METRO MANILA FILM FESTIVAL 2019 SCORECARD

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Best Feature-Length Film

1. WRITE ABOUT LOVE (Crisanto Aquino) – ★★★★☆
2. MINDANAO (Brillante Mendoza) – ★★★☆☆
3. MIRACLE IN CELL NO. 7 (Nuel Naval) – ★★★☆☆
4. SUNOD (Carlo Ledesma) – ★★☆☆☆
5. CULION (Alvin Yapan) – ★★☆☆☆
6. MISSION UNSTAPABOL: THE DON IDENTITY (Michael Tuviera) – ★★☆☆☆
7. THE MALL, THE MERRIER (Barry Gonzalez) – ★☆☆☆☆
8. 3POL TROBOL: HULI KA BALBON! (Rodel Nacianceno) – ★☆☆☆☆

Best Performance by an Actor in a Leading Role

1. ROCCO NACINO (Write About Love)

Best Performance by an Actress in a Leading Role

1. JUDY ANN SANTOS (Mindanao)
2. MILES OCAMPO (Write About Love)
3. CARMINA VILLARROEL (Sunod)
4. IZA CALZADO (Culion)

Best Performance by an Actor in a Supporting Role

1. JC SANTOS (Miracle in Cell No. 7)
2. JOEM BASCON (Write About Love)
3. JOHN ARCILLA (Miracle in Cell No. 7)
4. ALLEN DIZON (Mindanao)
5. JOJIT LORENZO (Miracle in Cell No. 7)
6. JOEL TORRE (Miracle in Cell No. 7)
7. MON CONFIADO (Miracle in Cell No. 7)
8. SOLIMAN CRUZ (Miracle in Cell No. 7)

Best Performance by an Actress in a Supporting Role

1. MERYLL SORIANO (Culion)
2. KRYSTAL BRIMNER (Sunod)
3. YUNA TANGOG (Mindanao)
4. JASMINE CURTIS-SMITH (Culion)

Until next year!!

MIRACLE IN CELL NO. 7 (Nuel Naval, 2019)

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Umiyak ako ng isang baldeng luha dun sa Korean original kahit na problematic ang story, sobrang unbelievable, at emotionally manipulative. Wala masyadong binago dito sa Pinoy version kaya mga dalawang basong luha pa rin ang iniyak ko.

Dahil hindi talaga iniba ang kwento, lumabas na napakalinis at medyo cozy ng bilibid. Yung di mo iisipin na may annual pigsa festival ang mga preso natin. Baka hindi pinayagan ang changes kahit Pinoy na ang setting, similar dun sa recent Miss Granny remake.

Yung biggest concern ko dito ay inconsistent ang portrayal ni Aga Muhlach ng isang special character. Parang hindi isip bata minsan yung delivery ng lines niya kaya medyo bumibitaw ako lalo na kapag dramatic na ang eksena. Bumawi naman siya nung dulo at lumabas ang galing ni Miguelito.

Para sa akin, yung supporting cast ang nagdala talaga ng movie. Inisip ko nga na baka mas maganda kung si John Arcilla ang bida. Muntik ako maglupasay sa sinehan nung phone call scene ni Jojit Lorenzo. Tapos daming iyak-tawa moments din with Joel Torre, Mon Confiado, at Soliman Cruz. Ang huhusay!

Pero ang standout sa grupo ay si JC Santos. Kahit ang off pakinggan nung mga bakla jokes sa kanya, madadala ka sa kanyang acting kahit na nagsasayaw lang siya bilang Sailor Moon.

If you liked the original, magugustuhan niyo din ito. If nairita lang kayo dun, wag umasa na magbabago ang opinion nyo dito. Kung di nyo pa napanood ang Korean version, available siya sa mga suking tindahan.

Rating: ★★★☆☆

GOYO: ANG BATANG HENERAL (Jerrold Tarog, 2018)

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SPOILER ALERT!!

My notes on Goyo: Ang Batang Heneral:

1. One of the first Tagalog poems I learned as a kid was taught to me by my grandfather (be forewarned, it wasn’t one of his shining moments) and it involved the bad boy of Philippine History (no, not Ace Vergel nor Robin Padilla). It went something like: “Andres Bonifacio, a-tapang a-tao. A-putok a-baril, hindi a-atakbo. A-putol a-utin, a-takbo a-tulin.” This humorous take on a national hero might sound disrespectful to some, but it was exactly how I felt with this ongoing Araling Panlipunan Trilogy of Jerrold Tarog that started with the puñeta-filled Heneral Luna.

Both films seemed to have been made as easily-digestible History nuggets because nobody really wanted to sit through a boring lecture. And so we got an abrasive, menacing portrayal of a general in the first film who would deliver some occasionally amusing Cesar Montano quips that the audience could laugh at while this second one had a subservient and confused young general who left a trail of broken hearts (and panties) like he was the first official fuccboi of the country.

2. I never knew that Gregorio del Pilar (Paulo Avelino, medyo malamya) was such a bland and uninteresting character whose life didn’t really merit a biopic. I’d always thought he was this glorious hero who took his last stand (and not a literal one) in the Battle of Tirad Pass. I’m sure there was more to him as the youngest general other than being a Don Juan.

Unfortunately, the fictional (right?) Joven Hernando (Arron Villaflor, who sounded like his testicles hadn’t descended yet) summed up the first hour best when he asked “Bakit puro romansa at panunuyo?”. It was obvious that Goyo (and in turn Avelino, with his gorgeous brown eyes that sparkled in the sunlight; wait, why wasn’t he moreno?) was so swoon-worthy that women would actually have a shade showdown while comparing themselves to mangoes (“Ako hinog, ikaw totoong bulok” or something equally icky to that effect). But shouldn’t there have been more to him than that?

I walked out of the theater with the takeaway that his only contribution in our rich history was a last minute realization that he had been Emilio Aguinaldo’s (Mon Confiado, great as always) lapdog. Yun na yun?

Seriously, Goyo the character couldn’t even serve as the crucial voiceover (read: voice of reason) in his own film.

3. I felt bad that the talented Carlo Aquino (who played Vicente Enriquez) couldn’t secure a lead role in this franchise (was it because he looked so cute and tiny like a keychain?). I did like the underlying homoerotic tension between him and Joven (because why else was he so protective of him?). And was I the only one that sensed this blooming “bromance” between Joven and Juan del Pilar (Carlo Cruz)? Ooh, a love triangle! (Or was that just some wishful thinking?)

Side note: That tampisaw sa batis scene. Not complaining at all.

4. I honestly couldn’t stand the acting of the kid that played Angelito so I wouldn’t even bother mentioning his name here. His lines consisted merely of cries of anguish/despair (“Kuyaaaaahhh!”, “Tamaaaah naaaahh!”) and he still couldn’t deliver them properly. Didn’t he learn anything from his Kuya Manuel Bernal (Art Acuña)? Awoooooo!!

5. Miss Granny reference: I was a bit disappointed that after all those pictures taken by the same photographer (Jojit Lorenzo) of the Forever Young Portrait Studio, Goyo didn’t turn into a Goyito (given his age though, if he turned fifty years younger, then he’d still be a sperm and this would have been a completely different kind of movie).

6. Bitterness 101 – Exhibit A:

Felicidad (Empress Schuck) to ex-jowa: “Kumusta?”

Goyo: “Mabuti! Ikaw?”

Felicidad: (deadma) (walk-out)

Move on, move on din pag may time. (Uso pa ba ‘to?)

7. Was the slang term “goyo” or “nagoyo” actually after the flirtatious general? I need the real etymology of this word please! My futile Google search led me to “weneklek” and “kukurikapu” instead.

8. Every peso of the movie’s reported Php160M budget was in full display here with its lush cinematography (that amazing shot of the troops marching on the mountainside during sunset, the magical Shape of Water-like underwater scene) and great production design.

9. I was excited to see the Battle of Tirad Pass especially with its dramatic twist of a local Igorot betraying the Philippine troops, but it didn’t really showcase anything interesting. It was just a lengthy sequence of some Pinoy mestiso actors pretending to be a bunch of American soldiers running around until they finally annihilated the locals. It was also odd that they continued to mine humor in such a serious situation (“Nakagat lang yan ng langgam sa bayag!”, “May bangin dyan!” and then a couple of Pinoy soldiers comically fell off a cliff, “Kam! Amerikan Welkam!”).

Even del Pilar’s death felt very anticlimactic (and un-heroic). Like a Superman film where Clark Kent never really wore his red trunks and cape because he was better off as a regular person. (But we paid to watch Superman, didn’t we?)

10. Burning questions:

• How long could one survive munching on just sugar cane? (Because you know, inflation.)

• The soldier named Daclan was actually Matt Daclan, right?

• Why couldn’t Apolinario Mabini (Epy Quizon) get his own movie? Echapwera na naman?

• During the mid-credits scene with a latex-faced, older Aguinaldo (still played by Confiado), why was the older Manuel Quezon on the poster played by a latex-faced TJ Trinidad? Were they not confident enough with the acting skills of Benjamin Alves?

• Wait, was the film trying to equate Emilio Aguinaldo with our current President? So did that make Goyo a misguided, egotistical, famewhore general who loved hogging the limelight (read: mahilig magpa-pogi)? Now I get my complete lack of interest.

Rating: ★★☆☆☆

The Best of Pinoy Cinema 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

Cinema One Originals 2017 Scorecard

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Best Picture

1. CHANGING PARTNERS (Dan Villegas) – ★★★★★

2. PAKI (Giancarlo Abrahan) – ★★★★☆
3. HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande) – ★★★★☆

4. SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red) – ★★★☆☆

5. NERVOUS TRANSLATION (Shireen Seno) – ★★☆☆☆
6. THROWBACK TODAY (Joseph Teoxon) – ★★☆☆☆
7. NAY (Kip Oebanda) – ★★☆☆☆

8. HISTORIOGRAPHIKA ERRATA (Richard Somes) – ★☆☆☆☆
9. BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista) – ★☆☆☆☆

Best Performance by an Actor in a Leading Role

1. JOJIT LORENZO (Changing Partners)
2. CARLO AQUINO (Throwback Today)

Best Performance by an Actress in a Leading Role

1. DEXTER DORIA (Paki)
2. ELIZABETH OROPESA (Si Chedeng at si Apple)
3. AGOT ISIDRO (Changing Partners)
4. GLORIA DIAZ (Si Chedeng at si Apple)

Best Performance by an Actor in a Supporting Role

1. NOEL TRINIDAD (Paki)
2. SANDINO MARTIN (Changing Partners)

Best Performance by an Actress in a Supporting Role

1. SHAMAINE BUENCAMINO (Paki)
2. ANNA LUNA (Changing Partners)
3. EULA VALDEZ (Paki)
4. SYLVIA SANCHEZ (Nay)

CHANGING PARTNERS (Dan Villegas, 2017)

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Minahal ko ang pelikulang ito hanggang sa kinaya ng puso ko. It was a clear testament to the enormous talents on display in front of and behind the camera on just how perfectly everything worked. I didn’t see the original stage version and I am now more than curious to know how they were able to pull that one off.

It would have been so easy to get confused with the film’s multiple relationship permutations and constant character and gender switches, but the seamless transitions and excellent performances (Agot Isidro! Jojit Lorenzo!!) clearly helped a lot. Plus all that glorious singing. Totoo nga na mas dama mo kapag kinakanta ang feelings and emotions haha!

With a clear view on issues dealing with age gap differences, who wears the pants in the relationship, gut feel vs jealousy, etc., it was able to transcend the traditional hugot formula. Every sumbat that was thrown to the other partner felt raw and real and completely stung. I had been these characters and it was hard for me to hold back the tears. Never been this emotionally crushed. Never. Absolute.

Rating: ★★★★★