INANG YAYA (Pablo Biglang-awa, Veronica Velasco, 2006)

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SPOILER ALERT!!

Siguro kung ililista ko lahat ng gusto kong sabihin tungkol sa pelikulang ito, aabutin ako ng 10,000 words no exag. Kasing-dami yan ng patak ng luha ko sa sobrang daming beses ko na din siya napanood.

Sino ba ang Maricelian sa Young Critics Circle? Wag ka aalis diyan ha dahil ikaw lang talaga ang may taste for recognizing her excellent performances (even in genre films like Vampira). As a huge fan of Maricel Soriano, ipaglalaban ko na ito ang kanyang best performance ever (close second yung critically-lauded Ikaw Pa Lang ang Minahal). Napaka-understated kasi ng pag-arte niya dito. Nawawala ang usual acting tics na hate ng Manunuris sa kanya kaya never siya nanalo ng Urian.

Kung tutuusin, very anti-Maricel ang atake niya sa role ni Mommy Yaya Norma. Nung bumili siya ng “Skeechers” para sa anak na si Ruby (a wonderful Tala Santos) tapos ibinato lang nito kasi fake at pagtatawanan daw siya ng mga kaklase, yung tahimik na pag-upo niya grabe gusto ko siya yakapin. Walang hagulgol, pigil ang pag-iyak habang hawak ang rejected na pinag-ipunang regalo. Ang sakit sakit.

Iisipin mo na typical Pinoy melodrama siya kaya nakakatuwa na medyo na-subvert yung genre. Lutang pa rin ang issue on class differences pero kaunti lang ang tropes na ginamit. Masyado nga ako nasanay sa mga teleserye kaya nung may eksena si Norma na nagpa-plantsa akala ko meron masusunog o nung pinagdala niya ng mainit na tsaa si Ruby, akala ko mabubuhos sa matapobreng lola (Liza Lorena). Buti walang ganun dito. Napakabait pa ng mga amo niya (Zoren Legaspi and Sunshine Cruz) na mapapaisip ka kung meron ba talagang tulad nila in real life or nakasanayan lang natin na maldita lagi si madam at mas mababa ang pagtrato niya sa mga yaya/maid. Hindi ito pelikula para sa mga cynical na tao.

Grabe, I can quote this film for days.

Louise (a charming Erika Oreta): “Eww, why are you eating the head of the shrimp?”

Ruby: “It’s mah-sah-rap kasi.”

HAHAHAHAHA!!

Ang galing talaga ng mga batang ‘to. Ang ganda pa ng chemistry nilang tatlo kaya durog na durog ang puso ko pagdating sa realistic ending. Such an underrated gem.

Rating: ★★★★★

CIRCA (Adolf Alix, Jr., 2019)

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SPOILER ALERT!!

Bilib na bilib ako kay Ms. Anita Linda dito. More than double my age na siya (she’s almost 95!!) pero alam pa rin niya lahat ng mga lines niya dito as the incredibly rich film producer Doña Atang na nakatira sa bahay ni Lola Nidora. Samantala ako hindi ko na maalala minsan saan ko naipatong ang cellphone ko. Iba talaga kapag batikang artista. Totoong walang kupas!!

Napaka-appropriate lang na kasama ito sa Sine Sandaan section ng PPP. May pagka-love letter siya to Philippine Cinema with all the juicy tidbits on the history of local film productions/filmmaking (shooting processes, crucial role ng lagarista, yung diva attitude of certain celebrities, yung rivalry nung mga stars of the golden age, etc.) tapos may mga sundot pa sa current industry (nakakatawa yung sinabi ng character ni Alessandra de Rossi na di na uso ang quality films ngayon kaya puro TV work na lang, na “mouth to mouth” duguan levels ang paggawa).

Mahilig talaga sa all-star cast si Alix (parang halos kalahati ng local film industry may cameo dun sa last movie niya na Madilim ang Gabi) kaya di naman ako nagulat sa mga bigating artista dito kabilang na sina Gina Alajar, Elizabeth Oropesa, Laurice Guillen, Ricky Davao, Liza Lorena, Perla Bautista, etc. Nakakalungkot din makita si Eddie Garcia in full Manoy glory. (Pero kasama ba sa original script yung “Ingat ka baka ka madapa?”. Grabe yung gasp ko sa part na yun nag-echo sa buong theater bilang ako lang ang nanunuod.)

Pinaka-natuwa ako kay Jaclyn Jose dito as the mayordoma of the house. Walang dramatic highlights (except for that weird Amour moment) pero markado ang pagganap. Lakas ng tawa ko nung nag-advocate siya for DVD piracy considering na nagsisilbi siya sa isang producer. Sabagay yung isang character nga sinabi na “Di naman ako namimirata ng local. Puro English lang, makabawi man kang kasi sila ang dahilan bakit tayo humina.” Hmm, magandang topic yan for discussion ha.

Marami siguro ang mababagalan sa pacing ng pelikula pero ok naman siya for me. Medyo mahaba lang at repetitive yung tribute section sa party scene. Pero sobrang fascinated talaga ako in all things na local showbiz kaya nagandahan ako (siguro ang litmus test would be if kaya mo ma-distinguish ang difference ng FAMAS at FAP statues, then this one’s for you). Natuwa din ako dun sa tikbalang na inaalayan ng ponkan kapalit ng box office returns (Mother Lily, what’s your secret?).

Basta sobrang affected ako dito. Nung nag-start na si Doña Atang ng speech niya with “Ang buhay natin ay parang pelikula…”, naluha na lang ako bigla.

Rating: ★★★★☆

MALEDICTO (Mark Meily, 2019)

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SPOILER ALERT!!

My notes on Maledicto:

1. It had been two days already and I still couldn’t get over the fact that I paid Php335 to watch this exorcism comedy. Ano bang masamang espiritu ang sumapi sa akin kahapon? Seriously, I could have used that money for a month’s worth of Netflix subscription so I wouldn’t need to leech off my bff’s account anymore. Besides, this was the kind of cheapie horror film meant to be seen on TV on a late Sunday night while battling a serious case of insomnia (an effective cure, for sure).

2. Tom Rodriguez (who might also be affected by Maynilad’s water shortage given his constantly constipated, hadn’t taken a dump in three days look) played Father Xavi, a psychiatrist turned priest (ooh career shift!) that didn’t believe in demonic possessions. As a man of science first, he assumed that there was always a logical, non-spiritual explanation on these supposed otherworldly events.

When asked to perform an exorcism on a possessed kid, the skeptic in him looked for signs that the boy was actually suffering from a medical condition. His initial diagnosis? “Madumi ang ngipin. Baka hindi lang nagsisipilyo.” Hek hek hek!!

3. In the late ‘80s, Phillip Salvador portrayed Father Balweg, a Catholic priest who founded the militant group Cordillera People’s Liberation Army. Father Xavi tried to one-up the said rebel priest by doing such un-holy, mej bad boy stuff like excessive drinking and smoking while playing a somber piece on his piano. His brashness was also evident when dealing with other people, like when he had this conversation with Sister Barbara (Jasmine Curtis-Smith):

Father Xavi: “Ok, I’ll help you, but I get to call you Barbie because your name’s boring.”

Sister Barbara turned Barbie: “Shige ne nge!”

Kaloka ka Sis!!

4. Non-sponsored plug: the screen in Evia was crystal clear and merited the exorbitant ticket price. The movie’s production team probably forgot that these cinemas exist though because in the first scene alone, the bruises on Mara’s (Inah de Belen) face looked like she just had too much fun with the Vice Cosmetics line.

Several scenes were noticeably out of focus and I just kept getting distracted by that hazy filter that blurred the edges in most frames. In terms of visual effects, I couldn’t determine where the swarm of flies came from in the scene where Mara had her mouth open ala The Mummy (parang they were just traumatized by her bad case of halitosis). And in what tacky club/bar would we see these ribbon strips dangling from the ceiling? Que horror!!

5. One of my favorite, laugh-out-loud moments was when Agnes (Miles Ocampo) chased an askal in this eskinita and then it turned on her and bit her. Sabay labas si Manang Sisa (Liza Lorena) who grabbed her bloody hand, looked at her palm, and said something like, “Gusto mo ba malaman sino ang magiging boyfriend mo?” and everything was just forgotten. Gurrrl, never heard of rabies?!

Side note: Agnes supposedly got possessed by the demonic doggie spirit so in the succeeding scene, she was shown wearing skimpy clothes and displayed her new goth look. Anak ng demonyo! Who made this movie? My grandmother?? (Or maybe it was just the rabies?)

6. First time to hear a voiceover while a character was flipping through a book: “Ahh, here it is!”.

Also, first time to see a person’s name crossed out during the end credits. Kawawa naman si Russel Remo.

7. During the exorcism, psychiatrist turned priest and probably turned chef Father Xavi started pouring mounds of salt around the bed. Hala, may balak pa ata siya gawing daing si Agnes! (But wait, wouldn’t her extended, wagging tongue make a better lengua instead?)

8. So there was a sub-plot slash twist about the Church’s cover-up on demonic possessions by equating them with drug use related to a coven of witches with horoscope signs on their palms. Would this be tackled further in the possible sequel that was hinted at by a mid-credits sequence? Juskong mahabagin!!

Rating: ★☆☆☆☆