METRO MANILA FILM FESTIVAL 2019 SCORECARD

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Best Feature-Length Film

1. WRITE ABOUT LOVE (Crisanto Aquino) – ★★★★☆
2. MINDANAO (Brillante Mendoza) – ★★★☆☆
3. MIRACLE IN CELL NO. 7 (Nuel Naval) – ★★★☆☆
4. SUNOD (Carlo Ledesma) – ★★☆☆☆
5. CULION (Alvin Yapan) – ★★☆☆☆
6. MISSION UNSTAPABOL: THE DON IDENTITY (Michael Tuviera) – ★★☆☆☆
7. THE MALL, THE MERRIER (Barry Gonzalez) – ★☆☆☆☆
8. 3POL TROBOL: HULI KA BALBON! (Rodel Nacianceno) – ★☆☆☆☆

Best Performance by an Actor in a Leading Role

1. ROCCO NACINO (Write About Love)

Best Performance by an Actress in a Leading Role

1. JUDY ANN SANTOS (Mindanao)
2. MILES OCAMPO (Write About Love)
3. CARMINA VILLARROEL (Sunod)
4. IZA CALZADO (Culion)

Best Performance by an Actor in a Supporting Role

1. JC SANTOS (Miracle in Cell No. 7)
2. JOEM BASCON (Write About Love)
3. JOHN ARCILLA (Miracle in Cell No. 7)
4. ALLEN DIZON (Mindanao)
5. JOJIT LORENZO (Miracle in Cell No. 7)
6. JOEL TORRE (Miracle in Cell No. 7)
7. MON CONFIADO (Miracle in Cell No. 7)
8. SOLIMAN CRUZ (Miracle in Cell No. 7)

Best Performance by an Actress in a Supporting Role

1. MERYLL SORIANO (Culion)
2. KRYSTAL BRIMNER (Sunod)
3. YUNA TANGOG (Mindanao)
4. JASMINE CURTIS-SMITH (Culion)

Until next year!!

MISSION UNSTAPABOL: THE DON IDENTITY (Michael Tuviera, 2019)

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Move over, Martin Scorsese! Kinabog ng visual effects team ni Bossing ang ginawang de-aging kay Robert de Niro sa The Irishman. Infer, may effort for authenticity ang pelikula. Sana lang nag-level up din siya from the usual Pinoy slapstick humor.

Nung una ko makita ang trailer nito sabi ko parang Ocean’s movie tapos ganun nga siya. Hirap na ako maniwala na very advanced ang technology abroad to pull off that kind of heist eh sa Pilipinas pa kaya? May pa-Mission Impossible reveal pa sa dulo that didn’t make any sense at all. To be fair, may apparent self-awareness siya about local action films na nakakaaliw.

Bakit halos lahat ng ginaya ng character ni Wally Bayola eh from Star Cinema/ABS? (Very Wenn Deramas ang comedy ha.) Napaisip tuloy ako kung wala ba talagang iconic characters ang GMA. Why not Victor Magtanggol or Kara Mia para mas self-deprecating? Konti lang makakuha ng reference?

Gusto ko yung unang eksena pa lang ni Jake Cuenca eh level 10 na agad ang acting niya. Yung parang hindi na ulit siya mabibigyan ng ibang pelikula ever kaya tinodo na niya lahat. Kahit pag-nguya lang niya ng gum talagang may nuance, may galit. Nagsusumigaw na “May Yahoo! OMG Award ako for Male Kontrabida of the Year mga amateurs!”

Rating: ★★☆☆☆

THE JANITOR (Michael Tuviera, 2014)

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In Michael Tuviera’s The Janitor, Dennis Trillo had a workout montage done in the weirdest places. When he took a shower after, my brain kept screaming, “Pasma!”. It was all downhill from there.

This was just a badly-recycled Lawrence Fajardo movie.

Rating: ★☆☆☆☆

(Originally published August 4, 2014.)

IMAGINE YOU & ME (Michael Tuviera, 2016)

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SPOILER ALERT!!

My notes on Imagine You & Me:

1. Hi, I’m Json and I am a lapsed AlDub fan. (Hi, Json!) I joined the bandwagon right before a wall separated Alden and Yaya Dub in Kalyeserye and jumped off a little after their love team’s debut fizzled in My Bebe Love. Although I continued to receive updates from some die-hard friends, I was still pleasantly surprised to witness the newfound chemistry that they had been raving about. In this movie, AlDub had indeed moved on to being MaiChard and everything just felt right…and real.

2. Could someone explain Maine Mendoza’s appeal to the older crowd? Whenever I watched this type of rom-com, most of the shrieking would come from teenage girls (and directed at the male lead, like Daniel Padilla or James Reid), but I swear about half the people screaming and getting their fill of kilig in our screening were older women (even grandmothers!) rooting for Maine (as Gara). They could very well have been watching the newest Sampaguita or LVN picture.

3. I didn’t have high hopes when the movie started with “Sabi nila ang pag-ibig ay…” and then showed a montage of star-crossed lovers, especially since this quirky style and formula had been trademarked and more effectively used by Dan Villegas and Antoinette Jadaone, but the story progressed much better than expected (up until the dreary final moments).

The movie rested heavily on Maine’s tiny shoulders and she more than delivered, keeping the first thirty or so Alden-less minutes brisk, light, and fun to watch, whether she was getting dumped by her gay boyfriend, lamenting her supposedly cursed lovelife, or simply getting off her bike because the road was “matarik”. I probably laughed the most when she took a selfie with that pader (kasi wala naman talagang ganung pader sa Pilipinas haha!).

4. Elapsed time before the first advertisement: one minute-ish (Magnolia), probably the fastest one so far in recent memory. I wasn’t surprised to see a barrage of other products (including McDonald’s and O+) figure prominently in the story. In one scene where Alden Richards was supposedly drunk, I think there was even a hint of Bench underwear peeking under his jeans (or was I just too fixated on that area?).

5. I really liked how Alden (as Andrew) was always on the verge of tears in every scene (whenever he wasn’t being bugnutin). The movie was able to play on his strength as a dramatic actor and he could easily give John Lloyd Cruz (or even Judy Ann Santos) a run for best crier in local cinema. My favorite scene of his was the videoke session (“Wala ako sa kondisyon eh”, “Ano ‘to grand finals?”) ending with him crying over a sappy Tagalog love song. (Side note: Alden seems to be such a genuine person. I really get that strong vibe from him.)

6. “Mag-ingat ka sa mga lalaking mapuputi na ganyan. Mga pa-fall ang mga ‘yan.” – Kakai Bautista referring to…

(Yang tataaaaaaaa?)

7. There were so many gorgeous shots of Italy and I’m sure that a lot of people would start saving up just to experience grabbing the right breast of Juliet’s statue in Verona. (Hey, if I were to touch one again it might as well be for good luck.) I really liked that tracking shot that followed the pair going in and out of the adjacent rooms and veranda (overlooking a mountain view) with them barely missing each other.

8. Loved Jasmine Curtis-Smith since Transit and she was good here as the leukemia-stricken third party, but it felt like her character’s arc was unnecessary (besides, wouldn’t it have been more depressing if Gara was competing with a dead girl?). Actually, the entire dramatic third act including the last minute (out of nowhere) accident felt forced and didn’t earn the tears (similar to that rant of Gara after she was accused of stealing, “Oo mahirap lang ako…”; where did that come from, such a weird transition).

9. Carpool karaoke officially became a staple in local rom-coms. Although it was fun to see Gara sing April Boy Regino’s Di Ko Kayang Tanggapin, it was still hard to believe that Andrew would have that in his playlist. As one character said, “Makikilala mo ang isang tao sa song choices niya” and I could have sworn snobby Andrew was the Ed Sheeran type.

10. “Kaya naimbento ang glue, para kahit gaano kawasak ang isang bagay, pwede pa ring mabuo.” Sigh.

11. My favorite nods to AlDub:

• Gara during the car sing-along, “Eh sa gusto kong mag Dubsmash.” (Although it wasn’t technically a Dubsmash.)

• Gara asking, “Hindi ka nagulat na NBSB ako. Sinasabi mo bang panget ako?” (Wink wink, haters.)

• That Tamang Panahon reference.

• July 16, 2016 written on the lock that they left on Juliet’s wall (Happy anniversary! For real?).

12. If you’re a big believer of fate and destiny ala Romeo and Juliet (“Ang bawat coincidence ay nakatakda na”), then you would really enjoy this movie. I had my reservations since I belong in the “I create my own destiny” team.

13. Prepare your ears for that second sweet kiss (since the first happened while one of them was in a coma). You have been warned.

Also, this may not be a Marvel movie, but stay until the very end of the closing credits. Confirmed!!

Rating: ★★★☆☆

SHAKE RATTLE AND ROLL 8 (2006)

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13TH FLOOR (Rahyan Carlos) – The hokey back story couldn’t support this more (unintentionally) comical, less scary episode of the 8th installment. It was the kind of movie that was able to drag down veteran theater actors like Robert Sena and Isay Alvarez into Roxanne Guinoo’s level of acting. The scares happened really early and yet the Scooby Doo gang continued to stay in that haunted condo. If I see flying hotdogs on a cabbage or spirits of dead children, my first instinct would be to run as far away as possible. I guess these people really just wanted to be scared to death.

Rating: 1/5

YAYA (Topel Lee) – The biggest hurdle of this trilogy has always been the runtime for each episode. Forty minutes is just too short to tell a good horror tale and if you focus on atmosphere and special effects, you end up rushing the story. Iza Calzado makes a great manananggal but the material doesn’t give her much to do. Sheryl Cruz’s awfulness definitely doesn’t help. I had more fun watching Kris Aquino get terrorized by THE Lilia Cuntapay in the far superior Yaya episode of the 3rd installment.

Rating: 2/5

LRT (Michael Tuviera) – This episode offered the most scares among the three although it seemed to be in such a hurry to kill off its big cast (among them, the usually noteworthy Eugene Domingo and SRR staple Manilyn Reynes). We weren’t given enough time to care for these characters and since some were completely unlikable, I ended up waiting for them to be killed. The killer’s look came straight out of M. Night Shyamalan’s The Village that I’m surprised he didn’t sue. Can we ask for more originality next time, please?

Rating: 2/5