PASSENGERS (Morten Tyldum, 2016)

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SPOILER ALERT!!

My notes on Passengers:

1. I could never be an astronaut. Just the thought of putting on a helmet (and the fear that my head would get stuck in it) had given me endless nightmares. I almost fainted when I saw that viral video where a teenage girl got her head caught in a pumpkin. Suffice to say, I wouldn’t survive in a spaceship even if I were in suspended animation for 120 years (because I would eventually wake up and immediately die of claustrophobia).

2. I wasn’t the biggest fan of recent space sci-fi movies (Elysium, Interstellar, not even the critically-lauded Gravity), but an interesting trailer that promised a few thrills and my fondness for Chris Pratt since Guardians of the Galaxy was enough to draw me in. Well, thank goodness for his cute butt because I really wasn’t expecting this to be a comedy.

3. The Avalon’s voice sounded very much like that soothing theme park voice you hear before boarding a ride in Disneyland. For our local version, I would like to suggest that we get the Ate voice from Uniqlo that courteously thanks all customers for “shahpeeng”.

4. Pratt was still charming as ever here, but it ultimately became his downfall. Even during the dramatic moments, it was just hard to take him seriously. Like he was trying to keep a straight face while giving these directions: “We need to find something big, something broken, something wrong.” He could very well have been talking about the screenplay. (Also, he looked cute in a scruffy beard.)

5. A lot of vicious reviews called this clunker “Titanic in Space” and I could understand why. As the biggest fan of that disaster flick (shamelessly, still my favorite film of all time), I remembered it so much in the following scenes:

• The langit-lupa situation of the doomed lovers, where he flew coach and could only get the normal cup of coffee while she belonged in the gold section that could choose between a macchiato and a French cream blend. (One of the reasons why I enjoy flying Cebu Pacific: no class distinction, everyone can only purchase the same “Snacks for sale!”.)

• Remember when Rose felt lonely and abandoned and wanted to jump off the ship? Yup, somebody here also felt terribly alone and attempted to jump into oblivion (coincidentally, another bad space sci-fi movie).

• “Do you trust me?” and “You die, I die” scenes lifted directly from the sinking ship’s screenplay (which was obviously not its strongest suit to begin with).

• One auto-dock left that could only save either of them. Dying of hypothermia next to a floating door in the ocean was more romantic.

• His one last habilin to “Wake up and you’ll finish what you were supposed to do” sounded very much like “You’re going to die an old woman and have lots of babies…” and then the camera slowly panned to the picture frames with Rose showing that she indeed lived a full life, rode horses, and toured the world and…wait, I needed to wipe away my tears.

6. I loved how Chris and Jennifer Lawrence (in a knockout white bathing suit) were able to maintain their to die for bodies through constant sex on every flat surface. But then again, they were in space and could have gone beyond the Kama Sutra, but didn’t. Imagine the endless possibilities!

7. 19 years to send mail in outer space? Would that be sloth mail?

8. Michael Sheen as the android bartender reminded me of Rosie in The Jetsons. In one scene, I actually thought that Chris was also an android because he was brutally attacked by JLaw and yet didn’t sustain any wounds or bruises. Why?

9. I probably laughed the loudest when JLaw screamed “Come back to me! I can’t live on the ship without you!!”. No wait, it was actually when she pulled the string to bring back a dead floating Chris in space. Now why didn’t Sandra Bullock think of that?

Rating: ★★☆☆☆

 

 

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THE GIRL ON THE TRAIN (Tate Taylor, 2016)

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SPOILER ALERT!!

My notes on The Girl On The Train:

1. In the late 90’s/early 00’s, there was an onslaught of trashy suspense-thrillers (mostly based on or inspired by James Patterson novels) that were supposed to serve as female empowerment films. My favorite ones (and by favorite, I meant LOL guilty pleasure) starred Ashley Judd, the former action heroine slash patron saint of battered wives now relegated to playing Tris’ doormat mother. Her characters would always be tormented by these filthy men (the worst kind being her own husband) and she would always get her revenge through some clunky plot twist (in Double Jeopardy, she had the pleasure of killing her man because she was already falsely convicted of his murder and could not be tried for the same offense twice).

I missed that level of craziness while watching this 2016 version of rah-rah sisterhood (from the director of The Help, gasp!) that proved to be the exact opposite of the far superior Gone Girl (probably the weirdest version of a feminist film to hit the big screen). I completely lost interest in reading the novel this was based on as well.

2. Was it unfair to compare it to Gone Girl? Well, not really since everything here seemed to have been inspired by both the book and film versions. The main title’s font, the central mystery, the overlapping timelines, I could just imagine Amy Dunne throwing a mean bitch fit (with a kitchen knife, of course!).

3. Thank heavens for the excellent Emily Blunt who obviously pulled all the weight in this trainwreck. It was really scary to see a grown woman like Rachel drinking alcohol out of a thermos bottle and her finest moment happened early in the movie when she danced like a mad woman in the park to block out her sadness. I felt so bad for her character that I actually forgave her for wasting a tray of delicious-looking deviled eggs.

4. “Have you ever been on a train and started wondering about the lives of the people that live near the tracks?”

Obviously not, because I have no plans of ever riding the gnarly PNR and if I did to satisfy such morbid curiosity, I don’t think I would be able to look out the window. I’ll most probably end up wondering why the man next to me forgot to wear deodorant. Seriously though, with the speed of that train and its distance from the houses, how was Rachel even able to do all that snooping without binoculars?

5. Anybody who had seen What Lies Beneath would not easily fall for the blatant red herrings sprinkled all-throughout the movie. Its attempts to create a murder-mystery based on Rachel’s substance abuse problem was weak given the substantial lack of motive. If she was supposed to be too crazy in love to actually stalk her husband’s current wife on Facebook, then most of us could be charged guilty as well.

6. Haley Bennett looked like Jennifer Lawrence-lite with such a tiny waist that I wasn’t surprised that Rachel (or any woman for that matter) would want to snatch her extensions out of envy. It was also hard to empathize with her Megan character because during her Basic Instinct finger scene, she reminded me so much of Alma Moreno explaining her uncontrollable state of horniness in the Joey Gosengfiao cult classic Nympha (“Nag-iinit ang katawan ko tuwing nakakakita ako ng lalaki!!).

7. In one scene, new wife Anna was trying to figure out the password of her husband’s laptop. I wasn’t sure why she tried basic names (do people actually use just a name like Rachel as their secret password?), but I laughed really hard when she tried her own name and it was also incorrect. Masaklap ba teh? I wasn’t surprised when she rotated a corkscrew around his neck by the end of the film.

Rating: ★★☆☆☆

JOY (David O. Russell, 2015)

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SPOILER ALERT!!

My notes on Joy:

1. If David O. Russell and his repetitive cast (Jennifer Lawrence, Bradley Cooper, Christian Bale, Amy Adams, Robert De Niro) had a TV equivalent, it would definitely be Ryan Murphy and his American Horror Story crew.

Joy would be American Horror Story: Freak Show, a complete mess from such a talented group and a huge letdown from their previous effort (American Hustle = American Horror Story: Coven).

Wait, so does that make Silver Linings Playbook the American Horror Story: Asylum of the series? I guess that would explain the mind-boggling accolades (an Oscar for Lawrence over Jessica Chastain and Emmanuelle Riva? Please.) I know, I sound even more bitter than my single friends last Valentine’s Day.

(Weirdly enough, this film started with the Name Game song which was also an iconic production number in Asylum.)

2. There was always a certain level of camp in these Russell movies and when this one started with the life as a telenovela metaphor (complete with a Susan Lucci cameo), I thought it would nail its theme of female empowerment with a certain degree of winking fun. Unfortunately, it got bogged down by the too obvious inspirational message (“You’re just one kitschy invention away from becoming a success!!”) that led to a predictable and phony resolution.

3. In one scene, Lawrence (playing Curacha) divided the basement with a masking tape so that her father and ex-husband would know their sides of the room. It reminded me so much of Maricel Soriano “splitting” areas and possessions with her husband Cesar Montano in Kung Kaya Mo, Kaya Ko Rin. Maricel was so obsessed with boundaries that she even placed markers on walls, on the floor, and even inside the refrigerator (and since she bought all the grocery items, she moved them all to her side naturally). It was that kind of crazy humor sorely missing in this movie.

4. I previously mentioned my obsession with the O Shopping Channel and prior to that, the Home Shopping Network. If I actually bought everything that I wanted there (Butterfly Abs, Siluet 40, and Ab Rollers, among others), I would have been Laboracay ready as early as Christmas.

5. Seriously, how could QVC have sold that many Miracle Mops within the short timeframe given the number of customer service representatives on the phones inside the room? Did they have call centers in the Philippines that wasn’t shown? 50,000 items sold in a matter of minutes and yet some agents would complain when there were 30 calls on queue. This movie should be a requirement in Call Center Orientation.

6. Don’t you find it weird that when these characters chop off their own hair, they always end up getting a salon-ready look? I once cut my bangs and I ended up looking like I had a severe case of typhoid fever. Why don’t we have Miracle Scissors? Hey, that may be a good invention idea!!

Rating: ★★☆☆☆