THE BEST OF PINOY CINEMA 2019

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1. RICKY DAVAO (F#*@bois)
2. SOLIMAN CRUZ (Iska)
3. VANCE LARENA (Dead Kids)
4. JC SANTOS (Miracle in Cell No. 7)
5. JOEM BASCON (Write About Love)
6. JOHN ARCILLA (Miracle in Cell No. 7)

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1. TUESDAY VARGAS (LSS)
2. ANNA LUNA (Tayo sa Huling Buwan ng Taon)
3. JACLYN JOSE (Circa)
4. IANA BERNARDEZ (Metamorphosis)
5. ELORA ESPAÑO (Kalel, 15)
6. MERYLL SORIANO (Culion)

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1. ELIJAH CANLAS (Kalel, 15)
2. LOUISE ABUEL (Edward)
3. JANSEN MAGPUSAO (John Denver Trending)
4. CARLO AQUINO (Isa Pa, With Feelings)
5. GIO GAHOL (Sila Sila)
6. ROCCO NACINO (Write About Love)

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1. RUBY RUIZ (Iska)
2. MERYLL SORIANO (John Denver Trending)
3. JUDY ANN SANTOS (Mindanao)
4. ANGIE FERRO (Lola Igna)
5. SARAH GERONIMO (Unforgettable)
6. LIZA SOBERANO (Alone/Together)

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1. HEIST SCHOOL (Julius Renomeron, Jr.)
2. ANG GASGAS NA PLAKA NI LOLO BERT (Janina Gacosta, Cheska Marfori)
3. SA AMONG AGWAT (Don Senoc)
4. THE SLUMS (Jan Andrei Cobey)

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Written by: JUN LANA, KEAVY EUNICE VICENTE, ASH MALANUM
Directed by: JUN LANA, PERCI INTALAN

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Written by: CRISANTO AQUINO, JANYX REGALO
Directed by: CRISANTO AQUINO

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Written by: JADE CASTRO, SIEGE LEDESMA
Directed by: JADE CASTRO

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Written by: WANGGO GALLAGA, KOOKAI LABAYEN, DWEIN BALTAZAR
Directed by: ANDOY RANAY

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Written and directed by: ADOLF ALIX, JR.

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Written by: JEN CHUAUNSU, KOOKAI LABAYEN
Directed by: PRIME CRUZ

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Written by: THOP NAZARENO, JOHN PAUL BEDIA
Directed by: THOP NAZARENO

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Written and directed by: JUN LANA

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Written and directed by: ARDEN ROD CONDEZ

MABUHAY ANG PELIKULANG PILIPINO!!

 

KALEL, 15 (Jun Lana, 2019)

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SPOILER ALERT!!

“Kalel ba talaga ang pangalan mo? Interesting name.” Tama ka baks. Ang ganda na yan din ang totoong pangalan ni Superman (na tumba sa kryptonite) tapos sa Hebrew naman ay “voice of God” na ang meaningful considering na anak siya dito ng pari.

Grabe minahal ko ang pamilyang ‘to kasi relatable kahit sobrang flawed nila kaya alam mo na totoong mga tao at hindi caricatures sa pelikula. Iyak-tawa ako sa bonding nila habang nag-iinuman at nung eksena na inalis ng Ate niya yung handcuffs.

Napakahusay nina Jaclyn Jose, Elora Españo, at Gabby Padilla. Pero ang star ng Pasko ay si Elijah Canlas. Ramdam na ramdam ko ang galit niya sa mundo habang paliit ito nang paliit (kasabay ng kumikitid na frames).

Ang linis nung editing ng sequence na pag-ungol ng jowa to pag-iyak ng shuas na Ate to pagtawa ng kaibigan. Tapos ang powerful nung pagdura sa dulo. With this and John Denver Trending, mukhang 2019 ang year ng nihilistic endings for youths in Pinoy films. Lavet!

Forte talaga ni Lana ang ganitong human drama. Dami kong nagustuhan na directorial choices niya dito. Ang dami din nasabi ng pelikula in less than two hours. Sana mag-focus na siya sa ganito at hindi na gumawa ng mga Haunted Mansion… oops!! (Ay di pala niya mababasa ‘to kasi ni-block niya ako on social media hahaha!)

P.S. I will never look at Oreos the same way again huhuhu.

Rating: ★★★★★

Pista ng Pelikulang Pilipino 2019 Scorecard

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Best Feature Length Film

1. CIRCA (Adolf Alix, Jr.) – ★★★★☆
2. OPEN (Andoy Ranay) – ★★★★☆
3. LSS (Jade Castro) – ★★★★☆

4. LOLA IGNA (Eduardo Roy, Jr.) – ★★★☆☆

5. THE PANTI SISTERS (Jun Lana) – ★★☆☆☆
6. CUDDLE WEATHER (Rod Marmol) – ★★☆☆☆
7. WATCH ME KILL (Tyrone Acierto) – ★★☆☆☆
8. G! (Dondon Santos) – ★★☆☆☆
9. I’m Ellenya L. (Boy 2 Quizon) – ★☆☆☆☆

Not seen:
Pagbalik
Verdict

Best Performance by an Actor in a Leading Role

1. CHRISTIAN BABLES (The Panti Sisters)
2. JC SANTOS (Open)
3. PAOLO BALLESTEROS (The Panti Sisters)
4. KHALIL RAMOS (LSS)
5. MARTIN DEL ROSARIO (The Panti Sisters)
6. RK BAGATSING (Cuddle Weather)

Best Performance by an Actress in a Leading Role

1. ANGIE FERRO (Lola Igna)
2. SUE RAMIREZ (Cuddle Weather)
3. ANITA LINDA (Circa)
4. ARCI MUÑOZ (Open)
5. JEAN GARCIA (Watch Me Kill)
6. GABBI GARCIA (LSS)
7. MARIS RACAL (I’m Ellenya L.)

Best Performance by an Actor in a Supporting Role

1. JOHN ARCILLA (The Panti Sisters)
2. ELIJAH CANLAS (LSS)
3. ENCHONG DEE (Circa)
4. VANCE LARENA (Open)
5. RICKY DAVAO (Circa)

Best Performance by an Actress in a Supporting Role

1. TUESDAY VARGAS (LSS)
2. JACLYN JOSE (Circa)
3. MA. ISABEL LOPEZ (Lola Igna)
4. MERYLL SORIANO (Lola Igna)
5. INA RAYMUNDO (Open)
6. IANA BERNARDEZ (LSS)
7. GINA ALAJAR (Circa)
8. ELIZABETH OROPESA (Circa)
9. VIA ANTONIO (The Panti Sisters)
10. ROXANNE BARCELO (The Panti Sisters)

Until next year!!

THE PANTI SISTERS (Jun Lana, 2019)

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SPOILER ALERT!!

Nung napanood ko pa lang yung teaser nito (with that wonderful Dalagang Pilipina remix), na-excite na ako sobra. Based kasi sa recent baklaan films ni Jun Lana (like my favorite Die Beautiful), usually smart ang humor at hindi basta dinadaan sa typical Pinoy slapstick or lowbrow comedy na naglalaitan ng itsura (insert your chosen MMFF entry here). Sad to say, napamura na lang ako na parang si Heneral Luna habang palala nang palala ang takbo ng pelikula.

Kahit nagamit na sa trailer, benta pa rin sa ’kin yung “Sa exit ka dumaan, hindi sa entrance” scene nina Gabriel (Paolo Ballesteros) at Kat (Roxanne Barcelo). Tapos nakakaaliw na faux brand fashionista slash film lover si Samuel (Christian Bables, bringing back that fabulous Barbs vibe) bilang nakasuot siya ng Supreeme at Mosohino habang nagde-deliver ng quotes from Himala, Kaya Kong Abutin ang Langit, at It Takes a Man and a Woman. At ang cute ng datingan ni K-Pop Daniel (Martin del Rosario) lalo na nung iniiyakan niya ang kanyang Pepe.

Nakakatawa naman talaga ang ibang parts lalo na sa simula kasi maganda ang batuhan ng linya at eksenahan ng mga sizies. Yung magagaling na performances ng tatlo talaga ang nagdala ng buong movie (kasama na rin si John Arcilla as the coldhearted, homophobic father Don Emilio). Kung meron man talaga part 2 (as hinted during the end credits), sana magamit ng husto ang overflowing talents nila.

Sayang lang at mabilis naging repetitive ang jokes, from the breaking the fourth wall (na very local sitcom) to the nth Panti equals panty punchline (that also ruined a touching scene in the end). Yun ngang long table parang nagamit na sa exact same gag ng Kalyeserye (bakit sikat ang bahay ni Lola Nidora sa PPP? Ito rin ang bahay sa Circa).

Ang gulo ng transitions minsan lalo na yung sa kare-kareng kokak na napunta bigla sa abortion talk. Cute pa naman sana yung entire Moon Prism Power Make-up sequence (lalo na at ang genuine ng interactions ng magkakapatid) kaso sobrang haba ng fight scene na hindi naman nakakatawa. Buti bumawi ng slight sa hilarious “Ikaw ay Akin” mata-mata showdown.

Pero ang worst offense ng pelikula ay yung biglang naging drama sa dulo just to drive home its point. Yung feeling na parang isinasampal sa pagmumukha ng audience ang message na hindi salot ang mga bakla (kahit na may ongoing joke na nagnanasa ang Pantis sa kanilang cousins at hypocrite ang hindi aamin) at kelangan ng lahat ma-enlighten sa necessity ng SOGIE bill at gay marriage (para hindi mapilitang magpakasal ang mga bakla sa fag hags nila habang todo ang muk-up sa simbahan; pumayag si Father?). Yes, important ang topics, pero nagkulang talaga sa execution.

Anyare sa subtlety? Kulang na lang merong “Ang mga bakla na lumilipad ay mahal ng Diyos, di kumukupas…” remix.

Rating: ★★☆☆☆

THE PRENUP (Jun Lana, 2015)

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SPOILER ALERT!!

My notes on The PreNup:

1. If there was one word to describe this movie, it would have to be shrill. Most of the characters delivered their lines a pitch higher than their normal speaking voice. Even the situations felt heightened to an absurd degree that was neither funny funny nor weirdly funny. I was surprised this wasn’t directed by Wenn Deramas.

2. Jennylyn Mercado was a delight to watch in English Only, Please. She was fine here as well but there just wasn’t enough good material for her to work on. With this and the upcoming Walang Forever, I hope that she wouldn’t get typecast in the usual kooky jologs role that really puts the manic in Manic Pixie Dream Girl. Oh, I liked that her character kept talking to herself. She was like a walking Facebook status update. I could definitely relate in all that craziness.

3. Why can’t there be more diversity of gay characters in Pinoy comedies? Do we really have to see the same stereotypical shrieking gay dressed in rainbow-colored outfits? Gardo Versoza (playing one of Jennylyn’s adoptive fathers) sounded like he recently got castrated. Besides, I don’t know any self-respecting gay that would wear a multi-colored, polka-dotted dress shirt unless they have a “Multi-Colored, Polka-Dotted Dress Shirt Theme Day” in the office. In another scene, he was wearing a fitted purple shirt, leopard scarf, and puruntong shorts. Why dear, why?

4. Speaking of adoptive fathers, the other half was played by Dominic Ochoa who was probably just a decade older than Jennylyn. How was that even possible? One of the adopted sisters was played by the delightful Melai Cantiveros and she had a Bisaya accent that was never explained as well.

5. To be honest, Melai completely stole the movie with her outrageous characterization and wicked slapstick comedy. Nothing made sense but her croaking frog scene made me laugh so hard that I actually decided to raise the movie’s rating a star higher.

6. One scene (shown in the trailer) had Jennylyn and Sam Milby engaged in a loud banter that never bothered the other passengers. If I bought an expensive ticket to fly first class and I ended up behind these two loudmouths and their endless bickering, bodies would have flown out the plane.

7. Awkward closet gay joke. Really awkward.

8. Jun Lana is an incredibly talented filmmaker and he directed the beautiful film Bwakaw. I was surprised with all of the continuity errors and technical issues in this movie. In one scene, Jennylyn was writing down everything that she was hearing but the shot prior to that showed the exact same line that she would eventually hear. Was she psychic? Yet in another, she opened her bedroom door saying “Katok ka kasi ng katok” even if Sam was just calling out her name. And how in the world did she end up in a room overlooking the Fort Strip when the previous scene showed her in the MOA grounds? A psychic and a teleporter. Wow!

9. In case you’re curious, Sam did well in his topless shots.

10. The actual prenup wasn’t brought up until midway through the movie when it transformed into a langit vs. lupa clash of clans that was purely offensive and tragically unfunny. Besides, Jennylyn’s house was bigger than our entire street, how could her family even be mistaken as poor? And don’t even bother asking about the ending. Like we’d expect anything else. Yes, everyone had an instant change of heart in the end and they lived happily ever after. Confetti! Confetti! Wooooh!!

Rating: ★★☆☆☆

(Originally published October 15, 2015.)

ANG DALAWANG MRS. REYES (Jun Lana, 2018)

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SPOILER ALERT!!

My notes on Ang Dalawang Mrs. Reyes:

1. In Netflix’s Grace and Frankie, the titular characters played by Jane Fonda and Lily Tomlin were two oldish women that bonded together after the devastating discovery that their husbands were gay (and actually lovers). Although they initially wanted to break them apart, the series became less about their planned revenge and focused more on how they learned to accept the truth. It was a delightful comedy filled with interesting insights regarding the gay community and the people that surrounded them.

The same could be said about this latest offering from Star Cinema. Although it struggled a bit to find the right balance of comedy (went too broad for my taste) and drama (considering its serious themes), it was still a fun watch. By the end of the movie, I really wanted to see more of Lianne (Judy Ann Santos) and Cindy (Angelica Panganiban). Would they still fall for gay men? Would they have a deeper understanding of homosexuality? What if Lianne’s daughter Macy (Andrea Brillantes) came out as a lesbian?

Dear ABS-CBN, please give them the comedy series that they deserve.

2. Juday is Juday is Juday. Whether she was wiggling her newly-refurbished boobies or delivering a hazy rant while heavily-anesthesized, she was a complete hoot and basically nailed every scene that she was in.

In one of the best sequences, she skirted on the question if something happened between them and macho dancer with a heart of gold Steve (Nico Antonio) to which he replied, “Hindi ko po kayo pinagsamantalahan kasi parang tiyahin ko na rin po kayo”. It was already a hilarious moment made funnier when Juday simply quipped, “Gago ka pala eh sana pinagsamantalahan mo na lang kami.”

I was also happy to see that she still had an abundant supply of tears. It wasn’t hard to forgive her character’s vindictiveness since one could clearly see and feel her pain caused by her husband’s deception.

(Because of this reason, I chose to ignore the fact that a top cosmetics executive like her would serve Goldilocks pastries in a classy private event.)

3. On face value, I wouldn’t have thought that Gary (Joross Gamboa) was gay as well. Sure, he fainted upon seeing his wife floating in a pool of blood, but it could just have been hemophobia. Besides, no self-respecting gay person outside of Ru Paul’s back-up dancers would wear his blazer and khaki shorts combo for a yacht cruise.

Fresh from his Deadma Walking stint, it would be easy to assume that Joross was essentially playing the same role so it was a testament to his acting skills that he was able to differentiate Gary from John. He had a scene in Ma Mon Luk where his emotions shifted from guilt to sarcasm (“Gusto keteng sekten, gusto keteng peteyen…”) to regret to optimism in seconds and it was just a terrific performance.

(I had never been to Ma Mon Luk in Quiapo, but I would love to visit that place, if I could get a seat.)

4. For Jeannie Mai, yellow may be the color of joy and celebration, but I really think that it should be pink. I loved the abundance of that color here and every pink item (the envelope with the farewell note, the cat cage of Mimi, the highlighter used by Cindy) made my heart really happy.

5. Speaking of the farewell note, I couldn’t understand the lengthy sequence of Cindy taking an entire day to read what looked like a ten-page letter. Ganun ba sya kabagal magbasa (considering that her husband’s revelation of being gay was clearly on the first page)?

I was reminded of this other movie called Lila where Janine Gutierrez took a year to finish reading a haunted diary. Totoo ba?

6. I guess that was my other concern about this movie. Jun Lana had always been technically proficient in terms of staging his scenes. There was a natural rhythm in them and you would rarely see any abrupt transitions. This had one too many of them that would just end and shift to another unrelated sequence.

When the parents of Felix (JC de Vera) crashed his housewarming party, it ended with a friend (Kim Molina) saying that she was a babaeng bakla. The joke not only fell flat, but ended a scene that needed to be seen. Sadly, it was only mentioned in passing during the next one, the consequences and repercussions of that confrontation never fully discussed.

7. Oh, Mimi was the name of Felix’s cat. I bet all of my Sarah Geronimo autographed CDs that he also had an entire collection of Mariah Carey albums. (And sang Through the Rain in the shower, naturally.)

8. I really thought that Angelica could do this in her sleep, but she just wasn’t given enough funny material to work with. That Catwoman bit wasn’t as hilarious as Maricel Soriano’s in I Will Survive and her constant showdowns with Carmi Martin felt childish and really off-character. She even played second fiddle to Juday when she should have been very much her equal. At least she delivered in that cunnilingus scene that ended with a really silly meow.

9. JC de Vera felt lost in his role and sounded like he was in an elocution contest. Where was the sensitive actor that was so good in Best Partee Ever?

Fortunately, he wasn’t the most annoying character in the movie. I wasn’t sure how Quark Henares ended up with that private investigator role, but he might want to do the exact opposite of Joel Lamangan and stay behind the camera.

10. Juday referring to her boobs as Mara and Clara gave me so much life. Also, her takedown of Winnie the Pooh made me snort Pepsi out of my nostrils (“Pucha sinabi ng bear yun?”).

11. “How can I be homophobic? I have colleagues that are gay. Strong supporter ako ng LGBT community.” Definitely ripe for a teaching moment. But seriously, I wonder how women would really react if they found out that their boyfriends or husbands were gay? How would they cope with the said reality? Friends with the same experiences, time to share.

12. “Kung hindi pechay ko ang problema, anong problema natin?”

“I just don’t see myself growing old with you.”

Saklap. Hay.

13. By the way, pechay was translated as oysters in the subtitles. Was tahong too graphic for our imagination? And since we’re on the topic, after the screening, this group of women started loudly discussing what they would do if they found out that their husbands were gay. One of them said, “Ako, magpapalago ng pechay!”.

Ate, what did that even mean? Still, natakot ako ng slight at the thought of it.

Rating: ★★★☆☆

TOP 10 MMFF MOVIES (2000-2016)

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The Best of Pinoy Cinema 2016

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TOP 10 BEST FEATURE LENGTH FILMS

#10

ANG BABAE SA SEPTIC TANK 2:#FOREVERISNOTENOUGH

Written by: Chris Martinez
Directed by: Marlon Rivera

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#9

SEKLUSYON

Written by: Anton Santamaria
Directed by: Erik Matti

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#8

PAMILYA ORDINARYO

Written by: Eduardo Roy, Jr.
Directed by: Eduardo Roy, Jr.

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#7

FOREVER BRIDGELESS

Written by: Racquel Zaballero-Sanchez and Glenn Ternal
Directed by: Racquel Zaballero-Sanchez and Glenn Ternal

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#6

STAR NA SI VAN DAMME STALLONE

Written by: Ronald Allan Habon
Directed by: Randolph Longjas

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#5

SAKALING HINDI MAKARATING

Written by: Ice Idanan and Petersen Vargas
Directed by: Ice Idanan

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#4

DIE BEAUTIFUL

Written by: Rody Vera
Directed by: Jun Lana

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#3

MA’ ROSA

Written by: Troy Espiritu
Directed by: Brillante Mendoza

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#2

SUNDAY BEAUTY QUEEN

Written by: Baby Ruth Villarama
Directed by: Baby Ruth Villarama

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#1

TUOS

Written by: Denise O’Hara
Directed by: Derick Cabrido

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2016 Scorecard:

★★★★★
DIE BEAUTIFUL (Jun Lana)
FOREVER BRIDGELESS (Racquel Zaballero-Sanchez, Glenn Ternal)
FOREVER NATIN (Cyrus Valdez)
MA’ ROSA (Brillante Mendoza)
OKTOPUS (JP Habac)
ANG PAINTING NI TATAY (Sigrid Andrea Bernardo)
SAANMAN NGUNIT DITO (Cheska Salangsang)
SAKALING HINDI MAKARATING (Ice Idanan)
STAR NA SI VAN DAMME STALLONE (Randolph Longjas)
STOP. STEADY. SAYAW. (Dan Villegas)
SUNDAY BEAUTY QUEEN (Baby Ruth Villarama)
TUOS (Derick Cabrido)
XXX (Allison Barretto)

★★★★☆
ALWAYS BE MY MAYBE (Dan Villegas)
CAMP SAWI (Irene Villamor)
CHICBOY (Jasper Ramon Tulabot)
DIGPAN NING ALTI (Bor Ocampo)
FISH OUT OF WATER (Mon Garilao)
ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera)
KATOK (John Rhys Guarina)
KUNG ANG ULAN AY GAWA SA TSOKOLATE (Galileo Sioco Te and Prime Reyes)
LUMAYO KA NGA SA AKIN (ASAWA NI MARIE) (Chris Martinez)
MERCURY IS MINE (Jason Paul Laxamana)
MRS. (Adolf Alix, Jr.)
AN ORCHESTRA IN SEARCH OF A HOME (Ida Anita del Mundo)
PAMILYA ORDINARYO (Eduardo Roy, Jr.)
PEKTUS (Isabel Quesada)
SEKLUSYON (Erik Matti)

★★★☆☆
THE ACHY BREAKY HEARTS (Antoinette Jadaone)
AREA (Louie Ignacio)
ANG BABAENG HUMAYO (Lav Diaz)
BAKA BUKAS (Samantha Lee)
BAKIT LAHAT NG GWAPO MAY BOYFRIEND? (Jun Lana)
BESHIE (Joyce Bernal)
DUKOT (Paul Soriano)
DYAMPER (Mes de Guzman)
EVERYTHING ABOUT HER (Joyce Bernal)
EXPRESSWAY (Ato Bautista)
GET CERTIFIED (Isaias Zantua)
HELE SA HIWAGANG HAPIS (Lav Diaz)
IMAGINE YOU & ME (Michael Tuviera)
JUST THE 3 OF US (Cathy Garcia-Molina)
LUNA (Rae Red)
MANILA SCREAM (Roque Lee, Blair Camilo)
MGA BITOON SA SIUDAD (Jarell Serencio)
NAKAUWI NA (John Relano, Patrick Baleros, Luis Hidalgo)
NED’S PROJECT (Lemuel Lorca)
AN OPEN DOOR (Paul Soriano)
ORO (Alvin Yapan)
SAVING SALLY (Avid Liongoren)
SITSIRITSIT (Brian Spencer Reyes)
SINA DINO AT ANG KANILANG SIKRETO (Miller Ursolino)
ANG TABA KO KASI (Jason Paul Laxamana)

★★☆☆☆
1ST SEM (Allan Ibanez, Dexter Hemedez)
ANG BAGONG PAMILYA NI PONCHING (Inna Salazar Acuña, Dos Ocampo)
BARCELONA: A LOVE UNTOLD (Olivia Lamasan)
BUGTAW (Noah del Rosario)
BUHAY HABANGBUHAY (Paolo Herras)
BUTAS (Richard Cawed)
DAGSIN (Atom Magadia)
ECHORSIS (Lemuel Lorca)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
ANG HAPON NI NANDING (Milo Tolentino)
HIBLANG ABO (Ralston Jover)
HOW TO BE YOURS (Dan Villegas)
HOW TO FIND LOVE (Quark Henares)
I AMERICA (Ivan Andrew Payawal)
I LOVE YOU TO DEATH (Miko Livelo)
KABISERA (Arturo San Agustin, Real Florido)
KUSINA (Cenon Palomares, David Corpuz)
LAKBAY2LOVE (Ellen Ongkeko-Marfil)
LILA (Gino Santos)
LOVE IS BLIND (Jason Paul Laxamana)
LOVE ME TOMORROW (Gino Santos)
LUMAYO KA NGA SA AKIN (BALA SA BALA, KAMAO SA KAMAO, SATSAT SA SATSAT) (Mark Meily)
LUMAYO KA NGA SA AKIN (SHAKE, SHAKER, SHAKEST) (Andoy Ranay)
ANG MAANGAS, ANG MARIKIT, AT ANG MAKATA (Ibarra Guballa)
MANSYONG PAPEL (Ogos Aznar)
MITATANG (Alvin Jezer Gagui)
MY CANDIDATE (Quark Henares)
NOT APPLICABLE (Carl Chavez)
PUNLA (Kenneth Mandrilla)
THE SUPER PARENTAL GUARDIANS (Joyce Bernal)
THE THIRD PARTY (Jason Paul Laxamana)
THIS TIME (Nuel Naval)
TISAY (Alfonso Torre III)
ANG TULAY NG SAN SEBASTIAN (Alvin Yapan)
THE UNMARRIED WIFE (Maryo J. Delos Reyes)
VINCE & KATH & JAMES (Theodore Boborol)
WHISTLEBLOWER (Adolf Alix, Jr.)
WORKING BEKS (Chris Martinez)

★☆☆☆☆
AKI (Milo Tolentino)
BIRDS (Christian Paolo Lat)
DIYOS-DIYOSAN (Cesar Buendia)
ELEMENTO (Mark Meily)
ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera)
THE ESCORT (Enzo Williams)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
LANDO AT BUGOY (Vic Acedillo, Jr.)
MANO PO 7: CHINOY (Ian Loreños)
MY REBOUND GIRL (Emmanuel dela Cruz)
PASSAGE OF LIFE (Renz Vincemark Cruz, Hannah Daryl Gayapa)
STRAIGHT TO THE HEART (Frank David Fabros)
THAT THING CALLED TANGA NA (Joel Lamangan)
TPO (TEMPORARY PROTECTION ORDER) (Joselito Altarejos)
TUPANG LIGAW (Rod Santiago)

Metro Manila Film Festival 2016 Scorecard

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After travelling to three cities and four cinemas in two days, I have officially completed the MMFF2016 marathon.

I’m happy to report that the festival achieved its goal and stayed true to its promise of change, of giving the Pinoy audience something new during the holiday season.

Even with a supposed indie selection, I still had a great time in cinemas. Some films made me laugh out loud, some made me cry like a baby, one scared me to my core, the rest I enjoyed watching with young ones (yes, even kids liked these indies!), but most importantly, they required me to think.

Napakasarap makatikim ng ibang klaseng putahe ngayong Kapaskuhan. Hinihintay na lang nila ang ating suporta.

With that said, here’s my festival scorecard:

Best Picture

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1. SUNDAY BEAUTY QUEEN (Baby Ruth Villarama, 2016) – ★★★★★

Napakagandang pelikula! Matututo kang magpasalamat sa bawat biyayang natanggap, pati na rin sa mga sakripisyong hindi mo ginagawa.

At bes, huwag mong sabihin na ayaw mong manood ng malungkot ngayong Pasko dahil sigurado akong pinanood at iniyakan mo lahat ng Christmas ads ng Uber, Selecta, at Coke. Magdala ng isang box ng tissues.

Dahil ang Pasko ay para sa mga bata, isama ang buong pamilya at manood na kayo. Now na. Tapos group hug kayo after. Merry Christmas!! 😊

 

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2. DIE BEAUTIFUL (Jun Lana, 2016) – ★★★★★

Nakakatuwang makatikim ng isang matalinong comedy sa MMFF. Yung nakakatawa ang mga linya at patok sa masa kahit wala ni isang karakter na nahuhulog galing sa bubungan.

Mas nakakatuwa na ang ganitong klaseng produkto ay tinatangkilik ngayon ng mga manonood (puno ang sinehan nung screening namin sa GB3). Pwede naman pala. Kaya naman pala.

Ang talento ni Paolo Ballesteros sa pelikulang ito ay directly proportional sa kanyang kagandahan bilang Trisha Echevarria. Ang husay! Hindi rin nagpakabog si Christian Bables na napakagaling bilang si BFF Barbs. #FriendshipGoals talaga sila. Sana masungkit nila ang Lead at Supporting Actor trophies.

Nuod na mga bes!! 😊

 

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3. SEKLUSYON (Erik Matti, 2016) – ★★★★☆

Sobrang nanghihinayang ako sa pelikulang ito dahil mas maganda pa sana siya kung marunong lamang umarte ang apat na deacons lalo na si Ronnie Alonte.

Ang husay ng technical aspects mula sa production hanggang sound design. Mahirap makalimutan ang lahat ng religious imagery na ginamit dito. Mahusay din ang direksyon para sa isang kakaibang Pinoy horror movie.

Ito talaga ang perfect anti-Christmas movie ngayong taon. Hahamunin kang mag-isip tungkol sa katatagan ng iyong pananampalataya.

 

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4. ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera, 2016) – ★★★★☆

Para sa katulad kong napanood na ata lahat ng Pinoy rom-com at kabisado na ang Star Cinema formula, natawa ako sobra sa pagka-brutal ng pelikulang ito. Bugbog na bugbog ang mainstream filmmaking at escapism in cinema. Walang sinanto katulad ng ginawa nila sa indie filmmaking at poverty porn doon sa unang pelikula.

Awakening talaga ito ni Eugene Domingo. Amoy na amoy ko na naman ang deserving na panalo as Best Actress. Sa three levels of hugot pa lang niya, sulit na ang bayad.

Magaling din si Jericho Rosales bilang Jericho Rosales. May self-awareness ang pagka-plakado bilang rom-com leading man. Naalala ko tuloy si Jaclyn Jose dun sa film within a film ng Tuhog.

Medyo off lang yung abrupt shift in tone dahil sa love story ni Kean Cipriano (na isiningit to ground the film). Pero totoong hinika ako kakatawa hanggang sa pinakahuling sequence. Waging-wagi!!

 

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5. SAVING SALLY (Avid Liongoren, 2016) – ★★★☆☆

Gusto kong tumira sa makulay na mundo ni Marty kahit puno sya ng mga monsters dahil gusto ko makita ang Warner Barberos at Sandara Park. Naalala ko tuloy ang fantasy element ng Scott Pilgrim Vs The World dito.

Nakakakilig at bagay ang tambalang Enzo Marcos at Rhian Ramos. Sana lamang hindi sila Ingles magsalita kasi medyo off para sa akin. Ang hirap lubos na ma-feel ng story dahil sa coniotic speak (ironic ba?). Para lang akong napadaan ulit sa THE Ateneo conyo bench sa labas ng caf. Higad na lang ang kulang para makumpleto ang experience.

“You wanted mayhem, war, and chaos, but isn’t that what love is all about?” Tumpak!!

 

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6. ORO (Alvin Yapan, 2016) – ★★★☆☆

Nag-flashback sa akin ang mga naunang seasons ng American Horror Story sa mga tilted frames na parang see-saw sa pagpapalit-palit. Parang weighing scale na mahirap hanapan ng balanse.

Maganda ang mensahe ng pelikula bilang environmental drama. Malaman ang sinasabi at mabigat sa mga metaphors at symbolisms. May bonus pa na supernatural element (na hindi ko nagustuhan sa Ang Tulay ng San Sebastian pero pasok sa banga sa An Kubo Sa Kawayanan).

Palaban si Irma Adlawan (lagi naman eh). Tindig at upo pa lang naniniwala na akong siya talaga si Kapitana. Sana lang hindi reactionary ang halos lahat ng kanyang eksena kasi siya ang totoong ginto ng pelikula.

 

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7. VINCE & KATH & JAMES (Theodore Boborol, 2016) – ★★☆☆☆

Walang bago maliban sa mga artista. Pinagtagpi-tagping cliches na napanood na natin sa mga dating rom-coms. Hindi rin naman masyadong na-utilize ang textserye origins niya. Halos nakumpleto niya ang checklist ng Star Cinema formula na kinukutya sa Septic Tank 2. Sunset lang ang kulang.

May natural charm itong si Joshua Garcia. Magaling siya dun sa confrontation scene nila ni Ina Raymundo, parang early John Lloyd. Akala ko maiirita ako kay Julia Barretto dito kaya nagulat ako na maayos naman siya, parang early Ate Clau.

Kinilig ang mga teenagers na kasabay kong nanuod. Masyado na ata akong matanda para sa ganitong genre.

 

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8. KABISERA (Arturo San Agustin, Real Florido, 2016) – ★★☆☆☆

Maganda sana dahil napapanahon ang tema nito tungkol sa extrajudicial killings ngunit hindi maayos ang pagkakalahad ng kwento.

Parang binigyan ang bawat artista ng kanyang sariling dramatic highlight para magpakitang-gilas kaya lahat sila eh three notches higher ang akting. Maliban kay Nora Aunor, parang hindi na mabibigyan ng susunod na project ang supporting cast kaya bigay todo na sa pag-ngawa kahit hindi naman kelangan sa eksena.

Ang daming mga bagay na parang walang sense at pinahaba lamang para mapuno ang two hour requirement. Mas mabuti pa yata kung ginawa na lamang siyang episode ng MMK.

 

Best Performance by an Actor in a Leading Role

1. PAOLO BALLESTEROS (Die Beautiful)

2. JOSHUA GARCIA (Vince & Kath & James)
3. JOEM BASCON (Oro)
4. ENZO MARCOS (Saving Sally)

Best Performance by an Actress in a Leading Role

1. EUGENE DOMINGO (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
2. IRMA ADLAWAN (Oro)
3. NORA AUNOR (Kabisera)
4. RHIAN RAMOS (Saving Sally)

Best Performance by an Actor in a Supporting Role

1. CHRISTIAN BABLES (Die Beautiful)

2. LOU VELOSO (Seklusyon)
3. JERICHO ROSALES (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
4. NEIL RYAN SESE (Seklusyon)
5. LOU VELOSO (Die Beautiful)

Best Performance by an Actress in a Supporting Role

1. RHED BUSTAMANTE (Seklusyon)
2. PHOEBE WALKER (Seklusyon)
3. MERCEDES CABRAL (Oro)
4. MIMI JUAREZA (Die Beautiful)
5. GLADYS REYES (Die Beautiful)
6. SUE PRADO (Oro)
7. CAI CORTEZ (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)

Until next year!!