Warm and comforting, very much like sipping your Marmee’s special homemade cocoa on a cold Christmas night.
“Oh, Jo, how could you? Your one beauty!!” This little witch Amy March is probably my literary spirit animal.
Warm and comforting, very much like sipping your Marmee’s special homemade cocoa on a cold Christmas night.
“Oh, Jo, how could you? Your one beauty!!” This little witch Amy March is probably my literary spirit animal.
Made the “C” in Christmas stand for cheesy cringe-fest.
My notes on Isa Pa, With Feelings:
1. As a certified reality-competition junkie, one of my favorite shows is that cheesy, Eezy Dancing-like US program called Dancing with the Stars. If the title isn’t a giveaway, it’s a dance competition program where washed up film and TV stars and/or B-list celebrities from other arenas (music, sports, politics) are willing to make fools of themselves (sorry, I mean learn the art of dance and prove their worth) on national TV.
In a previous season, America’s Next Top Model hottie Nyle DiMarco defied all odds by giving stunning performances week after week before finally winning the coveted Mirror Ball trophy. Oh yeah, he’s Deaf by the way. Imagine not being able to hear the music (relying on just vibrations) and still move in perfect rhythm with his professional ballroom partner like he’s the king of the dance floor. It would be an understatement to say that I was in tears after his every number.
I had the exact same feeling of awe and (tears of) joy when Deaf Gali (Carlo Aquino) performed that lovely contemporary routine with Hearing Mara (Maine Mendoza) during this film’s climactic dance recital. Teacher Geleen Eugenio really taught them well.
2. There’s something about Maine’s smile that can light up an entire room. When Mara woke up on the day of her licensure exam and started prepping by nonchalantly dancing around in her condo, the oldie in me wanted to slap her silly for not taking things seriously (neng, make or break moment ito mag-last review ka o ayusin mo ang mga requirements na dadalhin mo hindi ito Carefree commercial juskong mahabagin), but the growing hatred simply disappeared as soon as she grinned from utter embarrassment (oops, cutie neighbor alert!). Also, (insert “super gwapo ni Carlo nakakababa ng self-esteem leche” here).
Even with a few noticeable acting tics (mostly broad reactions to look funny) carried over from her Kalyeserye days, I was happy to see that Maine was able to flex her dramatic skills here. As in magaling talaga siya that I literally said “And galing naman” in every scene where she was required to cry (after seeing that she failed the exams, during that touching moment when she hugged her mom after a heartbreak, and that entire “Gali, mahal kita eh” sequence). It was also fun to see her DubSmash skills put to good use during that hilarious “Matitikman nila ang ganti ng isang api!” reenactment.
(Of course, Carlo was amazing as well because I cried every time he cried and laughed every time he laughed and turned into a teenage girl every time he smiled. If you still need more words to describe his performance here, simply look up all the synonyms of exceptional in the dictionary.)
Side note: As a lapsed fan, kinikilig ako na 2019 is actually the year of AlDub. Ang laki ng growth nina Alden and Maine as artists in their separate projects. Sana the rest will learn from this, risk on new material, and continue to explore outside of their standard love teams.
3. One of the things that I loved about this film was all of those moments of silence, not just to let us better understand Gali’s perspective, but also because we didn’t need an intrusive musical score to make us feel things in every poignant scene. The amount of restraint here considering that this was still a commercial local rom-com was truly commendable.
4. It was nice to be reminded that we should be grateful for things that we usually just take for granted. One of my pet peeves whenever I have food delivered at home would be the constant buzzing of the doorbell (because seriously, once or twice should suffice). And yet there are people in the world like Gali who wouldn’t even know that he had a package waiting outside his room because there was just no way to properly notify him. I guess it’s true that you will always meet someone who will definitely put things in perspective.
Speaking of, that entire Christmas lights concept turned me into a weeping mess. After exposing us to simple things that end up as major challenges faced by the Deaf community (Gali’s expressions said it all during that entire package fiasco), it was a joy to see him smile (and tear up) after Mara’s plan worked. Loved the callback on that one, too. That uber romantic slash heartbreaking scene involving a famous pop song and blinking lights would probably end up as my favorite moment in Philippine Cinema 2019.
(Plus points for completely wiping out the trauma of the use of Christmas lights in Stranger Things.)
5. It was amusing to watch the audience imitate and learn some basic phrases during the couple’s Sign Language 101 sessions. I mean, isn’t it great that we would all walk out of that theater knowing another way to say “Hello”, “Thank you”, and “Sorry” with the proper expressions and emotions? Of course if I were Mara, I would have asked Gali to teach me the most important words first (curse words, naturally!) because that’s a pre-requisite in every new language.
(Another side note: In college, I had a lot of Filipino-Chinese classmates from Xavier and they told me that the most important phrases to remember were “piao si di siao siao” and “di lanciao bin”. Surely I’m all prepped for that return visit to Shanghai.)
6. Sad facts: i) There are not enough Deaf schools in our country, ii) Most parents of Deaf kids do not know how to sign, iii) There are insensitive people in the world like Vangie Labalan’s character who referred to Gali as “di mo aakalain na may diperensya”. (Tawagin ulit ang Undin, please!!)
7. Burning questions:
• Whatever happened to Mara’s dreams of becoming an architect? Will she finally prep properly and take that exam seriously? Did her father (Cris Villanueva) roll up that tarp and keep for future use?
• Why didn’t we get a payoff on those sign language sessions? Is Mara’s niece still waiting for that special surprise?
• Is “Were you worried about me?” the newest pick-up line?
• How were they able to afford those condo units? And who do I need to call to replace our doorbell with blinking Christmas lights?
• With lines like “Puro de lata ang kinakain mo, magkaka-UTI ka!!”, is Mara’s mother (Lotlot de Leon) actually related to mine?
• What was that siomai stand doing in a party, aside from serving as product placement for SIOGO? (Sio clean! Sio good!)
• Gali literally jumping to Mara’s condo was a metaphor that he was taking a leap of faith on their relationship, yes?
• Will the LTO permanently suspend Mara’s license for being so accident-prone?
• “Mahal ba talaga natin yung jowa/asawa natin ngayon kung sino at ano siya, o minahal lang natin siya dahil lagi siyang nandiyan para sa atin?” (Require your significant other to answer this in less than five sentences.)
8. Ganda ng communication gaps shown throughout their love story. The use of cellphones in lieu of spoken words and signs (ang inspired nung text messages flashed between their condos), the times they both felt OP while in two different parties (although the Deaf crowd felt more welcoming, no? Well, except for that intrimidida girl), and the acceptance of their differences plus sacrifices they were both willing to make with that touching “Then I’ll be deaf for you” line. Wala talagang hadlang kapag mga puso na ang nag-uusap. ❤️
It’s the start of Christmas season so it’s also time for my annual tradition.
“General opinion’s starting to make out that we live in a world of hatred and greed, but I don’t see that. It seems to me that love is everywhere.”
(Originally published September 4, 2017.)
My notes on Wild and Free:
1. Umpisa pa lang hindi ko na mapigilan ang lakas ng tawa ko. Ang eksena kasi nasa loob ng sasakyan ang ex-lovers na sina Jake (Derrick Monasterio, whose performance was as stiff as an erection) at Ellie (Sanya Lopez) tapos more reminiscing sila about their past.
Kaso napaka-obvious na may nagtutulak sa gilid ng kotse para kunwari tumatakbo siya. Yung mapapaisip ka bakit sa exterior overhead shots eh ang smooth ng road na dinadaanan nila pero sa interior shots eh para silang nalulubak every two seconds.
2. Anyway, mukhang bagay naman ang ugali ng characters nila. Si ate gurl yung tipong napakaingay kapag ngumunguya. Yung parang pang-porn or mga nakakairitang ASMR vids sa lakas.
Tapos si koya (aka “Mr. Laway”) naman nakabukas ang bibig mag-chew ng White Rabbit. Feeling sexy ang kumag na kahit nalaglag na ang candy galing sa bibig niya, sinubo niya ulit kasi wala pa naman daw ten seconds. Gusto ko sila regaluhan ng GMRC for Christmas.
3. So apparently si Ellie ay ex-girlfriend din ng older brother ni Jake. Nung big reveal scene, nalaman nung nanay (Cheska Diaz, stuck in 90’s overacting mode) na natuhog ni ate gurl ang panganay (who’s dead btw) at bunso niya pero deadma lang kasi mas importante ang 80th birthday ng lola nila. Saang planeta nagaganap ang alternate reality na ito?
4. Sample words of wisdom ni Ellie: “Eh ano naman kung rebound? Diba nga sa basketball yun ang dapat na hindi pinapakawalan?“.
Ganyan ang reasoning niya kasi mas masarap naman daw si Jake kesa sa kuya nito (did I mention that he’s already dead??).
Huy gurl, technical foul ka!!
5. And the much-hyped erotic scenes? Ano ba eh nag-pump nga until climax si Jake na hindi man lang naghuhubad ng pantalon niya. Tapos dun sa isang sex scene naisipan ni Ellie na mag-multitask so ni-on niya ang washing machine habang sinisibasib siya sa ibabaw nito para nga naman tapos na ang labada niya after nila makaraos. Oh diba, ibang level ng hitting two birds (wink, wink) yan.
(Side note: Maraming salamat Netflix at ang laki ng natitipid ko sa’yo, although sobrang lugi pa rin ng feeling ko.)
6. Halos lahat problematic sa pelikulang ito (kung saan macho at admirable ang chauvinism ng mga lalaki habang boba at subservient ang role ng mga babae).
I haven’t even touched on the couple’s very toxic relationship. Hindi naman sila mukhang in love talaga. Sex lang ang reason ng connection nila. Tapos puro irrational hallucinations si Jake kahit di naman siya sabog. Mabilis din na-resolve ang conflicts nila at nakalimutan na may sexual assault na naganap para lang sa requisite happy ending. How romantic!!
My notes on Through Night and Day:
1. I used to have an Entertainment Weekly subscription when the magazine only cost around Php100 (it’s now priced at Php400!!). One of my favorite film critics there was Lisa Schwarzbaum and although we would usually have opposing views (she had the audacity to call Fight Club “dumb” and even gave it a D grade), I enjoyed her brutal (read: honest) opinions.
I was reminded so much of her Pay It Forward review which she described as a “shameless cliché of emotional and physical damage”. I couldn’t understand her hate back then because I was a sobbing mess by the end of that film. After watching this JaMill in Iceland travelogue turned manipulative tearjerker, I finally got it. Some movies would simply throw in a last minute trope (an accident, death, cancer) that appealed to the most basic sentiments and hope that the audience would equate their reaction of crying to quality. As a sucker for three hankie weepies who would bawl my eyes out while watching a Jollibee Christmas ad, I have had enough of this type of emotional manipulation.
2. The movie started off okay as it followed this annoying couple (Alessandra de Rossi as Jen and Paolo Contis as Ben) who had been together for thirteen years deciding to finally have an out of the country trip. It was supposedly the real test of their relationship (oh just wait until you guys actually lived together) because travelling would bring out the worst in people (as seen in every season with couples in The Amazing Race). Their country of choice was Iceland probably because it was a new destination for a Pinoy romcom and not a lot of people saw the fake-looking Aurora Borealis in the Piolo Pascual-Yen Santos snoozefest Northern Lights: A Journey To Love.
They rented a van without any insurance (a sign of an impending accident), complained about the exorbitant food prices (a trip to a local 7-11 cost them almost Php4k), provided Kuya Kim trivia about the place (zero crime rate in the country), and bickered and fought and made up, and bickered and fought and made up, and bickered and fought and made up.
You know how when you’re single and you would simply glare at these irritating naglalandian couples in the corner of Starbucks while bitterly thinking “Maghihiwalay din kayo”? Exact same feeling. After the nth time of watching them fight over the pettiest things, I wished that they would just head home and never see each other again.
3. I must have wished really hard because they did break up over a lost passport and a missed return flight. She was fire and he was ice (their words, not mine) and they just weren’t MFEO. I was already good with that ending (hey, a one hour travelogue for a Php190 movie ticket in Festival Mall wasn’t all bad) but then it decided to jump three years later with Ben already engaged to another girl and Jen all bald and suffering from a brain tumor. Why? Why? Whyyyyy??
If two people weren’t meant to be, why should guilt be induced to prove that there wasn’t any love lost between them? Jen’s affliction was even used as a reason for her blatant irrationality (although it still didn’t support why she chose to wear her engagement ring on her middle finger just because of a bad manicure). Should I feel guilty about that as well?
4. Even in her bad films, I couldn’t remember Alessandra de Rossi ever giving a terrible performance. She was always this sensitive actress able to transcend any material given to her (even crap like Spirit of the Glass). I couldn’t say the same for her work in the first two-thirds of this movie. Pabebe acting just didn’t suit her well (no to baby talk and girls trying to be cute by saying “Plith”).
Plus, she looked far too intelligent and decent to be groping tomatoes in a farm for a photo op and even spitting on the ground and contaminating all the pananim. After getting dumped over that missed flight, Jen asked “Dito talaga sa Iceland? Dito mo sasabihin na ayaw mo ako pakasalan? Kung saan ang ganda ng sky?” Huh?? And she even found humor in the situation when she screamed “I will stay here in my country! Not this country. This is not my country!”. I felt really, really bad for Alex.
Even worse, she shaved her head for this mess (fyi, she was a producer of this movie with a story and concept credit so it must be a passion project worthy of a buzz cut). Brave move, yes, but let’s not forget that Demi Moore also won a Worst Actress Razzie for her shaved head work in G.I. Jane.
Side note: That scar on the back of her head looked like a strip of Play Doh. Eek!
5. Paolo Contis fared a bit better because he always had this pilyo, pang-asar vibe even during his Ang TV days that was apt for the character of Ben. Most people would probably be surprised that he could cry a river (and believe me, there were enough tears in that final thirty minutes to solve our country’s Maynilad problems). Nothing new though if you were a huge fan of that Aga Muhlach-Dayanara Torres fantasy Basta’t Kasama Kita.
6. My favorite part of this movie was when Ben complained that Jen wasn’t “decently” dressed and since she was a devoted Christian saving herself for marriage, it was a problem for him not to feel horny beside her (“Wala namang utak ‘to. Tanga ‘to eh!” referring to his shrinkage-proof member that wasn’t affected at all by the freezing weather.) I immediately (sinfully) thought, “Well, maybe she should pray over his erection”. And she did. Bwahahaha!
(It was also interesting to note that Jen completely forgot her Christian ways after getting sick by forcing herself on Ben and basically trying to covet another person’s jowa.)
7. My least favorite part was when BenJen did a duet and sang the entire version of Gary Valenciano’s “I Will Be Here” while sobbing like there was no tomorrow (okay, bad pun because there really was no tomorrow for Jen).
I hated it because: 1) I had always been averse to that song ever since it was played in a good friend’s wake, 2) all the crying felt like one of those acting workshops where a mentor would make you remember the saddest memory and force you to weep for thirty minutes as a sign that you could act and cry on cue, and 3) they sang an entire song. Again, why? To give the audience enough time to cry along with them? Repeat after me: emotional manipulation.
Side note: The dark humor toward the end of the movie (the fake dying, Jen’s sudden outbursts, etc.) felt really off, too. The hilariously robotic delivery of that nurse about the re-occurrence of Jen’s condition didn’t help, either.
8. How did I know that I was completely unaffected by all the sadness onscreen? While the couple was singing that entire (it had to be noted, yet again) death song, my brain was focused on the fly perched on Joey Marquez’s left shoulder. Malungkot kaya yung langaw mag-isa?
My notes on Ang Huling El Bimbo (The Musical):
1. I’d be lying if I told you that I was the biggest fan of the Eraserheads considering that I gave up on them after the disappointing Sticker Happy (by that time, I had already moved on to Hanson’s Middle of Nowhere). Magasin was their very first song that I really liked. I saved up all of my lunch money (and gave up my favorite kuchay pie from Mr. Teo’s) just to afford their Circus cassette tape. While everyone else listened to Jose Mari Chan for Christmas, I was locked up in my room singing along to Fruitcake. I even paid Php150 (considered exorbitant to a high school student in the 90’s) for their Bananatype EP that contained only five (!!) songs. My idea of rebellion was listening (and cursing along) to the “Tangina” version of Pare Ko in their Ultraelectromagneticpop! album. And when the band was plagued with rumors about devil worship (apparently, backmasking Cutterpillow would reveal Satanic chants) and subliminal drug use in songs (hello Alapaap!), my soul full of Catholic guilt loved them even more. Still not the biggest fan, though. I didn’t even like Spoliarium.
2. When I heard the news that a musical was being made based on the band’s discography, I was initially doubtful. Would I really want to hear bastardized versions of their most masa hits sung by professional musical theater actors? Would these songs that meant dearly to me still have the same effect if they were taken out of context? My only hope was that this style actually worked for Mamma Mia! and even if some of the tunes felt forced into a storyline, the end result was still a joyous ode to the classic songs of Abba. Even with a more melodramatic plot, El Bimbo wasn’t any different in celebrating the wonderful anthems of an iconic 90’s band.
3. I actually liked how some of the songs took on a whole new meaning here. One of my favorites was how they “ruined” such an optimistic one like With a Smile and reworked it into a heartbreaking ballad. The sight of young Joy (a wonderful Tanya Manalang) holding graduation sampaguita necklaces for her friends after suffering a tragic incident made me cry in my seat. I also adored the giddy Tindahan ni Aling Nena sequence that had three different versions of courtship happening onstage. The rest of the songs retained the same emotional resonance like the nostalgic Minsan number (still my favorite OPM of all time) and the expertly-staged hallucinogenic version of Alapaap.
4. Although the story felt a bit lacking in terms of the development of friendships and the choice to make it brutally sentimental (the complete shift in tone during the end of the first act left the audience wondering if they should be clapping given such a horrific scene), it more than made up for it with great choreography (the marching band version of Pare Ko was a hoot) and spectacular set design (the revolving stage used for Toyang’s carinderia and the Overdrive car was a visual treat).
5. The vocal performances were consistently good across the board, although I found some of the casting a bit off. I adored Topper Fabregas (as the young Anthony) and when he showed up in one scene with his face badly-bruised, my heart just exploded because I knew they were playing my song Hey Jay next. Jon Santos (as the repressed present Anthony) was also terrific, but he looked considerably older compared to Gian Magdangal (as the present Hector) and OJ Mariano (as the present Emman; loved the conceit that he lost his gorgeous locks). This age thing was also my concern for the divine Menchu Lauchengco-Yulo (as the present Joy). Also, she sang beautifully, but had that classically-trained (read: very conyo) style of singing that deviated from the young Joy’s masa character.
6. The sprinkle of 90’s pop culture references from Ang TV and Cindy’s to the “Chicken!” of Tropang Trumpo were simply perfect for certified Titos and Titas of Manila. On the other hand, the interludes used from different Eraserheads albums were a welcome treat for the fans. If you could recite the entire “Gusto mo ng tahong, gusto mo ng labong, ispaghetti, patitocini, banana que, nilagang suso, tahong chips ahoy…” line, then this was made for a certified E-Head like you.
My notes on Old Skool:
1. It’s hard to be tough on Old Skool, a well-intentioned movie that obviously wore its heart on its sleeve. The problem with it though was how it played its supposedly inspirational message with throwaway gags and juvenile humor.
2. Tessie Tomas is one of our finest actresses but her performance here was very inconsistent. There were times that she acted like Budoy when she was just a perfectly normal old woman that just wasn’t able to finish grade school.
3. In one scene, she wore a Trinidad and Tobago outfit for United Nations Day (?) complete with a headpiece full of dalandan and bananas and she acted all clumsy like Forrest Gump just stepped in class. (In another, she was obviously reading the lyrics of a song on the back of a classmate during the Christmas production.)
4. I was also confused when she mentioned that she was supposed to be the batch valedictorian before she stopped schooling and yet she couldn’t add basic fractions. Also, with the advanced learning system now, don’t they teach Calculus and algorithms as early as Kinder?
5. I was happy to see that artista notebooks (you know, the ones with Juday and Wowie on the cover) are still available. I wonder if they have an AlDub version.
6. Oh and that Microsoft Office Computer class! I suddenly remembered my Wordstar and Lotus days. I’ve mentioned this before but I’m still amazed that we had Typewriting classes back in grade school. Using an actual typewriter. I swear I hated the quick brown fox that jumped over the lazy dog.
7. Buboy Villar was good as the school bully. I wish there was no sudden change of heart because he was funnier when he made other kids cry. In contrast would be the shrill performance of Angel Aquino who basically hated life. She kept screaming every 15 minutes on the most petty stuff that I missed my morning alarm clock (read: my mother).
8. True story:
Me: “What’s HEKASI?”
Other: “Heograpiya, Kasaysayan, Agrikultura, Sining, at Sibika.”
Me: “Eh di dapat HEKAASISI?”
But seriously, di ko inabot ang HEKASI. I’m that old.
9. Styrofoam solar system! I had the exact same project in grade school! Memories!!
10. Teacher: “Ilagay ang kanang kamay sa puso. O tumitibok ba?”
Teacher: “Mabuti! Kung hindi dadalhin kayo sa ospital.”
Me: “Sir, sure ka hindi sa morgue?”
(Originally published November 7, 2015.)
My notes on #Ewankosau Saranghaeyo:
1. I remember watching Dawson’s Creek a decade ago and Dawson Leery was this amateur filmmaker who kept shooting these no-budget horror flicks. This movie looked and felt exactly like that. It wasn’t a horror movie but it very well could have been one.
2. Leo Martinez played the lead actor’s grandfather and he was supposedly a modern day Balagtas, spewing romantic and philosophical lines while riding a railway trolley. He was no different from Janet Jackson in Poetic Justice. In one scene, he staged a balagtasan face-off with local flip-toppers.
3. There were actually two recent Cinemalaya Best Supporting Actress winners in this movie. I felt really bad that this would forever be on their Wikipedia filmography.
4. In one clunky scene, three characters were talking loudly about another character who was painting just five feet away. The scene ended with this gem of a line, “Tara alis na tayo baka mapansin pa niya tayo.” Sigh.
5. Jon Lucas looked like Matteo Guidicelli. Why wasn’t he given the lead role instead? And what kind of parent would name their kid River Mondragon?
6. Francis Magundayao was a terrible actor and he had zero chemistry with Barbie Forteza. Even Forteza (great in Mariquina) felt limited by the bad screenplay. I guess it was hard for her to act when the highlight of the movie was her character mourning a dead pet chicken.
7. My favorite lines in the movie were:
• “Kung bibigyan ka ba ng pagkakataong maging malaya, hindi ka ba lilipad?” (No, she wasn’t talking to her dead pet chicken.)
• “Pahinga na tayo ha.”
“Ok, ikaw din.”
• After dancing with the prom king:
“Baste, gusto ko ikaw ang first dance ko.”
• “Pakiramdam ko nasa adaptation tayo ng Wattpad.” (One that should never have been published.)
• And this classic…
“May gamot ang kabobohan. Konting iodized salt lang solb na. Pero yang katangahan mo di ko alam kung sang botika mahahanap ang lunas.”
8. Of course, there was a key product placement in the movie. Thank you BNY, makers of Bunny Jeans!!
9. I’d definitely wear that mini-barong under a beaded blazer look in our next Christmas party.
10. I would never forget that scene where he tried to skateboard from Roxas Boulevard to the airport because of heavy traffic. Love indeed makes us do really crazy things.
(Originally published January 25, 2015.)
My notes on Sid and Aya (Not a Love Story):
1. The comparisons between Dingdong Dantes’ privileged, cutthroat stock broker Sid and Leonardo DiCaprio’s hedonistic stock broker Jordan Belfort in The Wolf of Wall Street would be inevitable, but if anything, Sid reminded me more of Dingdong’s privileged car salesman character in the early 2000s flop Akala Mo… (ellipsis included) with Judy Ann Santos as a lady guard drooling over him.
In one scene, iconic character actor Mandy Ochoa was furious at Dingdong for stealing a customer using only his natural good looks and charm. The same thing happened in this movie when Sid got punched in the face by a colleague for poaching a client. (Why did I remember such petty details? Because my brain preferred to latch on to useless trivia rather than store new knowledge that would make me the next Jordan Belfort.)
2. I had never been a fan of Dingdong and his constipated acting, especially since he would always use the exact same glare whether he was surprised for being caught cheating, frustrated for getting turned down on a possible kitchen counter sex, or just pretending to be downright scary as an abusive lover. One of my happiest Christmas seasons was when he won Best Actor in the MMFF for Segunda Mano because I was laughing every day all the way through Three Kings.
After watching him play the arrogant yet sympathetic Sid, I could actually hear him say “Fuck you no-name feeling critic! Look for MY name in next year’s Urian nominees.” Yes, he was that good here. He had me at “Sino ba ang gagong ito?” and made this entire Black Swan theory of Taleb worth pondering upon. Weirdly enough, said theory worked on the premise of “may mga pangyayaring di inaasahan mangyari na magbabago ng lahat”.
(Side note: Anne Curtis also had a children’s book called Anita the Duckling Diva so I guess lapitin silang dalawa sa ibon talaga.)
3. “Napakaraming kupal sa mundo” would actually apply to people who would have the gall to say that they could easily relate to Sid, so I guess I would be the ultimate kupal. All the sleepless nights of discontentment, all the feelings of worthlessness even at the peak of success, the emptiness, the search for life’s meaning. What struck me the most was when he said “Sino ba ang hindi malungkot? Sino ba ang hindi galit sa mundo? Isang pitik, isang maling sagi, sasabog ka bigla.” When he mentioned the history of depression and suicide in his family, I actually expected it to play a big part in his story (one of the early shots was an overhead view of his condo’s balcony and I really thought it hinted that he would eventually jump off the building). I guess this was Not a Netflix Series as well.
4. Magaling na talaga mag-Filipino si Anne. Struggling slang-speaking actors that want to make it big in local showbiz should learn a thing or two from her. As Aya, she was just the right amount of Pinoy manic pixie dream girl who would brutally call Sid out (“Sobrang lungkot mo naman para magbayad ka ng kausap”) or tease him even while her heart was breaking (“Kung tumaya ako sa‘yo, ikaw naman ang masasaktan”).
Her best scene was when she was trying to hold back her tears after Sid revealed his plans to propose to his real girlfriend. I wanted to give her a hug while whispering in her ear, “Bakit di mo sinunod yung sinabi mo dati sa No Other Woman na ‘You can kiss me, but don’t you dare fall in love with me’ ang gaga nito!”.
(Also, congratulations to her glam team because she looked absolutely gorgeous in every single frame.)
5. There was a moment where Sid and Aya were staring at an aquarium-like screen with dazzling moving visuals and it would probably be the most memorable one in this film. My second favorite was when a flurry of umbrellas started moving in Shibuya Crossing. Ganda! Great soundtrack, too.
6. My OC side kept wondering about the schedules of Aya and how she was able to sustain her multiple jobs (barista at The Grind, laundry shop lady, Stardome princess at Star City, part-time escort). I knew she desperately needed the money for her father’s operation, but how did she find time to sleep? Was that why we never really saw her eat or take a shower?
7. While Aya’s co-worker wondered if Sid’s longganisa was Vigan or Lucban, I was curious to know why Dingdong’s left nipple was so close to his armpit even if he was sleeping on his right side. (Petty details, you have been warned.)
8. I was shocked when Sid’s boss (Gabby Eigenmann) was bragging about him and mentioned “To the best fucker I know… and I mean that literally.” Omg pano nya alam? Does that mean…???
9. For a supposed non-love story, it was actually very much like a love story. Even the ending couldn’t hold back on the requisite happy twist of fate. If it had chosen to go all (500) Days of Summer instead, I really wouldn’t complain.
10. “The things that we love will eventually kill us.” Definitely the reason why I no longer watch movies in Festival Mall’s crumbling cinemas.