My notes on Across the Crescent Moon:
1. If the Mocha Uson Blog were to venture into the film industry and dramatize its controversial posts, this would be the end product. I could easily imagine all the Dilawans instantaneously frothing at the mouth while watching this blatant propaganda movie that justified extrajudicial killings, supported the death penalty, and made living heroes out of PNP Chief dela Rosa and President Duterte (whose presence was onscreen for a significant amount of time that he should have received secondary billing).
Regardless of one’s political stand though, everyone would definitely agree that this was a poorly-made, self-important flick that thought too highly of itself just because it had subtitles.
2. The opening action scene alone was already problematic with machine guns being fired but nobody was getting hit and explosions that just came out of nowhere (nasaan yung nagpapasabog? Nasaan?!). It also had a long chase scene that started late afternoon on the road and ended up post-Primetime Bida in a forest village.
3. The director’s idea of dynamism and movement was to have two characters having an argument walk from the kitchen to the living room to the bedroom. Mga bes, paano kayo magkakaintindihan kung paikot-ikot kayo sa bahay?
4. I already used a thesaurus but I couldn’t find the most appropriate word to describe how awful the performances were. I still haven’t fully recovered from his tragic acting in last year’s Tupang Ligaw and now Matteo Guidicelli has returned to torture me yet again. The good news was that he looked like an Urian winner next to the girls that played his wife and sister-in-law.
Every time one of them spoke (in full akting na akting mode, of course), I felt like I was on the verge of an aneurysm. I never knew that watching a movie would now be considered buwis buhay.
In one scene, the teenage sister (who must have thought that she was in a grade school elocution contest) welcomed back her older sister with the line (please note that her eyes were wide open and hands clasped), “Oh, you must be starving!”. Tengene, patayin nyo na ako!!
5. Even with the in-your-face product placements for Tanduay, Beer na Beer, and Colt 45, nothing could beat the mini-commercial for Cobra energy drink.
Previous scene –
Matteo: “Kelangan natin mahanap agad ang mga biktima bago sila mapadala sa Malaysia!”
Next scene –
Matteo: “Ate, may malamig na Cobra diyan?”
6. When Matteo learned that his wife was pregnant, they decided to celebrate with drinks by the pool. He must have been so happy that he threw her in the water not once, but three times! Why?!
7. My favorite lines from the movie:
• Matteo to Joem Bascon: “Ikaw ba ang anghel ko? Anghel dela guwardiya?” Yihee!!
• Also Matteo to Joem: “Ayoko ng partner na may bisyo: alak, babae, sugal, yosi.” Ay strict boyfriend, er, partner!
• Sandy Andolong to Matteo’s wife: “Huwag kang mag-alala Emma. Bukas luluhod ang mga tala.” Ooh, Sharonian!
• Christopher de Leon sharing his words of wisdom: “Ang buhay ay parang buwan. Bilog yan. Umiikot din yan.” I kennat!!
• Joem inside a steel container: “Napakainit naman dito. Anong akala nila sa atin, baboy na ibebenta por kilo?” Dear, you should have requested for first class accommodations from your kidnappers.
• Kidnap victim on their whereabouts: “Binilang ko. Mga sampung minuto lang ang isla mula dito.” Koya, wala kang relo. Manual counting of seconds? Wow, how to be you po?
8. Burning questions:
• Were Matteo and Joem required to watch Street Fighter before filming? Why did their fight scenes always start with a drop kick?
• When Matteo got shot on the arm, why did he go home hours later without having it checked in the nearest hospital?
• Why were the kidnapped victims’ pictures all taken from Studio City?
• Where can I learn to make that excellent bar graph Powerpoint presentation showing the number of babies sold per month?
• Seriously, why was this movie even made?