MOVIE REVIEW: ALL THE MONEY IN THE WORLD (Ridley Scott, 2017)

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SPOILER ALERT!!

My notes on All the Money in the World:

1. It says so much about a film when the behind the scenes controversies were a lot more compelling than the movie itself. The sudden replacement of Kevin Spacey (amid the #MeToo movement) with Christopher Plummer, the last minute expedited reshoots to make its December 2017 release date (and maintain its Oscar contender status this year), and the huge salary gap concerns between Mark Wahlberg and Michelle Williams were just juicier and more dramatic.

2. “To be a Getty is an extraordinary thing. I know that because my grandpa told me so.” And he wasn’t kidding. His grandfather was J. Paul Getty (Plummer), named by Fortune magazine as the richest American in the late ‘50s and said to be the richest man in the history of the world. In a Playboy interview, Getty even mentioned that “If you can count your money, then you’re not a billionaire.” I would have been incredibly jealous if only I hadn’t seen so many rich people problems here (like buying a million dollar painting that could not be displayed for public viewing).

3. One of the biggest concerns of the rich would definitely be security. I couldn’t imagine an Ayala or Gokongwei enjoying life’s simple pleasures (like say, hanging out at a local mall) without any fear that their kids might get targeted by kidnap for ransom groups. I used to fantasize that I was a scion of Henry Sy, but it further heightened my already excessive paranoia so I had to give up the dream of having my own Shoemart branch. I guess it was true that “When a man becomes wealthy, he has to deal with the problems of freedom.”

4. Plummer was remarkable in his role and made a detestable character completely human (ergo relatable). He sneered at the poor people that wrote to him asking for help (“If I respond to every person asking for money, I will also be as destitute!”), played hardball with his grandchild’s kidnappers (“I have fourteen grandchildren. If I pay the ransom, I’ll have fourteen kidnapped grandchildren”), and finally agreed to pay the ransom but only as part of his tax deduction. I slightly felt bad for him in the scene where he was playing chess with himself.

(And before I get accused of anything, Williams was also good in her role. I found it odd though that she was billed as a lead, but it felt like she had a secondary character.)

5. Those reshoots worked out pretty well. I actually thought that Getty’s character was very minor and that was why they could easily recast the role. The only weird aspect (and only if you knew about the casting replacement) was that the actor that played Getty’s son looked and sounded very much like a young Spacey.

6. That artistic shot of the newspapers flying in slow motion? I’m sorry Ridley Scott, but Respeto did it first last year. #PinoyFried

Rating: ★★★☆☆

MOVIE REVIEW: MR. & MRS. CRUZ (Sigrid Andrea Bernardo, 2018)

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SPOILER ALERT!!

My notes on Mr. & Mrs. Cruz:

1. As a huge fan of the Before Trilogy (Sunrise, Sunset, Midnight) and even That Thing Called Tadhana, I’m not averse to talky (and sometimes cerebral) romance films where the audience basically listens in on a couple having conversations about life and love and relationships and literature and cinema and music and food and even any mundane stuff that can serve as a possible source for an emotional hugot. It takes a consistently smart screenplay and incredibly talented actors to keep people glued to the screen and not make them wish that they never get stuck on an island with these characters.

At around the first hour mark when Gela (Ryza Cenon) and Raffy (JC Santos) were having their nth Cliff’s Notes discussion of Romeo and Juliet, I was already busy checking my phone for the cheapest flights to Puerto Princesa.

2. It was tough to stay invested in their love story when the song that was played upon their meet cute was Freestyle’s Before I Let You Go (talk about a doomed relationship). No amount of convincing (their Valentine’s Day hotel room number, their matching curls and the idea that couples look alike after being together for a long time, the obvious metaphor of him saving her life after a Heimlich maneuver, and even their shared adventurousness in eating the local delicacy tamilok) could make me believe that they were destined to end up with each other. Besides, Raffy owned a pair of neon peach swimming trunks. Very, very fishy.

3. I was actually okay with everything up until the unnecessary twist (of fate) slash big reveal in the third act that just plucked us out of reality. It was disappointing to see Sigrid Bernardo, one of my fave local directors, relying on yet another gimmick to end a love story (hello Kita Kita!). At least walang nasagasaan this time, especially considering the beach setting.

4. To be fair, JC and Ryza were completely charming in their roles and when they were provided with really sharp dialogue (my favorite was that entire discussion on commitment and the formality/legality/security of marriage), they just knocked it out of the park. Both of them also made the most out of their drunk breakdown scenes (“I found Nemo, but I didn’t find myself”) which should be screened in acting workshops for Star Magic and GMA Artist Center talents.

5. I was a bit bothered that Raffy and Gela only brought one backpack each for their weekend trip. I spent three days in El Nido (looking even lovelier here btw) and brought a medium-sized luggage with half the contents of my closet. Gela’s stuff included around six classic novels (yes, one was Romeo and Juliet). When would she even find the time to read all of them considering that she booked guided tours as well?

On a different note, I really liked her insight that we should re-read our faves because they would be subject to a different interpretation given our maturity and experiences in life. Let me dig up my old issues of Liwayway.

6. It wasn’t lost on me that one of the couples in that tour resembled Ogie Alcasid and Michelle van Eimeren. Our tourism slogans of Wow Philippines and It’s More Fun in the Philippines weren’t for naught. Also, Dido dela Paz as one half of the Golden Couple continued to provide great work, coming off the heels of his critically-lauded performance in Respeto.

7. So who lost that wedding gown sa batuhan during one of the movie’s early scenes? Please tell me that was just an illusion because I could not stand littering in our tourist spots.

8. I felt bad that some of the good jokes were literally lost in translation. When Raffy tried to be funny by replying with “Minikaniko ni Monico ang makina ni Monica”, the subtitle reflected it as “pulled a MacGyver” which didn’t really make a lot of sense. But then how would one even translate that?

9. That disgusting suka scene omg. I would probably avoid oatmeal for the next few months (who am I kidding, does my double chin even look like I eat oatmeal?). Bonus crotch shot though so…

10. I laughed really hard when Raffy mentioned that everything happens for a reason and then started telling the story of his ex who was a nurse that taught him first aid. I was reminded of my ex who was also a nurse that taught me the wonders of sushi. Both life-saving, I tell you.

11. Okay so they didn’t remember that they actually met a few years back in Palawan? Try Memo Plus Gold, kids. What was more unforgivable was that they never even bothered to re-dub the part where Ryza had a voiceover and said the word “trud-jedy”. Watch your back, Maja!!

12. Why would Raffy even know a brief hack that could turn his underwear into a bikini top? Even worse, it was a used pair of undies that he just removed on the boat (butt exposure alert!). Why does hygiene have to go out the window for a supposedly romantic gesture? Did the phrase “smell of love in the air” actually refer to the scent of bayag? Medyo eww.

Rating: ★★☆☆☆

YEAR-END MOVIE REVIEW: THE BEST OF PINOY CINEMA 2017

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TOP 9 FEATURE LENGTH FILMS:

#9

LOVE YOU TO THE STARS AND BACK

Written and directed by: Antoinette Jadaone

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#8

HAUNTED: A LAST VISIT TO THE RED HOUSE

Written and directed by: Phyllis Grande

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#7

ALL OF YOU

Written by: Carl Chavez, Mae Chua, and Dan Villegas
Directed by: Dan Villegas

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#6

ANG LARAWAN

Written by: Rolando Tinio
Directed by: Loy Arcenas

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#5

BLISS

Written and directed by: Jerrold Tarog

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#4

PAKI

Written and directed by: Giancarlo Abrahan

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#3

RESPETO

Written by: Njel de Mesa and Treb Monteras II
Directed by: Treb Monteras II

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#2

CHANGING PARTNERS

Written by: Lilit Reyes and Vincent de Jesus
Directed by: Dan Villegas

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#1

KIKO BOKSINGERO

Written by: Denise O’Hara, Ash Malanum, Heber O’Hara, Emmanuel Espejo, Jr.
Directed by: Thop Nazareno

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2017 Scorecard:

★★★★★
CHANGING PARTNERS (Dan Villegas)
KIKO BOKSINGERO (Thop Nazareno)

★★★★☆
ALL OF YOU (Dan Villegas)
BLISS (Jerrold Tarog)
HAUNTED: A LAST VISIT TO THE RED HOUSE (Phyllis Grande)
ANG LARAWAN (Loy Arcenas)
LOVE YOU TO THE STARS AND BACK (Antoinette Jadaone)
PAKI (Giancarlo Abrahan)
RESPETO (Alberto Monteras II)
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez)

★★★☆☆
100 TULA PARA KAY STELLA (Jason Paul Laxamana)
BAGAHE (Zig Dulay)
CAN WE STILL BE FRIENDS? (Prime Cruz)
DEADMA WALKING (Julius Alfonso)
FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad)
HILOM (P.R. Patindol)
I’M DRUNK, I LOVE YOU. (JP Habac)
KITA KITA (Sigrid Andrea Bernardo)
KRISTO (HF Yambao)
LOLA LOLENG (Che Tagyamon)
MARIA (JP Habac)
NABUBULOK (Sonny Calvento)
SEVEN SUNDAYS (Cathy Garcia-Molina)
SI CHEDENG AT SI APPLE (Fatrick Tabada, Rae Red)
TU PUG IMATUY (Arbi Barbarona)
UNEXPECTEDLY YOURS (Cathy Garcia-Molina)

★★☆☆☆
12 (Dondon Santos)
ALIENS ATA (Glenn Barit)
BACONAUA (Joseph Israel Laban)
BAWOD (TM Malones)
BHOY INTSIK (Joel Lamangan)
CAN’T HELP FALLING IN LOVE (Mae Cruz-Alviar)
DEAR OTHER SELF (Veronica Velasco)
THE DEBUTANTES (Prime Cruz)
FALLBACK (Jason Paul Laxamana)
FINALLY FOUND SOMEONE (Theodore Boborol)
THE GHOST BRIDE (Chito Roño)
ILAWOD (Dan Villegas)
ISLABODAN (Juan Carlo Tarobal)
JUANA AND THE SACRED SHORES (Antonne Santiago)
LAST NIGHT (Joyce Bernal)
LOVING IN TANDEM (Giselle Andres)
MANONG NG PA-ALING (E. del Mundo)
MY EX AND WHYS (Cathy Garcia-Molina)
NAKAW (Arvin Belarmino, Noel Escondo)
NAY (Kip Oebanda)
NERVOUS TRANSLATION (Shireen Seno)
NORTHERN LIGHTS: A JOURNEY TO LOVE (Dondon Santos)
ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman)
ANG PAGSANIB KAY LEAH DELA CRUZ (Katski Flores)
SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Lionel Arondaing)
SIARGAO (Paul Soriano)
SMALLER AND SMALLER CIRCLES (Raya Martin)
THROWBACK TODAY (Joseph Teoxon)

★☆☆☆☆
ACROSS THE CRESCENT MOON (Baby Nebrida)
AWOL (Enzo Williams)
BAR BOYS (Kip Oebanda)
BARBI D’ WONDER BEKI (Tony Reyes)
BES AND THE BESHIES (Joel Lamangan)
BEYOND THE BLOCK (Ricky Carranza)
BLOODY CRAYONS (Topel Lee)
BUNDOK BANAHAW, SACRED AND PROFANE (Dempster Samarista)
FANGIRL/FANBOY (Barry Gonzalez)
FOOLISH LOVE (Joel Lamangan)
ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño)
HISTORIOGRAPHIKA ERRATA (Richard Somes)
I FOUND MY HEART IN SANTA FE (Bona Fajardo)
LADYFISH (Jason Orfalas)
MANG KEPWENG RETURNS (G.B. Sampedro)
NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar)
PWERA USOG (Jason Paul Laxamana)
REQUITED (Nerissa Picadizo)
SPIRIT OF THE GLASS 2: THE HAUNTED (Jose Javier Reyes)
THIS TIME I’LL BE SWEETER (Joel Lamangan)
TRIP UBUSAN: THE LOLAS VS ZOMBIES (Mark Reyes)
TRIPTIKO (Miguel Franco Michelena)
WOKE UP LIKE THIS (Joel Ferrer)

 

FILM FESTIVAL REVIEW: CINEMALAYA 2017 SCORECARD

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I wasn’t surprised that the general consensus on this year’s line-up was that of disappointment. One friend made a joke that Cinemalaya seemed to be a festival of diminishing returns. Majority of the selections this year would have a tough time disproving that thought.

Luckily though, there would always be a gem (or two) that’d restore your faith and make you believe that even with a limited budget and lack of big stars, our talented local indie filmmakers could create quality films that deserved our continued support.

Here’s my #Cinemalaya2017 festival scorecard:

Best Feature-Length Film

1. KIKO BOKSINGERO (Thop Nazareno) – ★★★★★

2. RESPETO (Alberto Monteras II) – ★★★★☆

3. NABUBULOK (Sonny Calvento) – ★★★☆☆
4. BAGAHE (Zig Dulay) – ★★★☆☆

5. BACONAUA (Joseph Israel Laban) – ★★☆☆☆
6. SA GABING NANAHIMIK ANG MGA KULIGLIG (Iar Arondaing) – ★★☆☆☆
7. ANG PAMILYANG HINDI LUMULUHA (Mes de Guzman) – ★★☆☆☆

8. REQUITED (Nerissa Picadizo) – ★☆☆☆☆
9. ANG GURO KONG ‘DI MARUNONG MAGBASA (Perry Escaño) – ★☆☆☆☆

Best Performance by an Actor in a Leading Role

1. NOEL COMIA, JR. (Kiko Boksingero)
2. ABRA (Respeto)

*Special Mention: RONWALDO MARTIN (Sorry for the Inconvenience)

Best Performance by an Actress in a Leading Role

1. ANGELI BAYANI (Bagahe)
2. GINA ALAJAR (Nabubulok)
3. ELORA ESPAÑO (Baconaua)

Best Performance by an Actor in a Supporting Role

1. DIDO DELA PAZ (Respeto)
2. YUL SERVO (Kiko Boksingero)

Best Performance by an Actress in a Supporting Role

1. YAYO AGUILA (Kiko Boksingero)
2. CHAI FONACIER (Respeto)
3. MOI BIEN (Ang Pamilyang Hindi Lumuluha)
4. THERESE MALVAR (Baconaua)
5. RACQUEL VILLAVICENCIO (Bagahe)

Best Short Film

1. SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez) – ★★★★☆

2. HILOM (P.R. Patindol) – ★★★☆☆
3. MARIA (JP Habac) – ★★★☆☆
4. FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco) – ★★★☆☆
5. LOLA LOLENG (Che Tagyamon) – ★★★☆☆

6. NAKAW (Arvin Belarmino, Noel Escondo) – ★★☆☆☆
7. BAWOD (TM Malones) – ★★☆☆☆
8. ISLABODAN (Juan Carlo Tarobal) – ★★☆☆☆
9. JUANA AND THE SACRED SHORES (Antonne Santiago) – ★★☆☆☆
10. ALIENS ATA (Glenn Barit) – ★★☆☆☆
11. MANONG NG PA-ALING (E. del Mundo) – ★★☆☆☆

12. NAKAUWI NA (Marvin Cabangunay, Jaynus Olaivar) – ★☆☆☆☆

Until next year!!