HINTAYAN NG LANGIT (Dan Villegas, 2018)

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SPOILER ALERT!!

My notes on Hintayan ng Langit:

1. Imagine your poor, unfortunate soul in the hereafter rooming with your ex slash TOTGA (The One That Got Away, anubuzz tita!!) and dealing with your unresolved issues. Isn’t that the ultimate definition of purgatory? (Although, if you realized that you still loved your TOTGA long after your heart literally stopped beating, shouldn’t that be the equivalent of eternal hell?)

Manolo (Eddie Garcia) quickly learned this when he started sharing a room with ex-jowa Lisang (Gina Pareño) in said waiting area (also called The Middle) that looked like the final stop before reaching The Good Place (the actual one, not The Bad Place pretending to be The Good Place). Both of them obviously carried a lot of emotional baggage (I was surprised these got through customs in the arrivals area that had an actual x-ray machine). In some weird way, this film actually felt like a sequel of Exes Baggage set fifty years later in the afterlife. 

2. Sobrang daming hugot sa purgatoryo. Pero mas tagos talaga sa puso kapag oldies ang nagbabato ng hugot lines, no? Ramdam mo na walang halong kababawan. Kasi kung namatay ka na’t lahat kakahintay sa ex mo, di pa ba matatawag na true love yun?

3. It was heartbreaking to rewatch one of the final (great) performances of Manoy Eddie, especially since 2018 was another banner year for him with equally commendable turns in ML and Rainbow’s Sunset. I would always remember him as my favorite villain in Fernando Poe, Jr. films where they would play a game of verbal volleyball during that climactic (endless) final showdown. He had this annoyingly iconic way of delivering insults just by elongating most of his syllables that would rival Noli de Castro’s Teeeeveeee Patrol. (Lisang to Manolo: “Ulol! Hindi ka naman si FPJ ano?”)

In this film, he kept teasing her the Manoy way with lines like, “Hay nakooooohh! Ulyanin na si Lisaaaaaang. Pangalan ko lang hindi na matanda-aaaan! Ulyanin na ngaaaahh, malabo pa ang mataaaaaahhh!!” (Surely you read that in his voice. He was that effective, right?)

There was an overwhelming feeling of sadness listening to Manolo/Manoy sharing his regrets on not having the opportunity to properly bid farewell to his family. Nakakaiyak lalo hay. (It also made me wonder how many of our departed loved ones still carried that guilt over their unfinished business.)

4. I loved Gina’s performance here as well the moment she screamed “Mga pukengkay!!” to the noisy kids in the hallway (who morbidly died in a tragic field trip, fyi). It was reminiscent of her hilarious turn as Judy Ann Santos’ mother slash longganisa magnate in Kasal, Kasali, Kasalo. During that bar scene where she was discussing something about local politics, I half-expected her to say “politicians” the Belita way. It was also amusing to see her go toe-to-toe with Manoy and basically play cat and mouse in full juvenile mode (“Excuse me di kita type bleh!!” HAHAHA!). Kinilig din ako dun sa “Am I easy to forget?” ha.

She had two amazing scenes in this film. The first that brought me to tears was when she delivered the line “Dahil ayokong sabihin mo na hindi na naman kita hinintay”. (Waaah!) The other one was when she called her husband Nestor in heaven and said, “Alam mo ba kung bakit sigurado akong mahal kita? Dahil araw-araw kitang pinili”, which was actually bittersweet given the eventual ending.

Also, tawang-tawa ako sa pagkasabi niya ng Zest-O as Syes-to.

5. There were a lot of details in this interpretation of the afterlife that I really liked, from the support group that provided counselling for the recently departed that were in denial, the surge of souls arriving that were killed due to tokhang, that the vow of marriage might have its limits (‘Till death do us part, diba?), and the portal that could connect the living and the dead.

My favorite one from the admirable production design was that blink-and-you’ll-miss-it sign in the elevator that stated the maximum capacity of 10 souls and weight of 210 grams. It reminded so much of Alejandro Gonzalez Iñarritu’s 21 Grams (the second film in his Death Trilogy) that included the line: “They say we all lose 21 grams at the exact moment of our death.” Yup, there was an actual scientific study done that determined the probable weight of one’s soul. (At least kahit sa kaluluwa man lang magaan ako.)

6. Politicians woman: “What really matters is the void we leave behind.” 

Lisang: “Pero hindi ba mas mahalaga na makita mong masaya yung mga naiwan mo?”

Points to ponder.

7. Nung nawala ang kalasingan ni Lisang sa pagtawag ni Esther na asawa ni Manolo, nasagot ang tanong sa kung ano ang best cure for a hangover. Obviously, jelly. As in jealousy.

8. If there was one thing that I learned when Manolo arrived late at the pier thus forever altering their lives, it was the importance of punctuality. I would never, ever be late to anything ever again. (Hopefully.)

9. That final shot. Goosebumps!! (Pero napaisip din ako gaano kadaming multo ang nakasakay sa eroplano. Goosebumps ulit.)

Rating: ★★★★☆

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The Best of Pinoy Cinema 2018

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E9887538-3077-4694-8138-49B71875816B

1. THERESE MALVAR (Distance)

2. MOI BIEN (Kuya Wes)

3. CHERIE GIL (Citizen Jake)

4. GILLETH SANDICO (Sol Searching)

5. INA RAYMUNDO (Kuya Wes)

6. DEVON SERON (Bakwit Boys)

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1. MENGGIE COBARRUBIAS (Kung Paano Hinihintay ang Dapithapon)

2. NICO ANTONIO (Delia & Sammy)

3. KETCHUP EUSEBIO (Mamang)

4. NICCO MANALO (Gusto Kita With All My Hypothalamus)

5. EJ JALLORINA (Mamu; And A Mother Too)

6. JM SALVADO (Sol Searching)

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1. GLAIZA DE CASTRO (Liway)

2. IYAH MINA (Mamu; And a Mother Too)

3. GINA PAREÑO (Hintayan ng Langit)

4. POKWANG (Oda sa Wala)

5. CELESTE LEGASPI (Mamang)

6. NADINE LUSTRE (Never Not Love You)

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1. DANTE RIVERO (Kung Paano Hinihintay ang Dapithapon)

2. EDDIE GARCIA (Hintayan ng Langit)

3. DINGDONG DANTES (Sid and Aya: Not a Love Story)

4. NONIE BUENCAMINO (Distance)

5. EDDIE GARCIA (ML)

6. JAIME FABREGAS (Delia & Sammy)

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1. SA SAIYANG ISLA (Christian Candelaria)

2. GABI NG KABABALAGHAN (Stephen Lopez)

3. LUISA AT GUADA (Jude Matanguihan)

4. BOYET LOVES YOU (Josel Fajardo)

5. DUYAN NG ALON (Kaye Banaag)

—-

TOP 10 FEATURE LENGTH FILMS

2B4E4B00-DC21-4CDA-BB78-D9231A7B8080

#10

Written by: Keavy Eunice Vicente

Directed by: Perci Intalan

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#9

Written and directed by: Samantha Lee

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#8

Written by: Juan Miguel Severo

Directed by: Dan Villegas

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#7

Written by: John Carlo Pacala

Directed by: Carlo Catu

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#6

Written and directed by: Dwein Baltazar

C187AA2C-3C59-4FCD-9293-688596A36E4E

#5

Written and directed by: Rod Singh

CDBB65EA-108B-4440-8390-8483F6F05663

#4

Written and directed by: Antoinette Jadaone

B566D743-046A-4E70-BA09-0CBE6F9EF8BF

#3

Written and directed by: Dwein Baltazar

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#2

Written by: Kenneth Lim Dagatan, Eduardo Dayao

Directed by: Kenneth Lim Dagatan

FB35C55A-5440-4976-B297-036C533E5E96

#1

Written by: Kip Oebanda, Zig Dulay

Directed by: Kip Oebanda

—-

And here’s my 2018 scorecard:

★★★★★

GABI NG KABABALAGHAN (Stephen Lopez)

LIWAY (Kip Oebanda)

LUISA AT GUADA (Jude Matanguihan)

MA (Kenneth Lim Dagatan)

SA SAIYANG ISLA (Christian Candelaria)

—-

★★★★☆

ALL GROWN UP (Wena Sanchez)

BAKWIT BOYS (Jason Paul Laxamana)

BILLIE & EMMA (Samantha Lee)

BOYET LOVES YOU (Josel Fajardo)

DELIA & SAMMY (Therese Cayaba)

DISTANCE (Perci Intalan)

DUYAN NG ALON (Kaye Banaag)

GUSTO KITA WITH ALL MY HYPOTHALAMUS (Dwein Baltazar)

HINTAYAN NG LANGIT (Dan Villegas)

KOLEKSYONG PAMALO (Len Frago)

KUNG PAANO HINIHINTAY ANG DAPITHAPON (Carlo Catu)

MAMU (AND A MOTHER TOO) (Rod Singh)

NEVER NOT LOVE YOU (Antoinette Jadaone)

ODA SA WALA (Dwein Baltazar)

SOL SEARCHING (Roman Perez, Jr.)

—-

★★★☆☆

ALAS-NUEBE NG TANGHALI (Enalyn Legaspi)

ANONYMOUS STUDENT VLOG (Christian Babista)

BAHAY-BAHAYAN (Brian Spencer Reyes)

ANG DALAWANG MRS. REYES (Jun Lana)

CITIZEN JAKE (Mike de Leon)

EXES BAGGAGE (Dan Villegas)

ISANG TULA PARA SA NAWAWALA (Rod Singh)

JODILERKS DELA CRUZ, EMPLOYEE OF THE MONTH (Carlo Manatad)

MGA ANAK NG KAMOTE (Carlo Catu)

MISS GRANNY (Joyce Bernal)

NANGUNGUPAHAN (Glenn Barit)

KUYA WES (James Mayo)

PAGLISAN (Carl Joseph Papa)

PAG-UKIT SA PANINIWALA (Hiyas Baldemor Bagabaldo)

PARA SA BROKENHEARTED (Digo Ricio)

.RAW (Eugine Frondoza)

SI ASTRI MAKA SI TAMBULAH (Xeph Suarez)

SID & AYA (NOT A LOVE STORY) (Irene Villamor)

SIGNAL ROCK (Chito Roño)

SIN ISLAND (Gino Santos)

—-

★★☆☆☆

1957 (Hubert Tibi)

AMUSIN PA (Raiza Masculino)

ANG BABAENG ALLERGIC SA WIFI (Jun Lana)

BABYLON (Keith Deligero)

BATO BATO PIK (Ardinian Sanque, Lorys Plaza)

BINATA NA (Dexter de Jesus)

BUYBUST (Erik Matti)

THE DAY AFTER VALENTINE’S (Jason Paul Laxamana)

THE ETERNITY BETWEEN SECONDS (Alec Figuracion)

EVERYBODY LOVES BABY WENDY (Wenn Deramas, Alan Chanliongco)

EXCUSE ME PO (Ronald Batallones)

THE GIRL IN THE ORANGE DRESS (Jay Abello)

GLORIOUS (Connie Macatuno)

GOYO: ANG BATANG HENERAL (Jerrold Tarog)

THE HOPEFUL ROMANTIC (Topel Lee)

THE HOWS OF US (Cathy Garcia-Molina)

I LOVE YOU, HATER (Giselle Andres)

JACK EM POPOY: THE PULISCREDIBLES (Michael Tuviera)

KUNG PAANO SIYA NAWALA (Joel Ruiz)

LOGRO (Kani Villaflor)

MADILIM ANG GABI (Adolf Alix, Jr.)

MAMANG (Denise O’Hara)

MAMA’S GIRL (Connie Macatuno)

MARY, MARRY ME (RC delos Reyes)

MASAYA AKO (Daniel Delgado, Tiara Nicolas)

MASLA A PAPANOK (Gutierrez Mangansakan II)

MATA TAPANG (Rod Marmol)

MEET ME IN ST. GALLEN (Irene Villamor)

ML (Benedict Mique)

MR. & MRS. CRUZ (Sigrid Andrea Bernardo)

MUSMOS NA SUMIBOL SA GUBAT NG DIGMA (Iar Lionel Arondaing)

MY PERFECT YOU (Cathy Garcia-Molina)

MY 2 MOMMIES (Eric Quizon)

ANG PAMBANSANG THIRD WHEEL (Ivan Andrew Payawal)

PAN DE SALAWAL (Che Espiritu)

ANG PANAHON NG HALIMAW (Lav Diaz)

PINAY BEAUTY (SHE’S NO WHITE) (Jay Abello)

RAINBOW’S SUNSET (Joel Lamangan)

RUFYLA (Coleen Tanco)

RUNNER (Levi Miscala)

SCHOOL SERVICE (Louie Ignacio)

A SHORT HISTORY OF A FEW BAD THINGS (Keith Deligero)

SI APONIBOLINAYEN AT ANG MGA BATANG LUMILIPAD (April Aspiras)

SINGLE/SINGLE: LOVE IS NOT ENOUGH (Veronica Velasco, Pablo Biglang-awa)

SIYUDAD SA BULAWAN (Jarell Serencio)

TANABATA’S WIFE (Lito Casaje, Charlson Ong, Choy Pangilinan)

THREE WORDS TO FOREVER (Cathy Garcia-Molina)

TO LOVE SOME BUDDY (Jason Paul Laxamana)

WE WILL NOT DIE TONIGHT (Richard Somes)

—-

★☆☆☆☆

ABAY BABES (Don Cuaresma)

ABOMINATION (Yam Laranas)

ALIMUOM (Keith Sicat)

ALL SOULS NIGHT (Aloy Adlawan, Jules Katanyag)

AMNESIA LOVE (Albert Langitan)

ATE, KUYA, GUSTO KONG KAPE (Mark Bayani)

AURORA (Yam Laranas)

BAGYONG BHEVERLYNN (Charliebebs Gohetia)

CLASS OF 2018 (Charliebebs Gohetia)

CRY NO FEAR (Richard Somes)

DOTGA: DA ONE THAT GHOST AWAY (Tony Reyes)

DOUBLE TWISTING DOUBLE BACK (Joseph Abello)

EL PESTE (Richard Somes)

FANTASTICA (Barry Gonzalez)

FIRST LOVE (Paul Soriano)

HOSPICIO (Bobby Bonifacio, Jr.)

JACQUELINE COMES HOME (Ysabelle Peach)

KASAL (Ruel Bayani)

KAUYAGAN (WAY OF LIFE) (Julienne Ilagan)

KIKO (Jojo Driz)

KUSINA KINGS (Victor Villanueva)

LASINGTUNADO (Miguel Fernandez)

THE LOOKOUT (Afi Africa)

MELODRAMA/RANDOM/MELBOURNE! (Matthew Pastor)

MY FAIRY TAIL LOVE STORY (Perci Intalan)

NAKALIMUTAN KO NANG KALIMUTAN KA (Fifth Solomon)

NEVER TEAR US APART (Whammy Alcazaren)

ONE GREAT LOVE (Enrico Quizon)

OTLUM (Joven Tan)

PANG-MMK (John Lapus)

THE SIGNIFICANT OTHER (Joel Lamangan)

THROUGH NIGHT & DAY (Veronica Velasco)

TRES (Richard Somes, Dondon Santos)

TUGMA (Joshua Tayco)

UNLI-LIFE (Miko Livelo)

YAKAP (Mika Fabella, Rafael Froilan)

 

Until next year!!

EXES BAGGAGE (Dan Villegas, 2018)

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SPOILER ALERT!!

My notes on Exes Baggage:

1. In the movie As Good As It Gets, obsessive-compulsive Melvin (Jack Nicholson) professed his love to Carol (Helen Hunt) by saying one of the sweetest lines in film history, “You make me want to be a better man.” I remembered watching this in high school when my innocent heart had never experienced any real heartbreak yet. I gobbled up each word of that declaration with the belief that people would actually change themselves to win over (or win back) the person that they truly loved. I obviously didn’t know any better back then.

Through the years, I must have heard every single version of that promise. Changing for the better? Swearing to always remain faithful moving forward? Pledging undying love after endless second chances? Although there wasn’t any bitterness left for any of my exes after our failed relationships, my already jaded heart couldn’t hold still when Nix (Carlo Aquino) told his ex Pia (Angelica Panganiban), “Paulit-ulit kong isusugal ang puso ko maramdaman ko lang ulit kung anong meron tayo noon.” ULUL!! I expected her to say, “Narinig ko na yan, boy! Wag ako!!”, but this was still a Star Cinema movie after all.

2. I really liked how this was able to capture those awkward moments specific to recent exes (because after our hearts were fully healed, we would usually end up as good friends with them, right?). In one scene, Pia bumped into old married flame Migz (Joem Bascon) and I felt every uncomfortable minute of that encounter. I also used to run the other direction whenever I would see a recent ex heading my way in the mall (twice as fast if said ex was with a new jowa). I mean, what kind of small talk would we have? “Uy, ang gwapo ng ipinalit mo sa akin! Good job! High five!!”. Uhh, no thanks! Not everyone could be as strong as Angelica who even declared on national TV that she was willing to be a ninang to the baby of a recent ex. Tibay mo, gurl!

I also appreciated how it fully displayed all the insecurities that couples would feel whenever they start discussing their exes (especially when comparisons would come into play). No amount of self-confidence or belief on the strength of your relationship would go unscathed once the classic “Sinong mas minahal mo?” question comes up. Or even worse, “Nagustuhan mo lang ba ako para makalimutan sya?”.

(Side note: It was a bit understandable for Pia to feel insecure about Nix’s ex Dwein because she was played by the gorgeous and classy Coleen Garcia. Ibang level ang ganda ni Ate Gurl dito.)

3. I wish we knew more about Nix and Pia for us to fully root for their relationship. How could we say that these two people really loved each other when the only grand gesture we saw was Nix preparing her a romantic dinner? Sure, he was also a gentleman for not taking advantage of a drunk woman, but you wouldn’t go into a relationship with every decent guy you meet.

The thin plot mainly worked because of the undeniable chemistry of CarGel (that entire pretend dancing in the condo scene alone was worth the ticket price). I felt bad that Carlo got saddled with an unsympathetic, irrational (“Sana pinakilala mo ako ng maayos para di na sya nag-small talk sa’yo!”) character full of hang-ups, but he still made the most out of his role. And what was his problem with his girlfriend showing a little bit of cleavage? Insert Nadine Lustre sound bite here.

It was Angelica who really stood out though for embodying a perfectly flawed character who could be my best friend any day (even if she had the gall to ask Nix to take her home after a night of partying then drive her back to work immediately after). Her wonderful performance ranged from hilarious (“Gumising talaga ako para magising mo ako”) to heartbreaking (“Sanay naman ako. Sabihin mo lang talaga. Sanay na akong iniiwan”). I wanted to give her the tightest hug during the scene where she was packing her suitcase.

4. It was a bit funny how the Alamat ng Santol turned into the Alamat ng Werewolf in the subtitles pero naitawid naman. But I was more curious about that Alamat ng Bakla on Social Media and the belief that guys with more than fifty photos in their Facebook profile pic album were gay. But what if they only had five choice topless pa-delight and pa-abs pics? Asking for a desperate friend.

5. Best moment in the film for me:

When Pia offered to prepare breakfast and coffee for Dwein but she declined (di ata sya umiinom ng Great Taste White) which prompted Pia to say, “Meron naman akong dalang bibingka.” I wasn’t sure if it was meant to be hilarious, but I really laughed my head off.

6. “Ang takot magmahal after masaktan, di nagmahal in the first place. Kaya mo dapat pagdaanan ulit lahat ng pain at sakit para maramdaman ulit ang pagmamahal. Dapat ganun ang love, it overpowers pain.” O di sige Pianalyn, ikaw na ang matatag!!

7. Lovely cinematography. Of course I wondered why Pia would read under a green lamp/light, but I wouldn’t want that to ruin the movie’s aesthetics.

Also, first time to watch panties being removed while set to an indie soundtrack. Loved most of the songs though, especially Maybe the Night.

8. I teared up a bit when Nix started talking to Pia’s car, not because it was unfortunately named Ogie, but because he was making a last habilin to a non-living object to take care of this person that he truly loved. I thought it was the perfect sad ending to a relationship that was never meant to be.

But then Pia stepped out of her car, ignored the mystery man named Anton calling her, and implied a more hopeful ending. Tanga!! (Also, poor Anton.)

Rating: ★★★☆☆

The Best of Pinoy Cinema 2017

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EDB7E898-4FFC-46A2-BD02-86D776F3C50E

5CB71D31-39C9-4DB4-AFA9-D34FBA7C032F

5377CAB8-B404-4429-A86A-E9AA571D91A8

C2522DD9-EF76-4864-898C-1239296E511F

TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

F23017D7-3869-4FAB-95E2-93A892CA14BB

#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

F7A5DAD9-3582-4280-8468-9DE47F655018

#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

Cinema One Originals 2017 Scorecard

6FA606A6-EB42-4ED6-AA9F-8395930BFAA0

Best Picture

1. CHANGING PARTNERS (Dan Villegas) – ★★★★★

2. PAKI (Giancarlo Abrahan) – ★★★★☆
3. HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande) – ★★★★☆

4. SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red) – ★★★☆☆

5. NERVOUS TRANSLATION (Shireen Seno) – ★★☆☆☆
6. THROWBACK TODAY (Joseph Teoxon) – ★★☆☆☆
7. NAY (Kip Oebanda) – ★★☆☆☆

8. HISTORIOGRAPHIKA ERRATA (Richard Somes) – ★☆☆☆☆
9. BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista) – ★☆☆☆☆

Best Performance by an Actor in a Leading Role

1. JOJIT LORENZO (Changing Partners)
2. CARLO AQUINO (Throwback Today)

Best Performance by an Actress in a Leading Role

1. DEXTER DORIA (Paki)
2. ELIZABETH OROPESA (Si Chedeng at si Apple)
3. AGOT ISIDRO (Changing Partners)
4. GLORIA DIAZ (Si Chedeng at si Apple)

Best Performance by an Actor in a Supporting Role

1. NOEL TRINIDAD (Paki)
2. SANDINO MARTIN (Changing Partners)

Best Performance by an Actress in a Supporting Role

1. SHAMAINE BUENCAMINO (Paki)
2. ANNA LUNA (Changing Partners)
3. EULA VALDEZ (Paki)
4. SYLVIA SANCHEZ (Nay)

CHANGING PARTNERS (Dan Villegas, 2017)

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Minahal ko ang pelikulang ito hanggang sa kinaya ng puso ko. It was a clear testament to the enormous talents on display in front of and behind the camera on just how perfectly everything worked. I didn’t see the original stage version and I am now more than curious to know how they were able to pull that one off.

It would have been so easy to get confused with the film’s multiple relationship permutations and constant character and gender switches, but the seamless transitions and excellent performances (Agot Isidro! Jojit Lorenzo!!) clearly helped a lot. Plus all that glorious singing. Totoo nga na mas dama mo kapag kinakanta ang feelings and emotions haha!

With a clear view on issues dealing with age gap differences, who wears the pants in the relationship, gut feel vs jealousy, etc., it was able to transcend the traditional hugot formula. Every sumbat that was thrown to the other partner felt raw and real and completely stung. I had been these characters and it was hard for me to hold back the tears. Never been this emotionally crushed. Never. Absolute.

Rating: ★★★★★

ILAWOD (Dan Villegas, 2017)

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SPOILER ALERT!!

My notes on Ilawod:

1. For me, Pinoy horror stories with their local settings, deeply-rooted mythologies, and fascinating folklore would always be much scarier than any Hollywood flick. Whereas Linda Blair and her spinning head made me cackle with glee, I almost peed my pants when Manilyn Reynes was stalked by a horde of aswangs led by Vangie Labalan. I could never picture Valak looking at me through a mirror, but I could easily imagine that dead nun killed during the Bataan Death March in the Magandang Gabi Bayan Halloween episode staring right at me from outside my bedroom window. This must be all coming from my childhood belief that Count Dracula and every other foreign monster would never even bother taking a 21-hour flight to the Philippines.

2. I really tried to like this movie especially since I was easily drawn to the very Pinoy story of the Ilawod, a water elemental living in streams known to dominate human bodies and suck the souls out of them (the name itself literally means downstream). Unfortunately, it wasn’t able to differentiate itself from other horror movies with genre tropes that included an exorcism and possession.

There was a scene with a kid drawing black rings that could have been an early promo for the new Rings sequel. The real face of the Ilawod looked like a monster from Pan’s Labyrinth. The elevator footage eeriely resembled that viral video with Elisa Lam (Google it!). Even the haunting scenes involving water (dripping from the ceiling, puddles on the floor) in the condominium seemed to have been borrowed heavily from Hideo Nakata’s Dark Water.

3. In the opening scene, an old lady was possessed by the Ilawod and when she saw Ian Veneracion (playing a daddy daddy beat reporter), her long pointed tongue started flailing like crazy and my very first thought was, “Why wouldn’t it?” Veneracion just didn’t age since his Anak ng Demonyo days and I could easily see hordes of women and gay men doing the exact same thing when they see him in person, with or without spirit possession. (Where did you find the Fountain of Youth, Ian? Tell us please!!)

4. I might have missed it, but I couldn’t understand why the Ilawod got really mad at Ian and wanted to exact revenge on him and his family aside from the fact that he didn’t believe in the supernatural. I’d rather assume that she was just being bitter for getting rejected by a hottie.

5. I kinda felt bad for Therese Malvar since she’s currently one of the best young actresses in Philippine cinema and she got stuck playing an elemental with heavy makeup and a brushed-up wet look hairdo while sporting Mother Lily’s magic white kamison. I also couldn’t believe that Ian’s teenage son never once bothered to ask why she never changed outfits or why she was always making tambay by the poolside.

6. Speaking of teenagers, I was really shocked at how much Xyriel Manabat has grown. Her transformation made me feel even more old. But wait, why didn’t she look like any of her parents (the mother was played by Iza Calzado)?

In one hilarious scene, she was attacked by the Ilawod so she ran to her parents’ bedroom but the door remained locked. Her parents kept knocking and pulling on the knob but the door just wouldn’t budge. In her state of panic, Iza then asked the most logical question: “Ano na bang nangyayari sa mga anak natin?” HUH?!!

At least after that incident, she regained her bearings and got the services of Father Pnoy to bless their unit.

7. With its blatant sexualization of kids, I was surprised that the movie still took the safer, more sanitized route. Don’t get me wrong, I wasn’t suggesting a love scene, but I would have preferred it if not everything (even just a simple kiss) were merely suggestive. Nothing wrong with a horror movie making people squirm in their seats and making them feel uncomfortable.

8. If the Undin made me stay away from the sea, this one made me reconsider making tampisaw in a batis.

Rating: ★★☆☆☆

The Best of Pinoy Cinema 2016

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TOP 10 BEST FEATURE LENGTH FILMS

#10

ANG BABAE SA SEPTIC TANK 2:#FOREVERISNOTENOUGH

Written by: Chris Martinez
Directed by: Marlon Rivera

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#9

SEKLUSYON

Written by: Anton Santamaria
Directed by: Erik Matti

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#8

PAMILYA ORDINARYO

Written by: Eduardo Roy, Jr.
Directed by: Eduardo Roy, Jr.

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#7

FOREVER BRIDGELESS

Written by: Racquel Zaballero-Sanchez and Glenn Ternal
Directed by: Racquel Zaballero-Sanchez and Glenn Ternal

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#6

STAR NA SI VAN DAMME STALLONE

Written by: Ronald Allan Habon
Directed by: Randolph Longjas

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#5

SAKALING HINDI MAKARATING

Written by: Ice Idanan and Petersen Vargas
Directed by: Ice Idanan

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#4

DIE BEAUTIFUL

Written by: Rody Vera
Directed by: Jun Lana

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#3

MA’ ROSA

Written by: Troy Espiritu
Directed by: Brillante Mendoza

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#2

SUNDAY BEAUTY QUEEN

Written by: Baby Ruth Villarama
Directed by: Baby Ruth Villarama

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#1

TUOS

Written by: Denise O’Hara
Directed by: Derick Cabrido

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2016 Scorecard:

★★★★★
DIE BEAUTIFUL (Jun Lana)
FOREVER BRIDGELESS (Racquel Zaballero-Sanchez, Glenn Ternal)
FOREVER NATIN (Cyrus Valdez)
MA’ ROSA (Brillante Mendoza)
OKTOPUS (JP Habac)
ANG PAINTING NI TATAY (Sigrid Andrea Bernardo)
SAANMAN NGUNIT DITO (Cheska Salangsang)
SAKALING HINDI MAKARATING (Ice Idanan)
STAR NA SI VAN DAMME STALLONE (Randolph Longjas)
STOP. STEADY. SAYAW. (Dan Villegas)
SUNDAY BEAUTY QUEEN (Baby Ruth Villarama)
TUOS (Derick Cabrido)
XXX (Allison Barretto)

★★★★☆
ALWAYS BE MY MAYBE (Dan Villegas)
CAMP SAWI (Irene Villamor)
CHICBOY (Jasper Ramon Tulabot)
DIGPAN NING ALTI (Bor Ocampo)
FISH OUT OF WATER (Mon Garilao)
ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera)
KATOK (John Rhys Guarina)
KUNG ANG ULAN AY GAWA SA TSOKOLATE (Galileo Sioco Te and Prime Reyes)
LUMAYO KA NGA SA AKIN (ASAWA NI MARIE) (Chris Martinez)
MERCURY IS MINE (Jason Paul Laxamana)
MRS. (Adolf Alix, Jr.)
AN ORCHESTRA IN SEARCH OF A HOME (Ida Anita del Mundo)
PAMILYA ORDINARYO (Eduardo Roy, Jr.)
PEKTUS (Isabel Quesada)
SEKLUSYON (Erik Matti)

★★★☆☆
THE ACHY BREAKY HEARTS (Antoinette Jadaone)
AREA (Louie Ignacio)
ANG BABAENG HUMAYO (Lav Diaz)
BAKA BUKAS (Samantha Lee)
BAKIT LAHAT NG GWAPO MAY BOYFRIEND? (Jun Lana)
BESHIE (Joyce Bernal)
DUKOT (Paul Soriano)
DYAMPER (Mes de Guzman)
EVERYTHING ABOUT HER (Joyce Bernal)
EXPRESSWAY (Ato Bautista)
GET CERTIFIED (Isaias Zantua)
HELE SA HIWAGANG HAPIS (Lav Diaz)
IMAGINE YOU & ME (Michael Tuviera)
JUST THE 3 OF US (Cathy Garcia-Molina)
LUNA (Rae Red)
MANILA SCREAM (Roque Lee, Blair Camilo)
MGA BITOON SA SIUDAD (Jarell Serencio)
NAKAUWI NA (John Relano, Patrick Baleros, Luis Hidalgo)
NED’S PROJECT (Lemuel Lorca)
AN OPEN DOOR (Paul Soriano)
ORO (Alvin Yapan)
SAVING SALLY (Avid Liongoren)
SITSIRITSIT (Brian Spencer Reyes)
SINA DINO AT ANG KANILANG SIKRETO (Miller Ursolino)
ANG TABA KO KASI (Jason Paul Laxamana)

★★☆☆☆
1ST SEM (Allan Ibanez, Dexter Hemedez)
ANG BAGONG PAMILYA NI PONCHING (Inna Salazar Acuña, Dos Ocampo)
BARCELONA: A LOVE UNTOLD (Olivia Lamasan)
BUGTAW (Noah del Rosario)
BUHAY HABANGBUHAY (Paolo Herras)
BUTAS (Richard Cawed)
DAGSIN (Atom Magadia)
ECHORSIS (Lemuel Lorca)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
ANG HAPON NI NANDING (Milo Tolentino)
HIBLANG ABO (Ralston Jover)
HOW TO BE YOURS (Dan Villegas)
HOW TO FIND LOVE (Quark Henares)
I AMERICA (Ivan Andrew Payawal)
I LOVE YOU TO DEATH (Miko Livelo)
KABISERA (Arturo San Agustin, Real Florido)
KUSINA (Cenon Palomares, David Corpuz)
LAKBAY2LOVE (Ellen Ongkeko-Marfil)
LILA (Gino Santos)
LOVE IS BLIND (Jason Paul Laxamana)
LOVE ME TOMORROW (Gino Santos)
LUMAYO KA NGA SA AKIN (BALA SA BALA, KAMAO SA KAMAO, SATSAT SA SATSAT) (Mark Meily)
LUMAYO KA NGA SA AKIN (SHAKE, SHAKER, SHAKEST) (Andoy Ranay)
ANG MAANGAS, ANG MARIKIT, AT ANG MAKATA (Ibarra Guballa)
MANSYONG PAPEL (Ogos Aznar)
MITATANG (Alvin Jezer Gagui)
MY CANDIDATE (Quark Henares)
NOT APPLICABLE (Carl Chavez)
PUNLA (Kenneth Mandrilla)
THE SUPER PARENTAL GUARDIANS (Joyce Bernal)
THE THIRD PARTY (Jason Paul Laxamana)
THIS TIME (Nuel Naval)
TISAY (Alfonso Torre III)
ANG TULAY NG SAN SEBASTIAN (Alvin Yapan)
THE UNMARRIED WIFE (Maryo J. Delos Reyes)
VINCE & KATH & JAMES (Theodore Boborol)
WHISTLEBLOWER (Adolf Alix, Jr.)
WORKING BEKS (Chris Martinez)

★☆☆☆☆
AKI (Milo Tolentino)
BIRDS (Christian Paolo Lat)
DIYOS-DIYOSAN (Cesar Buendia)
ELEMENTO (Mark Meily)
ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera)
THE ESCORT (Enzo Williams)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
LANDO AT BUGOY (Vic Acedillo, Jr.)
MANO PO 7: CHINOY (Ian Loreños)
MY REBOUND GIRL (Emmanuel dela Cruz)
PASSAGE OF LIFE (Renz Vincemark Cruz, Hannah Daryl Gayapa)
STRAIGHT TO THE HEART (Frank David Fabros)
THAT THING CALLED TANGA NA (Joel Lamangan)
TPO (TEMPORARY PROTECTION ORDER) (Joselito Altarejos)
TUPANG LIGAW (Rod Santiago)

HOW TO BE YOURS (Dan Villegas, 2016)

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SPOILER ALERT!!

My notes on How To Be Yours:

1. In one crucial scene, babes Anj (Bea Alonzo) and Niño (Gerald Anderson) alternately slept and woke up in one bed, while barely seeing or interacting with each other. Both were too tired from their respective jobs and their conflicting schedules further worsened the situation (did that sound familiar, BPO peeps?). It was a painfully realistic depiction of a relationship that probably wasn’t meant to last. But was it really?

My biggest problem with this movie was that it wanted us to believe that career and love (and to some extent happiness) were mutually exclusive. It would always be between Choice A (love makes the world go round) or Choice B (werk, werk, werk, werk, werk, werk). Weirdly enough, one character pointed out that there was actually a middle ground (Choice C), although it would be hard work for both parties. In that world, this A Second Chance-lite movie wouldn’t even exist.

2. Since there were several coffee references here, I just had to mention that I loved the sight of Bea and Gerald’s clasped hands because their skin tones perfectly complemented each other, very much like coffee and cream. Or should that be Kopiko LA Coffee and Cream?

3. I found it funny that Niño took a small bite on the crust of the sandwich that Anj prepared and immediately declared it masarap. I could only imagine his foodgasm if he ate at Angel’s Burger (“Sa unang kagat, tinapay lahat!”).

Also, why would anyone ask a significant other to gauge cooking skills? No sane guy would ever criticize his girlfriend’s salpicao dish even if it tasted like bistek. (This joke was done much better in Kasal, Kasali, Kasalo where Ryan Agoncillo praised the afritada of wife Judy Ann Santos that prompted her to scream: “Pochero ‘to! Pochero ang paborito mong ulam!”.)

4. Definitely not complaining that Janus del Prado was basically playing the same BFF character in every Star Cinema rom-com. Who else could pull off a lame and awkward pick-up line like, “Joan? Joanna be mine?”.

5. More than the constant use of po (currently trademarked by Popstar Royalty Sarah Geronimo), I was really annoyed by the repetitive mentions of the word babe (douchebag alert: I called all of my significant others that to avoid saying the wrong pet name). Maybe Star Cinema should have a Babe Time contest and reward the person that would be able to give the exact word count.

6. The two lines that made me laugh out loud:

• “Love is like a rosary. Lagi ko dinadasalan.” (A welcome change from the full of mysteries joke.)

• “Hoy, mga walanghiya! Sa social media pa kayo naglandian!” (I found it weird though that the only tweets showing up were theirs. They weren’t following anyone else?)

The line that made me groan out loud:

• “I gave you everything, but you left me with nothing.” (Everything except understanding?)

Speaking of groan-worthy, I did not like the fake-out announcement at all. At all.

7. Those legs in the supermarket scene. Wow! (Also, I loved that Niño’s clothes were mostly pink. No wonder he was so tough with Anj.)

8. Okay, tell me if I missed anything but didn’t Niño say that he lived in Makati while Anj stayed in an apartment in UP Village? How was he able to show up at the gate as soon as she mentioned “ang magdadala ng kape, mamahalin ko forever”?

9. I could almost guarantee that Chef Pocholo’s (Bernard Palanca) recent torrents were episodes of MasterChef and Hell’s Kitchen.

10. Why wasn’t the other friend talking? And did he have a crush on Anj (or possibly Niño)?

11. Please let this be the last artsy sex scene set to the music of a Star Records artist. Or maybe something other than a kiss-the-back-of-the-shoulders shot?

(Was I the only one praying that they never hit any of the expensive-looking chandeliers? Was anyone wondering if that’s where Ate Vi’s Everything About Her character got hers? Were you somewhat playing Sia’s Chandelier in your head as soon as they entered the office? We need to talk.)

12. My takeaway from this movie was that it was okay to be jobless and nganga dahil mabubusog naman kayo ng pag-ibig. Aww, how sweet!

Rating: ★★☆☆☆

IMAGINE YOU & ME (Michael Tuviera, 2016)

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SPOILER ALERT!!

My notes on Imagine You & Me:

1. Hi, I’m Json and I am a lapsed AlDub fan. (Hi, Json!) I joined the bandwagon right before a wall separated Alden and Yaya Dub in Kalyeserye and jumped off a little after their love team’s debut fizzled in My Bebe Love. Although I continued to receive updates from some die-hard friends, I was still pleasantly surprised to witness the newfound chemistry that they had been raving about. In this movie, AlDub had indeed moved on to being MaiChard and everything just felt right…and real.

2. Could someone explain Maine Mendoza’s appeal to the older crowd? Whenever I watched this type of rom-com, most of the shrieking would come from teenage girls (and directed at the male lead, like Daniel Padilla or James Reid), but I swear about half the people screaming and getting their fill of kilig in our screening were older women (even grandmothers!) rooting for Maine (as Gara). They could very well have been watching the newest Sampaguita or LVN picture.

3. I didn’t have high hopes when the movie started with “Sabi nila ang pag-ibig ay…” and then showed a montage of star-crossed lovers, especially since this quirky style and formula had been trademarked and more effectively used by Dan Villegas and Antoinette Jadaone, but the story progressed much better than expected (up until the dreary final moments).

The movie rested heavily on Maine’s tiny shoulders and she more than delivered, keeping the first thirty or so Alden-less minutes brisk, light, and fun to watch, whether she was getting dumped by her gay boyfriend, lamenting her supposedly cursed lovelife, or simply getting off her bike because the road was “matarik”. I probably laughed the most when she took a selfie with that pader (kasi wala naman talagang ganung pader sa Pilipinas haha!).

4. Elapsed time before the first advertisement: one minute-ish (Magnolia), probably the fastest one so far in recent memory. I wasn’t surprised to see a barrage of other products (including McDonald’s and O+) figure prominently in the story. In one scene where Alden Richards was supposedly drunk, I think there was even a hint of Bench underwear peeking under his jeans (or was I just too fixated on that area?).

5. I really liked how Alden (as Andrew) was always on the verge of tears in every scene (whenever he wasn’t being bugnutin). The movie was able to play on his strength as a dramatic actor and he could easily give John Lloyd Cruz (or even Judy Ann Santos) a run for best crier in local cinema. My favorite scene of his was the videoke session (“Wala ako sa kondisyon eh”, “Ano ‘to grand finals?”) ending with him crying over a sappy Tagalog love song. (Side note: Alden seems to be such a genuine person. I really get that strong vibe from him.)

6. “Mag-ingat ka sa mga lalaking mapuputi na ganyan. Mga pa-fall ang mga ‘yan.” – Kakai Bautista referring to…

(Yang tataaaaaaaa?)

7. There were so many gorgeous shots of Italy and I’m sure that a lot of people would start saving up just to experience grabbing the right breast of Juliet’s statue in Verona. (Hey, if I were to touch one again it might as well be for good luck.) I really liked that tracking shot that followed the pair going in and out of the adjacent rooms and veranda (overlooking a mountain view) with them barely missing each other.

8. Loved Jasmine Curtis-Smith since Transit and she was good here as the leukemia-stricken third party, but it felt like her character’s arc was unnecessary (besides, wouldn’t it have been more depressing if Gara was competing with a dead girl?). Actually, the entire dramatic third act including the last minute (out of nowhere) accident felt forced and didn’t earn the tears (similar to that rant of Gara after she was accused of stealing, “Oo mahirap lang ako…”; where did that come from, such a weird transition).

9. Carpool karaoke officially became a staple in local rom-coms. Although it was fun to see Gara sing April Boy Regino’s Di Ko Kayang Tanggapin, it was still hard to believe that Andrew would have that in his playlist. As one character said, “Makikilala mo ang isang tao sa song choices niya” and I could have sworn snobby Andrew was the Ed Sheeran type.

10. “Kaya naimbento ang glue, para kahit gaano kawasak ang isang bagay, pwede pa ring mabuo.” Sigh.

11. My favorite nods to AlDub:

• Gara during the car sing-along, “Eh sa gusto kong mag Dubsmash.” (Although it wasn’t technically a Dubsmash.)

• Gara asking, “Hindi ka nagulat na NBSB ako. Sinasabi mo bang panget ako?” (Wink wink, haters.)

• That Tamang Panahon reference.

• July 16, 2016 written on the lock that they left on Juliet’s wall (Happy anniversary! For real?).

12. If you’re a big believer of fate and destiny ala Romeo and Juliet (“Ang bawat coincidence ay nakatakda na”), then you would really enjoy this movie. I had my reservations since I belong in the “I create my own destiny” team.

13. Prepare your ears for that second sweet kiss (since the first happened while one of them was in a coma). You have been warned.

Also, this may not be a Marvel movie, but stay until the very end of the closing credits. Confirmed!!

Rating: ★★★☆☆