KINGSMAN: THE SECRET SERVICE (Matthew Vaughn, 2014)

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SPOILER ALERT!!

My notes on Kingsman: The Secret Service:

1. Would anyone know if the comic book series this movie was based on had anything to do with the local Kingsmen Custom Tailors that makes bespoke suits and barongs? It would just be too much of a coincidence, right?

2. The opening credits alone with the names that formed from exploding rocks was fun to watch. I knew right then that I would really like this one. Contrary to popular belief, I’m actually easy to please.

3. Matthew Vaughn directed Kick-Ass so I wasn’t at all surprised with the amount of violence here. I actually found it funny that Samuel L. Jackson’s character was scared of blood. Even with all the slicing and dicing, all of the fight scenes were virtually bloodless.

4. The constant winks at how serious the James Bond movies have become was spot-on. Sometimes we do wish for just some mindless but fun spy movie.

5. I really want to learn how to drive in reverse. That was one exciting chase scene.

6. I have to be honest. I couldn’t understand some of the dialogue with all the thick British accent. I’ll have to wait for the DVD.

7. Colin Firth with his deadly umbrella was like a lethal Mary Poppins. Imagine if the nanny used that one instead to teach the kids some life lessons. She’ll be firing at everyone butchering the atrociously catchy Chim Chim Cher-ee.

8. Why did they select Iggy Azalea as one of the celebrities that will re-populate the earth? Somebody must have enjoyed the Pu$$y video.

9. Taron Egerton looked so nimble and tiny that I wanted to pick him up and keep him in my pocket. Err…

10. Hey, I actually thought it was a bulldog, too. I really need to spend more time with animals.

11. Was I the only one who wished for bionic sword legs as awesome as Gazelle’s?

12. Talk about blatant product placements. Almost everything worn here were by Adidas. I’ve never seen this many striped jackets since Glee. Really cool stuff, though. Where can I buy them? Made me crave for a McDonald’s Happy Meal, too.

13. The funniest thing here was that even with all the graphic violence, the only scene that was too much for me to handle that I had to close my eyes was when he was asked to shoot the pup. Nooooo!!

Rating: ★★★★☆

(Originally published February 24, 2015.)

STARTING OVER AGAIN (Olivia Lamasan, 2014)

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SPOILER ALERT!!

My notes on Starting Over Again:

1. With a better treatment (and alternate ending), this could have been a great Star Cinema, feel-bad Pinoy movie. It might have been predictable and clunky, but it did have some really good lines and realistic scenes of heartbreak.

2. Toni Gonzaga (as Patty) was effortlessly funny, although she struggled a bit in her dramatic scenes. (Side note: She needs to have her legs insured. They looked amazing and she knew just how to accentuate them.)

As Marco, Piolo Pascual just didn’t seem to exert any effort at all. Was I the only one annoyed by his excessive use of the word “diba” in that confrontation scene? It didn’t help that he sounded more bitchy than hurt. (At least he fared much better in his silent crying scenes.)

3. In all my years of travelling to and from Alabang, I’ve never taken an actual train. Especially since there are hundreds of buses and jeepneys and shuttle services that will drop you in South Station or Metropolis/StarMall. Where is this train and where are its stops?

On a related note, my favorite scene in that sequence was that of Patty getting off a moving bus. It was just too hilarious. And it elicited the expected reactions from the very amused crowd.

4. I’ve said it before and I’ll say it again, Iza Calzado is a brilliant actress. I loved how calm and collected she was during Patty’s confrontation scene with Ginny. Her restraint showed the maturity of her character and her nuanced performance made that scene even more powerful. She also had the best lines in the movie. I wonder why she’s not given the projects she deserves.

5. “A relationship should have the right ingredients: love, trust, and an allowance for mistakes. Love is greater than someone’s failures. In love there is no fear.”

I bawled my eyes out.

And Patty’s line about their non-romantic love:

“Our love may be quiet and boring, but it’s sure.”

Shet. Pass me the tissues.

6. If I were in this movie, I would be Beb played by the dependable Cai Cortez (ok, insert the fat joke here). But really, I saw myself in her character. I would be that one friend who wouldn’t mince words no matter how brutal the message would be; that one friend who would offer you a hug then slap you back to reality.

7. I will forever use these memorable lines in future drinking sessions with relapsing friends:

“Yang hope na yan, lason yan. Parang drugs, nakaka-adik.”

“Adik ka na naman sa pag-asa. Try mo kaya lumaklak ng realidad.”

8. Why do we have this growing trend in local movies where seemingly smart women beg other women to lend or give up their boyfriends/husbands? Icky.

I’m happy to see though that the “third wheel” here wasn’t made to look like a devil in the last act just to justify the break-up and possible happy ending for the leads. Patty was really nice and giving and there was just no reason for Marco not to love her. In fact, she did look like Mama Mary.

9. And here’s my message to all my exes (parang ang dami): “I can never un-love you. I just love you in a different way now.” (Sob.)

10. I really hated that wood-crashing scene. It felt straight out of a Wenn Deramas movie. Worst possible deus ex machina.

11. After Forever and a Day, I wonder if Star Cinema will ever have the balls again to end films the way they really should.

I’m sure a lot of people loved the cameos and they felt the need to give its audience a hopeful ending. In real life though, it would take years before Ginny will get over Marco, more years for her to pick up the pieces, and even more years to finally meet the right one. (And that’s already being hopeful.)

12. If the movie ended with Ginny deleting the message and the camera panning out showing Ginny ready to move on with the swelling theme song in the background, I would probably have rated this higher. Maybe they’ll consider that for the DVD? For all the Bebs out there, please?

P. S. Two girls in front of us were taking selfies (with flash) during the closing credits so I gave one of them “sungay”. Made them stop.

Rating: ★★★☆☆

(Originally published February 14, 2014.)

CIRCA (Adolf Alix, Jr., 2019)

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SPOILER ALERT!!

Bilib na bilib ako kay Ms. Anita Linda dito. More than double my age na siya (she’s almost 95!!) pero alam pa rin niya lahat ng mga lines niya dito as the incredibly rich film producer Doña Atang na nakatira sa bahay ni Lola Nidora. Samantala ako hindi ko na maalala minsan saan ko naipatong ang cellphone ko. Iba talaga kapag batikang artista. Totoong walang kupas!!

Napaka-appropriate lang na kasama ito sa Sine Sandaan section ng PPP. May pagka-love letter siya to Philippine Cinema with all the juicy tidbits on the history of local film productions/filmmaking (shooting processes, crucial role ng lagarista, yung diva attitude of certain celebrities, yung rivalry nung mga stars of the golden age, etc.) tapos may mga sundot pa sa current industry (nakakatawa yung sinabi ng character ni Alessandra de Rossi na di na uso ang quality films ngayon kaya puro TV work na lang, na “mouth to mouth” duguan levels ang paggawa).

Mahilig talaga sa all-star cast si Alix (parang halos kalahati ng local film industry may cameo dun sa last movie niya na Madilim ang Gabi) kaya di naman ako nagulat sa mga bigating artista dito kabilang na sina Gina Alajar, Elizabeth Oropesa, Laurice Guillen, Ricky Davao, Liza Lorena, Perla Bautista, etc. Nakakalungkot din makita si Eddie Garcia in full Manoy glory. (Pero kasama ba sa original script yung “Ingat ka baka ka madapa?”. Grabe yung gasp ko sa part na yun nag-echo sa buong theater bilang ako lang ang nanunuod.)

Pinaka-natuwa ako kay Jaclyn Jose dito as the mayordoma of the house. Walang dramatic highlights (except for that weird Amour moment) pero markado ang pagganap. Lakas ng tawa ko nung nag-advocate siya for DVD piracy considering na nagsisilbi siya sa isang producer. Sabagay yung isang character nga sinabi na “Di naman ako namimirata ng local. Puro English lang, makabawi man kang kasi sila ang dahilan bakit tayo humina.” Hmm, magandang topic yan for discussion ha.

Marami siguro ang mababagalan sa pacing ng pelikula pero ok naman siya for me. Medyo mahaba lang at repetitive yung tribute section sa party scene. Pero sobrang fascinated talaga ako in all things na local showbiz kaya nagandahan ako (siguro ang litmus test would be if kaya mo ma-distinguish ang difference ng FAMAS at FAP statues, then this one’s for you). Natuwa din ako dun sa tikbalang na inaalayan ng ponkan kapalit ng box office returns (Mother Lily, what’s your secret?).

Basta sobrang affected ako dito. Nung nag-start na si Doña Atang ng speech niya with “Ang buhay natin ay parang pelikula…”, naluha na lang ako bigla.

Rating: ★★★★☆

MAGIC MIKE (Steven Soderbergh, 2012)

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If you’re coming in as a voyeur expecting lots of skin, you might be a bit disappointed. Don’t get me wrong, there’s still a lot of nudity, but interestingly enough the movie has more under its belt.

Forget the stripper with a heart of gold story, this one tackles the lengths that an Average Joe (wait, is Channing Tatum still considered an Average Joe?) will go to in these trying times of a recession.

(The greedy film distributor brutally murdered the local version for a more audience-friendly rating but at least we have something to look forward to on DVD.)

Rating: ★★★★☆

(Originally published August 1, 2012.)