KRISTO (HF Yambao, 2017)

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Why do most of our new local indie film directors want to be the next Brillante Mendoza? The cost of the ticket should have included free prescription glasses (or at least two tablets of Bonamine). Also, no Jaclyn Jose cameo?

Kristoffer King and Julio Diaz were terrific as always. But with all the cocks in the movie, it was a disappointment that none were King’s, no?

Rating: ★★★☆☆

(Originally published March 14, 2017.)

The Best of Pinoy Cinema 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

MA’ ROSA (Brillante Mendoza, 2016)

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SPOILER ALERT!!

My notes on Ma’ Rosa:

1. The film opened with Rosa (Jaclyn Jose) hoarding what seemed to be packs of Ri-Chee and other chichirya for her small sari-sari store. Similar to that weird sweet milk snack, Brillante Mendoza’s oeuvre would definitely be an acquired taste. As always, expect your senses to be assaulted by the headache-inducing shaky cam and the palpable stench of Manila’s esteros emanating from the screen. As a sucker for poverty porn (that had been getting a bad rap in the local indie scene) and Mendoza’s cinema verite style of filmmaking, I absolutely loved the entire experience. Ri-Chee, not so much.

2. I have always wondered why vendors give candy in lieu of actual change ever since I was given a sukli of Juicy Fruit gum. Is this just a Pinoy thing? (Also, my OCD self really hates butal.)

3. Much had been said about Jaclyn’s brilliant final scene (seriously, that had to be the saddest fishball moment ever), but I really loved how un-Jaclyn she was here. Before she went crazy over-the-top in her recent kabit movies and loony teleseryes, I usually associated her performance with the one parodied in Jeffrey Jeturian’s Tuhog where she talked in this seemingly lazy monotone like a drugged diva who didn’t really care much about performing.

Don’t get me wrong, I loved her type of non-acting acting, but in this film, her performance just felt more…alive. Every dialogue and curse word that came out of her potty mouth sounded true and I felt the dread of being part of her doomed family.

4. Is there a President Duterte biopic in the works? Please consider this Cannes-winning treasure. (Speaking of, I loved how timely this film was considering the recent drug busts happening everywhere in the metro.)

5. Who was the kid that played one of Rosa’s sons and looked like a cross between JM de Guzman and Rainier Castillo? Where have I seen him before?

6. Considering the grim subject matter, I enjoyed the little bits of humor thrown in whether it was Rosa asking the policemen for load to call her supplier, or her husband Nestor (Julio Diaz, effectively understated as always) getting mocked for looking good in a lieutenant’s uniform, or Racquel’s (Andi Eigenmann) description of her mom as someone who looked like her but with humongous breasts, and even the intentional (?) Pare Ko videoke homage to Mark Anthony Fernandez (as one of the corrupt cops).

7. When Rosa uttered the line, “Sir, hindi kami puwedeng makulong kasi mahirap lang kami”, I felt like I was in the middle of a fender bender with a reckless jeepney driver sheepishly scratching his head while looking at the damage that he caused. (Not being elitist, but still…)

8. I was fascinated with the treatment of the gay characters here. One was a young boy wearing his Little Miss Trouble shirt constantly called fag (in a non-derogatory Pinoy way, if there ever was such a thing) and being one of the boys/cops as they celebrated their extortion bounty over lechon manok and San Mig Light (that he was tasked to buy naturally) and later on caught trying to steal a suspect’s cellphone. Another one was a pony-tailed server with heavy make-up and a masculine voice (maybe he wasn’t gay and I was just being judgmental?) who blatantly lied about his boss’ whereabouts. The last was Allan Paule as a benefactor easily fooled by the whims of his needy and manipulative beh. Should this be considered progressive cinema or a sad reality of our society? (Or both?)

And for the curious minds, this was a Mendoza film with Allan Paule playing another gay stereotype so of course, there was a gay sex scene. (Oh, the irony!)

9. Do you still remember Maria Isabel Lopez stealing the scene on the Cannes red carpet with an Albert Andrada emerald dress? She did the exact same thing here while wearing a daster (I think) and spewing profanities and she was nothing short of amazing. This woman was the epitome of the word eksenadora.

10. If you had completely lost faith in our corrupt criminal justice system and thought that policemen rank second on the list of most annoying reptiles in Malabon Zoo, this one definitely wouldn’t help change your mind. Reality sucks.

Rating: ★★★★★