MOVIE REVIEW: IT TAKES A MAN AND A WOMAN (Cathy Garcia-Molina, 2013)

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Finds the perfect balance of drama & comedy making the love story more relatable.

It’s the first good film of 2013 and probably the best entry in the series. It just hit all the right emotions. The best thing about it though was that it took the love story to a whole new (and more real) level. You could see the growth in these characters. Direk Cathy Garcia-Molina knew the perfect blend of romance, humor, and sadness so it wasn’t hard not to empathize with the couple.

John Lloyd Cruz is still the best actor of this generation. He effectively conveyed a huge range of emotions through his flawed character. In the end though, this was still Sarah Geronimo’s movie. Experience had taught her well because you could actually feel her character’s heartbreak. This was her best performance to date. Her chemistry with JLC simply ignited the screen that you’d wonder why they weren’t offscreen lovers. Even the supporting cast from Joross Gamboa providing the laughs down to Isabelle Daza (surprise!) were all good. Irma Adlawan was divine.

Of course I’m watching it again this weekend. (And that ends my ITAMAAW rave for today.) Good morning!!

Rating: ★★★★☆

(Originally published April 8, 2013.)

MOVIE REVIEW: CINCO (Frasco Mortiz, Enrico Santos, Ato Bautista, Nick Olanka, Cathy Garcia-Molina, 2010)

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SPOILER ALERT!!

Anthology of five horror shorts kyemerut. Parang pa-bibong Shake, Rattle, Roll with its two additional stories pero hindi naman nakadagdag sa scare factor.

BRASO (Frasco Mortiz) – ★☆☆☆☆

Tungkol sa baklang braso na nag-break free sa pagiging closeta at dinakma ang yagbols ni AJ Perez (RIP).

PAA (Enrico Santos) – ★★★☆☆

Tungkol sa isang nanay (Jodi Sta. Maria in full batas ng isang api mode) na hindi marunong magpagpag kaya sinundan ng multo ng batang ninakawan niya ng sapatos.

MATA (Ato Bautista) – ★★☆☆☆

Tungkol sa isang babaeng (Maja Salvador) trapped in a Groundhog Day nightmare kung saan jowa niya lagi si Rayver Cruz. Saklap.

MUKHA (Nick Olanka) – ★★☆☆☆

Tungkol sa bitch from hell na boss (Mariel Rodriguez channeling Kimmy Go Dong Hae) na ginamit ang mukha ng kawawang office janitor to test their new photocopying machine. Naghiganti tuloy ang kaluluwa nito na galit sa mga DDS tulad ng asawa ni boss na si Robin Padilla.

PUSO (Cathy Garcia-Molina) – ★★☆☆☆

Tungkol sa isang chakang perya performer (Pokwang) na desperadong magka-lovelife at sa kasamaang-palad ay zombie ang nagayuma. Hindi na rin masama kasi mas mukha pang mabango ang naaagnas na si Zanjoe Marudo kesa sa mga People You May Know ng Facebook.

Saan banda ako dapat matakot?

Rating: ★★☆☆☆

MOVIE REVIEW: MY PERFECT YOU (Cathy Garcia-Molina, 2018)

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SPOILER ALERT!!

I’m being incredibly generous already considering that I hated the first two-thirds of this movie and even considered walking out because the rom-com part was just too painful to watch.

It somewhat recovered in its final act touching on an interesting subject matter (still iffy on the romanticization of a mental health disorder), but I still had this feeling that Star Cinema wanted to duplicate the success (and formula) of Kita Kita.

Rating: ★★☆☆☆

(Originally published March 14, 2018.)

MOVIE REVIEW: UNOFFICIALLY YOURS (Cathy Garcia-Molina, 2012)

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From the opening sequence that involved a forgettable “laman vs. sabaw” discussion down to the clichéd dialogue we’ve heard in previous movies, you know this one’s hobbled by a weak screenplay.

Trust a gifted director like Cathy Garcia-Molina to create magic out of something formulaic. There was even a brilliant sex sequence guaranteed to elicit laughter for minutes. I didn’t completely buy the chemistry of the leads but they did really good work individually.

John Lloyd Cruz continued to show why he’s the best actor of this generation. He was charming without ever being cloying and he actually helped elevate Angel Locsin’s performance (probably her best work to date).

Overall, this latest romantic-comedy from Star Cinema didn’t really break new ground but damn it, it made me kilig the whole time.

Rating: ★★★★☆

(Originally published February 17, 2012.)

MOVIE REVIEW: YOU ARE THE ONE (Cathy Garcia-Molina, 2006)

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“You Filipinos are so melodramatic. You’re not even my girlfriend and you, like, expect me to give you my soul or something.”

HAHAHAHAHAHA!!

May truth behind it pero deserve pa rin ni Vernard (Sam Milby) masampal.

Salamat Sally Malasmas (Toni Gonzaga), ang naghiganti para sa lahat ng mga Pinoy na na-deny ang US visa.

(Seriously though, this film’s an underrated gem.)

Rating: ★★★★☆

 

MOVIE REVIEW: HELLO, LOVE, GOODBYE (Cathy Garcia-Molina, 2019)

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SPOILER ALERT!!

My notes on Hello, Love, Goodbye:

1. Naalala ko nung nagpunta ako ng Hong Kong around 2014, napadaan ako sa Central area isang Linggo at nagulat ako sa dami ng mga OFWs (mostly women) na nasa gilid-gilid mula sa overpass malapit sa train station hanggang sa mismong kalye na ang isang parte ay ipinasara para tayuan ng makeshift stage (“Beauty and the Best” ang theme ng show slash pageant noon).

Parang isang mahabang row ng mga nagpi-picnic ang itsura nila sa kani-kanilang mga puwesto habang nakaupo sa ibabaw ng mga karton ng balikbayan boxes. Maririnig mo ang malalakas na tawanan at maiingay na kuwentuhan/chismisan kasabay ng pagsasalu-salo nilang magkakaibigan sa baong pancit, adobo, at kung anu-ano pang ulam na niluto para sa araw na yun.

Pero mas nakakagulat na ang lahat ng ito ay nagaganap sa harapan mismo ng mga high-end designer stores tulad ng Louis Vuitton, Gucci, Armani, Cartier, atbp. Maganda siyang juxtaposition na sumasalamin din sa OFW experience na kung tutuusin ay nakakalungkot sa kabila ng nangingibabaw na kasiyahan.

2. Isa sa strongest aspects ng pelikulang ito ang realistic depiction ng buhay ng isang domestic helper sa Hong Kong.

May isang montage kung saan ipinakita ang lahat ng ginagawa ni Joy (Kathryn Bernardo) bilang kasambahay, kasama na ang pagbabantay sa isang atribidang lola (“Too cold! Too hot!”) at pag-aalaga sa isang special needs kid. Todo kayod siya kasi nakadepende sa kanya ang pamilya niya sa Pilipinas. Kabilang na dito ang bulag niyang ama at ang mga kapatid na more hingi ng sapatos habang siya naman ay more tiis kasi ang long-term plan niya ay maka-migrate sila ng Canada.

Kaya kahit Nursing ang natapos niya ay mega linis siya ng inidoro (“Ang choice ay para lang sa may pera”) at baka sakaling ma-flush na rin ang kinikimkim niyang sama ng loob.

(Side note: Natuwa ako na hindi blatantly masama ang ugali ng amo ni Joy. Kasi ang typical DH story along the lines of Flor Contemplacion or Delia Maga.)

3. Nagustuhan ko yung direct reference sa Anak kasi hindi ko pa rin makalimutan si Ate Vi bilang the ultimate selfless mother of all DH at kung gaano kadaming pagkain ang tiniis niyang hindi kainin makapagpadala lang ng malaking pera para sa pokpok (ay sorry, troubled) niyang dalaga na si Carla.

Gusto ko rin yung indirect reference sa Sunday Beauty Queen with Joy and her friends joining the pageant for extra income. Kahit sa day-off nila todo kayod pa rin para lang sa pamilya. Ang bigat sa puso.

4. Sobrang effective ni Kathryn dito. Gamit na gamit ang mata-mata acting. Yung level na pinapamukha niya sa mga bashers na deserving din siya ng Urian nomination. (Ang ganda pa ng natural make-up niya na super layo sa espasol look in Barcelona.)

Favorite ko yung scene na depressed siya na sumakay sa train tapos sobrang saklap ng araw niya nakasabay pa ang ex niya at bagong girlfriend nito. Nung tinanong siya kung saang hospital siya nagtatrabaho, ramdam mo talaga yung pait at hiya nung sumagot siya na “DH ako dito. Ending ko din katulad ng nanay ko.” Ouch!!

Pero magaling din siya sa kilig aspect ha. Kapag nakatitig siya kay Ethan (Alden Richards), di mo iisipin na may Daniel Padilla na siya in real life. (Pero siguro kasi ang gwapo din ni Alden dito with the scruffy, playboy look kaya di din siya masyado nahirapan magpanggap, ano?)

5. Speaking of Alden, nag-level up din ang acting niya dito. Nawala yung lalaking puro pabebe wave sa Kalyeserye at lumabas ang isang certified matinee idol. Nung sinabi niya na dapat “All or nothing kasi kung mag-hold back ka, bakit ka pa nagmahal?”, more tango lang ako na parang nabudol-budol. Atsaka yung reaction niya habang pinapanood si Joy na sintunado kumanta at mukhang tanga sa stage, maniniwala ka talaga na true love ang nararamdaman niya. At okay lang rin siguro kahit mang-asar siya at kulitin niya ako habang nagkikiskis ako ng kaldero.

Tapos sobrang puti pa ng legs niya parang mapapabili ako ng lifetime supply ng Snow Caps.

(Side note ulit: Believable na kapatid niya si Jameson Blake down to the dimples. Actually, pati yung bunso na akala ko si Timothee Chalamet papasa din na brother niya haha!)

6. Nung pinanood ko ang BTS ng Anak, na-kwento dun na nahirapan silang i-shoot yung final scene kung saan dadaan sa crowd si Ate Vi kasi lahat gusto siya yakapin, hawakan, at tingnan. Mukhang mas maayos ang crowd control dito considering na nag-shoot sila sa Central at Lan Kwai Fong (isa lang yung super obvious na nagvi-video sa eksena dito).

7. Happy to see Maricel Laxa again. Walang kupas pa rin sa pag-arte. Maganda yung storyline niya bilang nanay ni Joy. May kurot sa puso na alam ng pamilya niya na nagpakasal siya sa iba para maging citizen at ma-petition sila dun.

Joy, walang-wala ang paglilinis mo ng inidoro kumpara sa sakripisyo (at pambubugbog) na na-experience ng nanay mo. Teka, bakit ako naiiyak ulit?

8. Kinilig ako nang todo sa KathDen. Kahit hindi ko maintindihan bakit kelangan nilang ipagsiksikan ang mga sarili nila sa “stuck” room na yun. Puwede naman umusog diba?

Pero malakas talaga ang chemistry nila. Nagulantang nga yung mga KathNiel na nakaupo sa harapan ko dun sa (fake) kissing scene. Yung isa parang hinimatay dun sa “love scene”.

Napaka-possessive naman ng ibang fans. Let your idols grow as artists.

9. TANGA = TANYA. Natatawa pa rin ako dito. (At yung pasalubong na broccoli. Hahahaha!)

10. Kung tutuusin plakado sa Star Cinema template ang pelikulang ito. Nandiyan lahat ng tropes tulad ng chuwariwap friends (bet ko na Mary Dale ang pangalan ni Maymay Entrata at bumagay ang aligaga acting ni Kakai Bautista dito), tatay na maysakit (si Lito Pimental na itinuloy lang ang role niya sa Starting Over Again), sound bite-ready na linyahan na never mo maririnig in real-life conversations (“Kung mahal mo ako, bakit pinapapili mo ako?” “Kung mahal mo ako, bakit di ako ang piliin mo?”, “Don’t you trust me enough?” “Don’t you love me enough?”), etc.

Ang kulang na lang ay ang requisite happy ending na hindi nito ibinigay. Siguro mas malakas ang loob ng Star Cinema kasi hindi naman talaga love team ang KathDen pero it worked for the best.

Ang sakit ng farewell at ang ganda ng realistic ending (“Kung di rin tayo sa huli…”). Bravo!!

11. Yung Ulan daw tungkol sa self-love but for me, nagmukha lang si Maya (Nadine Lustre) na selfish. Etong si Joy na independent, may pangarap, may gustong patunayan, at tinalikuran ang pag-ibig to find her worth ang totoong definition nun.

“Mahal kita pero sa ngayon mas mahal ko ang sarili ko.” I do not love you, Joy. I do not love you.

Rating: ★★★★☆

MOVIE REVIEW: THE HOWS OF US (Cathy Garcia-Molina, 2018)

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SPOILER ALERT!!

My notes on The Hows of Us:

1. If you’re an old soul (read: an oldie afraid to admit that he’s beyond his prime) like me, you probably have downloaded and played Homescapes (currently ranked #73 in the Apple App Store) where your goal was to build this dream house and decorate it with all types of furniture. The first five minutes of this movie reminded me so much of that game, with George (Kathryn Bernardo) and Primo (Daniel Padilla) providing the voiceover while they selected the perfect couch for their living room. That scene culminated in a huge shouting match that signalled the end of their relationship before transitioning to a split screen sequence that was completely lifted from Kalyeserye (I swear I could hear an instrumental version of Rey Valera’s Kahit Maputi na ang Buhok Ko in the background, a song I have associated with AlDub ever since I died of kilig from their McDonald’s commercial heydays). And then it turned into a Mannequin Challenge with the camera moving around while the pair pretended to be serious contenders in a game of stop dance. Wait, were they aiming to do a recap of pop culture references for this decade?

2. I honestly expected this to be KathNiel’s response to the critical success of JaDine’s Never Not Love You, but it simply lacked the depth and maturity (in terms of characters and story) needed to display their growth as artists (insert that meme of Tyra Banks screaming “I was rooting for you! We were all rooting for you!!”).

Hearing Kathryn utter the word “Putangina!” repeatedly just wasn’t enough, especially if you would consider a Miss Granny like Sarah Geronimo saying vulgar words like “puke” and “hindot” in her most recent film. While their screen rivals tackled weighty themes like long distance relationships and adult responsibilities, the biggest conflict in this movie was whether George should continue with her jeepney ride to take her med school exam or scream “para!” to get down and help a drunk Primo who was slumped on the road. These were supposed to be real people problems? Seryoso?

Side note: I guess it spoke a lot about the maturity of these characters that the fans still shrieked their lungs out every time the lovebirds kissed.

3. Dear Star Cinema, wasn’t it too early to start recycling elements from your recent hits? There were so many things here that reminded me so much of Starting Over Again from George’s line of “In him, I saw a good man…” to that supposedly sensual flirtation reminiscent of Toni Gonzaga’s stepladder scene down to that drunk rant of George with her gay BFF (Juan Miguel Severo) that never reached the comedic heights of Beauty Gonzalez’s “Yang hope na yan, lason yan” moment. I’m sure you have a strong pool of writers. Wala na bang bago? (As in Susan Africa played a Tita Lola role and ended up dead after a few scenes.)

4. If anything, Kathryn looked so gorgeous here (with or without her EO Optical contacts) and I’d have to commend her for making the most out of her thinly-written character. She only had one off moment when she was required to overact like crazy in that “Pagod na pagod na pagod na ako!” scene. Otherwise, she was actually good in her dramatic scenes (even if she played a selfish girlfriend required to say lines like “Wala kang pambili kahit cupcake man lang para sa akin?”) and was even better during the (abruptly) comedic second half. She seemed headed back to her glorious Magkaribal/Mara Clara days. Really happy for her!!

And no amount of Daniel sporting a horrible mullet and looking like a deranged version of Lady Diane (“Sa-sa-Saddami ng problema natin!”) minimized the fact that this tandem could still deliver the requisite kiligs. My favorite moment had to be that cringey-sweet hugot of Primo: “Matagal na naman akong talo eh simula nung hinayaan kong mawala ka”. Awww!

(P.S. Ang galing na nila umarte pareho. Please give them the movie that they deserve!!)

5. I had seen the entire filmography of Maricel Soriano so I know that that entire splitting of the house with masking tape gag was already done with much better results in Kung Kaya Mo, Kaya Ko Rin! (and yes, it was also just copied from a much earlier film with Dolphy and Nida Blanca or some other Philippine Cinema legends that I was too lazy to Google). If I remembered it correctly, there was also a scene where Cesar Montano played his guitar and tried to win back Maricel through a harana. And when Maricel’s BFF Ruby Rodriguez decided to visit the house, she had to drag her over to her side because the rest of the space was off-limits. All of those exact same scenes were in this movie. Again, wala na bang bago?

6. In one clunky scene, George and Primo were selling their “conjugal” ancestral home to a potential buyer (Odette Khan) and after stating that it really didn’t have much value, Primo countered that it did have a lot of history and special memories, thus making it priceless. And I kept thinking, “Totoo ba? Ano naman paki ng buyer sa memories na yan?” so I was really surprised when she instead replied with “I like it! Eto na ang pera!” Huwaaaat?

7. Real jokes delivered while the lovebirds biked around Amsterdam:

• “Bakit ang daming nag-ba-bike dito?” “Eh bike-it naman hindi?”

• “Anong instrumento ang favorite sa Amsterdam?” “Eh di Amsterdrums!”

• “Ano ang favorite pet sa Amsterdam?” “Eh di Hamsterdam!”

• “Ano ang paboritong kainin sa Amsterdam?” “Eh di Hamsterdam and Cheese!”

Should I continue? AMSTERDAMMIT!!

8. “Sana samahan mo pa rin ako in finding out the answers to all the hows.” Hahahaha! Naipilit pa rin ang title.

But seriously, after My Ex and Whys and The Hows of Us, I wonder if Star Cinema still has plans of using the remaining 4W’s. Who Who Belles? What’s Upon a Time? Ready to Where? When Dramas? Oh, too punny!!

Rating: ★★☆☆☆

MOVIE REVIEW: UNEXPECTEDLY YOURS (Cathy Garcia-Molina, 2017)

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I think I just had a Classic Pare Titos and Titas of Manila moment while watching this movie since I couldn’t help myself from twitterpating (kilig lang yan, inartehan ko) over such a cute couple. Nope, not talking about JoshLia (even if Joshua Garcia and Julia Barretto were also really charming here). I was of course referring to the Sharon Cuneta-Robin Padilla love team that still showcased such palpable chemistry twenty five years after Maging Sino Ka Man.

I previously mentioned that I liked this combo much better than the Sharon-Gabby and Sharon-Richard pairing because the very Pinoy langit-lupa theme (and all the conflicts that stemmed from this social class gap) always made for great dramedy. It was even put to good use here because it was an older people romance straight out of the Nancy Meyers universe.

This should have been the comeback vehicle of Ate Shawie since her performance here just felt more relaxed and natural compared to the one in Ang Pamilyang Hindi Lumuluha. She displayed great comedic timing, especially while verbally sparring with Robin (mega kilig yung sagutan nila ng “Adik!” and “Sa’yo!” waaah!). Her controlled emotions during her dramatic moments were even reminiscent of her grand slam performance in Madrasta. I really liked the scene where she was crying out of self-pity (“Matanda na ako…”) because her realizations were genuinely painful to watch.

I wish the movie focused more on their romance since the JoshLia story actually served as a distraction. It would have worked still without their love angle since the young ones were so believable as their blood relatives (Julia as Sharon’s daughter and Joshua as Robin’s nephew). Also, all the millennial discussion including a cringey FGD just felt off. It had just as much insight about this generation as any episode of Survivor: Millennials vs Gen X.

Speaking of Julia, I was really surprised at how much she had continuously improved in terms of acting (even after her good work in Love You to the Stars and Back). She had this lovely scene with Sharon where she was telling her why she didn’t want to end up just like her mother and she definitely held her own against the Megastar. The Claudine comparisons would be inevitable, but with the right projects, she should be able to step out of her aunt’s shadow soon.

In one scene, Julia was wearing a shirt that had the word “MIST” on the right shoulder and “AKES” on the left side. I thought, “Wow, cool! A gay shirt saying that she’s a mist!”. It took me a full twenty seconds to realize that it actually spelled “mistakes”. Bwiset! Chalk that up to another Titos and Titas of Manila moment.

Rating: ★★★☆☆

MOVIE REVIEW: LAST NIGHT (Joyce Bernal, 2017)

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SPOILER ALERT!!

My notes on Last Night:

1. Let me begin with an erratum on a glaring boo boo that I made when I posted my notes on Love You to the Stars and Back. I incorrectly identified the character of Julia Barretto as Carmina Salvador since I actually saw Last Night’s trailer prior to that movie.

Whether it was cinema fatigue or my inner cinephile that went bonkers upon hearing that film reference (that was the same name of Dawn Zulueta’s character in Hihintayin Kita sa Langit), I would like to apologize for the confusion that it caused especially to all the JoshLia fans that lost sleep over that inaccurate trivia.

2. We first see the real Carmina Salvador (Toni Gonzaga) dangling from a billboard on the side of the Jones Bridge after a botched suicide attempt. Her cry for help was noticed by Mark Peters (Piolo Pascual), who was also on a suicide mission at the said bridge. (Side note: Is this really a popular destination for depressed people in the Binondo/Ermita area? I’m really curious to know how many suicide cases have happened here within the last decade. Google wasn’t really helpful.) Anyway, they ended up helping one another and in the process also fell madly in love with each other. The end.

Well, not really. Of course there had to be a big twist because the screenplay seemed to have been built around that gimmick. In a reveal that would make M. Night Shyamalan curl up in a fetal position, Carmina actually turned out to be a ghost (she died in 1973 during Martial Law; naks, relevant!) that only appeared before Mark. Yes, he could see dead people (well, one dead person in the beginning and a few more towards the end of the movie). Eek!

3. I really wish the movie didn’t rely too much on the (obvious) twist so that it didn’t have to spend its final 30 minutes explaining everything (in washed-out flashbacks!) and feeling smart on how much it was able to fool the audience.

Aside from The Sixth Sense, most of the scenes that had Mark interacting with Carmina reminded me a lot of the “I Love You, Moo Moo” episode of the 90’s movie Tatlong Mukha ng Pag-ibig. My favorite scene there was when Tonton Gutierrez carried the ghost of his dead wife (played by Sharon Cuneta) inside their honeymoon suite while the caretaker (Leroy Salvador) watched in horror as his crazy amo flirted with an imaginary entity. I actually wondered if that straightforward format that wasn’t reliant on a twist would have made the story here much better (and less cornier).

Also, I’d actually need help in remembering another Hollywood/foreign movie about a living human being that communicated and fell in love with the spirit of a deceased person (something like Just Like Heaven, but not really). I wouldn’t want to be up for the next few nights.

4. Thirteen Reasons Why received a lot of flak for apparently romanticizing suicide and I kinda understood that perspective when I watched Mark and Carmina play cutesy with a blow dryer while they were inside a tub. Or when they fantasized on placing an aircon and a mattress on their backs before diving in a pool. Or when Carmina suggested “maligo sa dinuguan at magpakain sa shark” (huh?).

This made the shift in tone during the latter part of the movie even more jarring when it suddenly turned pro-life and started spreading a message of optimism and hope. All that was lacking in that final bubblegum bridge sequence was a dancing unicorn.

5. I was a huge fan of the Toni-Piolo pairing in Starting Over Again so I was a bit surprised at how much I was turned off by their performances here. Toni had her quirkiness turned up to its maximum level and she kept shouting her lines like she was still hosting Pinoy Big Brother (“Hello Philippines! Hello world!!”).

Piolo fared much better (as he was required to go topless yet again and shamelessly showed off his abs twice!), but he spent most of his scenes brooding and acting really stuck-up. Sayang, because I really missed this fun partnership.

6. At least the technical aspects were really commendable. Before Cathy Garcia-Molina, I think Joyce Bernal was the queen of rom-coms and she really tried to make the most out of the weak story here.

The movie also looked really good, very much like a glossy maindie. I also loved the song choices (except for one that sounded like it had Piolo singing).

7. I couldn’t get over the fact that Toni was the twin of Joey Marquez. And that Joey was named Ricardo Reyes. Yes, Ricky Reyes! Bwahahahaha!

Also, Carmina (whose real name’s Jennifer, btw) was actually a smart entrepreneur and influencer for bringing her new living friends to their family restaurant every single time. Shouldn’t it have been time for her to start a Twitter or Instagram account, though?

8. Burning questions:

• Why did an old soul like Carmina sound very much like a millennial? Also, why did she keep acting like she didn’t know that she was already dead? Diba audience lang naman may hindi alam?

• If she really wanted to prevent Mark from committing suicide, why did they spend most of their time trying to figure out how to die together? Did she only realize that after she fell in love with him?

• Did they play Bloody Crayons in one scene as a cross-promotion for Star Cinema movies?

• If nobody could see her, why didn’t anyone (except for the friend of dying lola) even ask who Mark was talking to? More chismis, more fun lang?

• Why did she kill herself after just seeing blood on the side of Jones Bridge (sure, her boyfriend was supposed to be there, so she automatically assumed that the blood was his)? Why, gurl, why?

• Paano sila maghihintayan sa langit if she’s stuck in limbo?

• If Carmina killed herself during Martial Law, why was her brother played by Patrick Sugui (shouldn’t he be like 40ish) and her mother was the still youthful Marina Benipayo? Were they also ghosts? Then why couldn’t they all see each other? Or was Patrick supposed to be the young Joey Marquez? Help!!

• Bakit kapag si Piolo ang nagsasabi ng “nangulangot” parang classy and sexy pa rin? Huhuhu!

Rating: ★★☆☆☆

MOVIE REVIEW: MISS YOU LIKE CRAZY (Cathy Garcia-Molina, 2010)

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SPOILER ALERT!!

My notes on Miss You Like Crazy:

1. In our province of Batangas back in the late 80’s/early 90’s, we had not been introduced yet to a loofah so we would use these pumice rocks (also known as panghilod) while bathing (usually in a batis) to scrape off all the dirt and grime from our skins.

They were all I could think of whenever Mia (Bea Alonzo) would leave signed copies of panghilod basically everywhere. More than sayang, I felt really bad imagining such a lovely girl all covered with so much libag.

(Tita Tip of the Day: Forget all the exfoliants in Lush. Grab a rock from your garden, use it in the shower, and wash all of your problems away.)

2. John Lloyd Cruz (as Alan) still wore these long and baggy pants in the movie so this was obviously during his pre-Liz Uy days.

Now his trousers all look so tight like he doesn’t want to have kids and they’re always cropped at least two inches above the ankle (read: bitin and/or baston) like he’s auditioning for the role of Bilbo Baggins in a local version of the Lord of the Rings.

(Yes, inggit lang ako kasi hindi ako fashyown.)

3. This love story relied too much on serendipity. It was the kind of movie where two random vehicles would end up next to each other in traffic because the fated lovers were meant to have a Tutuban Mall date (sorry, it was done much better in Minsan, Minahal Kita).

Years later, they would bump into each other in a hotel in Malaysia because, well, destiny.

Seriously, Lolo Uly (Noel Trinidad) and his magical prediction essentially told the entire plot during the movie’s 30-minute mark. The remaining one and a half hours was completely unnecessary (and very bagot because the movie actually felt like three hours).

4. Since this was a Cathy Garcia-Molina flick, somebody had to wear her trademark wigs. Poor Maricar Reyes (as Alan’s girlfriend Daphne) had to sport a hairstyle that was a cross between a mullet and a pixie cut and made her look like she just recovered from a heavy bout of typhoid fever.

Also, why was she portrayed as a villain just because she didn’t find the idea of a Pasig River cruise romantic? Anak ng Pasig naman ang pagiging anti-elitista dito.

Even worse, in a succeeding scene where Alan explained to Mia that Divisoria briefs were not good fixed assets (pati underwear investment na din?), he was just giving sound advice. Why the double standard? Pfft!!

5. “Alan ba talaga ang pangalan mo? Bakit ka lingon nang lingon sa August?”

Dear, whenever somebody shouts a name (any name for that matter) in a crowded place, expect people to look. I’m sure everyone would be curious to know who that crazy screaming woman was.

6. So Alan’s fridge was stocked with microwave-ready food like filet mignon, garlic mashed potatoes, cordon bleu, fettucine alfredo, and chicken rosemary, but he chose to eat…Greenwich pizza, of course!!

7. Sex on the stairs. Ang sakit siguro sa likod nun. I wasn’t surprised that Mia was crying after Alan climaxed twenty seconds later.

8. Paco Park should get secondary billing in future Star Cinema movies as the ultimate love destination (also seen in Starting Over Again, Barcelona, and even Dolce Amore). Still single? You know where to go.

9. Maswerte yung Malaysian version ni Paolo Bediones ha. Nakarami ng halik kay Bea infer.

10. In one scene, Mia had this huge stain on the vajayjay area of her dress so it looked like she peed herself. In another scene, Ryan Eigenmann’s entire forehead looked sunburnt.

Poor production values or were they also destined to be that way?

11. “Fate only gives us one chance to get it right.”

Hindi totoo yan dahil may sequel pa nga ang One More Chance.

Rating: ★★☆☆☆