MOVIE REVIEW: THE MOMMY RETURNS (Joel Lamangan, 2012)

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Abysmal wouldn’t even begin to describe this which seemed to be a hodgepodge of ham actors, lame dialogue, unlikable characters, senseless plot, bad editing, corny jokes, and low-class special effects.

Not even the usually reliable Pokwang and John Lapus could save this terrible material. This was the kind of movie that was so bad you wouldn’t even wait for it on free TV.

I hope Joel Lamangan would stay away from this genre. Eternally.

Rating: ★☆☆☆☆

(Originally published May 19, 2012.)

MOVIE REVIEW: CINCO (Frasco Mortiz, Enrico Santos, Ato Bautista, Nick Olanka, Cathy Garcia-Molina, 2010)

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SPOILER ALERT!!

Anthology of five horror shorts kyemerut. Parang pa-bibong Shake, Rattle, Roll with its two additional stories pero hindi naman nakadagdag sa scare factor.

BRASO (Frasco Mortiz) – ★☆☆☆☆

Tungkol sa baklang braso na nag-break free sa pagiging closeta at dinakma ang yagbols ni AJ Perez (RIP).

PAA (Enrico Santos) – ★★★☆☆

Tungkol sa isang nanay (Jodi Sta. Maria in full batas ng isang api mode) na hindi marunong magpagpag kaya sinundan ng multo ng batang ninakawan niya ng sapatos.

MATA (Ato Bautista) – ★★☆☆☆

Tungkol sa isang babaeng (Maja Salvador) trapped in a Groundhog Day nightmare kung saan jowa niya lagi si Rayver Cruz. Saklap.

MUKHA (Nick Olanka) – ★★☆☆☆

Tungkol sa bitch from hell na boss (Mariel Rodriguez channeling Kimmy Go Dong Hae) na ginamit ang mukha ng kawawang office janitor to test their new photocopying machine. Naghiganti tuloy ang kaluluwa nito na galit sa mga DDS tulad ng asawa ni boss na si Robin Padilla.

PUSO (Cathy Garcia-Molina) – ★★☆☆☆

Tungkol sa isang chakang perya performer (Pokwang) na desperadong magka-lovelife at sa kasamaang-palad ay zombie ang nagayuma. Hindi na rin masama kasi mas mukha pang mabango ang naaagnas na si Zanjoe Marudo kesa sa mga People You May Know ng Facebook.

Saan banda ako dapat matakot?

Rating: ★★☆☆☆

MOVIE REVIEW: A MOTHER’S STORY (John-D Lazatin, 2012)

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It was the usual OFW fare that seemed to fit more on the small screen. The material didn’t offer anything new from previous films of the same nature (the Anak reference was both a winning punchline and a curse). It only required a lot of crying from its competent cast (Pokwang was a delight to watch and I loved her scenes with the equally great Daria Ramirez).

The movie did have some good moments (dramatic situations infused with much-needed humor, the non-linear structure ala Forrest Gump, Nonie Buencamino stealing his scenes with ease) until it fully crumbled in the final act where the lead became unsympathetic and all loose ends were neatly tied-up.

Not bad overall, but it could have been much better.

Rating: ★★★☆☆

(Originally published January 12, 2012.)

MOVIE REVIEW: CALL CENTER GIRL (Don Cuaresma, 2013)

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Got everything wrong about the BPO industry that I wonder why they even bothered setting it in a call center.

Even worse, there was nothing remotely realistic in the movie. Not the caricatures or the contrived and senseless situations.

The only times I laughed were probably unintentional: the one-on-one product training, the agent taking a call with a locked PC, the Team Leader inviting his agent for a few beers before reporting to work, all agents off the phones for New Year, etc.

Note: The movie was shot in Alorica so my former boss was part of the end credits. At least seeing his name onscreen made me feel giddy.

Rating: ★☆☆☆☆

MOVIE REVIEW: 24/7 IN LOVE (Mae Czarina Cruz, John-D Lazatin, Frasco Mortiz, Dado Lumibao, 2012)

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Definitely a mixed bag but the good ones greatly outweighed the stinkers. The weaker stories were saved by strong performances from Maja Salvador, Angelica Panganiban, and Kim Chiu while the interesting segments were further enhanced by the excellent turns of Bea Alonzo, Zanjoe Marudo, Xyriel Manabat, and Pokwang.

The Bea-Zanjoe segment was just so good it could have worked as an entire movie. I’d recommend this just for that wonderful bit alone.

Rating: ★★★☆☆

(Originally published December 5, 2012.)

MOVIE REVIEW: MERCURY IS MINE (Jason Paul Laxamana, 2016)

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An enjoyably weird ride that unfortunately went off the rails in its final twenty minutes.

I loved the screenplay because it didn’t try too hard to be funny. It also hit the jackpot with Pokwang who was truly phenomenal here.

Bret Jackson finally gave a decent performance. He had an easygoing charm that suited the role and (please don’t scoff) actually reminded me of a manic Leonardo DiCaprio.

Overall, this was a definite crowd-pleaser and I wouldn’t be surprised if it snagged the Audience Choice award.

Rating: ★★★★☆

(Originally published August 9, 2016.)

YEAR-END MOVIE REVIEW: THE BEST OF PINOY CINEMA 2018

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1. THERESE MALVAR (Distance)

2. MOI BIEN (Kuya Wes)

3. CHERIE GIL (Citizen Jake)

4. GILLETH SANDICO (Sol Searching)

5. INA RAYMUNDO (Kuya Wes)

6. DEVON SERON (Bakwit Boys)

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1. MENGGIE COBARRUBIAS (Kung Paano Hinihintay ang Dapithapon)

2. NICO ANTONIO (Delia & Sammy)

3. KETCHUP EUSEBIO (Mamang)

4. NICCO MANALO (Gusto Kita With All My Hypothalamus)

5. EJ JALLORINA (Mamu; And A Mother Too)

6. JM SALVADO (Sol Searching)

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1. GLAIZA DE CASTRO (Liway)

2. IYAH MINA (Mamu; And a Mother Too)

3. GINA PAREÑO (Hintayan ng Langit)

4. POKWANG (Oda sa Wala)

5. CELESTE LEGASPI (Mamang)

6. NADINE LUSTRE (Never Not Love You)

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1. DANTE RIVERO (Kung Paano Hinihintay ang Dapithapon)

2. EDDIE GARCIA (Hintayan ng Langit)

3. DINGDONG DANTES (Sid and Aya: Not a Love Story)

4. NONIE BUENCAMINO (Distance)

5. EDDIE GARCIA (ML)

6. JAIME FABREGAS (Delia & Sammy)

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1. SA SAIYANG ISLA (Christian Candelaria)

2. GABI NG KABABALAGHAN (Stephen Lopez)

3. LUISA AT GUADA (Jude Matanguihan)

4. BOYET LOVES YOU (Josel Fajardo)

5. DUYAN NG ALON (Kaye Banaag)

—-

TOP 10 FEATURE LENGTH FILMS

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#10

Written by: Keavy Eunice Vicente

Directed by: Perci Intalan

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#9

Written and directed by: Samantha Lee

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#8

Written by: Juan Miguel Severo

Directed by: Dan Villegas

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#7

Written by: John Carlo Pacala

Directed by: Carlo Catu

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#6

Written and directed by: Dwein Baltazar

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#5

Written and directed by: Rod Singh

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#4

Written and directed by: Antoinette Jadaone

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#3

Written and directed by: Dwein Baltazar

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#2

Written by: Kenneth Lim Dagatan, Eduardo Dayao

Directed by: Kenneth Lim Dagatan

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#1

Written by: Kip Oebanda, Zig Dulay

Directed by: Kip Oebanda

—-

And here’s my 2018 scorecard:

★★★★★

GABI NG KABABALAGHAN (Stephen Lopez)

LIWAY (Kip Oebanda)

LUISA AT GUADA (Jude Matanguihan)

MA (Kenneth Lim Dagatan)

SA SAIYANG ISLA (Christian Candelaria)

—-

★★★★☆

ALL GROWN UP (Wena Sanchez)

BAKWIT BOYS (Jason Paul Laxamana)

BILLIE & EMMA (Samantha Lee)

BOYET LOVES YOU (Josel Fajardo)

DELIA & SAMMY (Therese Cayaba)

DISTANCE (Perci Intalan)

DUYAN NG ALON (Kaye Banaag)

GUSTO KITA WITH ALL MY HYPOTHALAMUS (Dwein Baltazar)

HINTAYAN NG LANGIT (Dan Villegas)

KOLEKSYONG PAMALO (Len Frago)

KUNG PAANO HINIHINTAY ANG DAPITHAPON (Carlo Catu)

MAMU (AND A MOTHER TOO) (Rod Singh)

NEVER NOT LOVE YOU (Antoinette Jadaone)

ODA SA WALA (Dwein Baltazar)

SOL SEARCHING (Roman Perez, Jr.)

—-

★★★☆☆

ALAS-NUEBE NG TANGHALI (Enalyn Legaspi)

ANONYMOUS STUDENT VLOG (Christian Babista)

BAHAY-BAHAYAN (Brian Spencer Reyes)

ANG DALAWANG MRS. REYES (Jun Lana)

CITIZEN JAKE (Mike de Leon)

EXES BAGGAGE (Dan Villegas)

ISANG TULA PARA SA NAWAWALA (Rod Singh)

JODILERKS DELA CRUZ, EMPLOYEE OF THE MONTH (Carlo Manatad)

MGA ANAK NG KAMOTE (Carlo Catu)

MISS GRANNY (Joyce Bernal)

NANGUNGUPAHAN (Glenn Barit)

KUYA WES (James Mayo)

PAGLISAN (Carl Joseph Papa)

PAG-UKIT SA PANINIWALA (Hiyas Baldemor Bagabaldo)

PARA SA BROKENHEARTED (Digo Ricio)

.RAW (Eugine Frondoza)

SI ASTRI MAKA SI TAMBULAH (Xeph Suarez)

SID & AYA (NOT A LOVE STORY) (Irene Villamor)

SIGNAL ROCK (Chito Roño)

SIN ISLAND (Gino Santos)

—-

★★☆☆☆

1957 (Hubert Tibi)

AMUSIN PA (Raiza Masculino)

ANG BABAENG ALLERGIC SA WIFI (Jun Lana)

BABYLON (Keith Deligero)

BATO BATO PIK (Ardinian Sanque, Lorys Plaza)

BINATA NA (Dexter de Jesus)

BUYBUST (Erik Matti)

THE DAY AFTER VALENTINE’S (Jason Paul Laxamana)

THE ETERNITY BETWEEN SECONDS (Alec Figuracion)

EVERYBODY LOVES BABY WENDY (Wenn Deramas, Alan Chanliongco)

EXCUSE ME PO (Ronald Batallones)

THE GIRL IN THE ORANGE DRESS (Jay Abello)

GLORIOUS (Connie Macatuno)

GOYO: ANG BATANG HENERAL (Jerrold Tarog)

THE HOPEFUL ROMANTIC (Topel Lee)

THE HOWS OF US (Cathy Garcia-Molina)

I LOVE YOU, HATER (Giselle Andres)

JACK EM POPOY: THE PULISCREDIBLES (Michael Tuviera)

KUNG PAANO SIYA NAWALA (Joel Ruiz)

LOGRO (Kani Villaflor)

MADILIM ANG GABI (Adolf Alix, Jr.)

MAMANG (Denise O’Hara)

MAMA’S GIRL (Connie Macatuno)

MARY, MARRY ME (RC delos Reyes)

MASAYA AKO (Daniel Delgado, Tiara Nicolas)

MASLA A PAPANOK (Gutierrez Mangansakan II)

MATA TAPANG (Rod Marmol)

MEET ME IN ST. GALLEN (Irene Villamor)

ML (Benedict Mique)

MR. & MRS. CRUZ (Sigrid Andrea Bernardo)

MUSMOS NA SUMIBOL SA GUBAT NG DIGMA (Iar Lionel Arondaing)

MY PERFECT YOU (Cathy Garcia-Molina)

MY 2 MOMMIES (Eric Quizon)

ANG PAMBANSANG THIRD WHEEL (Ivan Andrew Payawal)

PAN DE SALAWAL (Che Espiritu)

ANG PANAHON NG HALIMAW (Lav Diaz)

PINAY BEAUTY (SHE’S NO WHITE) (Jay Abello)

RAINBOW’S SUNSET (Joel Lamangan)

RUFYLA (Coleen Tanco)

RUNNER (Levi Miscala)

SCHOOL SERVICE (Louie Ignacio)

A SHORT HISTORY OF A FEW BAD THINGS (Keith Deligero)

SI APONIBOLINAYEN AT ANG MGA BATANG LUMILIPAD (April Aspiras)

SINGLE/SINGLE: LOVE IS NOT ENOUGH (Veronica Velasco, Pablo Biglang-awa)

SIYUDAD SA BULAWAN (Jarell Serencio)

TANABATA’S WIFE (Lito Casaje, Charlson Ong, Choy Pangilinan)

THREE WORDS TO FOREVER (Cathy Garcia-Molina)

TO LOVE SOME BUDDY (Jason Paul Laxamana)

WE WILL NOT DIE TONIGHT (Richard Somes)

—-

★☆☆☆☆

ABAY BABES (Don Cuaresma)

ABOMINATION (Yam Laranas)

ALIMUOM (Keith Sicat)

ALL SOULS NIGHT (Aloy Adlawan, Jules Katanyag)

AMNESIA LOVE (Albert Langitan)

ATE, KUYA, GUSTO KONG KAPE (Mark Bayani)

AURORA (Yam Laranas)

BAGYONG BHEVERLYNN (Charliebebs Gohetia)

CLASS OF 2018 (Charliebebs Gohetia)

CRY NO FEAR (Richard Somes)

DOTGA: DA ONE THAT GHOST AWAY (Tony Reyes)

DOUBLE TWISTING DOUBLE BACK (Joseph Abello)

EL PESTE (Richard Somes)

FANTASTICA (Barry Gonzalez)

FIRST LOVE (Paul Soriano)

HOSPICIO (Bobby Bonifacio, Jr.)

JACQUELINE COMES HOME (Ysabelle Peach)

KASAL (Ruel Bayani)

KAUYAGAN (WAY OF LIFE) (Julienne Ilagan)

KIKO (Jojo Driz)

KUSINA KINGS (Victor Villanueva)

LASINGTUNADO (Miguel Fernandez)

THE LOOKOUT (Afi Africa)

MELODRAMA/RANDOM/MELBOURNE! (Matthew Pastor)

MY FAIRY TAIL LOVE STORY (Perci Intalan)

NAKALIMUTAN KO NANG KALIMUTAN KA (Fifth Solomon)

NEVER TEAR US APART (Whammy Alcazaren)

ONE GREAT LOVE (Enrico Quizon)

OTLUM (Joven Tan)

PANG-MMK (John Lapus)

THE SIGNIFICANT OTHER (Joel Lamangan)

THROUGH NIGHT & DAY (Veronica Velasco)

TRES (Richard Somes, Dondon Santos)

TUGMA (Joshua Tayco)

UNLI-LIFE (Miko Livelo)

YAKAP (Mika Fabella, Rafael Froilan)

 

Until next year!!

MOVIE REVIEW: EDSA WOOLWORTH (John-D Lazatin, 2014)

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SPOILER ALERT!!

My notes on Edsa Woolworth:

1. The poster spoke the truth when it mentioned that the movie was all about the family. It was basically a slice of life dramedy about an unconventional family based in San Francisco. Sadly, it was also as bland as its tagline.

2. Pokwang was able to flex her dramatic muscles a few years back with the TFC-produced A Mother’s Story, a fine enough film about an OFW that only turned silly during its last act. She seemed more relaxed here as Edsa, hitting every cue with her good comic timing (“Are you good in bed?”, “I love balls!”) or quick-flowing tears.

3. Surprisingly, Pokwang’s performance was overshadowed by Ricci Chan, a gifted theater actor who was just a delight to watch in a major role on the big screen. Sure he still had some noticeable tics especially during confrontation scenes but he just delivered his lines with aplomb, whether he was mentioning the 500-thread count of his Egyptian cotton sheets to his cheating boyfriend or verbalizing the hidden emotions of just about any gay person.

4. What kind of parent would name his/her child Epifania delos Santos Woolworth? Besides, wouldn’t this just be Eds Woolworth?

5. All Americans in the movie were just too nice. Edsa’s Caucasian father was a paradigm of kindness, a massage client allowed her to sprawl out on the master bed, and a store manager even let her finish her nap on a bed display (and even took her out to dinner after!).

6. I was surprised to see Lee Robin Salazar again. Wasn’t he part of the Manoeuvres and even played a bit role in that classic Viva movie, Do Re Mi? Tell me I’m not crazy.

7. It was weird to watch kissing scenes with mouths fully closed. Just me? Okay.

8. There was really nothing much to propel the story forward. The tender moments just couldn’t compensate for the tedium of the rest of the film. It even threw in a predictable twist in the last act after supposedly tying up all loose ends.

9. Happy ending! Sad ending! Happy ending!! Sad ending!! Happy ending!!!!!

10. I guess that marriage wouldn’t last long since it was sukob.

11. I actually cringed at that final scene where a dead major character was on a hill smiling at the happy living family members. Eek!

12. Overheard during the movie:
“Naka-try ka na ng jacuzzi?”
“Oo, sa Pansol.”

Rating: ★★☆☆☆

(Originally published January 15, 2015.)

FILM FESTIVAL REVIEW: CINEMALAYA 2016 SCORECARD

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After a one year hiatus for feature length films (with only shorts shown last year), expectations (mine, especially) were really high for this year’s Cinemalaya Independent Film Festival. Its theme of “Break the Surface” and hilariously brutal ad (“Gusto mo ba ng iba?”) further added to the hype and excitement.

I was happy that several films this year tried to be different, even if some failed in execution. This year’s selections didn’t reach the highs of 2012, but it was nice to see that they were polarizing at best. People’s opinions varied greatly and generated a lot of discussions. And regardless of differing standpoints, everyone agreed on one thing: that we have some of the finest actors and actresses (both ingenues and veterans) in the entire world.

With that said, here’s my festival scorecard:

Best Feature-Length Film

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1. TUOS (Derick Cabrido) – ★★★★★

Napakahusay!!

A lot of people will get turned off by the dream-like narrative of Tuos, which included deeply-rooted Pinoy folklore, breaking traditions, a tribal dance by La Aunor, gorgeous animation set to Banaue Miclat’s haunting voice, and a hung tikbalang. I was just enthralled.

Is it even possible to upstage THE Superstar? Well, Barbie Forteza just did. Such a talented young actress!!

 

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2. PAMILYA ORDINARYO (Eduardo Roy, Jr.) – ★★★★☆

Gritty, filthy, and riveting. It needed a bit of trimming, but had solid performances from the entire ensemble.

Loved the deafening silence of the CCTV shots that always served as a witness to an ongoing crime.

Hasmine Killip was a revelation. Ang bigat sa dibdib (pun intended) ng eksena sa police station. Grabe lang.

Was the cardboard sex scene a nod to Kuya Coco Martin’s dirty copulation scene in Serbis?

“Hindi porket bakla mabuting tao.” Best line in the film. And probably in this year’s festival.

 

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3. MERCURY IS MINE (Jason Paul Laxamana) – ★★★★☆

An enjoyably weird ride that unfortunately went off the rails in its final twenty minutes.

I loved the screenplay because it didn’t try too hard to be funny. It also hit the jackpot with Pokwang who was truly phenomenal here.

Bret Jackson finally gave a decent performance. He had an easygoing charm that suited the role and (please don’t scoff) actually reminded me of a manic Leonardo DiCaprio.

Overall, this was a definite crowd-pleaser and I wouldn’t be surprised if it snagged the Audience Choice award.

 

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4. HIBLANG ABO (Ralston Jover) – ★★☆☆☆

At times, it felt like I was an old man wasting away on my deathbed. Sigh.

Looked like an experiment of techniques, but I liked the chemistry among the four veteran leads (Lou Veloso was exceptional).

 

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5. KUSINA (Cenon Palomares, David Corpuz) – ★★☆☆☆

Thank heavens for Judy Ann Santos since this dish went cold and sour really quick.

It felt like a Film student fell in love with Dogville and then staged his own high school production.

 

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6. DAGSIN (Atom Magadia) – ★★☆☆☆

Like The Notebook turned Philippine History lesson. Tedious and thirty minutes overlong.

It was hard to fully appreciate the fine performance of Tommy Abuel when I was trying not to giggle lest I wake up the sleeping people.

Benjamin Alves acts very much like Piolo Pascual, no?

 

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7. ANG BAGONG PAMILYA NI PONCHING (Inna Salazar Acuna, Dos Ocampo) – ★★☆☆☆

It only worked because of the wonderful (and woefully underrated) Janus del Prado. I liked the sweet little moments with Lola Ludivina, but the rest of the (family) cast, especially Tita Arianna, were just terrible.

For such a rich family, they didn’t have a lot to do except lounge around in their sala or kitchen, no? Too gullible pa.

At least it made me crave for the natural oiliness of Ludy’s Peanut Butter. Is it still available in supermarkets?

 

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8. I AMERICA (Ivan Andrew Payawal) – ★★☆☆☆

Like The Comeback, this one just couldn’t decide on the right tone. Except for the funny opening audition, the rest just strained for laughs and tears. Carabao English just doesn’t cut it anymore.

So Olongapo is a place where crushed dreams get brushed off and serious problems just magically disappear. Great.

I also couldn’t understand the choice of the shaky cam. The last fifteen minutes were really brutal to the eyes.

 

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9. LANDO AT BUGOY (Vic Acedillo, Jr.) – ★★☆☆☆

Nothing made sense to me. Badly needed reshoots, too.

I felt really bad for Allen Dizon because he tried his best to salvage something that was dead on arrival.

RIP.

 

Best Performance by an Actor in a Leading Role

1. LOU VELOSO (Hiblang Abo)
2. TOMMY ABUEL (Dagsin)
3. JANUS DEL PRADO (Ang Bagong Pamilya ni Ponching)
4. RONWALDO MARTIN (Pamilya Ordinaryo)

Best Performance by an Actress in a Leading Role

1. BARBIE FORTEZA (Tuos)
2. POKWANG (Mercury is Mine)
3. NORA AUNOR (Tuos)
4. HASMINE KILLIP (Pamilya Ordinaryo)
5. JUDY ANN SANTOS (Kusina)

*Special Mention: CHAI FONACIER (Get Certified)

Best Performance by an Actor in a Supporting Role

1. NANDING JOSEF (Hiblang Abo)
2. MATT DACLAN (Hiblang Abo)

Best Performance by an Actress in a Supporting Role

1. LOTLOT DE LEON (Dagsin)
2. ELIZABETH OROPESA (I America)

 

Best Short Film
1. FOREVER NATIN (Cyrus Valdez) – ★★★★★

Forever Natin was such a realistically honest depiction of a lesbian relationship. It broke my heart into a million tiny pieces. I just wish the sound was much better.

2. FISH OUT OF WATER (Mon Garilao) – ★★★★☆

My other fave in this group was the technically impressive Fish Out of Water, about a Filipino-Korean boy trying to find his space and purpose in a foreign homeland. It was alienating in the best possible sense.

3. PEKTUS (Isabel Quesada) – ★★★★☆

I did like the frantic Pektus and its impeccable cast of character actors (Nonie Buencamino, among others). Malinis ang pagkakagawa, including the subtitles. It made me look forward to the director’s future full-length feature.

4. GET CERTIFIED (Isaias Zantua) – ★★★☆☆

The brilliant Chai Fonacier made me look forward to the afterlife in Get Certified. All the craziness in the film (including Hitler as hell’s version of San Pedro) just couldn’t keep up with its star.

5. NAKAUWI NA (John Relano, Patrick Baleros, Luis Hidalgo) – ★★★☆☆

Nakauwi Na would’ve been more effective if I didn’t see the same theme in Cheska Salangsang’s Saanman Ngunit Dito, shown during this year’s CineFilipino. Made me wonder if I still had all of my old mix tapes.

6. BUGTAW (Noah del Rosario) – ★★☆☆☆

The animation-infused Bugtaw only got interesting towards the end, when fantasy and reality started to meld.

7. ANG HAPON NI NANDING (Milo Tolentino) – ★★☆☆☆

Ang Hapon ni Nanding was the story of a latent homosexual finding solace in the company of an orphan with a broken neck. It also made me want to break all sorts of furniture for attention.

8. ANG MAANGAS, ANG MARIKIT, AT ANG MAKATA (Ibarra Guballa) – ★★☆☆☆

Ang Maangas, Ang Marikit, at Ang Makata was over-the-top silly and not in a good way. It involved crazy dancing, double entendre harana, and fake wooden machetes. Not my cup of bourbon.

9. BUTAS (Richard Cawed) – ★★☆☆☆

Although it had good intentions (a tribute to Benguet miners) and had its heart on its sleeve, Butas reminded me so much of that local broadsheet’s ad shown before the actual movie. All it needed in the end was a copy of the front page.

10. MANSYONG PAPEL (Ogos Aznar) – ★★☆☆☆

Mansyong Papel was saved by the menacing performance of Odette (O-deht, not Oh-det) Khan. The story was a complete mess, just like the subtitles. How heavy was the three hundred million in cash and who was that terrible actress that played the daughter?

Until next year!!