THE COMMUTER (Jaume Collet-Serra, 2018)

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SPOILER ALERT!!

My notes on The Commuter:

1. Can Hollywood please give Liam Neeson’s reel family and friends a break? Why do they always have to be the unfortunate ones to suffer? After the Taken films, Non-Stop, and now this, what other mode of transportation is left that will cause him and his ilk a lot of trouble?

See, this is the very reason why I’m not hoping for that Love Actually sequel. I don’t want to see his stepson Sam suddenly getting kidnapped aboard a ship on Christmas Day.

2. I really liked the opening montage that showed the utter tedium of any working person’s life (waking up at the exact same time every single day, doing the same mundane morning ritual, traversing the same path on a daily commute, all while the seasons changed). Unfortunately, what could have been an insightful morality tale turned into a trashy (albeit stylized) thriller. Definitely as original as Neeson making his signature threats on the phone.

3. How preposterous was that story? The villains obviously had all the resources in their hands, but they still could not pull off a simple assassination? Why would they even need him when they had the power to track his every movement on that moving train?

I hadn’t seen this much cat-and-mouse game silliness since James Marsden and Cameron Diaz agreed to push the deadly button in The Box.

4. What saved this one from being a complete trainwreck were the impressive action sequences. There was a fight scene that was shot in one long continuous take where you could feel every punch in the face (except for Neeson who was neither bloodied up nor bruised after that encounter). It also had a sequence where he was dragged under the train and had to roll away from it, narrowly missing its deadly wheels. I could swear one audience member almost fainted after that one.

5. When the survivors started placing wet newspapers to cover the windows, I was reminded of the same scene in Train to Busan and actually wished that there were zombies on that train. Liam Neeson vs the undead. Hmm, really cool concept.

6. “I’m Spartacus!”

“No, I’m Spartacus!”

“Girl, please. I’m Spartacus!”

*groan*

7. I found it really funny that after the train got derailed and he survived an army of snipers, his family arrived and consoled him like he just came home from another day at work. Come to think of it, it was indeed just another typical Liam Neeson work day.

Rating: ★★☆☆☆

THE BOX (Richard Kelly, 2009)

boxAdmittedly, I hated the movie when I first saw it in theaters a couple of years back. There was a reason why it earned an “F” in CinemaScore (a general survey of ratings from U.S. moviegoers). There was just no redeeming quality in the movie, from the perplexing premise to the sci-fi mumbo jumbo down to the downer of an ending. I put the blame on the misleading trailer, setting it up as a psychological thriller when it was so much more than that. It just seemed like the movie was meant to be seen again once the mysteries have been solved.

I still didn’t like it the second time but it was a different experience from when I first saw it. Maybe another re-watch is in order a few months from now.

Rating: 2/5