My notes on Glass:
1. Unbreakable was supposedly a play on the yin and yang elements between superhero David Dunn (Bruce Willis) and villain Elijah Price (Samuel L. Jackson). One was just discovering his superpowers (and in turn his kryptonite: water!!), one was searching for his polar opposite slash ultimate foe (blowing up trains and buildings in the process), and both of them were trying to determine their purpose in this world. Although Elijah’s story was integral to the whole superhero lore, his evil character still played a supporting role to the real bida of the first film.
I was really excited to hear that the third installment to this Eastrail 177 Trilogy was called Glass because it should place his character front and center (considering that the movie was named after him, right?). Well, not exactly. He didn’t even show up until almost an hour into this bloated movie. If I were a secondary character in my own film, I’d probably feel the need to create a lot of chaos as well.
2. Even worse, it gathered three really interesting superhero comic book characters (that also included Kevin Wendell Crumb aka The Beast and twenty-something plus other personalities called The Horde, all played by the terrific James McAvoy) and decided to keep them locked up in a psychiatric facility for majority of the running time. They were only set free to interact with each other during the final act showdown (and yes, one of them actually explained how a showdown worked in comic books for the non-nerds) which still made little sense.
Side note: When we had some American clients come over for a visit, they were creeped out when I informed them that they would be staying at The Bellevue Hotel Alabang. One of them later on explained that Bellevue’s a popular mental hospital in the U.S. At least her family and friends had a good laugh when they learned where she was checked in.
3. Sarah Paulson played a doctor straight out of her American Horror Story wheelhouse who kept trying to make the three believe that they were merely suffering from delusions of grandeur. Wait, who was she trying to convince? It couldn’t possibly be the audience that knew the truth from the first two films. Oh, it was all just a setup for the requisite twist in the end with the Clover Chips Organization.
Also, given the nature of these patients, why was security so lax in that place? If Elijah (with the most brittle bones and in a wheelchair) could easily get out of his room, shouldn’t they have more people manning the place? Oh, also part of the twist. Pfft and pfft!!
4. It was a treat to see a grown up Spencer Clark (wink, wink). I just wish his acting skills matured as well (that wide-eyed kid look could only take him so far). He did have one of the funniest lines here when he mentioned the catchphrase, “We’re gonna salt bae your ass!”. Now if only Robin Wright returned as well… (It was nice to see some of the old/unused footage from Unbreakable, too.)
5. The lines that made me cringe:
• “Only the true version of love can heal (him).” Eww! So all this time, Kevin could have been cured by true love’s kiss? What’s next, Elijah proclaiming the wonders of a happy working song?
• “You’re fighting for the broken. You found your purpose.” Not enough space for the eyeroll emojis.
• “This is not a limited edition. This was an origin story the whole time.” Keep explaining for the non-nerds at the back, Elijah!
6. The lines that made me happy:
• The cool delivery of “First name Mister. Last name Glass”.
• “Have you ever been to a comic book convention? They sell teen TV shows there!” LOL!!
7. Burning questions:
• Wait, so Elijah Price who wanted to be the best (or worst?) antagonist in the world ended up as a hero? Why??
• How deep was that puddle?
• Was I the only who thought that every single one of The Horde personalities would get a chance to have its own tearful goodbye? (That was a really long dying scene, no?)
• In that final train station scene, how did they know it was the CCTV footage that was going viral and not say, the news about Kim and Kanye’s new baby?
8. M. Night Shyamalan created his own cinematic universe so he made sure of his Stan Lee-like cameo in almost every one of his movies. Or was he trying to be Hitchcock instead? (Insert possible twist here.)