My notes on 3 Days to Kill:

1. A movie doesn’t need to be directed by Luc Besson to feel like a Luc Besson movie. This one seemed to be a Besson movie with heart.

2. Dear Kevin Costner, Liam Neeson called and said that he’s got the Taken sequels covered.

Costner tried his best to be the next thinking man’s action hero but it was just so hard to erase The Bodyguard from memory. Plus, Neeson will always hold on to that title.

3. Hailee Steinfeld was good as a rebellious teenager. I still can’t believe she’s not in The Hunger Games.

4. The movie felt disjointed with all the graphic violence interspersed with poignant scenes between father and daughter. Two scenes stood out though: one involving a bike lesson and the other a spaghetti recipe.

5. Not bad if you have a couple of hours to kill.

Rating: ★★★☆☆

(Originally published February 23, 2014.)




Magagalit sa ‘kin nanay ko kasi favorite niya ‘to. Pero this recent rewatch confirmed na it really failed as a romance flick kasi walang spark at all between Rachel (Whitney Houston) and Frank (Kevin Costner). Mas may chemistry pa si Tita Whitney sa microphone niya kaya masaya yung musical numbers.

So supposedly nanuod lang sila ng Yojimbo at nag-role play ng samurai eh mahal na nila agad isa’t-isa. Ito siguro yung movie equivalent ng Cheeze Whiz. (Ano nga ba yung Pinoy film na sobrang copy nito including yung pagbuhat after the assassination attempt? Parang kay Ate Shawie siya pero di ko maalala.)

Sayang kasi interesting pa naman si Rachel bilang Oscar winner (Best Actress talaga? Hahaha!!) at huge diva na mahilig mag-ukay ukay. Tapos dun sa obsessed fan plot eh naalala ko yung rabid na KathNiel na nag-threaten na sasabuyan ng acid sa mukha sina Liza at Nadine sa ABS CBN Ball.

Still one of the best film soundtracks, though. Syempre meron ang nanay ko na cassette tape na pinapatugtog niya every single day kaya memorized ko lahat ng kanta sa side A from I Will Always Love You to Jesus Loves Me. Eh di ending ako ang naging Queen of the Night. Chz.

Rating: ★★☆☆☆




My notes on Hidden Figures:

1. Jimmy Kimmel in the recent Oscars telecast said it best when he introduced the amazing trio of actresses in this film as Algebra’s Angels.

Taraji P. Henson, Octavia Spencer, and Janelle Monae portrayed Katherine Johnson, Dorothy Vaughan, and Mary Jackson respectively, the real-life brains behind NASA’s space exploration program in the early ’60s. These women’s admirable display of courage and resiliency (and basically kicked ass!) amidst the blatant racial and gender discrimination in Virginia during that time was a story that needed to be told (“Every time we have a chance to move ahead, they move the finish line”).

As expected, I cried my heart out throughout the movie’s entirety. Surprisingly, none of it was because of the mathematical equations (elliptical vs parabolic!) written on the board.

2. Katherine was obviously a gifted child because at a young age she could identify all the various shapes (rhombus! tetrahedron!) on a window design even if I could only see pointed shapes and a swirling blob pattern. She reminded me so much of John Nash, another genius that saw symbols float from windows that led to his Nobel Prize.

As the adult Katherine, Taraji dialled her famous feisty persona several notches down and it effectively worked in her favor. Cookie Lyon would never run half a mile just to pee in a colored bathroom so it was a pleasant surprise when this plucky side showed up in that outburst scene where Katherine, fully drenched from the rain and probably 10 pounds lighter from all the running, stood up to her supervisor (Kevin Costner) who questioned her long bathroom breaks (“I have to run to Timbuktu just to relieve myself!”).

Still surprised she didn’t get an Oscar nomination for that brilliant scene which fully summarized the hurt and embarrassment caused by segregation (colored bathrooms, colored coffee pot, colored fountain, colored seats at the back of the bus, colored entrance in buildings, unbelievable!!). And yes, I cried even more when Costner took a sledgehammer and knocked down that bathroom sign (“Here at NASA, we all pee the same color”). Bring a box of tissues!

3. Given the heavy and serious themes, the movie still managed to wring out laughs from all of the tension. Most of the humor came from the scenes with Janelle (who actually channeled Cookie) and whose character Mary couldn’t care less what the others thought of her liberal ideals (“I have the right to see fine men regardless of color”).

Weirdly enough, I couldn’t hold back my tears even if some scenes were played for laughs (again, all the running done to the bathroom was just heartbreaking). This inspirational film couldn’t be accused of emotional manipulation if all of my pain was self-inflicted, right?

4. “No shoe is worth a life.” This obviously happened pre-Manolo Blahnik, Christian Louboutin and Jimmy Choo.

5. If there was one thing I wasn’t too fond of, it was the amount of time devoted to Katherine’s lovelife. I knew it was meant to humanize her considering that she was a walking computer, but we could have done without it. At 127 minutes, the movie obviously needed a bit of trimming.

6. I really loved the slice of pie reference made to Octavia. I probably held off on eating chocolate pie for a full year after seeing Minnie’s recipe on The Help.

7. Were those huge contraptions the first IBM computer models? They actually looked like the scariest dialysis machines. Kids these days are just way fortunate (read: entitled).

8. Kirsten Dunst played her bitchy supervisor role so well that I wanted to slap her Legal Wife-style when she made Dorothy look like a custodian and asked her to push those heavy files back using a steel cart. Oh, the nerdddddd!!

Speaking of, Sheldon Cooper (Jim Parsons) naturally played the head engineer. Not surprised at all that the cast won the SAG for Best Ensemble.

9. So happy to live in a time when these women are hidden figures no more. Nothing can trump that feeling. Oh, wait…

Rating: ★★★★☆