MOVIE REVIEW: UTOPIA (Dustin Celestino, 2019)

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Dapat namimigay sila ng walis sa bawat screening nito kasi sobrang kalat. Napaka-juvenile pa ng humor.

Unang scene pa lang ni Enzo Pineda ang lakas na ng tawa ko kasi nagsusumigaw ang acting niya na “Gosh kelangan ma-apply ko lahat ng natutunan ko sa workshops” at ganun nga ang ginawa niya sa buong pelikula.

Ang sakit sa ulo at tenga nung sabog na sound design. Sasagutin n’yo ba ang hearing tests ko?

“Kaninong ideya ang kabobohan na ito?” Uhm…

Rating: ★☆☆☆☆

MOVIE REVIEW: JUST A STRANGER (Jason Paul Laxamana, 2019)

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SPOILER ALERT!!

My notes on Just a Stranger:

1. Sobrang tagal na pala since my last confession. (Mababasa ito ng nanay ko kaya, Sorry ma, I’m not proud of it.) Feeling ko sa haba ng listahan ng kasalanan na ikukumpisal ko, baka mauna pa matapos ang Probinsyano bago ang pag-uusap namin ni Father.

Eh paano pa kung kasing-chismoso siya ng pari dun sa simbahan ni Mae (Anne Curtis) na nagpa-kuwento ng bawat detalye ng adulterous affair niya with Jekjek (Marco Gumabao)? Yung inabot sila ng halos dalawang oras kasi kelangan niya talaga malaman kung ilang beses nag-sex yung mga cheater bago maka-prescribe ng penance (one Hail Mary ba ang norm for every instance?).

Tapos kelangan may comic relief na sisilipin niya kung gaano talaga kaganda si cougar Mae na nahumaling sa kanya ang isang teenager. At para mas nakakatawa, may reaction siya na “My God! Oh shit, sorry!” na feeling ko katumbas ng isang Sorrowful Mystery. Okay ka lang ba, Father?

(Pero salamat sa refresher on the difference between mortal and venial sins, I guess.)

2. Bilang dating president ng Reyster-Ems Fans Club – Las Piñas Chapter, alam ko na ka-love team ni Anne sa T.G.I.S. si Chubi del Rosario (who was several batches lower sa akin sa Zobel) so parang ang hirap maniwala na she was playing somebody around my age. Common naman for actors to play roles na way older or younger than their actual (or screen) age pero may binabagayan din siguro.

Hindi ko talaga matanggap na 40ish na si Anne dito at doble ng edad ni Marco (na mukha namang mid-20s). Malayong-malayo sa casting ng recent May-December love affairs na kakapanood ko lang from Glorious (Angel Aquino-Tony Labrusca) to Belle Douleur (Mylene Dizon-Kit Thompson) to Malamaya (Sunshine Cruz-Enzo Pineda).

Ang off lang nung tinawag si Mae na “tita” at tinawag niya namang “totoy” si Jekjek kasi papasa pa silang halos magkaedad (does that make me “lolo” levels ganern?). Hindi ba available si Alice Dixson?

3. Maliban sa kabit factor, selling point ng pelikula ang promised steamy love scenes na hindi ko naman masyadong naramdaman. Sobrang hot nina Anne and Marco (as in yung sexual attraction sa kanila transcends any gender; their characters even shamelessly described themselves as “attractive, winnable, charismatic”) pero parang walang heat or passion kapag magkasama na sila sa kama (or their chosen place of torjakan).

Konting halik, konting himas, tapos na agad ang eksena at pawisan na sila parehong nakahiga. I didn’t expect naman na dapat super graphic, extended, or gratuitous ang sex scenes pero at the very least ramdam yung electricity between them as soon as their bodies touched, diba? Yung parang kelangan mo ng cold shower para mahimasmasan katulad nung pagkatapos ko mapanood ang Unfaithful.

Pero wala talaga eh. Baka dun pumapasok na para nga silang mag-tita. (Btw, ang weird nung “Mobile Legends” reference.)

4. Given naman na magaling umarte si Anne. Kita mo yung loneliness sa mata niya bilang trophy wife kaya nagawa niyang lokohin ang kanyang asawa (Edu Manzano). (Side note: Bakit nga ba hindi issue ang age gap sa atin kapag lalaki ang mas matanda?)

May hint of repressed naughtiness din siya kaya madalas mag-give in sa temptations. Yung restrained niya na pag-iyak sa balcony scenes were impressive. Also, parang siya lang ang kayang magdala nung glamorous alta look pa rin habang nakasakay sa sidecar with her oversized abaniko.

Alam ko they were going for realism in terms of ugly crying (as in uhog levels ni Tita Viola Davis) pero nagtawanan (at nandiri?) ang mga tao nung nag-stretch na parang cheese sa pizza ang laway niya habang umiiyak sa kitchen. Not a fan of her acting din sa eulogy dream sequence.

5. On the other hand, okay lang ang performance ni Marco. Hindi naman siya nilamon (even literally) ni Anne. Medyo malamya lang talaga ang acting niya when the role required an immature, feeling alpha-male boy. Yung kelangan ng conviction ang pag-overcompensate niya sa sarili with lines like “You guys can take turns on me, I can go all night” kahit alam mo lalabasan talaga siya after 30 seconds. At least believable siya magsuot ng brief.

(Also, I’m officially declaring 2019 as the Year of the Cinematic Pwet.)

6. Tbh medyo nagulat ako sa output ni Jason Paul Laxamana this time kasi maayos siya na writer at storyteller. Yung tipong aawayin ka niya on social media pero wala kang malait masyado sa body of work niya kasi usually nga malinis talaga ang mga gawa niya (my favorites are still Mercury is Mine and Bakwit Boys).

Dito parang ang sloppy ng screenplay pati technical aspects. May sub-plot about Mae’s fibromyalgia na walang pinatunguhan. May eksena na nagtanggal siya ng heels in full view of other guests kahit sobrang sophisticated ng character niya. Minsan hindi ko alam kung gusto nilang maging discreet or mahuli ng ibang tao (part ba ng thrill yung naglaplapan sila sa kotseng wala namang tint?). Bigla na lang hindi na issue ang age gap nung dulo.

Pero ang worst for me was the ending. Grabe lang yung cringe factor dun na may linyahang “Who are you?” tapos sumagot si Mae ng “No one…” at nakisabay ang buong sinehan sa pagsabi ng “I’m just a stranger”. Juskopong mahabagin.

7. Cherie Gil was onscreen for a good five minutes and ended up as the most memorable character. Eksenadora ang tita mo talaga. Oh wait, don’t call her tita pala!

(At teka, naguluhan ako nung nilandi ni Edu si Cherie kasi apparently he was “into women (his) own age” pero si Mae ang asawa niya. Ano ba talaga ang type niya?)

8. Irita ako dun sa girlfriend na Febbie simula nung fake surprise scene niya (na ewan ko paano siya nagtago sa likod ng parents ni Jekjek) hanggang dun sa chaka niya na pag-iyak sa church. Mas bagay siguro yung girl sa role ni Diablita (the doll).

9. Ang pinaka-suspension of disbelief talaga para sa akin dito (maliban sa supposed age gap) ay yung super rich kid ni Jekjek kasi sinustentuhan siya ng tatay niya para tumira sa Tokyo, Washington, at Lisbon tapos ang suot niya lagi na undies eh Bench Body.

Rating: ★☆☆☆☆

MOVIE REVIEW: MALAMAYA (THE COLOR OF ASH) (Leilani Chavez, Danica Sta. Lucia, 2019)

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SPOILER ALERT!!

Yung akala mo quota ka na sa cinematic pwet scenes this year salamat kay Kit Thompson sa Belle Douleur tapos biglang nagpa-hold my beer etong si Enzo Pineda. Mapapaisip ka na lang kung allergic ba siya sa underwear (at kung bakit ang weird ng tan lines niya sa butt area).

Nakipagsabayan naman si Mommy Sunshine Cruz sa hubaran pero mas artsy ang sa kanya so more takip-takip ng kumot sa private areas na dati eh in full display in all their shining glory sa Ekis at Ang Kabit ni Mrs. Montero.

Hindi glorious ang May-December tambalan na ito kasi gusto ko agad sila maghiwalay after their first chorvahan sa kotse. Wala akong nakitang reason at all for them to be together. Kahit sa sex parang di sila compatible. Mas may heat pa yung mga askals na laging magkadikit sa kalye namin.

Ang idea pa nito ng female empowerment ay yung hindi kelangan ni Sunshine ng lalaki to climax kasi kaya niya yun sa tatlong haplos ng kanyang abstract art piece. Besides, who needs a guy when she can perform teabagging on her own using Lipton diba?

Ang strength ng pagkababae niya ay evident naman tuwing tumatayo siya directly sa harap ng projector na hindi nasisilaw. Anong migraine-migraine? Weaklings!! She’s a strong, independent woman na pwede ding substitute for a white screen.

Rating: ★☆☆☆☆

MOVIE REVIEW: DOTGA: DA ONE THAT GHOST AWAY (Tony Reyes, 2018)

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SPOILER ALERT!!

My notes on DOTGA: Da One That Ghost Away:

1. I was surprised that Vhong Navarro wasn’t included in the cast given that he headlined the last two horror-comedy films of Star Cinema (please note that I didn’t consider the unintentionally comedic horror films of Kris Aquino, like Segunda Mano where she pissed her pants in terror for buying a secondhand Prada bag).

In terms of comparison, this one was less like Bulong (actually a guilty pleasure) and more of Da Possessed (which had the gall to make fun of Vhong’s rape case). I already expected tons of corny jokes and lame slapstick humor, but even with my IQ lowered and in full babaw mode, I could only muster one giggle in all 100 minutes (again, I only counted the intentional one because I spent the entire movie hysterically laughing at Enzo Pineda’s acting that he equated with wide eyes and flaring nostrils).

2. Carmel (Kim Chiu) and Jerald (Ryan Bang) were ghost hunters slash con artists that brought along their team dressed as horror film characters (Ghost Bride, Chucky, Tiyanak, etc.) to terrorize and pretend exorcise haunted houses. She used a magical triangle (yes, the musical instrument in the percussion family) and shouted nonsensical chants (“Mother Ignacia! Sergeant Esguerra! Papuntang Abra!”) as part of her ritual. I was amazed that there were people who actually fell for this kind of silliness (although their first victim was a Krizzy impersonator and we all knew how gullible she could get).

3. This movie was rated PG because the MTRCB thought that parents could easily explain what Carmel meant when she said “Sabi na di ako nagpi-pinger eh” after using a dating app called PinGer. Or why she kept emphasizing the name of Enzo as JACK COLmenares (just in case it still wasn’t obvious enough, his name was written exactly like that on a white board). Should we expect the Colmenares sisters to be named Jaja, Nadia, and Gina? Seriously, this type of Pinoy green humor hadn’t been funny since my high school days circa ‘90s.

4. Terrible, terrible editing. In one scene, Serrah (Maymay Entrata) was looking at her compact mirror and asking “What is that ghost I see?” and then it abruptly cut to her and Chire (Edward Barber) walking to school. What was that about?

(Also, as a huge #MayWard fan, please give them a good film that they actually deserved! Sayang talaga sila!)

5. Oh, Jerald also worked as a language teacher in a school called Fil-Eng-The-Blanks. Wala na bang ikaka-corny pa ang pelikulang ito?

6. The only funny scene that I mentioned earlier was a brief gag where Carmel hugged a sweaty Jack, then wiped the wet part of her cheek with her left hand, and smelled it like she was endorsing the newest Downy fabric conditioner. It was a testament to Kim’s charm and sharp comic timing that a throwaway moment like that would actually work.

7. If Enzo acted like his life (or career?) depended on it, on the other end of the spectrum was Ronnie Alonte who didn’t even feel the need to act at all (was it because it was just a cameo role?).

8. Tabako vs Sadako? Bearable. Valak vs Halak? Meh. Black Panty vs Black Panther? Wala na maisip??

9. I felt bad for the extras in the scene where they pretended to freeze as part of a spell (think Mannequin Challenge only without music). Carmel had this really lengthy monologue (“Oo nasaktan na ako lola. Shinota niya ang best friend mo!!”) and you could actually see some of them in the background starting to shake (as in nanginginig na sa sobrang ngalay). I could have subbed for any of them because I had always been a master Statue Dancer.

10. Carmel: “Ikaw pa rin ang DOTGA ko!”

Jerald: “Da One That Ghost Away?”

Carmel: “Da One That Gusto Ako Pero Baka Maging Gusto Ko Rin!!”

Huh? Isn’t that DOTGAPBMGKR?!

Kimmy, pinapainit mo ang anit sa ibabaw ng ulo ko!!

Rating: ★☆☆☆☆