WALWAL (Jose Javier Reyes, 2018)

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SPOILER ALERT!!

My notes on Walwal:

1. Being a certified coot (aka ‘thunder cats’) that recently turned another year older, I previously thought that the word ‘walwal’ had a dirty connotation (like it was something done in secret inside a locked bathroom that could result to hairy palms). I brushed up on my millennial-speak and it apparently meant wallowing in excesses (drinking, partying, smoking, drug use, sexual activity) until one loses his bearings and ends up living a directionless life. Now where was all of that in the movie?

I was expecting to walk out of the theater feeling traumatized and bemoaning the future of the world with the kind of self-entitled kids nowadays, but that didn’t happen. Was my Titos and Titas of Manila-certified morals supposed to get scandalized by the sight of these young boys drinking a few bottles of Red Horse beer (curiously labelled ‘I Drunk Dial A Lot’)? Yan na yung walwal? Eh wala pala kayo sa lolo ko eh…

2. Billed as this generation’s Pare Ko (a 90’s teen classic also directed by Jose Javier Reyes), this one felt very much like my lolo was educating me on the importance of using the best Instagram filter. Were millennials really this boring? What happened to those neurotic kids that swam face-first in a toilet bowl full of their own vomit in Gino Santos’ The Animals? (Now that one shocked me to my core.)

This just didn’t feel like it was telling the story of a specific generation. It was the same old cliches (lovelife problems, teenage pregnancy, another networking joke??) recycled for a new breed of young stars.

3. Through this movie, I learned that millennials were also being pressured by parents to select a college degree that had always been planned for them. When Marco (Kiko Estrada) told his mom (Cheska Diaz) that he wanted to shift to Tourism, she replied, “Tourism? Anong gusto mo mangyari? Tourist guide?”. (Hala momshie, mukhang kelangan mo rin bumalik ng college and major in sense of humor.)

In another scene, Bobby (Donny Pangilinan) told his french fries magnate father (Rolando Inocencio) that he wanted to be a filmmaker and father said, “Itigil mo na ang ilusyon mo na ikaw ang susunod na Lino Brocka!” to which he replied, “Brillante Mendoza!”. (DDS pala si Bobby.)

4. Jerome Ponce (as Intoy) was the clear standout in the young cast, a feat considering that most of his dramatic scenes were with the great Angeli Bayani (loved that Urian reference). His story about the search for his estranged father (Ricardo Cepeda) was definitely the most affecting. Sadly, he was also saddled with the worst possible dialogues:

• In a conversation with his half-brother…

Bro: “Magkakaiba ba tayo ng tatay, Kuya? Yung sa’yo stuntman, yung sa akin seaman, yung kay bunso tubero.”

Intoy: “Wag ka magpapaniwala sa chismis.”

Bro: “Kinonfirm ko kay Nanay.”

(Hala sya, confirmed na pala more tanong pa.)

• In a conversation with Bobby…

Bobby: “Bro, bakit cannot be reached ka lagi?”

Intoy: “Wala akong load eh.”

(Harujosko!)

• In a Facebook Messenger chat with his father:

Intoy (typed): “I am the son of Ramona Martinez.”

Father (typed): “How are you related to her?”

(Ay itay!!)

I also felt bad for him when his mother said: “Ang pangalan ng tatay mo ay Diosdado Pindodo. Isa yan sa dahilan bakit ko siya iniwan. Ang bantot!” I would have understood it more if she called him out for his reading slash comprehension skills.

5. Continuity alert: Dondi’s (Elmo Magalona) haircut kept changing in every scene. Also, I wonder if his really tight jeggings affected the way he spoke throughout the movie. I wasn’t surprised when his girlfriend (Jane de Leon) dumped him for a lesbian instead.

6. Since Bobby and close friend Ruby (Kisses Delavin, dressed up as budget cosplay Jolina Magdangal circa Chuva Choo Choo) were supposed to be film experts, they were required to say terms like ‘existential study of post-digital life’, ‘neorealism’, ‘Pasolini’, and ‘Franco Zeffirelli’. And yet when they played a random trivia game where they guessed the film that starred Guy Pearce and John Leguizamo, they both agreed that it was called ‘To Wong Foo, With Love Julie Newmar’. (Nope!)

Pinapainit ng mga batang ‘to ang ulo ko. Waiter, one Cali Shandy please!!

Rating: ★★☆☆☆

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TOP 10 MMFF MOVIES (2000-2016)

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AMA, INA, ANAK (Jose Javier Reyes, 1996)

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“There are more ways of gaining fulfillment as a woman maliban sa pagiging isang mabuting ina at asawa. Eh kung yan ang gusto ng Mother Nature eh di sana anim ang dede natin sa katawan.”

I really love the wit and humor of Joey Reyes’ screenplays. His insights on gender politics in the ‘90s were just spot-on. He has also mastered the art of emotional manipulation, this time related to infertility issues and adoption (in one heartbreaking scene, the adopted kid played by Angelica Panganiban asked a pregnant Maricel Soriano if she also came from the latter’s tummy). I just wish that Edu Manzano’s character wasn’t a complete caricature that turned into a monster and then had a sudden change of heart in the end.

Also, I found it funny that eleven years later, this mother and daughter tandem would be bitter rivals fighting over Aga Muhlach in A Love Story. Parang episode lang ng Face to Face with Tiyang Amy.

Rating: ★★★☆☆

CAN THIS BE LOVE (Jose Javier Reyes, 2005)

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SPOILER ALERT!!

My notes on Can This Be Love:

1. I recently had a discussion with a friend who used to work for Star Cinema regarding that studio’s process of churning out stories for ABS-CBN’s roster of artists (meaning projects were custom-made for hot stars or popular love teams). It was very much evident in this movie that was obviously created to showcase the winners of Star Circle Quest Batch 1, primarily grand winner Hero Angeles and runner-up Korean sensation Sandara Park. Sadly, what could have been an interesting take on cultural differences was hobbled by rom-com tropes and the limited range of the leads.

2. It wasn’t a surprise that Hero won SCQ because he had a little bit of everything going for him: the F4 circa Meteor Garden hair, the deep dimples pre-Alden Richards, the moreno skin unusual in an industry (and nation) obsessed with glutathione, and a great sob story to boot. As Ryan, he struggled a lot in his dramatic scenes where he mostly shouted his lines and acted like a complete bitch (even to Sandara’s character, Daisy). It certainly didn’t help that his uneven Mary Kay foundation that stopped mid-neck and horrible lip gloss and liner made me laugh every time the camera focused on his face.

3. Hindi naman nagpakabog si Sandara with her cosplay every day look with matching purple eyeshadow, pink blush, red lipstick combo. Thankfully the role didn’t require much from her except to fill the Pambansang Krung-Krung bill so she was okay just looking and acting silly. Her genuine challenge in speaking and understanding Filipino (“Slow down please!”) made her more endearing.

4. The pair’s love story started from a text message that was sent incorrectly through their Nokia 3310s. And here I thought the “Sorry, wrong send” message only worked if you were trying to make papansin from your deadma crush or happy in another relationship ex.

5. Roderick Paulate played Ryan’s landlord and provided much needed comic relief. He was in full Kumander Gringa mode by way of Maricel Soriano in any of her babaeng bakla roles (which was basically 80% of her filmography).

6. Ryan being the typical Pinoy was fuming mad when he read Daisy’s paper titled “What’s Wrong With Filipinos” but had no problems showing his prejudice against Koreans. Or maybe he really just had anger issues since he threw a hissy fit when Daisy visited him while he was in the midst of terrible constipation and even called her “Hoy” after she walked out. He was very patola to girls that I actually wondered if he really liked Daisy, especially after referencing Tito Boy Abunda and The Buzz.

7. Wait, Daisy’s Korean so she had to eat noodles all day every day? Or was she just required to eat them because they were different varieties of Tekki Asian Classics? (More product placement alert: BNY Jeans and Globe Autoload Max).

8. In one scene, Eugene Domingo (as Daisy’s landlord) mentioned President Magsaysay to Ryan and he was completely clueless, presumably because he was taking up Nursing. What?! He didn’t have any Philippine History classes in grade school or high school? Please.

9. Music video montage galore (I think I counted four!) and that didn’t even include the resort scene where kids danced to Sandara’s In or Out song.

10. Most cringe-worthy (aka my favorite LOL) scene:

Ryan: “How do you say ‘I love you’ in Korean?”
Daisy: “Saranghae.”
Ryan: “Saranghae.”
Daisy: “This is not the end yet, right?”
Ryan: “Oo, this is not the end. Sasamahan pa kita sa airport.”

I kid you not.

11. What was up with that rushed scrapbook ending? Naubusan ng budget so plane ticket na lang yun Korea trip? Tapos wedding invite na agad? Anyare sa Korean family vs Pinoys conflict? Argh! Pass me the kimchi.

Rating: ★☆☆☆☆

MY BEBE LOVE #KILIGPAMORE (Jose Javier Reyes, 2015)

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My notes on My Bebe Love #KiligPaMore:

1. One of the first few scenes showed Vic Sotto looking at a mirror and combing his eyebrows. This was meant to be funny and it was the type of slapstick comedy that will be used all-throughout the movie. It felt dated (Pinoy comedy has not evolved much?) but still elicited laughs from the audience. A succeeding scene had Joey de Leon referring to Vic’s “Sandata ni Hudas”. Dated and recycled.

2. Aiai delas Alas, on the other hand, played her character really loud and broad (with matching frilly hair, pastel outfits, and purple & green eyeshadow in case it still wasn’t loud enough for the viewers). She kept screaming all of her lines reminding me of my mom whenever I forget to place my clothes in the hamper. I think they would make the perfect BFFs.

3. I was thrown off by the ADHD-style editing with screens flipping and splitting every few minutes. If only it helped the movie’s really slow pacing.

4. The people that will only watch this to see the big screen chemistry slash film debut of the Alden Richards-Maine Mendoza tandem will be very disappointed. The material completely failed them with their love story feeling tacked on for ticket sales. I didn’t feel even one ounce of kilig (something that we overdose on in the Kalyeserye episodes). FYI, they recycled some elements of the Kalyeserye in the movie (the long table joke? Seen and done). I was surprised there was no falling wall to separate the lovebirds. Here’s hoping they will have a good rom-com sa tamang panahon.

5. I think the worst offense of this movie were the endless shoved-in-your-face product placements. Similar to My Little Bossing, it had a mini-commercial shilling Tide for turning clothes sparkly white for only 6 pesos. That bit had no bearing on a previous or succeeding scene. It just had to be inserted because Vic endorsed the said product. One scene even had Alden shopping for Tide in a convenience store. Maybe he missed laundry day?

6. Let’s play the annual Shameless Shilling Name Game: Bear Brand Adult Plus, Glutamax, O+, Phoenix Petroleum, Tide, Goldilocks, McDonald’s, Talk n Text, Solmux, Google, PLDT Home, San Miguel, and Coke. Do I get a perfect score this year?

7. Enough of the hashtags please. Whenever a movie character starts sentences with the word hashtag, a Twitter bird dies and goes to heaven.

8. The best performer in this movie was actually Valeen Montenegro. She looked gorgeous and fit her role well. I hope we see more of her in better roles.

9. Does Alden smoke?

10. That scene where they traversed Daang Hari to go to and from Zambales made me laugh out really loud.

11. To be fair, Vic and Aiai played off each other well and surprisingly delivered the expected kilig (fully supported by the audience reactions). Maybe the film should have focused on this love story instead.

12. Lola Nidora hinted at a possible sequel (highly likely given the long lines at the cinemas). Hashtag fantastic baby. Hashtag groan.

Rating: ★★☆☆☆