FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25 (Carlo Francisco Manatad, 2017) – ★★★☆☆
Although the title was as subtle as Jason Mraz’s Waiting for My Rocket to Come, there were still a lot of funny bits here that kept me erect, er, entertained in my seat.
I was supposed to question why the old couple was watching Kris and Biiiiimb on Tonight with Boy Abunda in broad daylight, but there were far crazier things happening on their side of the world (crashing dildo, floating knife, luggage with a chastity alarm, vagina moon).
Did the license for Dayang Dayang cost the production a fortune? I wish the old lady danced what she learned from zumba during that Christmas lights scene.
Nice enough, but lacked an impressive girth.
SORRY FOR THE INCONVENIENCE (Carl Adrian Chavez, 2017) – ★★★★☆
Anong meron si Ronwaldo Martin? What makes him so watchable (enigmatic?) every single time? In this short, he barely had any lines, but the grit and emotions were definitely palpable.
A fascinating look at masculinity defined by a Pinoy patriarchal society, where the bond between a boy and his father could only be felt through a common desire/need for violence. Powerful stuff!
LOLA LOLENG (Che Tagyamon, 2017) – ★★★☆☆
Reminded me a lot of the equally affecting Manang Biring (hey, how about an animated film about other relatives?). The crude animation worked really well for the story, although the sound design felt a bit off.
Another reason to fear family reunions, but more than that, another reason to fear the emerging short-term memories of people vis a vis historical revisionisms. #NeverForget
ALIENS ATA (Glenn Barit, 2017) – ★★☆☆☆
The aerial shots felt too gimmicky and couldn’t quite justify the lack of a strong narrative. It reminded me so much of those trips to the National Museum and watching moving dioramas. Not my kind of voyeurism.
ISLABODAN (Juan Carlo Tarobal, 2017) – ★★☆☆☆
Remember the Daily Prophet in Harry Potter with all the moving pictures? This short felt exactly like that, except that it was a literal comic book film. The multiple panels with their abrupt stop-and-go motions were too distracting. It was a novel idea that just didn’t fully work onscreen.
That climactic Captain America: Civil War-like showdown between the two gangs had me in stitches for all the wrong reasons.
Also, for a comic book movie, this one included my ultimate peeve: wonky subtitles.
MANONG NG PA-ALING (E. del Mundo, 2017) – ★★☆☆☆
Had some excellent underwater photography, and not much else. I still couldn’t figure out why Manong had to remove three pieces of underwear for his shower scene while his fantasy mermaid slash dead wife wore nude-colored panties. Ehh.