THE NUN (Corin Hardy, 2018)

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SPOILER ALERT!!

My notes on The Nun:

1. Long before Kidzania, Sky Ranch, Enchanted Kingdom, Star City, Boom na Boom, Glico’s, Payanig sa Pasig and Big Bang sa Alabang, the certified 80’s kids had that glorious haven located in the heart of Cubao called Fiesta Carnival. It was an indoor amusement park filled with the coolest rides and the best perya games ever created.

My favorite attraction there was this dingy horror ride (the predecessor of the corny horror train) where you would sit in a tiny cart that would pass through this long, dark tunnel split into several rooms (your cart would enter them by bumping onto the sliding doors) and each room was filled with every kind of supernatural entity designed to scare the crap out of you. One area would have like a ghost suddenly flying above your head while another would have a vampire jumping out of his coffin.

It felt very much like a nightmare that wouldn’t stop until you literally puked your kiddie guts out from all the screaming. That experience would probably be the closest equivalent I could think of for this movie that was relentlessly packed with jump scares. The only difference though was that I was no longer six years old.

2. In the Conjuring Universe, this would probably fall right smack in the middle with the best being the first Conjuring film and the worst being the first Annabelle. As a huge horror fan, I’d usually hate the ones that would sacrifice a good story over some cheap scares, but this one proved to be an exception (yes, I enjoyed it more than I probably should have).

Maybe it was because it didn’t take itself seriously (it definitely failed as an origin story because it didn’t really tell much about Valak aka Sister Marilyn Manson) and just took on the full silliness of its premise by upping the scream quotient (regardless of how effective they were).

3. With all the hilarious moments here through Frenchie-Canadian (Jonas Bloquet), I wasn’t even sure if it was trying to be a parody of the past movies (or even the genre). I mean, that scene where he pulled an oversized cross from a grave and ran with it all the way to a local bar was definitely a joke (and a really funny one, too).

Plus, you could probably name every cliché in the horror rule book and it was included here (except for a cat jumping out of the shadows, unless I missed that one). When one nun fell face down on the floor, everybody knew that somebody would grab her legs and pull her away from the camera. That corpse covered with a white sheet? It would come alive screaming, of course. And the scene where a nun suddenly dropped from a tree while hanging from a noose? It was done far better by Ynez Veneracion with her crazy eyes in Chito Roño’s The Healing. But all of these generated a symphony of screams (with some people literally jumping out of their seats) in our almost sold-out screening that made me enjoy the viewing experience even more.

4. When that horse-drawn carriage suddenly pulled up outside that monastery, I half-expected Keanu Reeves as Jonathan Harker to come out and seduce Valak with his tasty blood. I didn’t even care much about the supposedly creepy atmosphere of the broken-down monastery and smoky graveyard, I still found olden Romania incredibly romantic. Now what does that say about me?

5. Did Father Burke (Demián Bichir) provide an answer to his question on the opposite of miracle? This had been bugging me for days and Google was no help. Also, his character didn’t really figure much in the overall story, but at least he was able to deliver lines like “There is a time for prayer and a time for action”. Ooh, very Balweg, the Rebel Priest!

6. Glad that they actually made the effort to tie this up with the earlier films, although I was a bit disappointed that Sister Irene (an effective Taissa Farmiga) did not have any relation to Lorraine Warren (my darling Vera Farmiga) even if they obviously looked exactly alike. I would just assume that she was her reincarnation, which would explain why Valak was stalking her for several decades.

Side note: It felt iffy when the crowd started shipping Sister Irene and Frenchie-Canadian after that “kiss of life” scene, complete with an audible (and juvenile) “Yiheeeee!”. I felt the same way when this group of horny teens let everyone know that they were lusting over Phoebe Walker’s Sister Cecilia in Seklusyon. Forgive them Mother Butlers, for they have sinned. (Ang linis ko, thank you!)

7. I really liked that silent circle of prayer scene. Never thought I would ever get scared of a group (waddle? nyahaha!) of nuns especially after Sister Act, but this one came really close when they suddenly blew up in all directions (the Silent Hill-type scene that followed where they weren’t moving when Frenchie-Canadian entered the chamber was spooky, too). And then Sister Irene grew a burning parol on her upper back and I was laughing yet again (still not over all those Jose Mari Chan memes).

Another side note: I suddenly remembered that Netflix movie Veronica with the blind Mother Superior. Considering that I never had the traumatic experience of a nun hitting me with a ruler for wearing a skirt two inches shorter than the required length, I had always wondered why people were actually scared of them. Why would an image of a nun staring directly at you from outside your bedroom window elicit chills? And why would it be frightening if that same nun would now be standing right next to you while you were reading this? Don’t look!!

8. I usually hated watching with such a noisy crowd (seriously, everyone started screaming when the lights were turned off, even if it was just the Aquaman trailer that was played after), but hearing these straight guys pretend to be the bravest souls while clutching on to their girlfriends’ hands just doubled the entertainment factor. And yes, mas malakas pa sila tumili kesa sa mga date nila. Aliw lang.

Rating: ★★★☆☆

ANG HULING EL BIMBO (THE MUSICAL) (Dexter Santos, 2018)

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SPOILER ALERT!!

My notes on Ang Huling El Bimbo (The Musical):

1. I’d be lying if I told you that I was the biggest fan of the Eraserheads considering that I gave up on them after the disappointing Sticker Happy (by that time, I had already moved on to Hanson’s Middle of Nowhere). Magasin was their very first song that I really liked. I saved up all of my lunch money (and gave up my favorite kuchay pie from Mr. Teo’s) just to afford their Circus cassette tape. While everyone else listened to Jose Mari Chan for Christmas, I was locked up in my room singing along to Fruitcake. I even paid Php150 (considered exorbitant to a high school student in the 90’s) for their Bananatype EP that contained only five (!!) songs. My idea of rebellion was listening (and cursing along) to the “Tangina” version of Pare Ko in their Ultraelectromagneticpop! album. And when the band was plagued with rumors about devil worship (apparently, backmasking Cutterpillow would reveal Satanic chants) and subliminal drug use in songs (hello Alapaap!), my soul full of Catholic guilt loved them even more. Still not the biggest fan, though. I didn’t even like Spoliarium.

2. When I heard the news that a musical was being made based on the band’s discography, I was initially doubtful. Would I really want to hear bastardized versions of their most masa hits sung by professional musical theater actors? Would these songs that meant dearly to me still have the same effect if they were taken out of context? My only hope was that this style actually worked for Mamma Mia! and even if some of the tunes felt forced into a storyline, the end result was still a joyous ode to the classic songs of Abba. Even with a more melodramatic plot, El Bimbo wasn’t any different in celebrating the wonderful anthems of an iconic 90’s band.

3. I actually liked how some of the songs took on a whole new meaning here. One of my favorites was how they “ruined” such an optimistic one like With a Smile and reworked it into a heartbreaking ballad. The sight of young Joy (a wonderful Tanya Manalang) holding graduation sampaguita necklaces for her friends after suffering a tragic incident made me cry in my seat. I also adored the giddy Tindahan ni Aling Nena sequence that had three different versions of courtship happening onstage. The rest of the songs retained the same emotional resonance like the nostalgic Minsan number (still my favorite OPM of all time) and the expertly-staged hallucinogenic version of Alapaap.

4. Although the story felt a bit lacking in terms of the development of friendships and the choice to make it brutally sentimental (the complete shift in tone during the end of the first act left the audience wondering if they should be clapping given such a horrific scene), it more than made up for it with great choreography (the marching band version of Pare Ko was a hoot) and spectacular set design (the revolving stage used for Toyang’s carinderia and the Overdrive car was a visual treat).

5. The vocal performances were consistently good across the board, although I found some of the casting a bit off. I adored Topper Fabregas (as the young Anthony) and when he showed up in one scene with his face badly-bruised, my heart just exploded because I knew they were playing my song Hey Jay next. Jon Santos (as the repressed present Anthony) was also terrific, but he looked considerably older compared to Gian Magdangal (as the present Hector) and OJ Mariano (as the present Emman; loved the conceit that he lost his gorgeous locks). This age thing was also my concern for the divine Menchu Lauchengco-Yulo (as the present Joy). Also, she sang beautifully, but had that classically-trained (read: very conyo) style of singing that deviated from the young Joy’s masa character.

6. The sprinkle of 90’s pop culture references from Ang TV and Cindy’s to the “Chicken!” of Tropang Trumpo were simply perfect for certified Titos and Titas of Manila. On the other hand, the interludes used from different Eraserheads albums were a welcome treat for the fans. If you could recite the entire “Gusto mo ng tahong, gusto mo ng labong, ispaghetti, patitocini, banana que, nilagang suso, tahong chips ahoy…” line, then this was made for a certified E-Head like you.

Rating: ★★★★☆