of an Oscar nom!) to end up with Jules and wishin’ and hopin’ that he were straight because he had twice as much personality and just looked so fun to be with. Plus, I could easily see myself in George because I would be that kind of friend who would say things like “Who’s chasing you? Nobody. You’re not the one.” Brutal, but honest.

5. I really liked that Julia played a villain for a change (most of her shenanigans bordered on being criminal, and she was just a vile and selfish person), but because she was Julia Roberts, it was hard to completely hate her. Those pratfalls to earn laughs were completely unnecessary, though.

My favorite scene with her would be the one where she cried while dancing with Michael on a ferry (although I did tear up a bit as well during her maid of honor toast, she actually loaned her relationship song *sob* *sob*).

6. Always and forever #TeamKimmy, even if her wedding dress was horrible, especially when compared to the gorgeous lavender dress of Jules.

7. “Choose me. Marry me. Let me make you happy.” Did this sound familiar, Meredith Grey (or Momma Shonda Rhimes)?

8. If this were a Star Cinema movie, it would have probably ended with George (played by Joross Gamboa, of course!) realizing that he was actually straight and that he really loved Jules as more than a friend after all.

Goodbye Dionne Warwick, hello Marion Aunor!

Rating: ★★★★☆

FIFTY SHADES OF GREY (Sam Taylor-Johnson, 2015)

IMG_2712

My notes on Fifty Shades of Grey:

1. The lights in the cinema dimmed and all of the women started screaming. I knew then that this would be a dreadful experience. If you’re a fan of the book, nothing should stop you from watching anyway.

2. Why was Christian Grey giving me this American Psycho vibe? Actually, I would have preferred it if he were more of Patrick Bateman. For all his sexual fetishes, he still looked completely bland and…normal.

3. I guess the biggest problem was casting Jamie Dornan in the lead role. The character of Grey needed someone more charismatic or appealing. Don’t get me wrong, Dornan looked good but I was expecting a stunner. Grey should be someone so magnetic that he can lead you in his playroom of whips and chains and you would be the one to offer getting tied up. And what’s with that weird European accent?

4. On the opposite end of the spectrum was Dakota Johnson. She was just so gorgeous onscreen (like Charlotte Gainsbourg’s younger sister) that I probably would have enjoyed a role reversal. I obviously haven’t read the book so here’s hoping that happened in the next two sequels. I have to say that I wasn’t a fan of her armpits, though. They looked roughly-shaven and yes, smelly. (I’m judgmental like that.)

5. So most of the sex scenes had to be blurred or blocked because apparently we’re old enough to do it but not to actually see it. And this time, we don’t even get to blame the MTRCB because the film distributor took it upon themselves to censor the movie before submitting it for classification. We’ve seen a lot of frontal nudity and sex scenes with an R-16 rating lately (even Lust, Caution was shown in its entirety here and that was truly erotic). I really didn’t understand this move at all.

6. I mean sex was obviously the theme (and selling point) of the movie. Where else can you hear words like butt plug? Once you start blocking that out, then what would be left? The story? Who watches porn for the story?

7. Even Christian Grey thinks that Beyonce by Beyonce should have won the Grammy for Album of the Year.

8. I loved the casting of Jennifer Ehle and Marcia Gay Harden as the too young to be the couple’s mothers. If the story had more of them, I bet they would have made the movie more interesting.

9. “Laters, baby” not only made me cringe but it also elicited a lot of shrieking typical in a KathNiel movie. Calm down, ladies!

10. Grey knew how to do a mean braid. Beyonce and braiding. It must be very easy to convince him to transition to the other side.

11. Did the room really have to be so dark during the contract signing? Were they owls?

12. If you want much better movies dealing with the same themes, I suggest you watch Steven Shainberg’s Secretary (where James Spader also played a Mr. Grey) or the previously mentioned Ang Lee’s Lust, Caution. All of the things in this movie would be considered child stuff with those films.

Rating: ★★☆☆☆

SANA’Y WALA NANG WAKAS (Leroy Salvador, 1986)

IMG_2703

SPOILER ALERT!!

My notes on Sana’y Wala Nang Wakas:

1. Even before the classic Pinoy LGBTQ film Do Re Mi manifested the power of female camaraderie through musical numbers, there was this movie in the late 80’s (probably inspired by the Broadway musical Dreamgirls) that showcased the value of friendship.

If it weren’t obvious enough, the girl group composed of Bianca Eleazar (Sharon Cuneta), Monique Verzosa (Cherie Gil), and Michelle Williams, er, Camille Gonzaga (Dina Bonnevie) was actually named “Friends” and their go-to song was “That’s What Friends Are For” (sung during the opening scene while they wore shiny, silky costumes with gigantic ribbons on the chest area, probably borrowed from the Boyoyong clowns).

Also, Sharon sported a female mullet. Let that sink in.

2. There was one incredibly long montage (worth one full song, I think) where Bianca and Teddy (Tonton Gutierrez, terrible in an Aljur Abrenica way) toured Luzon and it could have been used as a tourist ad for the Philippines (Have some buko juice in Tagaytay! Jet ski in Taal Lake!).

At one point, Teddy dove head first in a shallow pond to get a lotus flower. I thought he was trying to catch a frog, but then it wouldn’t match with Bianca’s ever-changing ribbons on her ponytail.

Naudlot pa ang first kiss nila nang biglang dumating ang order nila na…Pepsi! (We would always complain about product placements in today’s films, but apparently it had been shamelessly done even before. This one also had blatant shills for Master Sardines and Silver Swan Soy Sauce.)

3. It was sad to see the late Dindo Fernando again here, especially since he was one of the finest actors in local cinema that was gone too soon. As Bianca’s father slash music composer, he brought a lot of depth in his character who was prone to making silly decisions.

Upon learning that he had terminal cancer, he did some soul-searching by walking the entire stretch of Manila Bay. He also abandoned his family because he didn’t want to be a pabigat for them, but ultimately returned home for one last deathbed duet. (By the way, this scene was so effective that I was a blubbering mess when it ended. Galing din ni Ate Shawie dito.)

4. As expected, jealousy and fame were the reasons for the group’s eventual break-up. I would have guessed that it was actually Dina’s singing voice because she just sounded awful (refer to Barbie Forteza’s viral video).

There was a scene where Camille was singing drunk and another one where she was warbling while sobbing uncontrollably and she didn’t sound any different from her supposedly better days. She more than made up for it in acting though because I really loved the scene where she started throwing beer bottles at her gay BFF Manny Castaneda.

5. Sample dialogue…

• Teddy being defiant to his overbearing father: “Pigain mo man ako, di mo mapipiga ang musika sa buhay ko!” (Nux!!)

• Teddy’s matapobre father to Bianca: “Magkano ang kelangan mo para layuan ang anak ko?”

Bianca with matching flaring nostrils: “Magkano ang kaya nyong ibayad? Bilhin nyo sya ng pera nyo. Bibilhin ko sya ng pag ibig ko!” (Applause! Standing ovation!!)

6. Burning questions:

• If Bianca was so famous that she was being mobbed by fans, why did she take a cab during her walk-out scene?

• How did Bianca and Monique become huge recording stars if most of their songs were remakes? Greatest Love of All vs Through the Fire? (Sabagay, diamond artist si Nina.)

• What happened to breach of contract? How could Monique miss the farewell concert of the group and get away with it? And did Bianca really have to sing Part-Time Lover (with matching luha) after seeing Camille and Teddy kiss?

• Hindi pa ba uso ang aircon noon? Bakit ang nasa loob ng dressing room nila ay isang malaking electric fan?

7. It was so funny how all the conflicts were magically resolved during the final musical number of Bianca. In this scene, the song composed by her dearly-departed dad won the top prize in a music festival that suddenly turned into her concert, complete with surprise appearances by Monique and Camille.

Friendship was restored, a marriage proposal was done, and Manny Castaneda remained a faithful alalay.

Never, ever question the power of a Willy Cruz song.

Rating: ★★★☆☆

Create a free website or blog at WordPress.com.

Up ↑