The Best of Pinoy Cinema 2018

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1. THERESE MALVAR (Distance)

2. MOI BIEN (Kuya Wes)

3. CHERIE GIL (Citizen Jake)

4. GILLETH SANDICO (Sol Searching)

5. INA RAYMUNDO (Kuya Wes)

6. DEVON SERON (Bakwit Boys)

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1. MENGGIE COBARRUBIAS (Kung Paano Hinihintay ang Dapithapon)

2. NICO ANTONIO (Delia & Sammy)

3. KETCHUP EUSEBIO (Mamang)

4. NICCO MANALO (Gusto Kita With All My Hypothalamus)

5. EJ JALLORINA (Mamu; And A Mother Too)

6. JM SALVADO (Sol Searching)

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1. GLAIZA DE CASTRO (Liway)

2. IYAH MINA (Mamu; And a Mother Too)

3. GINA PAREÑO (Hintayan ng Langit)

4. POKWANG (Oda sa Wala)

5. CELESTE LEGASPI (Mamang)

6. NADINE LUSTRE (Never Not Love You)

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1. DANTE RIVERO (Kung Paano Hinihintay ang Dapithapon)

2. EDDIE GARCIA (Hintayan ng Langit)

3. DINGDONG DANTES (Sid and Aya: Not a Love Story)

4. NONIE BUENCAMINO (Distance)

5. EDDIE GARCIA (ML)

6. JAIME FABREGAS (Delia & Sammy)

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1. SA SAIYANG ISLA (Christian Candelaria)

2. GABI NG KABABALAGHAN (Stephen Lopez)

3. LUISA AT GUADA (Jude Matanguihan)

4. BOYET LOVES YOU (Josel Fajardo)

5. DUYAN NG ALON (Kaye Banaag)

—-

TOP 10 FEATURE LENGTH FILMS

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#10

Written by: Keavy Eunice Vicente

Directed by: Perci Intalan

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#9

Written and directed by: Samantha Lee

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#8

Written by: Juan Miguel Severo

Directed by: Dan Villegas

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#7

Written by: John Carlo Pacala

Directed by: Carlo Catu

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#6

Written and directed by: Dwein Baltazar

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#5

Written and directed by: Rod Singh

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#4

Written and directed by: Antoinette Jadaone

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#3

Written and directed by: Dwein Baltazar

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#2

Written by: Kenneth Lim Dagatan, Eduardo Dayao

Directed by: Kenneth Lim Dagatan

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#1

Written by: Kip Oebanda, Zig Dulay

Directed by: Kip Oebanda

—-

And here’s my 2018 scorecard:

★★★★★

GABI NG KABABALAGHAN (Stephen Lopez)

LIWAY (Kip Oebanda)

LUISA AT GUADA (Jude Matanguihan)

MA (Kenneth Lim Dagatan)

SA SAIYANG ISLA (Christian Candelaria)

—-

★★★★☆

ALL GROWN UP (Wena Sanchez)

BAKWIT BOYS (Jason Paul Laxamana)

BILLIE & EMMA (Samantha Lee)

BOYET LOVES YOU (Josel Fajardo)

DELIA & SAMMY (Therese Cayaba)

DISTANCE (Perci Intalan)

DUYAN NG ALON (Kaye Banaag)

GUSTO KITA WITH ALL MY HYPOTHALAMUS (Dwein Baltazar)

HINTAYAN NG LANGIT (Dan Villegas)

KOLEKSYONG PAMALO (Len Frago)

KUNG PAANO HINIHINTAY ANG DAPITHAPON (Carlo Catu)

MAMU (AND A MOTHER TOO) (Rod Singh)

NEVER NOT LOVE YOU (Antoinette Jadaone)

ODA SA WALA (Dwein Baltazar)

SOL SEARCHING (Roman Perez, Jr.)

—-

★★★☆☆

ALAS-NUEBE NG TANGHALI (Enalyn Legaspi)

ANONYMOUS STUDENT VLOG (Christian Babista)

BAHAY-BAHAYAN (Brian Spencer Reyes)

ANG DALAWANG MRS. REYES (Jun Lana)

CITIZEN JAKE (Mike de Leon)

EXES BAGGAGE (Dan Villegas)

ISANG TULA PARA SA NAWAWALA (Rod Singh)

JODILERKS DELA CRUZ, EMPLOYEE OF THE MONTH (Carlo Manatad)

MGA ANAK NG KAMOTE (Carlo Catu)

MISS GRANNY (Joyce Bernal)

NANGUNGUPAHAN (Glenn Barit)

KUYA WES (James Mayo)

PAGLISAN (Carl Joseph Papa)

PAG-UKIT SA PANINIWALA (Hiyas Baldemor Bagabaldo)

PARA SA BROKENHEARTED (Digo Ricio)

.RAW (Eugine Frondoza)

SI ASTRI MAKA SI TAMBULAH (Xeph Suarez)

SID & AYA (NOT A LOVE STORY) (Irene Villamor)

SIGNAL ROCK (Chito Roño)

SIN ISLAND (Gino Santos)

—-

★★☆☆☆

1957 (Hubert Tibi)

AMUSIN PA (Raiza Masculino)

ANG BABAENG ALLERGIC SA WIFI (Jun Lana)

BABYLON (Keith Deligero)

BATO BATO PIK (Ardinian Sanque, Lorys Plaza)

BINATA NA (Dexter de Jesus)

BUYBUST (Erik Matti)

THE DAY AFTER VALENTINE’S (Jason Paul Laxamana)

THE ETERNITY BETWEEN SECONDS (Alec Figuracion)

EVERYBODY LOVES BABY WENDY (Wenn Deramas, Alan Chanliongco)

EXCUSE ME PO (Ronald Batallones)

THE GIRL IN THE ORANGE DRESS (Jay Abello)

GLORIOUS (Connie Macatuno)

GOYO: ANG BATANG HENERAL (Jerrold Tarog)

THE HOPEFUL ROMANTIC (Topel Lee)

THE HOWS OF US (Cathy Garcia-Molina)

I LOVE YOU, HATER (Giselle Andres)

JACK EM POPOY: THE PULISCREDIBLES (Michael Tuviera)

KUNG PAANO SIYA NAWALA (Joel Ruiz)

LOGRO (Kani Villaflor)

MADILIM ANG GABI (Adolf Alix, Jr.)

MAMANG (Denise O’Hara)

MAMA’S GIRL (Connie Macatuno)

MARY, MARRY ME (RC delos Reyes)

MASAYA AKO (Daniel Delgado, Tiara Nicolas)

MASLA A PAPANOK (Gutierrez Mangansakan II)

MATA TAPANG (Rod Marmol)

MEET ME IN ST. GALLEN (Irene Villamor)

ML (Benedict Mique)

MR. & MRS. CRUZ (Sigrid Andrea Bernardo)

MUSMOS NA SUMIBOL SA GUBAT NG DIGMA (Iar Lionel Arondaing)

MY PERFECT YOU (Cathy Garcia-Molina)

MY 2 MOMMIES (Eric Quizon)

ANG PAMBANSANG THIRD WHEEL (Ivan Andrew Payawal)

PAN DE SALAWAL (Che Espiritu)

ANG PANAHON NG HALIMAW (Lav Diaz)

PINAY BEAUTY (SHE’S NO WHITE) (Jay Abello)

RAINBOW’S SUNSET (Joel Lamangan)

RUFYLA (Coleen Tanco)

RUNNER (Levi Miscala)

SCHOOL SERVICE (Louie Ignacio)

A SHORT HISTORY OF A FEW BAD THINGS (Keith Deligero)

SI APONIBOLINAYEN AT ANG MGA BATANG LUMILIPAD (April Aspiras)

SINGLE/SINGLE: LOVE IS NOT ENOUGH (Veronica Velasco, Pablo Biglang-awa)

SIYUDAD SA BULAWAN (Jarell Serencio)

TANABATA’S WIFE (Lito Casaje, Charlson Ong, Choy Pangilinan)

THREE WORDS TO FOREVER (Cathy Garcia-Molina)

TO LOVE SOME BUDDY (Jason Paul Laxamana)

WE WILL NOT DIE TONIGHT (Richard Somes)

—-

★☆☆☆☆

ABAY BABES (Don Cuaresma)

ABOMINATION (Yam Laranas)

ALIMUOM (Keith Sicat)

ALL SOULS NIGHT (Aloy Adlawan, Jules Katanyag)

AMNESIA LOVE (Albert Langitan)

ATE, KUYA, GUSTO KONG KAPE (Mark Bayani)

AURORA (Yam Laranas)

BAGYONG BHEVERLYNN (Charliebebs Gohetia)

CLASS OF 2018 (Charliebebs Gohetia)

CRY NO FEAR (Richard Somes)

DOTGA: DA ONE THAT GHOST AWAY (Tony Reyes)

DOUBLE TWISTING DOUBLE BACK (Joseph Abello)

EL PESTE (Richard Somes)

FANTASTICA (Barry Gonzalez)

FIRST LOVE (Paul Soriano)

HOSPICIO (Bobby Bonifacio, Jr.)

JACQUELINE COMES HOME (Ysabelle Peach)

KASAL (Ruel Bayani)

KAUYAGAN (WAY OF LIFE) (Julienne Ilagan)

KIKO (Jojo Driz)

KUSINA KINGS (Victor Villanueva)

LASINGTUNADO (Miguel Fernandez)

THE LOOKOUT (Afi Africa)

MELODRAMA/RANDOM/MELBOURNE! (Matthew Pastor)

MY FAIRY TAIL LOVE STORY (Perci Intalan)

NAKALIMUTAN KO NANG KALIMUTAN KA (Fifth Solomon)

NEVER TEAR US APART (Whammy Alcazaren)

ONE GREAT LOVE (Enrico Quizon)

OTLUM (Joven Tan)

PANG-MMK (John Lapus)

THE SIGNIFICANT OTHER (Joel Lamangan)

THROUGH NIGHT & DAY (Veronica Velasco)

TRES (Richard Somes, Dondon Santos)

TUGMA (Joshua Tayco)

UNLI-LIFE (Miko Livelo)

YAKAP (Mika Fabella, Rafael Froilan)

 

Until next year!!

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MISS GRANNY (Joyce Bernal, 2018)

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SPOILER ALERT!!

My notes on Miss Granny:

1. As a huge fan, my Popster heart would always break a little whenever I’d get to read nasty comments about my Bebe Idol Sarah Geronimo. “Ang tanda na ayaw pa payagan magka-boyfriend!”, “Gurang na wala pa rin kissing scene sa movies!”, “Grabe naman si Mommy Divine gusto ata tumandang dalaga ang anak niya!“, “Ano yan pabebe hanggang 60?”, and these were even the relatively tamer ones.

I was really thrilled when I heard that she agreed to star in the remake of a Korean movie about a loathsome grandma who magically transformed back to her 20-year old self. (Manang pala si Sarah ha? O ayan literal na manang talaga sya.) Instead of raising a huge middle finger to all of her bashers, she agreed to poke fun at herself, chuckle along with the online trolls, and kill them with kindness (and laughter).

2. Although she would forever be associated with her iconic Laida Magtalas role, I could easily say that this was her best performance to date. She was just so charming as Odrey, an oldie trapped in a young person’s body. It was also a delight to see her doing things (“Ay puke!!”) that her prim and proper real persona would never do. (With that said, the limitations set to protect her image left the film with several missing pieces. More on that later.)

One of my favorite scenes was when she kept slapping Lorenz (Xian Lim) with fresh bangus without ever breaking out of character (as opposed to the latter who could barely contain his giggles). She even said something like “Bakit mo ako sinusundan na parang asong kakasta?” that cracked up every senior citizen in the audience. Another really good scene was the family dinner where grandson Jeboy (James Reid) joked about them getting married soon which made her spit out her sinigang soup. She then gave him a huge batok and said something like “Natatae ako!” which had everyone rolling in the aisles.

3. I was able to watch the original Korean version a few days before this and I had the same reservations in terms of storytelling, especially since the Pinoy adaptation was almost a shot-by-shot remake (save for the opening sequence where the original used ball metaphors to discuss ageism on women while this remake focused more on finding real happiness in motherhood). The transitions were completely off here though and several key scenes were left out that made the story feeling a bit incomplete.

One of the biggest changes was the removal of romantic encounters with Lorenz. In one scene, the Korean Odrey was asked by Korean Lorenz what she wanted in a man and her response was something like “as long as he’s a good person and good in bed”. Maybe Mommy Divine didn’t approve of hearing her daughter wanting a “lalaking magaling sa kama”? Another one that was removed and that had a huge impact on me while watching was the hairpin gift. Towards the end of the original version, old Korean Odrey locked eyes with Korean Lorenz while wearing that hairpin and it just made the scene more heartbreaking considering the new life/love that she gave up just to save her grandson.

4. I was really surprised with the jarring transitions given that Joyce Bernal’s strength as a filmmaker was that she started as a really good editor. When a local critic described this production as sloppy, I completely understood what he meant. Even little things like a few grainy scenes, some wonky subtitles (“braised beff”, “son of a tofu”??, “lawrenz”), the credits with the tilted names, and the reduced screen at the end even without the credits rolling just felt lazy overall.

5. I did appreciate the small touches made for the Pinoy setting (the taho vendor, the use of chico, the Lola Madonna reference, etc.) And there were some really inspired 60’s/70’s OPM song choices that had me in LSS mode for several hours now. The only one that I really knew was the classic Rain (originally by Boy Mondragon) because it was covered by THE Donna Cruz in the 90’s, but I couldn’t stop singing Efren Montes’ Kiss Me, Kiss Me as well (“Tanan tanan tanan!!”). Where do I send my petition for a Sarah G. retro album?

Side note: That blatant BDO billboard might have ruined the moment of a crying Fely (Nova Villa), but it was actually in the original movie only with a different brand of course (it served as a juxtaposition of a young and old woman). Now that scene where Lorenz ordered using his BDO debit card? Shameless promotion. (I did sing “Just debit with BDO!” during that sequence so…).

Another side note: Why did Odrey have a Cherry Mobile ringtone? Oppo would not be happy. And why was she made to eat crispy pata to prove the strength of her real teeth when she could have munched on a crispylicious, juicylicious Chickenjoy instead?

6. Wait, how was she able to buy Valium over the counter? And why did one banig only cost Php289? Seryoso? (Eksenadora si pharmacist, though. He made the most out of his limited screen time, unlike the usually excellent Angeli Bayani who gave a terrible performance in this movie. What happened?! Bakit level 10 agad ang pasok ng acting?)

7. I missed the Pretty Woman montage in the original, but I’m sure everyone would agree that Sarah looked incredibly gorgeous in that makeover payong reveal. Now I need to buy a parasol before my next trip to ATC.

8. I really liked the “Wag kang bibitaw” montage shown during the “Forbidden” production number. Nakakaiyak considering all the sacrifices she had to make as a single mother. It made the “letting go” scene with her son (Nonie Buencamino) even more meaningful (and even more nakakaiyak, naturally!). When he said something like, “Ma, pwede ka na umalis. At sa pag-alis mo wag kang magsasakripisyo para sa masamang anak na katulad ko”, the whole theater was flooded with tears.

Ang galing ni Nonie and natapatan sya ni Sarah sa iyakan. She was so good that I felt the need to renew my Popster card even if I already had a lifetime membership.

9. I was so excited to see the actor who would play the young Bert (Boboy Garovillo) in the big reveal at the end. I really thought it would be Matteo Guidicelli, but it ended up to be Sam Concepcion. Bakit??? What a downer!! 

Anywho, I wonder when the Forever Young Portrait Studio would magically appear again in Mother Ignacia Street. I need to be ready.

Rating: ★★★☆☆

HENERAL LUNA (Jerrold Tarog, 2015)

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SPOILER ALERT!!

My notes on Heneral Luna:

1. The disclaimer at the start of the movie was scary for two reasons: a) for a biopic slash historical epic, we don’t know the extent of cinematic license used in the movie, and b) indeed, a fictionalized history (or work of fiction inspired by true events?) doesn’t take away the fact that this is still a clear representation of the truth (both past and present).

2. Jerrold Tarog has always been a competent filmmaker. He’s the kind of director that can make a Shake Rattle and Roll episode end up better than most of the full-length Pinoy movies shown that year. (Also, watch Senior Year!!)

3. I think everyone will agree that the movie had one of the best ensemble casts in any Pinoy film. I loved how the receding hairline of Epy Quizon was put to good use as Apolinario Mabini. In terms of acting, Mon Confiado (as Emilio Aguinaldo) and Nonie Buencamino (as Felipe Buencamino) were clear standouts. I hope none of them show up in Felix Manalo or I will start getting confused.

4. One of the best lines in the movie:

“Para kayong mga birhen na naniniwala sa pag-ibig ng isang puta!!”

I wonder when I can deliver this line in real life.

5. I particularly liked the Manifest Destiny scene because it stirred up emotions that shouldn’t even be there in this day and age (I so hated the American soldiers that I almost swore off eating burgers.)

6. A lot of reviews have pointed out that the film is a farce. I guess I’m being a purist then because I still want my History lessons all serious and dramatic. The rich content of Philippine History alone will never be boring. I guess I just didn’t understand all the funny quips despite the current situations (hey, it’s just war, people are just getting blown up, let’s all be like Cesar Montano and throw a witty one-liner or two!).

7. I was happy to see Antonio Luna portrayed as a deeply flawed character (never liked biopics that glorify their subject matter) but did it go too far? I could barely remember him in History class and now all I could think of was that he’s no different from Anger in Inside Out. Just about everything seemed to irk him to no end and everyone around him just looked completely dumb or incompetent. John Arcilla was fine in the lead role but I kept imagining him invoking the spirit of Captain Jack Sparrow in every scene. I hate to say it but it bordered closely on caricature.

8. Did we really need that gratuitous head shot for shock value? If they were depicting the reality of war then why was Luna shown as someone invincible? He just kept saying his lines while walking close to enemy lines without getting hit. Maybe he had an agimat that we didn’t know of? (Was it the magical coin pouch that saved his life?)

9. In one scene, Luna was trying to talk to an American soldier and ended up saying something like, “Hulihin nyo na yan. Naubusan na ko ng Ingles” all for comic relief. I was surprised he didn’t just say “Nosebleed!”. Why didn’t they really get Montano for this role?

10. I remember one of my History teachers saying that when Rizal got shot, he tried to face the firing squad as a sign of pride and dignity. Is this correct? (I’m only asking because the Rizal here just waited to be shot at the back. Wait, that didn’t sound right.)

11. In another scene, Luna was strumming his guitar and he was shown to have perfectly polished nails. With this, I will always remember that even in trying times, one should never forget to have a manicure.

12. Why is Beethoven’s Moonlight Sonata the song of choice for war flashback scenes? I first heard this used in Madrasta with Sharon Cuneta’s grandfather recalling the war with Japanese soldiers. (Ooh, I need to watch that again.)

13. Old people love hitting tables for emphasis. (If you’ve done that recently…)

14. The scene that I abhorred the most would have to be the one where Luna was killed and the movie turned into a comical Carlo J. Caparas movie. Luna was betrayed and stabbed and shot several times (and had a hole carved in his right eye) by Filipino soldiers and I should have been appalled and angry by the betrayal but I was instead preventing a huge fart from trying not to laugh. Sure, History books would say that he was stabbed 30 or so times and that he continued to flinch after his death but I’m sure it didn’t say that he was Fernando Poe, Jr. (or a horror movie villain that just won’t die).

15. I remember Aguinaldo getting a bad rap for apparently ordering the assassination of Andres Bonifacio. He was portrayed the exact same way here with fingers directly pointed at him for giving the directive on the ambush of Luna. I never knew our first President was such a villain. Has anything changed since then?

16. The burning flag scene in its entirety covered everything that the movie was trying to say in two hours. Such powerful imagery.

17. There’s a mid-credits sequence!! In the same way that Bonifacio: Ang Unang Pangulo had a Heneral Luna teaser, this one hinted at a Gregorio del Pilar spin-off (meaning more Paulo Avelino!). Move over Marvel, we have our Pinoy superheroes!

18. How many times did I mention History?

Rating: ★★★☆☆

(Originally published September 16, 2015.)

The Best of Pinoy Cinema 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

SMALLER AND SMALLER CIRCLES (Raya Martin, 2017)

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SPOILER ALERT!!

One character probably summed it up best when he mentioned that the others may have seen one too many Hollywood crime films since there were no serial killers in the Philippines (hail Queen Jessica Zafra!). Although this adaptation of the Palanca-winning novel by F.H. Batacan had a distinctly Pinoy setting (what screamed poverty more than the Payatas dumpsite?), nothing else felt authentic in this slow-paced procedural slash disappointing non-thriller.

I couldn’t get past the unnatural dialogue between the two conyo Jesuit priests (Nonie Buencamino and Sid Lucero). When the latter said something like “Nobody raised a stink?”, I just wanted to make tungga a bottle of holy water. Although these served well during one Atenista joke, the English conversations just felt (what did you call it again, Holden Caulfield?), ah yes, phony. Don’t get me started on the unnecessary (oh look we’re multilingual!) French talk.

Even the themes didn’t exactly break new ground. Inefficiency of our local crime units? Politicians taking advantage of the poor? Abusive power of the Church? Pedophile priests? Where was Joel Lamangan when you needed him? Worse, the big reveal of the killer felt very anticlimactic with the introduction of a last minute character (and not in a menacing Kevin Spacey in Se7en way) whose motives and modus weren’t fully explained.

At least it had the budget for a competent all-star cast, lovely cinematography and terrific production design (that fully captured the grimy late 90s aesthetics). It also obviously wasn’t a rushed production with a pre-keto diet Mae Paner (and was that the late Joy Viado in one scene?).

I got bored during the sluggish killer confession scene so I just imagined a more interesting version of the movie in my head. I renamed Buencamino’s Father Saenz as Father Science since he was a forensics expert anyway and with all the victims’ missing hearts and genitals, he sought the help of Kim Chiu’s Mayen who already had an experience with monsters that shove organs down people’s throats. Chito Roño’s Smaller and Smaller Bagwas, anyone?

Rating: ★★☆☆☆

The Best of Pinoy Cinema 2016

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TOP 10 BEST FEATURE LENGTH FILMS

#10

ANG BABAE SA SEPTIC TANK 2:#FOREVERISNOTENOUGH

Written by: Chris Martinez
Directed by: Marlon Rivera

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#9

SEKLUSYON

Written by: Anton Santamaria
Directed by: Erik Matti

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#8

PAMILYA ORDINARYO

Written by: Eduardo Roy, Jr.
Directed by: Eduardo Roy, Jr.

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#7

FOREVER BRIDGELESS

Written by: Racquel Zaballero-Sanchez and Glenn Ternal
Directed by: Racquel Zaballero-Sanchez and Glenn Ternal

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#6

STAR NA SI VAN DAMME STALLONE

Written by: Ronald Allan Habon
Directed by: Randolph Longjas

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#5

SAKALING HINDI MAKARATING

Written by: Ice Idanan and Petersen Vargas
Directed by: Ice Idanan

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#4

DIE BEAUTIFUL

Written by: Rody Vera
Directed by: Jun Lana

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#3

MA’ ROSA

Written by: Troy Espiritu
Directed by: Brillante Mendoza

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#2

SUNDAY BEAUTY QUEEN

Written by: Baby Ruth Villarama
Directed by: Baby Ruth Villarama

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#1

TUOS

Written by: Denise O’Hara
Directed by: Derick Cabrido

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2016 Scorecard:

★★★★★
DIE BEAUTIFUL (Jun Lana)
FOREVER BRIDGELESS (Racquel Zaballero-Sanchez, Glenn Ternal)
FOREVER NATIN (Cyrus Valdez)
MA’ ROSA (Brillante Mendoza)
OKTOPUS (JP Habac)
ANG PAINTING NI TATAY (Sigrid Andrea Bernardo)
SAANMAN NGUNIT DITO (Cheska Salangsang)
SAKALING HINDI MAKARATING (Ice Idanan)
STAR NA SI VAN DAMME STALLONE (Randolph Longjas)
STOP. STEADY. SAYAW. (Dan Villegas)
SUNDAY BEAUTY QUEEN (Baby Ruth Villarama)
TUOS (Derick Cabrido)
XXX (Allison Barretto)

★★★★☆
ALWAYS BE MY MAYBE (Dan Villegas)
CAMP SAWI (Irene Villamor)
CHICBOY (Jasper Ramon Tulabot)
DIGPAN NING ALTI (Bor Ocampo)
FISH OUT OF WATER (Mon Garilao)
ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera)
KATOK (John Rhys Guarina)
KUNG ANG ULAN AY GAWA SA TSOKOLATE (Galileo Sioco Te and Prime Reyes)
LUMAYO KA NGA SA AKIN (ASAWA NI MARIE) (Chris Martinez)
MERCURY IS MINE (Jason Paul Laxamana)
MRS. (Adolf Alix, Jr.)
AN ORCHESTRA IN SEARCH OF A HOME (Ida Anita del Mundo)
PAMILYA ORDINARYO (Eduardo Roy, Jr.)
PEKTUS (Isabel Quesada)
SEKLUSYON (Erik Matti)

★★★☆☆
THE ACHY BREAKY HEARTS (Antoinette Jadaone)
AREA (Louie Ignacio)
ANG BABAENG HUMAYO (Lav Diaz)
BAKA BUKAS (Samantha Lee)
BAKIT LAHAT NG GWAPO MAY BOYFRIEND? (Jun Lana)
BESHIE (Joyce Bernal)
DUKOT (Paul Soriano)
DYAMPER (Mes de Guzman)
EVERYTHING ABOUT HER (Joyce Bernal)
EXPRESSWAY (Ato Bautista)
GET CERTIFIED (Isaias Zantua)
HELE SA HIWAGANG HAPIS (Lav Diaz)
IMAGINE YOU & ME (Michael Tuviera)
JUST THE 3 OF US (Cathy Garcia-Molina)
LUNA (Rae Red)
MANILA SCREAM (Roque Lee, Blair Camilo)
MGA BITOON SA SIUDAD (Jarell Serencio)
NAKAUWI NA (John Relano, Patrick Baleros, Luis Hidalgo)
NED’S PROJECT (Lemuel Lorca)
AN OPEN DOOR (Paul Soriano)
ORO (Alvin Yapan)
SAVING SALLY (Avid Liongoren)
SITSIRITSIT (Brian Spencer Reyes)
SINA DINO AT ANG KANILANG SIKRETO (Miller Ursolino)
ANG TABA KO KASI (Jason Paul Laxamana)

★★☆☆☆
1ST SEM (Allan Ibanez, Dexter Hemedez)
ANG BAGONG PAMILYA NI PONCHING (Inna Salazar Acuña, Dos Ocampo)
BARCELONA: A LOVE UNTOLD (Olivia Lamasan)
BUGTAW (Noah del Rosario)
BUHAY HABANGBUHAY (Paolo Herras)
BUTAS (Richard Cawed)
DAGSIN (Atom Magadia)
ECHORSIS (Lemuel Lorca)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
ANG HAPON NI NANDING (Milo Tolentino)
HIBLANG ABO (Ralston Jover)
HOW TO BE YOURS (Dan Villegas)
HOW TO FIND LOVE (Quark Henares)
I AMERICA (Ivan Andrew Payawal)
I LOVE YOU TO DEATH (Miko Livelo)
KABISERA (Arturo San Agustin, Real Florido)
KUSINA (Cenon Palomares, David Corpuz)
LAKBAY2LOVE (Ellen Ongkeko-Marfil)
LILA (Gino Santos)
LOVE IS BLIND (Jason Paul Laxamana)
LOVE ME TOMORROW (Gino Santos)
LUMAYO KA NGA SA AKIN (BALA SA BALA, KAMAO SA KAMAO, SATSAT SA SATSAT) (Mark Meily)
LUMAYO KA NGA SA AKIN (SHAKE, SHAKER, SHAKEST) (Andoy Ranay)
ANG MAANGAS, ANG MARIKIT, AT ANG MAKATA (Ibarra Guballa)
MANSYONG PAPEL (Ogos Aznar)
MITATANG (Alvin Jezer Gagui)
MY CANDIDATE (Quark Henares)
NOT APPLICABLE (Carl Chavez)
PUNLA (Kenneth Mandrilla)
THE SUPER PARENTAL GUARDIANS (Joyce Bernal)
THE THIRD PARTY (Jason Paul Laxamana)
THIS TIME (Nuel Naval)
TISAY (Alfonso Torre III)
ANG TULAY NG SAN SEBASTIAN (Alvin Yapan)
THE UNMARRIED WIFE (Maryo J. Delos Reyes)
VINCE & KATH & JAMES (Theodore Boborol)
WHISTLEBLOWER (Adolf Alix, Jr.)
WORKING BEKS (Chris Martinez)

★☆☆☆☆
AKI (Milo Tolentino)
BIRDS (Christian Paolo Lat)
DIYOS-DIYOSAN (Cesar Buendia)
ELEMENTO (Mark Meily)
ENTENG KABISOTE 10 AND THE ABANGERS (Tony Reyes, Marlon Rivera)
THE ESCORT (Enzo Williams)
ANG HAPIS AT HIMAGSIK NI HERMANO PULI (Gil Portes)
LANDO AT BUGOY (Vic Acedillo, Jr.)
MANO PO 7: CHINOY (Ian Loreños)
MY REBOUND GIRL (Emmanuel dela Cruz)
PASSAGE OF LIFE (Renz Vincemark Cruz, Hannah Daryl Gayapa)
STRAIGHT TO THE HEART (Frank David Fabros)
THAT THING CALLED TANGA NA (Joel Lamangan)
TPO (TEMPORARY PROTECTION ORDER) (Joselito Altarejos)
TUPANG LIGAW (Rod Santiago)

ANG BABAENG HUMAYO (Lav Diaz, 2016)

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SPOILER ALERT!!

My notes on Ang Babaeng Humayo:

1. Do you know those times when you would rather watch a silly Adam Sandler movie than wallow in all the glorious art of a Terrence Malick film (I still could not finish The Tree of Life without falling asleep)? I had that experience while watching this four-hour Venice Film Festival Golden Lion winner from master filmmaker Lav Diaz. Although this one was just half the length of Hele Sa Hiwagang Hapis, I still wondered if all of those scenes needed the extra two to three minutes of…something (nothing?).

2. I kept imagining the film as a glorified version of Charles Bronson’s revenge flick Death Wish and I had my own wish for a scene where Horacia (Madam Charo Santos-Concio) would throw away her cap, remove her denim jacket, raise her fists, and fight mano a mano with the person that sent her rotting in prison for thirty years. Fortunately (or unfortunately, I kept switching sides during its entirety), this was an art film so instead we were knocked on the head with various metaphors while our heroine waited (and waited and waited and waited and waited…) in the shadows.

3. Speaking of shadows, as with any Diaz film, this was meticulously shot in gorgeous black and white. Every scene was just picture perfect and ready for cinephiles to screencap for their year-end best of lists. (I would like to suggest that scene outside the church with Horacia standing next to a billboard saying “Huwag kang papatay.”)

4. It was a delight to see Madam Charo back on the big screen and she managed to give a good performance despite the long hiatus. There were still moments though when her classy, glamorous persona came out even when the role required more pathos and grit (or angas, especially when delivering lines like “Loaded ako, pare.”).

One scene required her to assault a woman twice her size and it was obvious that she pulled her punches. Another involved a lot of wailing on the stairs after learning that her husband died and it was met by laughter from the audience. At her best, she was able to effectively convey the moral journey of a scorned woman. At her worst, she reminded me of Kris Aquino playing a beggar in Pido Dida.

5. There were several instances where Horacia narrated her own horror story (one kid brilliantly butted in with “Wala bang fairy tale?”) and as soon as I heard that familiar soothing voice straight out of MMK, I immediately started guessing an episode title.

6. My favorite scene in the film involved a joyous song and dance number between Horacia and Hollanda (an epileptic transgender that she took under her wing, played with great nuance by John Lloyd Cruz, as if we expected anything less from him). It started with Sunrise, Sunset from Fiddler on the Roof, then continued with Somewhere from West Side Story, and ended with the familiar “shadam dradam” sounds of Donna Cruz’s Kapag Tumibok ang Puso. It was great to see the characters (and actors) finally lowering their guards and just simply having the time of their lives.

7. When Hollanda mentioned the funny faux story of how she got her name (her pregnant mother spun the globe and her finger landed on Holland), I was so happy that my mom never thought of doing that because Uzbekistan Javier would have been bullied to death in school.

8. Even with Lloydie playing against type (sounding like a millennial gay in the 90s) and hilariously complaining about his painful butthole, the standout performances were from the dependable Nonie Buencamino as the hunchback balut vendor (I craved for balut while watching, no kidding) and Jean Judith Javier (no relation, I swear) as Mameng, the taong grasa that kept accusing everyone of being demons (“Puro demonyo ang mga nagsisimba dito!!”) Applause!

9. In the film’s final moment, it showed Horacia walking round and round (and round and round and round and round…) on the posters of her missing son. Was it a metaphor for her futile search? Was that another social commentary on the state of the country during that time (and even today)? Nahilo ba sa eksenang yun si Madam Charo?

Rating: ★★★☆☆