My notes on Ang Pagsanib Kay Leah dela Cruz:
1. Sarah Lahbati, in an effort to act like a tough and cool policewoman, decided to strip down all possible emotions from her character and spoke in a weird monotone with a slight gruff reminiscent of Sharon Cuneta’s performance as the tomboy-ish jeepney driver Jack in the 80’s cult classic Jack & Jill. She had an air of “I may look and sound like a bad-ass lesbian, but I’m still straight as an arrow deep inside.” Never forget to check the label, Mommies!
(Not like anybody would actually think that she bats for the other team since she sashays in every scene wearing her butt-hugging jeans and high-heeled boots like a smoldering beauty queen doing her farewell walk.)
2. Although the story about a satanic cult and its link to the possession of Emily Rose, er, Leah dela Cruz left much to be desired, the movie made up for it through some gorgeous visuals.
I really liked the opening scene with the abandoned road and the phantom kids running after the car and how they all tied up to that chilling image of dead children forming a circle with demonic symbols.
3. Why do a lot of Pinoy horror movies happen during Holy Week (especially Good Friday) and end up with catharsis and redemption on Easter Sunday?
Sana next time Valentine’s Day naman para maiba. Tapos walang catharsis. Scary diba?
4. When Yaya Rosario referred to Leah as “ba-it”, I was reminded of my grandmother calling the rats in our house the same way before poisoning them with cheese-crusted Dora. Apparently, being nice to rats and using pet names would prevent them from nibbling on your clothes and you could nicely drive them out like you’re the Pied Piper of Hamelin. Oh wait, didn’t that story involve a lot of missing children as well?
5. In one scene, an intubated Yaya Rosario kept talking wildly to non-lesbian policewoman about all the secrets that she knew. I think I had seen enough Grey’s Anatomy episodes to know that this wasn’t possible since that tube would actually go through her trachea (friends from the medical field, please correct me as needed).
Unless of course that was a dental suction whose main purpose was to suck the saliva of poor Yaya.
6. My favorite part was the Lights Out scene that tried to subvert the genre with the heroine fearlessly chasing after the lady ghost instead. Talk about a great diva showdown.
7. Shy Carlos as the possessed Leah surely had a lot of fun in the role. She was really good without going overboard and I probably would have been more impressed with her performance if I hadn’t seen her do the exact same thing in Lumayo Ka Nga Sa Akin. Still, she was one of the few reasons to watch this.
8. Every time Jim Paredes as a priest (!!) would mention the word demonyo, I actually expected him to go on another endless anti-Duterte tirade.
Also, that bit with Angelina Kanapi as a nun on the run sounded a bit like Sister Act, no?
9. “Ang pagtatalik ay isang uri ng pagdarasal at bata ka pa lang dapat marunong ka na magdasal.” Creepy and icky. It needed more of this and less of the horror movie clichés.