My notes on Mary Poppins Returns:
1. One of the highlights of Saving Mr. Banks (a great companion piece to this film) was the scene where an uptight P.L. Travers (played by the superb Emma Thompson) unexpectedly lowered her guard and started dancing along to Let’s Go Fly a Kite. It was a touching moment especially since the author notoriously hated the Disneyfication of her novels (“Responstible is not a word!!”), particularly Mary Poppins.
I wonder how she would have felt with this one given that it lacked an LSS-worthy melody that the original had in abundance. Can You Imagine That? and Trip a Little Light Fantastic were fun and frothy, but they just weren’t as memorable as Supercalifragilisticexpialidocious (an exercise in spelling and enunciation) or A Spoonful of Sugar.
For the record, my favorite tune from the 1964 classic was Oscar winner Chim Chim Cher-ee. Fun online fact: If you scratch “-2 – 2 + =“ on your pillow, it would sound very much like this song. Aren’t the interwebs wonderful?
2. Although billed as a sequel (with the Banks children all grown up), this still felt very much like a remake (seriously, why did they even bother?). If anything, I was happy that they kept the 2D animation during some of the fantasy sequences because it perfectly captured the old school magic of films.
3. I really thought it would be hard to match the wonderful performance of Julie Andrews (whose stern but loving version of the magical nanny reminded me of her stern but loving grandma slash Queen of Genovia in The Princess Diaries), but Emily Blunt completely owned the role (not a trace of imitation!) while paying homage to a well-loved Dame. At least she had a fun moment in the bathtub for a change.
4. It was sad to see Lin-Manuel Miranda sticking out like a sore thumb among the mostly English (and incredibly good) supporting cast. Although this was a musical where people actually floated while holding on to balloons, there was just something off with his over-the-top (read: theater-ready) acting.
Julie Walters was a hilarious scene-stealer as always, but I was more pleasantly surprised by Ben Whishaw. In one scene, he was clutching on to his dead wife’s pearl necklace while singing that he needed a few suggestions on how to brush their daughter’s hair and I was trying my best not to burst into tears.
As for the kids, they were fine enough, although I was wishing one of them could be like a young Freddie Highmore in Finding Neverland.
5. Been a fan of Rob Marshall’s impressive choreography since Chicago and it was in full display here. When the Banks’ house got rattled by an exploding cannon, the siblings caught the falling furniture (a few lamps, an heirloom clock) like they were in a ballet. I also liked the (intentional?) nod to Velma Kelly in the A Cover is Not a Book production.
6. I understood the decision of making this version of Mary closer to her disposition in the books, but it was also the reason why I thought that this sequel needed a bit more heart. Like I wanted to be a puddle of sobbing mess when she would leave the children in the end and it didn’t happen. I had more of an emotional attachment with Sam in Wanted: Perfect Mother.
7. Why did Mary let the poor leeries climb all the way up the clock tower when she could have done it in the first place pala? Did everything have to be a teachable moment?
8. “Cleaning is not a spectator sport” sounded like something Marie Kondo would say. Yes, this movie gave me a tiny spark of joy.