JAMES & PAT & DAVE (Theodore Boborol, 2020)

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SPOILER ALERT!!

Sayang kasi namukadkad ang pechay, I mean comedic talent ni Loisa Andalio dito. Ganito nag-start si Kim Chiu dati eh. Ganda pa ng rehistro ng mukha niya sa big screen. I can’t wait to see more of her in future (non-Hospicio) projects.

Nasobrahan ang pelikula sa corny humor at mostly OA performances (lalo na si Awra Briguela as “Sasha Valur”). Bawal ang normal conversations dito. Kelangan level 999 ang delivery na maririnig ng mga aso sa kabilang kanto. Grabe nakakatulili!

Kung Got 2 Believe ang peg ng first movie, dito naman may brutal roast ng Dahil Mahal na Mahal Kita. Infer natawa ako nung sinabi na baka mabagok pa ang ulo ni Claudine nung nagpagulong-gulong sila ni Rico sa burol. Mapanood nga ulit ‘tong sina Mela.

Umayos ng 5% ang acting ni Ronnie Alonte. Kaso feel na feel niya na siya ang second coming ni Robin Padilla. At sana lang hindi siya nilagay sa mga kadiring situations na supposedly romantic like magka-hard on matapos masubsob ang talong niya sa pechay ni Loisa, no?

Rating: ★★☆☆☆

DOTGA: DA ONE THAT GHOST AWAY (Tony Reyes, 2018)

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SPOILER ALERT!!

My notes on DOTGA: Da One That Ghost Away:

1. I was surprised that Vhong Navarro wasn’t included in the cast given that he headlined the last two horror-comedy films of Star Cinema (please note that I didn’t consider the unintentionally comedic horror films of Kris Aquino, like Segunda Mano where she pissed her pants in terror for buying a secondhand Prada bag).

In terms of comparison, this one was less like Bulong (actually a guilty pleasure) and more of Da Possessed (which had the gall to make fun of Vhong’s rape case). I already expected tons of corny jokes and lame slapstick humor, but even with my IQ lowered and in full babaw mode, I could only muster one giggle in all 100 minutes (again, I only counted the intentional one because I spent the entire movie hysterically laughing at Enzo Pineda’s acting that he equated with wide eyes and flaring nostrils).

2. Carmel (Kim Chiu) and Jerald (Ryan Bang) were ghost hunters slash con artists that brought along their team dressed as horror film characters (Ghost Bride, Chucky, Tiyanak, etc.) to terrorize and pretend exorcise haunted houses. She used a magical triangle (yes, the musical instrument in the percussion family) and shouted nonsensical chants (“Mother Ignacia! Sergeant Esguerra! Papuntang Abra!”) as part of her ritual. I was surprised that there were people who actually fell for this kind of silliness (although their first victim was a Krizzy impersonator and we all knew how gullible she could get).

3. This movie was rated PG because the MTRCB thought that parents could easily explain what Carmel meant when she said “Sabi na di ako nagpi-pinger eh” after using a dating app called PinGer. Or why she kept emphasizing the name of Enzo as JACK COLmenares (just in case it still wasn’t obvious enough, his name was written exactly like that on a white board). Should we expect the Colmenares sisters to be named Jaja, Nadia, and Gina? Seriously, this type of Pinoy green humor hadn’t been funny since my high school days circa ‘90s.

4. Terrible, terrible editing. In one scene, Serrah (Maymay Entrata) was looking at her compact mirror and asking “What is that ghost I see?” and then it abruptly cut to her and Chire (Edward Barber) walking to school. What was that about?

(Also, as a huge #MayWard fan, please give them a good film that they actually deserved! Sayang talaga sila!)

5. Oh, Jerald also worked as a language teacher in a school called Fil-Eng-The-Blanks. Wala na bang ikaka-corny pa ang pelikulang ito?

6. The only funny scene that I mentioned earlier was a brief gag where Carmel hugged a sweaty Jack, then wiped the wet part of her cheek with her left hand, and smelled it like she was endorsing the newest Downy fabric conditioner. It was a testament to Kim’s charm and sharp comic timing that a throwaway moment like that would actually work.

7. If Enzo acted like his life (or career?) depended on it, on the other end of the spectrum was Ronnie Alonte who didn’t even feel the need to act at all (was it because it was just a cameo role?).

8. Tabako vs Sadako? Bearable. Valak vs Halak? Meh. Black Panty vs Black Panther? Wala na maisip??

9. I felt bad for the extras in the scene where they pretended to freeze as part of a spell (think Mannequin Challenge only without music). Carmel had this really lengthy monologue (“Oo nasaktan na ako lola. Shinota niya ang best friend mo!!”) and you could actually see some of them in the background starting to shake (as in nanginginig na sa sobrang ngalay). I could have subbed for any of them because I had always been a master Statue Dancer.

10. Carmel: “Ikaw pa rin ang DOTGA ko!”

Jerald: “Da One That Ghost Away?”

Carmel: “Da One That Gusto Ako Pero Baka Maging Gusto Ko Rin!!”

Huh? Isn’t that DOTGAPBMGKR?!

Kimmy, pinapainit mo ang anit sa ibabaw ng ulo ko!!

Rating: ★☆☆☆☆

DUNKIRK (Christopher Nolan, 2017)

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SPOILER ALERT!!

My notes on Dunkirk:

1. In one of the last few scenes of this movie, a young soldier woke up from his deep slumber, oblivious to everything that happened around him (and outside of his safety blanket slash uniform). In some absurd way, I actually envied that man because I was trying my best not to fall asleep amidst the blatant monotony that I was watching onscreen. I was also glad that Christopher Nolan finally learned how to edit his films below the two hour running mark because I felt every single minute of this one.

2. To be fair, it seemed like its main purpose was to give the audience the full war experience (but why??) and it succeeded in that aspect. I could easily picture Nolan invoking the iconic Gretchen Barretto as Victoria Valera: “You want war? I’ll give you war!!” And he did.

The excellent sound design, mostly composed of bullets whizzing from all directions and multiple random explosions, made me want to duck along with the troops. One of the sequences that I particularly liked involved some sort of ripple effect on a beach after a bombing that culminated with lots of sand flying directly to the screen. It was so realistic that I felt the need to brush off some imaginary grains that flew into my hair.

Visual and aural feast, I tell you.

3. I should have done a more thorough cleaning of my ears before leaving home because those thick accents were just too hard to understand (and this was already considering that the movie had very minimal dialogue). Subtitles please!!

4. One of my favorite films of all time had a short (yet brilliant) Dunkirk sequence as well. Go watch Atonement.

5. Inasmuch as I adored Hans Zimmer, his scoring here was just relentless. It felt like he wanted to dictate how the audience should feel in every scene, very much like canned laughs in a sitcom (“O guys, prepare na kayo kasi exciting part na ‘to ayan na ang pounding music…”).

6. I just learned that one stretcher takes the place of seven standing men on a ship. It was heartbreaking to hear a commander ask how many more of the wounded would need to be transported. If Andrew Garfield was here, this wouldn’t even be a question.

7. I guess the overall feeling of emotional detachment stemmed from the lack of back story for its characters. It was just hard to completely empathize with any single one of them because they merely served as pawns in the backdrop of a prominent war (made more evident when all the recognizable names survived). Which was good news for Harry Styles, who was probably cast as the Hollywood equivalent of Ronnie Alonte.

8. “He’s not himself. He may never be himself again.” We were all survivors when the end credits rolled.

Rating: ★★★☆☆

BLOODY CRAYONS (Topel Lee, 2017)

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SPOILER ALERT!!

My notes on Bloody Crayons:

1. During the height of Scream fever in the late ’90s, Viva Films attempted to create (read: blatantly ripped-off) a Pinoy version of that popular slasher flick and came up with the terrible Sumigaw Ka…Hanggang Gusto Mo. It was directed by Eric Quizon who had the audacity to cast himself as the movie’s killer and also included the entire cast of T.G.I.S. (kids today would never know the kilig brought by the Wacks and Peachy love team), plus other GMA Artist Center artists question mark.

In one scene, the killer (probably a fan of Mara del Valle) was running after Gladys Reyes who actually tried to escape by climbing up a fireplace. She ended up getting roasted, of course (silly girl, not even Becky would go up a chimeneya to run away from Ms. Minchin).

It was the kind of So Bad, It’s Horrible type of movie that you would only want to see once in your life due to severe trauma, but couldn’t resist to mock whenever it would get shown on cable. It was also the reason why a number of my friends that I forced to watch with me ended up swearing off ever watching Pinoy films in cinemas. I hope you could forgive me, FDCP.

2. Bloody Crayons would probably be the millennial equivalent of that trashy movie, only this time produced by Star Cinema and starred a number of Star Magic starlets. Most of the previous horror films directed by Topel Lee had obvious influences from popular Asian counterparts and this one was no exception (albeit more of Hollywood movies from the opening film-within-a-film sequence used in the Scream series down to the other ones reminiscent of the Final Destination series, Identity, Cabin in the Woods, Don’t Breathe, and countless others of the same genre).

I hadn’t read the Wattpad novel that this was based on so I really wasn’t sure if the lack of originality was from the actual material or the treatment itself. (I was also confused by the separate original story credit given to its three writers when this was clearly an adaptation.)

3. The horror genre had always been the waterloo of our best local directors so I really wasn’t expecting much from this slasher flick. Unfortunately, it still lacked the fun and excitement of seeing mostly annoying characters get killed one by one. Really, all I hoped for was that the cast would be killed according to their acting prowess (naturally starting with the most bano ones), but that obviously didn’t happen with Ronnie Alonte and Elmo Magalona as two of the three remaining survivors.

I actually couldn’t decide who gave the worse performance since both of them could easily replace Aljur Abrenica as the real-life Machete. Ronnie still sounded like a talking robot jakono while Elmo acted like he was a hypnotized victim of the Budol-Budol Gang (except in one kitchen scene where he delivered his lines like he was having a seizure, complete with flailing hand movements). Seriously, mas gusto ko pa si Elmo nung nagpagulong-gulong siya sa burol with Julie Ann San Jose in Just One Summer.

4. Wait, a young wannabe director obsessed with shooting a horror movie near a body of water? Oh, Dawson Leery!!

5. I still couldn’t fathom why there had to be a sequence where the entire gang decided to go for a swim at the beach and they took their clothes off one at a time while the camera voyeuristically lingered on their young bodies (slow motion shots of topless, abs-less guys and granny bathing suit-wearing girls, really?!).

I could almost hear the director saying, “Pasensiya na kayo sa acting ni Ronnie. Eto additional three seconds ng pusod nya para di kayo masyadong lugi.” Next time please leave this type of sexploitation to the experts (yes, Seiko Films of course!).

6. Speaking of acting, I really liked the performances of Jane Oineza and Maris Racal. I wish they could be given more to do in future Star Cinema movies other than the typical best friend or sister roles.

On the other hand, could somebody please tell Yves Flores not to imitate Jake Cuenca’s “akting na akting” delivery? People laughed hysterically in the scene where he was screaming “Bro, anong nangyari sa’yo??” to a corpse with huge stab marks on its neck. Was he gunning for the PMPC Star Award for Best New Movie Actor?

7. If you’d seen a lot of horror movies (or read a lot of R.L. Stine and Christopher Pike) with fake twists and red herrings (this one reminded me of The Last Act), it really wasn’t too hard to guess the identity of the killer. All it took was just a single head shot to ruin the surprise.

8. I was really interested to know more about the Bloody Crayons game since it looked fun to play during a barkada night out. Sadly, I couldn’t see any group including it in any of their parties any time soon since the rules were just too complex (relative to Truth or Dare). Who would even remember what each color stood for when all of you would be presumably drunk on Red Horse?

Also, was it just my oily skin or do crayons really not work as markers on the face? Did they use craypas instead? So this should have been Bloody Craypas?

9. Where was this movie shot? (I noticed one of the characters was carrying a Bohol bag so…) The place looked gorgeous. At least maganda ang cinematography.

10. One character’s words of wisdom to another standing on a cliff: “Mag-ingat ka ha. Pag mahulog ka dyan, baka di ka na makabalik.”

Wehhh, di nga??

11. I wasn’t sure if I laughed the loudest when the group used a rattan chair as a battering ram, or when a character was miraculously saved from a gunshot by his dog tag, or when Umagang Kay Ganda suddenly played during the final sequence.

12. BBC One recently adapted Agatha Christie’s And Then There Were None into a mini-series. Better actors, better production values, better use of your time.

13. Hanggang sa horror movie may hugot pa rin ang hindi maka-move on na killer? Tengene lungs.

Rating: ★☆☆☆☆

Metro Manila Film Festival 2016 Scorecard

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After travelling to three cities and four cinemas in two days, I have officially completed the MMFF2016 marathon.

I’m happy to report that the festival achieved its goal and stayed true to its promise of change, of giving the Pinoy audience something new during the holiday season.

Even with a supposed indie selection, I still had a great time in cinemas. Some films made me laugh out loud, some made me cry like a baby, one scared me to my core, the rest I enjoyed watching with young ones (yes, even kids liked these indies!), but most importantly, they required me to think.

Napakasarap makatikim ng ibang klaseng putahe ngayong Kapaskuhan. Hinihintay na lang nila ang ating suporta.

With that said, here’s my festival scorecard:

Best Picture

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1. SUNDAY BEAUTY QUEEN (Baby Ruth Villarama, 2016) – ★★★★★

Napakagandang pelikula! Matututo kang magpasalamat sa bawat biyayang natanggap, pati na rin sa mga sakripisyong hindi mo ginagawa.

At bes, huwag mong sabihin na ayaw mong manood ng malungkot ngayong Pasko dahil sigurado akong pinanood at iniyakan mo lahat ng Christmas ads ng Uber, Selecta, at Coke. Magdala ng isang box ng tissues.

Dahil ang Pasko ay para sa mga bata, isama ang buong pamilya at manood na kayo. Now na. Tapos group hug kayo after. Merry Christmas!! 😊

 

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2. DIE BEAUTIFUL (Jun Lana, 2016) – ★★★★★

Nakakatuwang makatikim ng isang matalinong comedy sa MMFF. Yung nakakatawa ang mga linya at patok sa masa kahit wala ni isang karakter na nahuhulog galing sa bubungan.

Mas nakakatuwa na ang ganitong klaseng produkto ay tinatangkilik ngayon ng mga manonood (puno ang sinehan nung screening namin sa GB3). Pwede naman pala. Kaya naman pala.

Ang talento ni Paolo Ballesteros sa pelikulang ito ay directly proportional sa kanyang kagandahan bilang Trisha Echevarria. Ang husay! Hindi rin nagpakabog si Christian Bables na napakagaling bilang si BFF Barbs. #FriendshipGoals talaga sila. Sana masungkit nila ang Lead at Supporting Actor trophies.

Nuod na mga bes!! 😊

 

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3. SEKLUSYON (Erik Matti, 2016) – ★★★★☆

Sobrang nanghihinayang ako sa pelikulang ito dahil mas maganda pa sana siya kung marunong lamang umarte ang apat na deacons lalo na si Ronnie Alonte.

Ang husay ng technical aspects mula sa production hanggang sound design. Mahirap makalimutan ang lahat ng religious imagery na ginamit dito. Mahusay din ang direksyon para sa isang kakaibang Pinoy horror movie.

Ito talaga ang perfect anti-Christmas movie ngayong taon. Hahamunin kang mag-isip tungkol sa katatagan ng iyong pananampalataya.

 

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4. ANG BABAE SA SEPTIC TANK 2: #FOREVERISNOTENOUGH (Marlon Rivera, 2016) – ★★★★☆

Para sa katulad kong napanood na ata lahat ng Pinoy rom-com at kabisado na ang Star Cinema formula, natawa ako sobra sa pagka-brutal ng pelikulang ito. Bugbog na bugbog ang mainstream filmmaking at escapism in cinema. Walang sinanto katulad ng ginawa nila sa indie filmmaking at poverty porn doon sa unang pelikula.

Awakening talaga ito ni Eugene Domingo. Amoy na amoy ko na naman ang deserving na panalo as Best Actress. Sa three levels of hugot pa lang niya, sulit na ang bayad.

Magaling din si Jericho Rosales bilang Jericho Rosales. May self-awareness ang pagka-plakado bilang rom-com leading man. Naalala ko tuloy si Jaclyn Jose dun sa film within a film ng Tuhog.

Medyo off lang yung abrupt shift in tone dahil sa love story ni Kean Cipriano (na isiningit to ground the film). Pero totoong hinika ako kakatawa hanggang sa pinakahuling sequence. Waging-wagi!!

 

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5. SAVING SALLY (Avid Liongoren, 2016) – ★★★☆☆

Gusto kong tumira sa makulay na mundo ni Marty kahit puno sya ng mga monsters dahil gusto ko makita ang Warner Barberos at Sandara Park. Naalala ko tuloy ang fantasy element ng Scott Pilgrim Vs The World dito.

Nakakakilig at bagay ang tambalang Enzo Marcos at Rhian Ramos. Sana lamang hindi sila Ingles magsalita kasi medyo off para sa akin. Ang hirap lubos na ma-feel ng story dahil sa coniotic speak (ironic ba?). Para lang akong napadaan ulit sa THE Ateneo conyo bench sa labas ng caf. Higad na lang ang kulang para makumpleto ang experience.

“You wanted mayhem, war, and chaos, but isn’t that what love is all about?” Tumpak!!

 

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6. ORO (Alvin Yapan, 2016) – ★★★☆☆

Nag-flashback sa akin ang mga naunang seasons ng American Horror Story sa mga tilted frames na parang see-saw sa pagpapalit-palit. Parang weighing scale na mahirap hanapan ng balanse.

Maganda ang mensahe ng pelikula bilang environmental drama. Malaman ang sinasabi at mabigat sa mga metaphors at symbolisms. May bonus pa na supernatural element (na hindi ko nagustuhan sa Ang Tulay ng San Sebastian pero pasok sa banga sa An Kubo Sa Kawayanan).

Palaban si Irma Adlawan (lagi naman eh). Tindig at upo pa lang naniniwala na akong siya talaga si Kapitana. Sana lang hindi reactionary ang halos lahat ng kanyang eksena kasi siya ang totoong ginto ng pelikula.

 

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7. VINCE & KATH & JAMES (Theodore Boborol, 2016) – ★★☆☆☆

Walang bago maliban sa mga artista. Pinagtagpi-tagping cliches na napanood na natin sa mga dating rom-coms. Hindi rin naman masyadong na-utilize ang textserye origins niya. Halos nakumpleto niya ang checklist ng Star Cinema formula na kinukutya sa Septic Tank 2. Sunset lang ang kulang.

May natural charm itong si Joshua Garcia. Magaling siya dun sa confrontation scene nila ni Ina Raymundo, parang early John Lloyd. Akala ko maiirita ako kay Julia Barretto dito kaya nagulat ako na maayos naman siya, parang early Ate Clau.

Kinilig ang mga teenagers na kasabay kong nanuod. Masyado na ata akong matanda para sa ganitong genre.

 

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8. KABISERA (Arturo San Agustin, Real Florido, 2016) – ★★☆☆☆

Maganda sana dahil napapanahon ang tema nito tungkol sa extrajudicial killings ngunit hindi maayos ang pagkakalahad ng kwento.

Parang binigyan ang bawat artista ng kanyang sariling dramatic highlight para magpakitang-gilas kaya lahat sila eh three notches higher ang akting. Maliban kay Nora Aunor, parang hindi na mabibigyan ng susunod na project ang supporting cast kaya bigay todo na sa pag-ngawa kahit hindi naman kelangan sa eksena.

Ang daming mga bagay na parang walang sense at pinahaba lamang para mapuno ang two hour requirement. Mas mabuti pa yata kung ginawa na lamang siyang episode ng MMK.

 

Best Performance by an Actor in a Leading Role

1. PAOLO BALLESTEROS (Die Beautiful)

2. JOSHUA GARCIA (Vince & Kath & James)
3. JOEM BASCON (Oro)
4. ENZO MARCOS (Saving Sally)

Best Performance by an Actress in a Leading Role

1. EUGENE DOMINGO (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
2. IRMA ADLAWAN (Oro)
3. NORA AUNOR (Kabisera)
4. RHIAN RAMOS (Saving Sally)

Best Performance by an Actor in a Supporting Role

1. CHRISTIAN BABLES (Die Beautiful)

2. LOU VELOSO (Seklusyon)
3. JERICHO ROSALES (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)
4. NEIL RYAN SESE (Seklusyon)
5. LOU VELOSO (Die Beautiful)

Best Performance by an Actress in a Supporting Role

1. RHED BUSTAMANTE (Seklusyon)
2. PHOEBE WALKER (Seklusyon)
3. MERCEDES CABRAL (Oro)
4. MIMI JUAREZA (Die Beautiful)
5. GLADYS REYES (Die Beautiful)
6. SUE PRADO (Oro)
7. CAI CORTEZ (Ang Babae sa Septic Tank 2: #ForeverIsNotEnough)

Until next year!!