My notes on Starting Over Again:
1. With a better treatment (and alternate ending), this could have been a great Star Cinema, feel-bad Pinoy movie. It might have been predictable and clunky, but it did have some really good lines and realistic scenes of heartbreak.
2. Toni Gonzaga (as Patty) was effortlessly funny, although she struggled a bit in her dramatic scenes. (Side note: She needs to have her legs insured. They looked amazing and she knew just how to accentuate them.)
As Marco, Piolo Pascual just didn’t seem to exert any effort at all. Was I the only one annoyed by his excessive use of the word “diba” in that confrontation scene? It didn’t help that he sounded more bitchy than hurt. (At least he fared much better in his silent crying scenes.)
3. In all my years of travelling to and from Alabang, I’ve never taken an actual train. Especially since there are hundreds of buses and jeepneys and shuttle services that will drop you in South Station or Metropolis/StarMall. Where is this train and where are its stops?
On a related note, my favorite scene in that sequence was that of Patty getting off a moving bus. It was just too hilarious. And it elicited the expected reactions from the very amused crowd.
4. I’ve said it before and I’ll say it again, Iza Calzado is a brilliant actress. I loved how calm and collected she was during Patty’s confrontation scene with Ginny. Her restraint showed the maturity of her character and her nuanced performance made that scene even more powerful. She also had the best lines in the movie. I wonder why she’s not given the projects she deserves.
5. “A relationship should have the right ingredients: love, trust, and an allowance for mistakes. Love is greater than someone’s failures. In love there is no fear.”
I bawled my eyes out.
And Patty’s line about their non-romantic love:
“Our love may be quiet and boring, but it’s sure.”
Shet. Pass me the tissues.
6. If I were in this movie, I would be Beb played by the dependable Cai Cortez (ok, insert the fat joke here). But really, I saw myself in her character. I would be that one friend who wouldn’t mince words no matter how brutal the message would be; that one friend who would offer you a hug then slap you back to reality.
7. I will forever use these memorable lines in future drinking sessions with relapsing friends:
“Yang hope na yan, lason yan. Parang drugs, nakaka-adik.”
“Adik ka na naman sa pag-asa. Try mo kaya lumaklak ng realidad.”
8. Why do we have this growing trend in local movies where seemingly smart women beg other women to lend or give up their boyfriends/husbands? Icky.
I’m happy to see though that the “third wheel” here wasn’t made to look like a devil in the last act just to justify the break-up and possible happy ending for the leads. Patty was really nice and giving and there was just no reason for Marco not to love her. In fact, she did look like Mama Mary.
9. And here’s my message to all my exes (parang ang dami): “I can never un-love you. I just love you in a different way now.” (Sob.)
10. I really hated that wood-crashing scene. It felt straight out of a Wenn Deramas movie. Worst possible deus ex machina.
11. After Forever and a Day, I wonder if Star Cinema will ever have the balls again to end films the way they really should.
I’m sure a lot of people loved the cameos and they felt the need to give its audience a hopeful ending. In real life though, it would take years before Ginny will get over Marco, more years for her to pick up the pieces, and even more years to finally meet the right one. (And that’s already being hopeful.)
12. If the movie ended with Ginny deleting the message and the camera panning out showing Ginny ready to move on with the swelling theme song in the background, I would probably have rated this higher. Maybe they’ll consider that for the DVD? For all the Bebs out there, please?
P. S. Two girls in front of us were taking selfies (with flash) during the closing credits so I gave one of them “sungay”. Made them stop.
(Originally published February 14, 2014.)