The “You can put it anywhere” line still shocks my inner prude.
Now that this film has aged 20 years, maybe we can get a rainbow remake with Ezra Miller, Tom Holland, and Lucas Hedges.
That memorable Bittersweet Symphony ending must be retained, though.
(Originally published March 6, 2019.)
Similar to Beauty and the Beast (2017), this was a decent live action remake of a beloved Disney classic.
• Except for Will Smith (who although was no Robin Williams still gave a fine performance), we got fresh faces instead of commercial picks. And the leads could sing really well. (Acting-wise, they were okay.)
• The updated musical numbers captured the magic of the animated film. It was quite fun to watch the A Whole New World sequence in 4DX. Para akong malalaglag sa magic carpet any time.
• A more feminist Jasmine (albeit her new songs weren’t memorable). Naomi Scott was really charming and reminded me of a younger Sarah Michelle Gellar.
• Terrible, terrible choice for Jafar. Did he have to be that serious? Completely drained one of the best Disney villains of any personality. (Ben Kingsley wasn’t available?)
• Several changes made this version too sanitized and oh-so-politically-correct. One of the funniest moments in the cartoon was when Aladdin said that Jasmine was his sister and that she was a little crazy. Her googly eyes bit was completely hilarious. Didn’t find it here. And why did they skip the first condition that one couldn’t wish for Genie to kill someone. Sensitive much?
• It was weird that Abu, Iago, and even Rajah were more alive and “human” in the cartoon version. Here they were just being animal sidekicks.
• Arabian Nights, right? Why the Bollywood production?
• “Genie, you’re free” was a highlight in the original. Where was that touching line here? And wasn’t it bad enough that Genie had abs? Did he really need to be human and have a lovelife?
My notes on The Other Side of the Door:
1. Mothers always make the toughest decisions in movies. Whenever a mother of two kids gets involved in an accident with them, you can expect a Sophie’s Choice moment where she has to decide and save (and therefore show her bias/favoritism/put more importance to) a specific child. She’s then subjected to endless guilt and shame on top of the overwhelming feeling of loss.
I last saw this happen in the local horror flick Amorosa where Angel Aquino had to decide if she should save Enrique Gil or Martin del Rosario. Tough call, right?
2. In this movie, Sarah Wayne Callies (Lori of The Walking Dead) was placed in the same situation and the consequences of her choice made her desperate to do anything to communicate again with the son that she lost. An Indian woman advised her that she could do this in an abandoned temple between the dead and the living (huh?) as long as she didn’t open the door (insert Ate Gay joke here) and let out the spirits saying hello from the other side (insert Adele joke here). Since this was a horror movie, you knew that door will be opened.
3. Why are most of the (good) scary stories set in Asia? Even Hollywood remakes tried to bring back the stories to their original settings because it just seemed more natural. The Grudge sent Sarah Michelle Gellar back to Japan. Even the recent horror flick The Forest had to use a Suicide Forest in Japan. (Wait, I’m visiting Tokyo soon. Should I be scared?) It must be the exoticism of the region that just made it more mystical. (FYI, this movie was an exception. Completely horrible.)
4. Most of the scenes were too dark that it was hard to see the apparently horrific things happening onscreen. The sound effects cued every scare, but nothing worked.
5. Do you still remember Flower Girl from Sukob? The one who reminded siblings not to get married on the same year? The one who left a trail of leaves whenever she made a surprise appearance? The only one that successfully killed Kris Aquino outside of her massacre movies? She has finally conquered Hollywood. I’m so proud of her!
6. I remember reading this short horror story where a father was trying to pacify his crying son who was saying that a monster was under his bed. When he peeked under, he saw his real son who shushed him and said that there was another boy on his bed. That was a real goosebumps moment. The movie tried to incorporate a similar scene but it was nowhere near as effective.
7. After an hour of terrorizing the family, how did they get rid of the ghost? The mother begged him to go away. Eh puwede naman pala pakiusapan jusko!!
Nobody puts Buffy the Vampire Slayer in the corner.