KNIVES OUT (Rian Johnson, 2019)

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A very modern and clever murder-mystery that went beyond the whodunnit tropes and skewered topics such as social inequity, immigration policies, and… Hallmark movies starring The Wonder Years’ Danica McKellar?! (That last bit made my laugh echo in all four corners of the theater.)

Sure, any amateur Hercule Poirot could have guessed the ending pretty quick (plus I would have preferred less telling and more showing), but it was still a pretty enjoyable ride.

And what a wonderful ensemble!! (If I had to choose my faves though, I’d go for Ana de Armas, Christopher Plummer, and the hysterical Toni Collette.)

That entire donut speech alone probably deserved an Oscar nomination.

Rating: ★★★★☆

A QUIET PLACE (John Krasinski, 2018)

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SPOILER ALERT!!

My notes on A Quiet Place:

1. In this post-apocalyptic nightmare, the basic rule of survival was clearly established from the very start: never create any loud noise or you would almost instantaneously become alien lafang. While the rest of the theater silently chewed on their cuticles and held their breath, I was having an anxiety attack in my chair just imagining that I wouldn’t last a day in their world because seriously, bawal umutot? At bawal maging clumsy at tatanga-tanga huhu! (Plus the way the creatures’ inner parts resembled a contracting vulva made me terrified of them even more).

2. Starting everything on Day 89 made a lot of sense because this wasn’t really meant to be a sci-fi film that needed a back story on the aliens’ origins and a chock-full of exposition (Where did these monsters come from? Where were the other people? What happened to the rest of the world? DIDN’T MATTER!!). And so we were immediately introduced to a family that relied on sign language and facial expressions to communicate with each other. With very minimal dialogue and just a backing musical score, this actually worked like a gimmicky silent film (and also served as an effective public service announcement to always be quiet while watching movies as a form of respect).

It was funny because I expected to scream my head off but I had to stifle all of my reactions. Even the tiniest sound would be too impolite (do not bring chips!!) that the only thing you would hear inside the cinema would be the occasional gasps. (I was happy with the crowd that I watched it with since there were no barkadas of rowdy high schoolers that would laugh and create a ruckus during a scary sequence. Same pet peeve, right?).

3. I really appreciated the relative lack of cheap scares here. Aside from a few falling raccoons, the powerful build-up of tension and suspense was well-earned that you’d probably feel incredibly stressed by the time the amazing Emily Blunt would cock her shotgun for the very last time.

Speaking of, my favorite scene here involved her pregnant character having contractions (and early labor) in a bathtub with flickering lights overhead while an alien was stalking her and getting ready to pounce. I could almost feel her pain (and the desperate need to control her screams) that I started to develop a phantom vagina with a baby trying to claw its way out of it. Sakit sa puso (and sa imaginary pepe) grabe lang. Would it be too early to campaign for an Oscar nomination?

4. Noah Jupe’s performance here reminded me so much of Joseph Mazzello’s in Jurassic Park. The look of pure terror on his young innocent face was just heartbreaking. Also, was the truck scene a nod to that Steven Spielberg classic?

5. It would be very easy to nitpick this movie considering the predictability of specific scenes and some obvious setups (the toy airplane’s batteries? Definite source of noise! The nail on the stairs? Expect someone to step on it later on!) and a few questionable choices (if the water sounds distracted the aliens, why didn’t they choose to live near the river/waterfalls? Why do they still have electricity? Why did they even want to have another baby given their current situation? Why did they allow their small children to freely roam around given the dangers around them?). But why not forget all of these and just go along for the ride?

6. I think that the last time I cried in a horror/suspense film was in The Sixth Sense when Cole Sear (Haley Joel Osment) tried to convince his mom (Toni Collette) that he could really see dead people by telling her the grandma story. Although a tad manipulative, when John Krasinski signed “I love you. I have always loved you” to his kids, I could hardly choke back my tears. Parents are the absolute greatest waaahh!!

Rating: ★★★★☆