My notes on Lumayo Ka Nga Sa Akin:
1. We usually see local parodies on gag shows like Bubble Gang or Banana Split, and in every Wenn Deramas movie so this one didn’t really have anything new to offer. It aimed to mock Philippine cinema tropes and the local moviegoing audience but didn’t tell us more than what we already knew.
2. My biggest problem with this movie was that it bordered on being mean-spirited. Several references were made on the Pinoy audience basically being stupid for loving the same old cliches in different genres (action, horror, and romance) and that anything outside of the norm would be an immediate flop. Sure, some of these observations may be factual but I still think that we’re much better than that. Was it really the audience’s fault if they enjoyed a good old formulaic movie? Weren’t the studios/producers to blame as well for churning out the same profit-driven product? Maybe this was an even bigger problem than the movie actually presented.
3. These were some of the lines that were supposed to be funny (wink, wink) but made me cringe a bit:
“Kelangan mo ikwento ang nangyayari sa audience kasi karamihan naman dyan…(wink)…” (I’m guessing they were going for tanga? Or in Cathy Garcia-Molina verse TANGA!!)
“Sabihan ang writer para di langawin. Ayaw ng audience ng bagong idea.”
“Hindi masyadong nakakaunawa ng English ang audience natin.”
Did the movie really think that it was smarter than its audience? And was this really specific to just the Pinoy audience?
4. On the flipside, did these observations hurt because they were true? Don’t we really love action films where people get killed in a wedding and it suddenly becomes a revenge flick? Don’t we enjoy the endless banter between the bida and kontrabida before the final shootout? Or the requisite sampalan scene during a tension-filled showdown between two women?
5. Very much like its poster, the movie was trying to be Scary Movie (1 to Sawa) except that it provided a broad look at Philippine Cinema instead of recreating scenes from specific movies. Funny enough, the episodic treatment was very similar to some of the movies it was trying to make fun of (Mga Kwento ni Lola Basyang, Stupid Cupid, Tatlong Mukha ng Pag-ibig, please tell me you know them as well hehe).
6. The first episode by Mark Meily didn’t have a lot of new things to say about Pinoy action films. I did like the John Regala Kontrabida Instructional Video but everything else was just meh. To be fair, I laughed a bit when Candy Pangilinan said “Pwede bang Face of the Night na lang kasi walang kwenta na ang Best Actress ngayon?”
7. The second episode was a horror send-up of Shake, Rattle, and Roll (if you watched the three movies I mentioned above, all of them had their horror episodes as the middle one). Maricel Soriano’s love-it-or-hate-it performance was reminiscent of her acting in 90’s action-comedy movies with Cesar Montano, Bong Revilla, and Lito Lapid, among others, down to her usual adlib of “Pigilan mo ako naniningkit na ang mga mata ko!”. It was shrill and hyper and your enjoyment will depend on your tolerance for that brand of comedy (everyone knows how much I love her so you know where I stand). The rest of the jokes (the botched subtitles, night time exorcism, Bollywood production number, etc.) were okay at best.
8. I really liked Shy Carlos here. I wasn’t a fan of her performances in Para Sa Hopeless Romantic and Chain Mail but she really stood out here just for being the bitchy voice of the people (Maricel to Shy: “Minsan lang ‘to gumawa ng movie nagkaganyan na.” Haha!)
9. The best among the three episodes was definitely Chris Martinez’s Asawa ni Marie because it was just really funny. I rarely enjoy Cristine Reyes’ performances but she was so game here down to bobbing assorted items from the putikan (“Wala pong putikan saan nyo ako ilulublob?”). I instantly liked her as soon as she started prancing on the seashore (ala Marimar) along with her lifesize dog/mascot Yagit and let out a typical hagikgik.
10. The rest of the cast were good as well (Jayson Gainza as the dashing leading man, Jackie Lou Blanco as the matapobre haciendera, etc.) but it was Joey Paras who stood out as the submissive mother (yes, mother!) of Marie. From the moment he said “Senyorita, nagbalik po ba kayo para sabunutan ako ng walang dahilan?” up to the scene where he carried said senyorita back to the mansion, I was out of breath from laughing that I had to use my inhaler.
11. Did they use the same room that stood in as the US condo of Clark and Leah on On The Wings of Love?
12. Out of all the self-awareness present in the movie, the best line had to be in that scene where Cristine kept hawking faux products, “Pelikula na, patalastas pa? Tama, wala tayong delikadeza.” Now that’s one masigabong palakpakan na sampal sa industriya.
BALA SA BALA, KAMAO SA KAMAO, SATSAT SA SATSAT (Mark Meily) – ★★☆☆☆
SHAKE, SHAKER, SHAKEST (Andoy Ranay) – ★★☆☆☆
ASAWA NI MARIE (Chris Martinez) – ★★★★☆