METAMORPHOSIS (J.E. Tiglao, 2019)

4917C21E-2348-4B20-A1BA-BE512E606B33

Wala naman ako masyado paki sa X-rating ng MTRCB kasi naabutan ko pa nung head sina Tito Manoling Morato and Lola Henrietta Mendez. Mas interested ako na tungkol ito sa isang intersex na di pa natatalakay ng lubusan sa local cinema.

Pero other than the on-the-nose metaphors (sino kaya ang gumagamit ng ganung diaphanous kumot na hindi kasali sa music video ni Tita Mariah?), parang wala rin naman siya masyado nasabi.

Di ko pa nagustuhan na very low-tier Joselito Altarejos ang feels dito. As in para akong si Tito Jo habang pinapanood ang extended (and hyped) masturbation scene. May mga predatory scenes pa na walang consequences.

Nakulangan ako kay Gold Azeron. Naalala ko ang isang young Diether Ocampo sa kanya. Buti magaling ang supporting cast lalo na sina Iana Bernardez (ganda nung bicycle scene at yung usap usap lang sa bintana) at Ricky Davao (praise the Lord!).

Bakit nga pala naging “There are many carabaos here” ang subtitle ng “Mukhang uulan”? Props for that Onang reference, though.

Rating: ★★☆☆☆

BELLE DOULEUR (Joji Villanueva Alonso, 2019)

1F3F0F2C-D06D-4AA8-8F0F-0D5E6E6B83BD

SPOILER ALERT!!

Umay levels ang iba’t-ibang anggulo ng pwet ni Kit Thompson na medyo tuod pa rin umarte. Sa sobrang dami ng sex scenes nila ni Mylene Dizon, naubusan ng “nadiligang flower” metaphors ang director. (Also, ang saya talaga kapag privileged kasi pwedeng mag-sex na lang kayo all day, every day na walang iniisip na trabaho.)

Sobrang hot ni Mylene na parang hindi masyadong tumanda si Melanie Suntay niya sa Gimik. Kaya di rin masyadong ramdam for me ang sinasabing age gap. Yung parang Maricel Soriano-Diether Ocampo sa Soltera na mapapaisip ka kung true love ba or pineperahan lang siya.

Technically, malinis ang pelikula. Napaka-glossy na parang Star Cinema movie. Nung naglakad nga si Mylene sa UP grounds, akala ko biglang magiging Alone/Together. Tapos self-love ulit ang theme. Kakapanood ko lang nito sa Hello, Love, Goodbye ah.

NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos, 2017)

IMG_2018

SPOILER ALERT!!

My notes on Northern Lights: A Journey to Love:

1. It must be tough to be a Piolo Pascual. When people commonly refer to you as Papa, there’s this high level of expectation (or fantasy) that you’re constantly required to fulfill (or satisfy). I’m not at all surprised that at the ripe old screen age of 40, he still plays these cutesy roles that merely require him to flash his gorgeous smile and ensure that hundreds of Soen panties (and a few Bench briefs) fall inside the cinema.

But having him deliver lines like “Are you London Bridge? Are you falling?” while making pungay eyes just doesn’t cut it anymore. It’s time to pass on that Mikimoto crown.

Speaking of, he had several topless scenes while flirting with different women (in one, he was in a sleeping bag on a snowy hill, jusko pneumonia! shrinkage!) just to remind everyone that he’s straight, Straight, STRAIGHT!! (Maybe he should rethink that man bun then.)

2. Everything here screamed generic (yes, it was the Rite-Med version of any Nicholas Sparks adaptation) and this was evident as soon as the movie started with a discussion about the Northern Lights (uhh, duh!). Apparently, the souls of the dead (including those of animals!) would win a free one-way trip to Alaska and become part of the Aurora Borealis.

When the kid (Raikko Mateo) asked his mother (Maricar Reyes), “Puwede po ba ako pumunta diyan?”, I immediately knew that one of them wouldn’t survive before the end credits.

3. This was the kind of original movie where:

• Strangers would bump into each other in an airport as part of the Meet Cute scene

• A douchebag character would continuously harass a girl, but it would be considered romantic because the said douche looked like Papa P (who sounded even douchey-er with his Diether Ocampo American accent)

• Characters would speak in unison several times because it was supposedly cute

• A romantic leading man would say “Lilingon ka rin in 3, 2, 1…” like we hadn’t seen it in previous rom-coms

• A girl would recall an experience that sounded like rape (“Nilasing niya ako at paggising ko wala na akong saplot”) and it would be played for laughs

• Somebody would give an instant lecture about the Treaty of Paris to give more perspective about their location

• Music and Lyric’s Way Back Into Love served as the closing theme

4. Yen Santos was just too bland for the role of a girl in search of her missing OFW mother (her reason: “Kahit ganito na ako katanda gusto ko pa rin tinitirintas nya ang buhok ko”). Leah Olivar would probably be laughing in her Mrs. Pizza costume right about now.

Seeing a fresh face onscreen was definitely a welcome change, but I wish she had shown a bit more personality. Her delivery sounded very malamya that I was constantly reminded of that Shield bath soap nurse and I expected her to suddenly burst into song (“Di biro maging nurse, dapat marunong sa sakit. At marunong mag-alaga, yun bang may malasakit…”).

In one scene, she was supposed to do a bad cover of Air Supply’s All Out of Love and she was just terrible in pretending to sound awful (how was that even possible?). Oh well, not everyone could be Nico Antonio.

5. Also, Yen’s character had the nerve to question Piolo’s constant state of toplessness amidst the freezing weather and yet she had a scene where she was only wearing an oversized boyfriend shirt with one side barely hanging on her shoulders and part of her back exposed like she was in an Olay commercial. Guuurrrrrl!!

6. Although Raikko had some really cute moments, the real saving grace here was Glydel Mercado in full Ate Vi in Anak mode as the mother (!!) of Yen. Her character’s motivations were not clear, but she did cry a river that was enough to remind everyone why she was a Grand Slam winner for Sidhi.

7. Why did the Northern Lights look like CGI?

8. The denouement with a dead character communicating with the living loved ones through video was directly stolen from My Life. It could have stopped there but since this was a Regal Films co-production, of course it needed a happy ending. On the beach. Hello Pico de Loro!!

Rating: ★★☆☆☆

LOVE ME TOMORROW (Gino Santos, 2016)

13310423_10154183313313544_4564309979212371890_n
SPOILER ALERT!!

My notes on Love Me Tomorrow:

1. Dawn Zulueta would always be one of the loveliest faces in Philippine showbiz (Fountain of Youth? Renew Placenta Soap? Tell us your secret!) so it was hard to stomach that her pairing with Piolo Pascual was considered a May-December love affair. Seriously, in what universe would they be seen in a mall and people would mistake him as her son? I even cringed a bit when he called her Tita because they looked practically the same age (no, the earring didn’t make him look a decade younger). If they really wanted to show the disparity, they should have gotten Inigo Pascual instead, but I guess believability wasn’t the movie’s strongest suit.

2. “Life as I knew it was over nung ma-stroke ang asawa ko after 15 years of marriage.” Huh? What kind of wife are you? What happened to the in sickness and in health vow? Naka-wheelchair lang ang asawa mo katapusan na ng mundo? Since she was married to a much older man (Freddie Webb, or at least his Madame Tussaud’s version), I guess that solidified the perception that she was just after his money.

3. Do vets really administer rabies shots to humans? If I were bitten by a dog in Alabang Town Center, I would have rushed myself to RITM instead so I was really curious.

4. The Animals and #Y perfectly captured the fun and filth of the younger generation’s lifestyle and this was no exception. That scene where Dawn ended up wasted after a night of clubbing was reminiscent of Danny Boyle’s camerawork in Trainspotting (I really thought there would be projectile vomiting involved but I guess there was a specific clause in Dawn’s contract pertaining to cleanliness and hygiene).

5. MOMOTA = make out make out tapos awkward

DFML = da fuck makaimbento lang

6. Dawn made the most out of the terrible material thrown her way and I really enjoyed all the Titas of Manila bits (the occasional old women brunch, the joke involving Oriental Palace vs The Palace, her old person dance moves, the frequent Zumba references, etc.).

Still, I couldn’t understand why a smart designer like her would be the type to get lost in a beach in Laiya (how big was that resort?) or would prioritize pag-kerengkeng when she was supposed to launch her own line and fulfill her lifelong dream. No wonder her models had ill-fitting clothes on the runway.

7. Pet peeve in movies: People having a normal (slightly louder) conversation in clubs. Any party person would know that you could barely hear anything with the loud music and you could actually use this to make a move and whisper some nonsense while really close to your crush’s ear. (Everyone has tried that, right?)

8. Yes, Piolo had lots of topless scenes. (I get this question in every review so I might as well respond to it beforehand.)

Also, the sex scene between Piolo and Dawn was so tame (read: pa-ahrt) that it could very well have been the first one to be rated General Patronage.

9. Piolo was such an in-demand DJ that he only had one song (Love Me Tomorrow Tatlong Bibe Remix, of course!) in his setlist. Groan.

10. “Kailan pa naging mali na piliin ang maging masaya ka?” Gurl, siguro pag merong nasasaktang iba?

11. Who played Coleen Garcia’s sister? She looked and talked like she was born from and raised in a different household.

12. Continuity issue: Dawn called Piolo as babe while they were walking in Madrigal Business Park and then a few scenes after she was surprised when Piolo called her babe and she asked if that was their pet name. Huh?

13. Someone had what looked like a cold sore on the lower lip. Eew! Please tell me that was a pimple.

14. Kagulo ang last act. Why should we even care about these petty people with their petty problems? This movie should not have been two hours long.

15. As always, the failure of a love story was the fault of a successful career woman. Ugh.

Anyway, that scene on the bench where Dawn was giving motherly advice to Piolo reminded me of another May-December Pinoy movie, Jerry Lopez-Sineneng’s Soltera with Maricel Soriano, Diether Ocampo, and Claudine Barretto. It was much better, funnier, and it didn’t include a SunLife commercial.

16. Since this was by Star Cinema, the cameos in the end weren’t really surprising. Actually, it made the pairing even more dreadful since the people were obviously more kilig with Dawn and Richard Gomez. We demand a CharDawn movie!!

Rating: ★★☆☆☆