MY BIG BOSSING (Tony Reyes, Marlon Rivera, Joyce Bernal, 2014)

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SPOILER ALERT!!

My notes on My Big Bossing:

1. Vic Sotto just had this certain charm that I wasn’t surprised when the ladies kept fawning at him. In the movie’s very first scene, he simply said a throwaway “Exchuse me!” and I couldn’t control my laughter. In the second segment, he even showed some range dealing with a dead daughter. Good one, Bossing!

2. Sotto wore a crisp white polo shirt and of course I knew what was coming next: “Bossing sa kaputian!”. To be fair though, this sequel only had a few commercials. The only other product I noticed was PLDT Home.

3. The Sirena segment by Tony Reyes could have been an episode of Okay Ka, Fairy Ko. Only this one had Ryzza Mae Dizon donning a mermaid costume. It was still a very weak entry already given its sitcom roots. People just kept getting pushed in different bodies of water. Not funny.

4. Speaking of Dizon, why haven’t we seen her launching movie yet? She has the same spunk and charm of a young Aiza Seguerra. Given the right material, she can achieve the same superkid status. She’s just too adorable. Obviously I’m a fan.

5. The cast of Ina-Tay was here! (Refer to Cinemalaya 2014.)

6. Manilyn Reynes was supposed to play a fish vendor so they covered her up with dark make-up. Sometimes it looked like she had jaundice instead.

7. The Taktak segment by Marlon Rivera had a lot of potential. Unfortunately, there were just so many sub-plots to tackle in forty minutes. You’re not yet completely forgiven for the first one, Sir. Not yet.

8. Dizon here played Angel, a version of Elsa (more La Aunor, less Frozen) and she looked funny during the seances. This reminded me so much of Judiel Nieva, the transgendered lady who apparently could see the Virgin Mary back in the early 90’s. Wikipedia refers to her as an actress and businesswoman.

9. Marian Rivera looked good onscreen but has she ever played any character that didn’t scream her head off at other actors? Her characters always sounded shrill and high-strung like she was invoking the spirit of Maricel Soriano during her Inday days.

10. One obvious gaffe: Jose Manalo’s character texted Angel looking for her even if in the previous scene he was seen walking away with her.

11. One ghost mentioned something really scary and had always been one of my fears: “Susundan kita sa banyo.” Imagine a dead relative watching you take a shower in all your naked glory. Horrors!!

12. The third segment called Prinsesa by Joyce Bernal looked really good. Granted, most of the castle scenes were shot in Fernbrook Gardens in Las Pinas, I was impressed with the village that looked very much like The Shire and was populated by digital animals. Eat your heart out, Peter Jackson!

13. One character had his tongue cut off and was shown all bloody in a succeeding scene. What happened to the General Patronage rating?

14. If Mara Clara was a fairy tale, this would be that version.

15. At first I thought that the trilogy was very Eat Bulaga Holy Week presentation levels. And then it dawned on me. It was trying to be that other movie anthology, Mga Kuwento ni Lola Basyang. Am I right, 80’s kids?

Rating: ★★☆☆☆

(Originally published January 5, 2015.)

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The Best of Pinoy Cinema 2016

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TOP 10 BEST FEATURE LENGTH FILMS

#10

ANG BABAE SA SEPTIC TANK 2:#FOREVERISNOTENOUGH

Written by: Chris Martinez
Directed by: Marlon Rivera

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#9

SEKLUSYON

Written by: Anton Santamaria
Directed by: Erik Matti

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#8

PAMILYA ORDINARYO

Written by: Eduardo Roy, Jr.
Directed by: Eduardo Roy, Jr.

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#7

FOREVER BRIDGELESS

Written by: Racquel Zaballero-Sanchez and Glenn Ternal
Directed by: Racquel Zaballero-Sanchez and Glenn Ternal

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#6

STAR NA SI VAN DAMME STALLONE

Written by: Ronald Allan Habon
Directed by: Randolph Longjas

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#5

SAKALING HINDI MAKARATING

Written by: Ice Idanan and Petersen Vargas
Directed by: Ice Idanan

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#4

DIE BEAUTIFUL

Written by: Rody Vera
Directed by: Jun Lana

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#3

MA’ ROSA

Written by: Troy Espiritu
Directed by: Brillante Mendoza

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#2

SUNDAY BEAUTY QUEEN

Written by: Baby Ruth Villarama
Directed by: Baby Ruth Villarama

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#1

TUOS

Written by: Denise O’Hara
Directed by: Derick Cabrido

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2016 Scorecard:

★★★★★
DIE BEAUTIFUL (Jun Lana)
FOREVER BRIDGELESS (Racquel Zaballero-Sanchez, Glenn Ternal)
FOREVER NATIN (Cyrus Valdez)
MA’ ROSA (Brillante Mendoza)
OKTOPUS (JP Habac)
ANG PAINTING NI TATAY (Sigrid Andrea Bernardo)
SAANMAN NGUNIT DITO (Cheska Salangsang)
SAKALING HINDI MAKARATING (Ice Idanan)
STAR NA SI VAN DAMME STALLONE (Randolph Longjas)
STOP. STEADY. SAYAW. (Dan Villegas)
SUNDAY BEAUTY QUEEN (Baby Ruth Villarama)
TUOS (Derick Cabrido)
XXX (Allison Barretto)

★★★★☆
ALWAYS BE MY MAYBE (Dan Villegas)
CAMP SAWI (Irene Villamor)
CHICBOY (Jasper Ramon Tulabot)
DIGPAN NING ALTI (Bor Ocampo)
FISH OUT OF WATER (Mon Garilao)
ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera)
KATOK (John Rhys Guarina)
KUNG ANG ULAN AY GAWA SA TSOKOLATE (Galileo Sioco Te and Prime Reyes)
LUMAYO KA NGA SA AKIN (ASAWA NI MARIE) (Chris Martinez)
MERCURY IS MINE (Jason Paul Laxamana)
MRS. (Adolf Alix, Jr.)
AN ORCHESTRA IN SEARCH OF A HOME (Ida Anita del Mundo)
PAMILYA ORDINARYO (Eduardo Roy, Jr.)
PEKTUS (Isabel Quesada)
SEKLUSYON (Erik Matti)

★★★☆☆
THE ACHY BREAKY HEARTS (Antoinette Jadaone)
AREA (Louie Ignacio)
ANG BABAENG HUMAYO (Lav Diaz)
BAKA BUKAS (Samantha Lee)
BAKIT LAHAT NG GWAPO MAY BOYFRIEND? (Jun Lana)
BESHIE (Joyce Bernal)
DUKOT (Paul Soriano)
DYAMPER (Mes de Guzman)
EVERYTHING ABOUT HER (Joyce Bernal)
EXPRESSWAY (Ato Bautista)
GET CERTIFIED (Isaias Zantua)
HELE SA HIWAGANG HAPIS (Lav Diaz)
IMAGINE YOU & ME (Michael Tuviera)
JUST THE 3 OF US (Cathy Garcia-Molina)
LUNA (Rae Red)
MANILA SCREAM (Roque Lee, Blair Camilo)
MGA BITOON SA SIUDAD (Jarell Serencio)
NAKAUWI NA (John Relano, Patrick Baleros, Luis Hidalgo)
NED’S PROJECT (Lemuel Lorca)
AN OPEN DOOR (Paul Soriano)
ORO (Alvin Yapan)
SAVING SALLY (Avid Liongoren)
SITSIRITSIT (Brian Spencer Reyes)
SINA DINO AT ANG KANILANG SIKRETO (Miller Ursolino)
ANG TABA KO KASI (Jason Paul Laxamana)

★★☆☆☆
1ST SEM (Allan Ibanez, Dexter Hemedez)
ANG BAGONG PAMILYA NI PONCHING (Inna Salazar Acuña, Dos Ocampo)
BARCELONA: A LOVE UNTOLD (Olivia Lamasan)
BUGTAW (Noah del Rosario)
BUHAY HABANGBUHAY (Paolo Herras)
BUTAS (Richard Cawed)
DAGSIN (Atom Magadia)
ECHORSIS (Lemuel Lorca)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
ANG HAPON NI NANDING (Milo Tolentino)
HIBLANG ABO (Ralston Jover)
HOW TO BE YOURS (Dan Villegas)
HOW TO FIND LOVE (Quark Henares)
I AMERICA (Ivan Andrew Payawal)
I LOVE YOU TO DEATH (Miko Livelo)
KABISERA (Arturo San Agustin, Real Florido)
KUSINA (Cenon Palomares, David Corpuz)
LAKBAY2LOVE (Ellen Ongkeko-Marfil)
LILA (Gino Santos)
LOVE IS BLIND (Jason Paul Laxamana)
LOVE ME TOMORROW (Gino Santos)
LUMAYO KA NGA SA AKIN (BALA SA BALA, KAMAO SA KAMAO, SATSAT SA SATSAT) (Mark Meily)
LUMAYO KA NGA SA AKIN (SHAKE, SHAKER, SHAKEST) (Andoy Ranay)
ANG MAANGAS, ANG MARIKIT, AT ANG MAKATA (Ibarra Guballa)
MANSYONG PAPEL (Ogos Aznar)
MITATANG (Alvin Jezer Gagui)
MY CANDIDATE (Quark Henares)
NOT APPLICABLE (Carl Chavez)
PUNLA (Kenneth Mandrilla)
THE SUPER PARENTAL GUARDIANS (Joyce Bernal)
THE THIRD PARTY (Jason Paul Laxamana)
THIS TIME (Nuel Naval)
TISAY (Alfonso Torre III)
ANG TULAY NG SAN SEBASTIAN (Alvin Yapan)
THE UNMARRIED WIFE (Maryo J. Delos Reyes)
VINCE & KATH & JAMES (Theodore Boborol)
WHISTLEBLOWER (Adolf Alix, Jr.)
WORKING BEKS (Chris Martinez)

★☆☆☆☆
AKI (Milo Tolentino)
BIRDS (Christian Paolo Lat)
DIYOS-DIYOSAN (Cesar Buendia)
ELEMENTO (Mark Meily)
ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera)
THE ESCORT (Enzo Williams)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
LANDO AT BUGOY (Vic Acedillo, Jr.)
MANO PO 7: CHINOY (Ian Loreños)
MY REBOUND GIRL (Emmanuel dela Cruz)
PASSAGE OF LIFE (Renz Vincemark Cruz, Hannah Daryl Gayapa)
STRAIGHT TO THE HEART (Frank David Fabros)
THAT THING CALLED TANGA NA (Joel Lamangan)
TPO (TEMPORARY PROTECTION ORDER) (Joselito Altarejos)
TUPANG LIGAW (Rod Santiago)

Metro Manila Film Festival 2016 Scorecard

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After travelling to three cities and four cinemas in two days, I have officially completed the MMFF2016 marathon.

I’m happy to report that the festival achieved its goal and stayed true to its promise of change, of giving the Pinoy audience something new during the holiday season.

Even with a supposed indie selection, I still had a great time in cinemas. Some films made me laugh out loud, some made me cry like a baby, one scared me to my core, the rest I enjoyed watching with young ones (yes, even kids liked these indies!), but most importantly, they required me to think.

Napakasarap makatikim ng ibang klaseng putahe ngayong Kapaskuhan. Hinihintay na lang nila ang ating suporta.

With that said, here’s my festival scorecard:

Best Picture

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1. SUNDAY BEAUTY QUEEN (Baby Ruth Villarama, 2016) – ★★★★★

Napakagandang pelikula! Matututo kang magpasalamat sa bawat biyayang natanggap, pati na rin sa mga sakripisyong hindi mo ginagawa.

At bes, huwag mong sabihin na ayaw mong manood ng malungkot ngayong Pasko dahil sigurado akong pinanood at iniyakan mo lahat ng Christmas ads ng Uber, Selecta, at Coke. Magdala ng isang box ng tissues.

Dahil ang Pasko ay para sa mga bata, isama ang buong pamilya at manood na kayo. Now na. Tapos group hug kayo after. Merry Christmas!! 😊

 

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2. DIE BEAUTIFUL (Jun Lana, 2016) – ★★★★★

Nakakatuwang makatikim ng isang matalinong comedy sa MMFF. Yung nakakatawa ang mga linya at patok sa masa kahit wala ni isang karakter na nahuhulog galing sa bubungan.

Mas nakakatuwa na ang ganitong klaseng produkto ay tinatangkilik ngayon ng mga manonood (puno ang sinehan nung screening namin sa GB3). Pwede naman pala. Kaya naman pala.

Ang talento ni Paolo Ballesteros sa pelikulang ito ay directly proportional sa kanyang kagandahan bilang Trisha Echevarria. Ang husay! Hindi rin nagpakabog si Christian Bables na napakagaling bilang si BFF Barbs. #FriendshipGoals talaga sila. Sana masungkit nila ang Lead at Supporting Actor trophies.

Nuod na mga bes!! 😊

 

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3. SEKLUSYON (Erik Matti, 2016) – ★★★★☆

Sobrang nanghihinayang ako sa pelikulang ito dahil mas maganda pa sana siya kung marunong lamang umarte ang apat na deacons lalo na si Ronnie Alonte.

Ang husay ng technical aspects mula sa production hanggang sound design. Mahirap makalimutan ang lahat ng religious imagery na ginamit dito. Mahusay din ang direksyon para sa isang kakaibang Pinoy horror movie.

Ito talaga ang perfect anti-Christmas movie ngayong taon. Hahamunin kang mag-isip tungkol sa katatagan ng iyong pananampalataya.

 

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4. ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera, 2016) – ★★★★☆

Para sa katulad kong napanood na ata lahat ng Pinoy rom-com at kabisado na ang Star Cinema formula, natawa ako sobra sa pagka-brutal ng pelikulang ito. Bugbog na bugbog ang mainstream filmmaking at escapism in cinema. Walang sinanto katulad ng ginawa nila sa indie filmmaking at poverty porn doon sa unang pelikula.

Awakening talaga ito ni Eugene Domingo. Amoy na amoy ko na naman ang deserving na panalo as Best Actress. Sa three levels of hugot pa lang niya, sulit na ang bayad.

Magaling din si Jericho Rosales bilang Jericho Rosales. May self-awareness ang pagka-plakado bilang rom-com leading man. Naalala ko tuloy si Jaclyn Jose dun sa film within a film ng Tuhog.

Medyo off lang yung abrupt shift in tone dahil sa love story ni Kean Cipriano (na isiningit to ground the film). Pero totoong hinika ako kakatawa hanggang sa pinakahuling sequence. Waging-wagi!!

 

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5. SAVING SALLY (Avid Liongoren, 2016) – ★★★☆☆

Gusto kong tumira sa makulay na mundo ni Marty kahit puno sya ng mga monsters dahil gusto ko makita ang Warner Barberos at Sandara Park. Naalala ko tuloy ang fantasy element ng Scott Pilgrim Vs The World dito.

Nakakakilig at bagay ang tambalang Enzo Marcos at Rhian Ramos. Sana lamang hindi sila Ingles magsalita kasi medyo off para sa akin. Ang hirap lubos na ma-feel ng story dahil sa coniotic speak (ironic ba?). Para lang akong napadaan ulit sa THE Ateneo conyo bench sa labas ng caf. Higad na lang ang kulang para makumpleto ang experience.

“You wanted mayhem, war, and chaos, but isn’t that what love is all about?” Tumpak!!

 

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6. ORO (Alvin Yapan, 2016) – ★★★☆☆

Nag-flashback sa akin ang mga naunang seasons ng American Horror Story sa mga tilted frames na parang see-saw sa pagpapalit-palit. Parang weighing scale na mahirap hanapan ng balanse.

Maganda ang mensahe ng pelikula bilang environmental drama. Malaman ang sinasabi at mabigat sa mga metaphors at symbolisms. May bonus pa na supernatural element (na hindi ko nagustuhan sa Ang Tulay ng San Sebastian pero pasok sa banga sa An Kubo Sa Kawayanan).

Palaban si Irma Adlawan (lagi naman eh). Tindig at upo pa lang naniniwala na akong siya talaga si Kapitana. Sana lang hindi reactionary ang halos lahat ng kanyang eksena kasi siya ang totoong ginto ng pelikula.

 

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7. VINCE & KATH & JAMES (Theodore Boborol, 2016) – ★★☆☆☆

Walang bago maliban sa mga artista. Pinagtagpi-tagping cliches na napanood na natin sa mga dating rom-coms. Hindi rin naman masyadong na-utilize ang textserye origins niya. Halos nakumpleto niya ang checklist ng Star Cinema formula na kinukutya sa Septic Tank 2. Sunset lang ang kulang.

May natural charm itong si Joshua Garcia. Magaling siya dun sa confrontation scene nila ni Ina Raymundo, parang early John Lloyd. Akala ko maiirita ako kay Julia Barretto dito kaya nagulat ako na maayos naman siya, parang early Ate Clau.

Kinilig ang mga teenagers na kasabay kong nanuod. Masyado na ata akong matanda para sa ganitong genre.

 

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8. KABISERA (Arturo San Agustin, Real Florido, 2016) – ★★☆☆☆

Maganda sana dahil napapanahon ang tema nito tungkol sa extrajudicial killings ngunit hindi maayos ang pagkakalahad ng kwento.

Parang binigyan ang bawat artista ng kanyang sariling dramatic highlight para magpakitang-gilas kaya lahat sila eh three notches higher ang akting. Maliban kay Nora Aunor, parang hindi na mabibigyan ng susunod na project ang supporting cast kaya bigay todo na sa pag-ngawa kahit hindi naman kelangan sa eksena.

Ang daming mga bagay na parang walang sense at pinahaba lamang para mapuno ang two hour requirement. Mas mabuti pa yata kung ginawa na lamang siyang episode ng MMK.

 

Best Performance by an Actor in a Leading Role

1. PAOLO BALLESTEROS (Die Beautiful)

2. JOSHUA GARCIA (Vince & Kath & James)
3. JOEM BASCON (Oro)
4. ENZO MARCOS (Saving Sally)

Best Performance by an Actress in a Leading Role

1. EUGENE DOMINGO (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
2. IRMA ADLAWAN (Oro)
3. NORA AUNOR (Kabisera)
4. RHIAN RAMOS (Saving Sally)

Best Performance by an Actor in a Supporting Role

1. CHRISTIAN BABLES (Die Beautiful)

2. LOU VELOSO (Seklusyon)
3. JERICHO ROSALES (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
4. NEIL RYAN SESE (Seklusyon)
5. LOU VELOSO (Die Beautiful)

Best Performance by an Actress in a Supporting Role

1. RHED BUSTAMANTE (Seklusyon)
2. PHOEBE WALKER (Seklusyon)
3. MERCEDES CABRAL (Oro)
4. MIMI JUAREZA (Die Beautiful)
5. GLADYS REYES (Die Beautiful)
6. SUE PRADO (Oro)
7. CAI CORTEZ (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)

Until next year!!

‪ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera, 2016)

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SPOILER ALERT!!

My notes on Enteng Kabisote 10 and the Abangers:

1. I already wasted two hours of my life watching this movie and I figured that I wouldn’t want to waste more time writing down these notes, but then it would be a crime not to share my grueling experience and let other people suffer the same fate. So let me start with these brilliant lines that might convince you to rethink that planned family bonding to the cinema:

• Joey de Leon as Pandoy, Alalay ng Panday: “Pang-araw lang yun kaya Pang-Day. Ang pangalan ko kapag gabi, Pang-Gay.” And then he swished and sashayed down the corridor. Groan.

• Ken Chan and Bea Binene getting scared from an approaching villain: “May tatlong bibe akong nakita. Mataba, mapayat, mga bibe.” HUH?! Groan.

• Vic Sotto on Aiza Seguerra: “Akalain mo mahilig pala sa itlog ang batang yun.” Groan.

• An employee of Enteng Kabisote Robotics introducing the new Iron Man-like costume: “Eto ang bagong Kalba Kalba Kalba Kameleon.” Groan.

• Bossing to his four employees speaking in unison: “Nag-duet pa kayong apat ha!” HUH?! Groan.

2. As a huge fan of the Okay Ka, Fairy Ko TV series, I could only cry in my seat while seeing this tenth film installment mutate into the lamest Marvel wannabe. Ina Magenta had the right instincts about Enteng Kabisote after all. The ending even had the gall to hint at another sequel. Kapag natuloy ito, ako na mismo ang magsisimula ng Infinity War.

3. Infer, ang lakas maka-gwapo ng ash silver hair ni Bossing. I might try that shade soon.

4. Poor Epy Quizon was in full acting na acting mode even if his character didn’t really have much to do except be included in an embarrassing battle sequence ala Mortal Kombat set to the Tatlong Bibe Remix.

5. Most of the jokes were as outdated as Pandoy. The extended walling montage set to April Boy Regino’s Di Ko Kayang Tanggapin was just annoying. That Madam Oring line? Eek! And they still had a stale Pabebe Girls reference. Wala na talagang ibang maisip?

6. Why were Alden Richards and Maine Mendoza (in ugly heavy eyeliner! as a huge fan, I am incensed beyond belief) inserted in every Bohol scene even if their characters didn’t really serve any purpose? How many times did Bossing have to ask the perennial “Kayo na ba?” question before it started getting old? Were the filmmakers scared to shortchange AlDub Nation lest they get burned at the stakes set up in Kamuning?

7. If there was one good thing here, I only noticed a single product placement (for O+). Consider that one tiny step for mankind.

8. I couldn’t stop laughing at the drones that looked like they were purchased from CD-R King. Also, why did the team spend a lot of time assembling one drone when Oyo Boy Sotto’s character could magically reproduce the same thing pala?

9. During the climactic fight scene, laser beams were shooting out of Bossing’s groin while he furiously pumped his hips (or more appropriately, made kadyot motions).

Yes, this is really the kind of family movie that kids should be watching for Christmas.

‪Rating: ★☆☆☆☆‬

ANG BABAE SA SEPTIC TANK (Marlon Rivera, 2011)

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I’m surprised by all the hate and backlash that this movie received after winning the top plum in last year’s Cinemalaya.

Former admirers started complaining that it didn’t hold up well in repeat viewings. Staunch critics further lambasted the film for being shallow and reductive. Regular moviegoers either didn’t get the jokes or found it repetitive and boring.

All these made me love the movie even more. It may not be perfect but it was a brutal, fearless, and brilliant take on the current indie filmmaking scene.

Eugene Domingo was in top form (why the local award-giving bodies failed to recognize this performance remains a mystery).

Everything related to Pinoy indie poverty porn did not go unscathed. It’s simply one of the best movies of 2011.

Rating: 5/5