MAMA’S GIRL (Connie Macatuno, 2018)

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SPOILER ALERT!!

My notes on Mama’s Girl:

1. I think it was Maricel Soriano in T2 who held the record for the most number of times that a Pinoy character mentioned another character’s name in the entire duration of a movie. My ears were bleeding by the nth time she screamed “Angeli!”.

I thought that I would suffer the same fate while watching this one. Every time Mina (Sylvia Sanchez, transitioning from Nay to Mama) would mention “Abbypotpot”, I would cringe and just wanted to crawl in a fetal position. It wasn’t merely annoying, the unnecessary repetition rendered the inauthenticity of this term of endearment.

2. Should I feel like a monster for not appreciating a movie that showcased the undying love of a mother? One where Mama Mina actually pulled a Bea Alonzo as The Incredible Hulk in She’s The One and singlehandedly changed a flat tire in the rain?

I’d put the blame on Abbypotpot (Sofia Andres), a character devoid of empathy because she was just so stubborn, selfish, ungrateful, and acted like the biggest privileged B (I meant brat, by the way). And that was even before her mother’s death so there was just no excuse for her terrible attitude.

3. Or maybe it was because this one completely ripped off P.S. I Love You, one of my most-watched post-breakup comfort movies. I thought of it first when she started seeing her dead mother doing normal things while dispensing life lessons, but it was made more obvious when it was revealed that said mom also left a box of five letters with carefully written instructions that she needed to follow step-by-step. Pati voiceover kuhang-kuha at kulang na lang talaga si Gerard Butler. So much for originality.

4. Part of the box’s contents was a set of index cards that had the secret recipes of Mama Mina’s successful Pasta House. I wasn’t sure why she didn’t make habilin before her death, especially if said recipes could make or break her pasta empire. Wouldn’t it have been easier to teach in person the proper way to slice tomatoes or how big each meatball should be? If she had time to write each note, surely she could have found an hour for a quick kitchen tutorial.

5. I wasn’t surprised when the restaurant business crumbled after her death. None of her staff knew that they were serving items that were considered panis (“Maasim na daw po yung lasa”). Seriously, only Mama Mina would know if something was spoiled already? Not even the chef/cook tasted the food before it went out of the kitchen? And to make matters worse, the solution they came up with to pacify these complaints was to offer a complimentary cake. Sana hindi rin panis diba?

6. I think this would be the fifth film that starred Jameson Blake that I had seen in a span of one year, but definitely no complaints here. As Zak, a supposedly famous rock star slash cheating ex-boyfriend of Abbypotpot, his scenes were usually punctuated by drum sounds for added effect (“It’s over!” Drum sounds. “Slap!” Drum sounds.)

At least he could play a rock in his next film and I would pay to watch it without any reservations.

7. For a story about motherly love, there was too much time spent on the landian between Abbypotpot and best friend Nico (Diego Loyzaga). He kept calling her Budz and I really thought it was short for Budjoy because they were basically playing the reversed roles of Ned and Budjoy in Labs Kita Okay Ka Lang?. Unfortunately, I was rooting for Zak the entire time.

8. While other mothers would ask their kids not to cry upon their death, Mama Mina’s loving advice to Abbypotpot was “Hindi pa ako patay. Tipirin mo na lang ang mga luha mo sa libing ko.” Eek!

9. Sofia’s a lovely girl, but the abundance of her pink blush here gave new meaning to pumuputok. At least she looked very much like a #VavaengMarangal.

10. Upon reading the words “Ang pagluluto ay parang pagmamahal. Kelangan bantayan at kapag hindi ka marunong pumili ng mga sangkap, lahat mababalewala”, Abbypotpot magically turned into a chef that could save their restaurant business. Nahiya bigla ang lahat ng Culinary Arts students.

Kelangan lang pala mag-practice to the tune of With a Smile. Pasok Reese Lansangan. “Lurft yer herd, bheybee durn’t buhr scurred…”

Rating: ★★☆☆☆

Cinema One Originals 2017 Scorecard

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Best Picture

1. CHANGING PARTNERS (Dan Villegas) – ★★★★★

2. PAKI (Giancarlo Abrahan) – ★★★★☆
3. HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande) – ★★★★☆

4. SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red) – ★★★☆☆

5. NERVOUS TRANSLATION (Shireen Seno) – ★★☆☆☆
6. THROWBACK TODAY (Joseph Teoxon) – ★★☆☆☆
7. NAY (Kip Oebanda) – ★★☆☆☆

8. HISTORIOGRAPHIKA ERRATA (Richard Somes) – ★☆☆☆☆
9. BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista) – ★☆☆☆☆

Best Performance by an Actor in a Leading Role

1. JOJIT LORENZO (Changing Partners)
2. CARLO AQUINO (Throwback Today)

Best Performance by an Actress in a Leading Role

1. DEXTER DORIA (Paki)
2. ELIZABETH OROPESA (Si Chedeng at si Apple)
3. AGOT ISIDRO (Changing Partners)
4. GLORIA DIAZ (Si Chedeng at si Apple)

Best Performance by an Actor in a Supporting Role

1. NOEL TRINIDAD (Paki)
2. SANDINO MARTIN (Changing Partners)

Best Performance by an Actress in a Supporting Role

1. SHAMAINE BUENCAMINO (Paki)
2. ANNA LUNA (Changing Partners)
3. EULA VALDEZ (Paki)
4. SYLVIA SANCHEZ (Nay)