“Hate is baggage. Life’s too short to be pissed off all the time. It’s just not worth it.”
“Hate is baggage. Life’s too short to be pissed off all the time. It’s just not worth it.”
My notes on Birdman Or (The Unexpected Virtue of Ignorance):
1. I had always associated Alejandro Gonzalez Iñarritu with the intersecting stories narrative where major characters in his films had their lives connected and intertwined (FYI, I really loved Amores Perros, Babel, and 21 Grams). It was one big gimmick that worked for me. I wasn’t surprised that his newest film relied on another gimmick (“one long continuous take”) to drive the story.
2. Off the bat, people would either love this or find it completely boring. There were so many insider jokes on cinema and theater and the arts that might just go over their heads. As one character stated, “Audiences love action, not this talking philosophical bullshit.”
3. Michael Keaton looked like Robert Duvall whenever he wasn’t wearing a wig. He was excellent here by the way. The mere fact that he agreed to make fun of his current status (washed up actor who used to be Batman!) was just brave. If Al Pacino could win for all the scenery-chewing in Scent of a Woman, why couldn’t Keaton? I wouldn’t be complaining if he got that Best Actor Oscar.
4. “You confuse love for admiration.” Raise your hand if you were guilty of this.
5. Edward Norton had a lot of nudity here (or scenes that showed him in his underwear or sported a boner). For a more lengthy peek on his gift, you could watch the brilliant American History X. I loved the Norton the Method Actor playing a Norton-ish Method Actor joke.
6. I was initially bothered by the drumming soundtrack. I was expecting Miles Teller to show up practicing in one corner. And then the movie revealed an actual drummer and later on a band in Times Square. I guess the joke was on me.
7. Naomi Watts’ character had this great repartee with Andrea Riseborough’s:
“Why don’t I have any self-respect?”
“You’re an actress, honey!”
8. Speaking of Watts, she was really good in this movie. I was surprised her performance was virtually overlooked against co-star Emma Stone. Everyone knew how much I loved Stone (I even named my car after her) but she was just fine here.
9. Speaking of, there was a blatant Lancome product placement that was here either as a real product placement or as a joke on product placements in movies (or both). With this kind of dark comedy, it was just hard to tell.
10. Similar to Annie, they showed a viral video that was taken from different angles. Probably the only sloppy thing in this film.
11. Did the film miss an Oscar nomination for Best Editing since it really looked like one continuous take? Shouldn’t it have gotten one for making it look like it was one brilliant, seamless take?
12. When Keaton’s character complained about getting overshadowed by Clooney, it was just a wink on the battle of the Batmans. I’d be happy to see a fourth Batman win an Oscar tbh.
13. I hope Wenn Deramas could watch this just for that wonderful takedown on film criticism. I bet he’d have a major meltdown.
14. “A thing is a thing, not what is said of the thing.” This was a sad, sad film. Watch at your own risk.
(Originally published February 1, 2015.)
My notes on Game Night:
1. One of my all-time favorite episodes of Friends was The One With the Embryos where the gang played a heated, high stakes game of (personal) Trivia. Not only did I learn a lot about each of them (Monica was nicknamed Big Fat Goalie in field hockey, Chandler was scared of Michael Flatley, Lord of the Dance, Rachel’s favorite movie was actually Weekend at Bernie’s and not Dangerous Liaisons, Joey had an imaginary childhood friend called Maurice), but it also culminated in the most hilarious moment in the show’s history that reduced me to tears every time I would watch it.
In the said scene, the girls were stumped on the question regarding Chandler’s job. In a desperate attempt for an answer, Rachel shouted, “He’s a transponster!” that prompted Monica to scream, “That’s not even a word!”. It was succeeded with a huge howl of “Noooooooooo!!” when she realized that they just lost and had to give up their gorgeous apartment. (I seriously couldn’t stop laughing while writing this at the thought of Courteney Cox’s face.)
I could easily relate to Monica because I would get really competitive during any of these team party games (Charades, Pictionary, Scrabble, Hangman, Trivial Pursuit, Pinoy Henyo, even that Dribble Dribble Dribble balloon game in a Jollibee Kiddie Party, you name it). It wasn’t even about the prize, just the pure sense of false satisfaction I’d get knowing that I was better than someone on something. (Forgive me, I had really low self-esteem and needed constant validation.)
I was actually happy with the resurgence of these niche stores that provided the option of puzzles and board games as an alternative source of entertainment on a lazy Saturday night. Now if I could just find some really good challengers out there. (Yabang haha!)
2. The opening credits of this film alone was the ultimate 90’s nerd fantasy. Tokens from different games like Monopoly and Cluedo were floating around as if part of a geek’s hazy wet dream. You could laugh all you want, but only a few would understand the incredible happiness brought about by owning several red hotels on Boardwalk and Park Place.
3. I had always imagined Rachel McAdams as the iconic (and airhead) Regina George so it felt a bit weird to see her play somebody relatively smart for a change. Simply put, she was fantastic as Annie with her best bit involving an awkward shimmy to Third Eye Blind’s Semi-Charmed Life while she dorkily waved a loaded gun in front of some real thugs (and even took a selfie with the gun’s muzzle in her mouth). The humor stemmed from her character thinking that everything was still part of a game and the more clueless she was, the funnier the situation got.
Her energy here was matched by the usually sardonic Jason Bateman as Max, whose deadpan stares could mine laughs even in petty discussions about Tostitos Scoops.
Among the competent cast though, my favorite was Jesse Plemons whose neighbor Gary looked like a creepy version of Matt Damon by way of Phillip Seymour Hoffman. I really couldn’t understand why his seemingly sympathetic character was no longer invited in these game nights until he actually drew a picture of himself crying to represent The Green Mile. No, no, no. He would definitely not be part of my team.
4. I liked the go-for-broke silliness of the film, but I wish it was able to sustain its comedic rhythm all-throughout. It just needed more genius scenes like the one where Annie tried to remove a bullet from Max’s arm and ended up tapping on his bone before she realized that there was actually an exit wound.
I also enjoyed the mockery of action films when the glass tables here never really broke regardless of the number of bodies that crashed into them. The entire one-take egg chase around the mansion looked impressive, but just didn’t have the right energy to match earlier shenanigans.
5. Fake Denzel Washington was a great payoff to a running celebrity gag, but I laughed harder when the group was able to enumerate all of the actors that played The Hulk, except for Edward Norton. You could barely remember him in this role as well, right? The Incredible Hulk was actually the second film in the Marvel Cinematic Universe and was directed by Louis Leterrier. His commercial debut film? The Transporter. (Nope, still not Chandler’s job.)
My notes on Collateral Beauty:
1. The movie started with Will Smith (as Howard, an advertising executive) delivering a supposedly empowering and emotional speech to his team (“We all long for love, wish for more time, and fear death”), but said message closely resembled the coffee commercial asking us “Para kanino ka bumabangon?”. I actually expected him to take a sip of Nescafe after every dramatic pause. How could advertising illuminate other people’s lives if we’re dealt the same treacly platitudes?
2. Trauma caused by the death of a loved one should be a gold mine for emotional manipulation (nothing wrong with it, if executed properly). Instead, the movie decided to be a dark comedy where Howard’s co-workers slash friends hired professional actors to play abstract characters (Love, Time, and Death) that interacted with him and made him appear all sorts of crazy. Some friends, no?
3. I liked how the movie raised the discussion on bereavement hallucinations. Maybe this could help explain all the ghost stories of loved ones visiting us days after their death. Or why I would imagine a giant KFC chicken on our dining table Temptation Island-style whenever I would go on these unsuccessful New Year’s resolution diets.
4. One character mentioned that “casting is very important” and it couldn’t be more true in this one. Without Smith, Kate Winslet, Edward Norton, Keira Knightley, and Helen Mirren, among others, this probably would have been a Christmas TV movie on Lifetime.
5. Speaking of Mirren, she performed a holiday miracle here by making the most out of a thankless role (“It turns out Death was an elderly white woman.”). Her character kept complaining that she should have played all the parts and at some points, I actually wished she did.
6. As a huge Winslet fan, I had always been fascinated with her wobbly American accent and her waterloo was always the word “absurd”. I swear, check out her other films.
7. I think my eyes rolled out of their sockets in the scene where Howard described the experience of seeing his newborn daughter with “I looked at her and I realized I wasn’t feeling love, I have become love.” Another reason why I would never be a father.
8. The digital manipulation done on Howard’s breakdown videos must have cost these characters a fortune. Surely, there were better and more cost-efficient options.
9. Twist after (predictable) twist that didn’t really matter. Everything felt inauthentic down to the buckets of tears that flowed in every other scene. Boo hoo indeed.