Metro Manila Film Festival 2016 Scorecard

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After travelling to three cities and four cinemas in two days, I have officially completed the MMFF2016 marathon.

I’m happy to report that the festival achieved its goal and stayed true to its promise of change, of giving the Pinoy audience something new during the holiday season.

Even with a supposed indie selection, I still had a great time in cinemas. Some films made me laugh out loud, some made me cry like a baby, one scared me to my core, the rest I enjoyed watching with young ones (yes, even kids liked these indies!), but most importantly, they required me to think.

Napakasarap makatikim ng ibang klaseng putahe ngayong Kapaskuhan. Hinihintay na lang nila ang ating suporta.

With that said, here’s my festival scorecard:

Best Picture

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1. SUNDAY BEAUTY QUEEN (Baby Ruth Villarama, 2016) – ★★★★★

Napakagandang pelikula! Matututo kang magpasalamat sa bawat biyayang natanggap, pati na rin sa mga sakripisyong hindi mo ginagawa.

At bes, huwag mong sabihin na ayaw mong manood ng malungkot ngayong Pasko dahil sigurado akong pinanood at iniyakan mo lahat ng Christmas ads ng Uber, Selecta, at Coke. Magdala ng isang box ng tissues.

Dahil ang Pasko ay para sa mga bata, isama ang buong pamilya at manood na kayo. Now na. Tapos group hug kayo after. Merry Christmas!! 😊

 

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2. DIE BEAUTIFUL (Jun Lana, 2016) – ★★★★★

Nakakatuwang makatikim ng isang matalinong comedy sa MMFF. Yung nakakatawa ang mga linya at patok sa masa kahit wala ni isang karakter na nahuhulog galing sa bubungan.

Mas nakakatuwa na ang ganitong klaseng produkto ay tinatangkilik ngayon ng mga manonood (puno ang sinehan nung screening namin sa GB3). Pwede naman pala. Kaya naman pala.

Ang talento ni Paolo Ballesteros sa pelikulang ito ay directly proportional sa kanyang kagandahan bilang Trisha Echevarria. Ang husay! Hindi rin nagpakabog si Christian Bables na napakagaling bilang si BFF Barbs. #FriendshipGoals talaga sila. Sana masungkit nila ang Lead at Supporting Actor trophies.

Nuod na mga bes!! 😊

 

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3. SEKLUSYON (Erik Matti, 2016) – ★★★★☆

Sobrang nanghihinayang ako sa pelikulang ito dahil mas maganda pa sana siya kung marunong lamang umarte ang apat na deacons lalo na si Ronnie Alonte.

Ang husay ng technical aspects mula sa production hanggang sound design. Mahirap makalimutan ang lahat ng religious imagery na ginamit dito. Mahusay din ang direksyon para sa isang kakaibang Pinoy horror movie.

Ito talaga ang perfect anti-Christmas movie ngayong taon. Hahamunin kang mag-isip tungkol sa katatagan ng iyong pananampalataya.

 

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4. ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera, 2016) – ★★★★☆

Para sa katulad kong napanood na ata lahat ng Pinoy rom-com at kabisado na ang Star Cinema formula, natawa ako sobra sa pagka-brutal ng pelikulang ito. Bugbog na bugbog ang mainstream filmmaking at escapism in cinema. Walang sinanto katulad ng ginawa nila sa indie filmmaking at poverty porn doon sa unang pelikula.

Awakening talaga ito ni Eugene Domingo. Amoy na amoy ko na naman ang deserving na panalo as Best Actress. Sa three levels of hugot pa lang niya, sulit na ang bayad.

Magaling din si Jericho Rosales bilang Jericho Rosales. May self-awareness ang pagka-plakado bilang rom-com leading man. Naalala ko tuloy si Jaclyn Jose dun sa film within a film ng Tuhog.

Medyo off lang yung abrupt shift in tone dahil sa love story ni Kean Cipriano (na isiningit to ground the film). Pero totoong hinika ako kakatawa hanggang sa pinakahuling sequence. Waging-wagi!!

 

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5. SAVING SALLY (Avid Liongoren, 2016) – ★★★☆☆

Gusto kong tumira sa makulay na mundo ni Marty kahit puno sya ng mga monsters dahil gusto ko makita ang Warner Barberos at Sandara Park. Naalala ko tuloy ang fantasy element ng Scott Pilgrim Vs The World dito.

Nakakakilig at bagay ang tambalang Enzo Marcos at Rhian Ramos. Sana lamang hindi sila Ingles magsalita kasi medyo off para sa akin. Ang hirap lubos na ma-feel ng story dahil sa coniotic speak (ironic ba?). Para lang akong napadaan ulit sa THE Ateneo conyo bench sa labas ng caf. Higad na lang ang kulang para makumpleto ang experience.

“You wanted mayhem, war, and chaos, but isn’t that what love is all about?” Tumpak!!

 

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6. ORO (Alvin Yapan, 2016) – ★★★☆☆

Nag-flashback sa akin ang mga naunang seasons ng American Horror Story sa mga tilted frames na parang see-saw sa pagpapalit-palit. Parang weighing scale na mahirap hanapan ng balanse.

Maganda ang mensahe ng pelikula bilang environmental drama. Malaman ang sinasabi at mabigat sa mga metaphors at symbolisms. May bonus pa na supernatural element (na hindi ko nagustuhan sa Ang Tulay ng San Sebastian pero pasok sa banga sa An Kubo Sa Kawayanan).

Palaban si Irma Adlawan (lagi naman eh). Tindig at upo pa lang naniniwala na akong siya talaga si Kapitana. Sana lang hindi reactionary ang halos lahat ng kanyang eksena kasi siya ang totoong ginto ng pelikula.

 

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7. VINCE & KATH & JAMES (Theodore Boborol, 2016) – ★★☆☆☆

Walang bago maliban sa mga artista. Pinagtagpi-tagping cliches na napanood na natin sa mga dating rom-coms. Hindi rin naman masyadong na-utilize ang textserye origins niya. Halos nakumpleto niya ang checklist ng Star Cinema formula na kinukutya sa Septic Tank 2. Sunset lang ang kulang.

May natural charm itong si Joshua Garcia. Magaling siya dun sa confrontation scene nila ni Ina Raymundo, parang early John Lloyd. Akala ko maiirita ako kay Julia Barretto dito kaya nagulat ako na maayos naman siya, parang early Ate Clau.

Kinilig ang mga teenagers na kasabay kong nanuod. Masyado na ata akong matanda para sa ganitong genre.

 

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8. KABISERA (Arturo San Agustin, Real Florido, 2016) – ★★☆☆☆

Maganda sana dahil napapanahon ang tema nito tungkol sa extrajudicial killings ngunit hindi maayos ang pagkakalahad ng kwento.

Parang binigyan ang bawat artista ng kanyang sariling dramatic highlight para magpakitang-gilas kaya lahat sila eh three notches higher ang akting. Maliban kay Nora Aunor, parang hindi na mabibigyan ng susunod na project ang supporting cast kaya bigay todo na sa pag-ngawa kahit hindi naman kelangan sa eksena.

Ang daming mga bagay na parang walang sense at pinahaba lamang para mapuno ang two hour requirement. Mas mabuti pa yata kung ginawa na lamang siyang episode ng MMK.

 

Best Performance by an Actor in a Leading Role

1. PAOLO BALLESTEROS (Die Beautiful)

2. JOSHUA GARCIA (Vince & Kath & James)
3. JOEM BASCON (Oro)
4. ENZO MARCOS (Saving Sally)

Best Performance by an Actress in a Leading Role

1. EUGENE DOMINGO (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
2. IRMA ADLAWAN (Oro)
3. NORA AUNOR (Kabisera)
4. RHIAN RAMOS (Saving Sally)

Best Performance by an Actor in a Supporting Role

1. CHRISTIAN BABLES (Die Beautiful)

2. LOU VELOSO (Seklusyon)
3. JERICHO ROSALES (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
4. NEIL RYAN SESE (Seklusyon)
5. LOU VELOSO (Die Beautiful)

Best Performance by an Actress in a Supporting Role

1. RHED BUSTAMANTE (Seklusyon)
2. PHOEBE WALKER (Seklusyon)
3. MERCEDES CABRAL (Oro)
4. MIMI JUAREZA (Die Beautiful)
5. GLADYS REYES (Die Beautiful)
6. SUE PRADO (Oro)
7. CAI CORTEZ (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)

Until next year!!

LOVE IS BLIND (Jason Paul Laxamana, 2016)

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SPOILER ALERT!!

My notes on Love Is Blind:

1. Could a hottie like Derek Ramsay actually fall in love with a nottie like Kiray Celis? If we were to believe this movie, the answer would be a definite no. Unless of course one used the power of gayuma, because a conventionally unattractive woman has no chance of being loved by her Prince Charming without any dark magic involved. That was the single joke here stretched for an hour and and forty minutes.

2. In this movie, Derek named Wade actually had a beautiful girlfriend in Maggie (Solenn Heussaff), an unrefined artist who gets a bit wild inside a club. She was so nasty that she actually wiped her wet armpits in public because well, nobody’s perfect (except for Solenn of course, an actress so game that she would do any silly thing and still end up looking endearing).

In one scene, he asked her to undergo crystal peeling because he was embarrassed to bring her in his high school reunion (“Kasi hindi pantay ang kulay mo”). Seriously? The gorgeous Solenn Heussaff still needed a cosmetic procedure to look presentable? Prince Charming was actually Prince Shallow and Obnoxious.

3. Kiray played Fe, an intern in Luxent Hotel and the idea of her being a front desk officer and barely reaching the counter was supposed to be funny. She was joined by a group of hotel friends that also defied the perception of beauty, making them all too desperate to buy magic rings (worth 7k!!) just to have a lovelife (“Ang hopeless natin!”).

Fe was the richest one because she was willing to spend 20k for a gayuma that she could probably buy in Quiapo for 100 pesos. But hey, the movie needed a fantasy so let’s forget any logic here.

4. Speaking of Luxent Hotel, it was a good thing they allowed their brand to be used considering that the hotel staff in the movie were all evil (on top of being caricatures). A supervisor shrieked at Fe in front of guests (and did a Linda Blair headspin while stepping out of the room because the movie just wasn’t corny enough), a manager rudely interrupted dinner (“Hoy babae!!”) and gave Fe a scolding in public, and somebody from housekeeping slept on the bed with his headsets on right in front of the hotel guest. The bosses here were so heartless that when Fe developed a self-induced allergic reaction (that looked more like measles), they didn’t send her home and instead assigned her to clean rooms. I didn’t even touch on the fact that the staff could easily get inside rooms without the use of a keycard.

5. Granted, Wade drank the gayuma and saw a Maggie lookalike in Fe (tattoos and all), how would that explain his physical contact with her whenever they were together? The height difference was blatant and Fe didn’t have a Blusang Itim (or Shallow Hal) transformation so it was just a matter of Wade’s perception. If that were the case, then his arms would be in thin air whenever people would see him with Fe, right? Was I putting too much thought into this?

6. The said allergic reaction turned into pimples in later scenes because Fe apparently just wasn’t hideous enough.

7. If there was one good thing in this movie, it was the message that farmers were noble workers and that the agriculture industry should be given high regard. Now if only it didn’t portray one agriculture person as a simpleton that didn’t even know a Powerpoint presentation.

8. I probably laughed really loud once during the entire movie and that was when Kiray finally looked in the mirror, saw Solenn in her reflection, and ran away screaming in horror. In fairness, siya pa talaga ang natakot.

(In retrospect, the movie had a good trailer that contained most of the funny bits. You could watch that one for free.)

9. Did Kiray and Derek kiss in the movie? Yes (and it drew the loudest groans from the other 6 people inside the cinema). I guess that was my biggest problem with the entire movie. It wanted the audience to laugh at the absurdity of the situations but also wanted them to feel guilty for doing so.

10. The movie ended not with Kiray and her true love Kean Cipriano kissing (loud groans) but with Derek and Solenn having fun in a pineapple plantation because batuhan ng soil wouldn’t look as fun and romantic if the leads weren’t so darn pretty.

Rating: ★★☆☆☆