FILM FESTIVAL REVIEW: CINEMA ONE ORIGINALS 2019 SHORT FILMS

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LAST 2 3 4! (Genevieve Ofania, 2019) – ★★☆☆☆

Oh, it has already been broughten!!

Kung pep squad ang short film na ito sa UAAP Cheerdance Competiton, sigurado ako na ito ay Ateneo Blue Babble Batallion.

*****

SA AMONG AGWAT (Don Senoc, 2019) – ★★★★☆

Napanood ko na ito nung Cinemalaya. Maganda pa rin.

*****

ANG LUMUNOD SA ATIN (Sonia Marie Regalario, 2019) – ★★★☆☆

Pwedeng 90’s episode ng Shake, Rattle, and Roll: Syokoy. Gusto ko yung implication na nalulunod ang bata sa kanyang fantasy world kakanood ng mga paborito niyang pelikula tulad ng Ang Panday, E.T, at The Neverending Story. Hindi ko lang talaga ma-take yung isang eksena na suminghal ang nanay niya sabay sabi ng “Wala ka talaga pakialam sa pamilyang to eh. Sana ikaw na lang ang… (ultra-contrived dramatic pause).”

***

THE SLUMS (Jan Andrei Cobey, 2019) – ★★★★☆

Satire kung satire. Dami kong tawa dito. Sobrang scathing criticism sa mga exploitative docus and news features romanticizing poverty (including subtitles na walang kinalaman sa totoong sinasabi ng mga interviewees). Walang nakaligtas kahit ang silver lining speech ni Catriona, delivered by the syokoy boy sa taas na naging baklang kanal dito.

“Kung mahirap po kayo, bakit po kayo mataba?” sabay focus sa cellphone. Hala grabe siya! Napaisip tuloy ako bigla kaninong side ba ako.

*****

SA GITNA NG LUNGSOD (Ivan Cortez, 2019) – ★★☆☆☆

Nagsusumigaw ang filter ng SERIOUS DRAMA!! Sana lang hindi chaka umarte si kuyang Martial Law victim.

*****

ANG GASGAS NA PLAKA NI LOLO BERT (Janina Gacosta, Cheska Marfori, 2019) – ★★★★☆

Lakas ng tama sa puso ng kwento na ‘to. Napakahusay pa nina Dido dela Paz at Soliman Cruz. Sobrang nagustuhan ko yung ambiguity ng desires and motivations nila habang more bonding sa love for music. Ganda!!

EDWARD (Thop Nazareno, 2019)

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SPOILER ALERT!!

Yeng Constantino left the group.

Pero seryoso, nakakapanlumo ang current state ng public healthcare natin. Parang magkakasakit din ako habang nakikita ang kakulangan ng staff and proper equipment sa ospital dito. Yung feeling na parang dinala ka dun para lang mapabilis ang pagkamatay mo. Bigat sa puso.

Nagustuhan ko si Louise Abuel sa title role ha. May natural charm siya na reminiscent of Stefano Mori kahit nililibag ang leeg niya. Tapos sobrang effective ni Dido dela Paz na hindi na rin ako makahinga sa bawat ubo niya. Pero pinakanatuwa ako kay Sarah Brakensiek as Nurse Daisy. Sample bedside manner ala nanay: “Cellphone ka nang cellphone hindi ka pa magaling!!”

Ewan ko ba kung anong kasalanan ko dito kay Thop Nazareno. Hindi ko naman naging jowa pero grabe lagi mangwasak ng puso. Ang lakas pa naman ng ilaw sa sinehan ng Evia nakita tuloy ng iba na namumugto mata ko dahil sa lecheng cupcake socks at sheer hopelessness ng ending.

Ang impressive pa ng mga long takes niya lalo na yung opening shot sa ER. Dun pa lang ipapanalangin mo na na sana sapat ang savings at insurance mo para di ka madala sa similar medical facility. Wala na ba talagang lunas ang sakit na ito?

Rating: ★★★★☆

MOVIE REVIEW: MR. & MRS. CRUZ (Sigrid Andrea Bernardo, 2018)

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SPOILER ALERT!!

My notes on Mr. & Mrs. Cruz:

1. As a huge fan of the Before Trilogy (Sunrise, Sunset, Midnight) and even That Thing Called Tadhana, I’m not averse to talky (and sometimes cerebral) romance films where the audience basically listens in on a couple having conversations about life and love and relationships and literature and cinema and music and food and even any mundane stuff that can serve as a possible source for an emotional hugot. It takes a consistently smart screenplay and incredibly talented actors to keep people glued to the screen and not make them wish that they never get stuck on an island with these characters.

At around the first hour mark when Gela (Ryza Cenon) and Raffy (JC Santos) were having their nth Cliff’s Notes discussion of Romeo and Juliet, I was already busy checking my phone for the cheapest flights to Puerto Princesa.

2. It was tough to stay invested in their love story when the song that was played upon their meet cute was Freestyle’s Before I Let You Go (talk about a doomed relationship). No amount of convincing (their Valentine’s Day hotel room number, their matching curls and the idea that couples look alike after being together for a long time, the obvious metaphor of him saving her life after a Heimlich maneuver, and even their shared adventurousness in eating the local delicacy tamilok) could make me believe that they were destined to end up with each other. Besides, Raffy owned a pair of neon peach swimming trunks. Very, very fishy.

3. I was actually okay with everything up until the unnecessary twist (of fate) slash big reveal in the third act that just plucked us out of reality. It was disappointing to see Sigrid Bernardo, one of my fave local directors, relying on yet another gimmick to end a love story (hello Kita Kita!). At least walang nasagasaan this time, especially considering the beach setting.

4. To be fair, JC and Ryza were completely charming in their roles and when they were provided with really sharp dialogue (my favorite was that entire discussion on commitment and the formality/legality/security of marriage), they just knocked it out of the park. Both of them also made the most out of their drunk breakdown scenes (“I found Nemo, but I didn’t find myself”) which should be screened in acting workshops for Star Magic and GMA Artist Center talents.

5. I was a bit bothered that Raffy and Gela only brought one backpack each for their weekend trip. I spent three days in El Nido (looking even lovelier here btw) and brought a medium-sized luggage with half the contents of my closet. Gela’s stuff included around six classic novels (yes, one was Romeo and Juliet). When would she even find the time to read all of them considering that she booked guided tours as well?

On a different note, I really liked her insight that we should re-read our faves because they would be subject to a different interpretation given our maturity and experiences in life. Let me dig up my old issues of Liwayway.

6. It wasn’t lost on me that one of the couples in that tour resembled Ogie Alcasid and Michelle van Eimeren. Our tourism slogans of Wow Philippines and It’s More Fun in the Philippines weren’t for naught. Also, Dido dela Paz as one half of the Golden Couple continued to provide great work, coming off the heels of his critically-lauded performance in Respeto.

7. So who lost that wedding gown sa batuhan during one of the movie’s early scenes? Please tell me that was just an illusion because I could not stand littering in our tourist spots.

8. I felt bad that some of the good jokes were literally lost in translation. When Raffy tried to be funny by replying with “Minikaniko ni Monico ang makina ni Monica”, the subtitle reflected it as “pulled a MacGyver” which didn’t really make a lot of sense. But then how would one even translate that?

9. That disgusting suka scene omg. I would probably avoid oatmeal for the next few months (who am I kidding, does my double chin even look like I eat oatmeal?). Bonus crotch shot though so…

10. I laughed really hard when Raffy mentioned that everything happens for a reason and then started telling the story of his ex who was a nurse that taught him first aid. I was reminded of my ex who was also a nurse that taught me the wonders of sushi. Both life-saving, I tell you.

11. Okay so they didn’t remember that they actually met a few years back in Palawan? Try Memo Plus Gold, kids. What was more unforgivable was that they never even bothered to re-dub the part where Ryza had a voiceover and said the word “trud-jedy”. Watch your back, Maja!!

12. Why would Raffy even know a brief hack that could turn his underwear into a bikini top? Even worse, it was a used pair of undies that he just removed on the boat (butt exposure alert!). Why does hygiene have to go out the window for a supposedly romantic gesture? Did the phrase “smell of love in the air” actually refer to the scent of bayag? Medyo eww.

Rating: ★★☆☆☆

YEAR-END MOVIE REVIEW: THE BEST OF PINOY CINEMA 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)