My notes on Etiquette for Mistresses:
1. It was not the train wreck that I expected and it was all because of the skillful direction of Chito Rono and his cast of competent actresses. The movie was actually reminiscent of Rono’s own Separada with five women dealing with their own personal problems but united by a common concern (basically, men).
2. The story of the core group (that included an understated yet exemplary performance by Iza Calzado, a light and comical take by Kim Chiu, a fiery turn by Claudine Barretto in full Mela mode, a hilarious Cheena Crab, and not-so-annoying acting by Kris Aquino) didn’t break new ground but it would make one pity (not empathize with) these “holiday orphans”.
3. The mix of cameos (the stellar Pilar Pilapil, a graceful Mother Mistress Helen Gamboa), the interesting rules (“Mistresses don’t complain, that is the job of the Mrs.”, “Perish all thought that someday you’ll be number 1”, “When all else fails, leave him”), and the overall sadness of situations made it completely watchable.
4. Favorite scenes:
• Explanation of Lucky Moon
• The throwaway Timezone joke
• That confrontation scene shot in the shadows! And that slap heard around the world!! (I swear everyone in the theater gasped and feared for their own lives.)
• Cellphone breaks car window (huh?)
• Excessive focus on Kim’s character (did we need that lengthy guitar sequence?)
• The police sequence straight out of Eskapo
5. If only Star Cinema could control itself on its requisite happy ending complete with surprise leading men cameos.
Now sing with me: “And don’t tell me what to do, and don’t tell me what to say, and please when I go out with you, don’t put me on display. You don’t own meeeee…”
(Originally published October 1, 2015.)