It took five film outfits to produce this crap? Horrors!
Worst film of the festival.
(Originally published January 5, 2013.)
It took five film outfits to produce this crap? Horrors!
Worst film of the festival.
(Originally published January 5, 2013.)
Better than what I expected. Given that, it was still a corny piece of entertainment that might have worked better as two separate films.
Eugene Domingo stole the movie (as always) and you’d wish it was Enteng ng Ina Mo, Rowena instead.
(Originally published January 1, 2012.)
My notes on Boy Tokwa: Lodi ng Gapo:
1. Anak ng tokwa! I was hoping for a palate cleanser after the mediocrity (to put it lightly) of the recently concluded Metro Manila Film Festival, but I ended up with this problematic garbage (to put it lightly) as my very first movie of 2019. Which shouldn’t be a surprise since I started 2018 with the stinker Haunted Forest and ended it with Jack Em Popoy: The Puliscredibles. Why break tradition, right?
2. The movie opened with a disclaimer that it was inspired by a true story, but any similarities to actual persons or events were purely coincidental. Was that supposed to be a joke? Like the opening scene with the announcement of the arrival of Cebu Pacific flight 5JX while a clip of (I think) a non-Cebu Pacific plane was landing at Clark International Airport?
3. The cast of young unknowns (half of which looked like they were part of the Sotto clan, since Tito Sotto was a producer) were just awful. Everyone talked like they were communicating with dogs that lived three blocks away from SM Southmall. The ones that played the local relatives had an American twang even if they were just explaining what ukay-ukay meant. One had the unfortunate task of delivering this line: “Lodi ng Gapo? Petmalu! Boom panes!”. Like, eww.
4. Jose Manalo played the titular role who was some sort of Robin Hood in 1940’s Olongapo. He would con American soldiers into buying overpriced tuko (gecko?) or used smelly panties and then donate the money to the needy. He also cheated them a lot in poker games, but was supposedly just doing a heroic deed. As one character (Joey Marquez) described him, “Hindi siya katulad ng ibang con man na walang puso. May moral standards siya at hindi tuma-target ng mga Pinoy.” Eh di wow!
(In hindsight though, anybody willing to pay 250 dollars for funky-smelling underwear probably deserved their fate.)
5. The iconic Vangie Labalan was Mommy Tokwa. Nothing follows.
6. It’s already 2019 and the sources of humor here included a stutterer (“Pina-kiki-kiki-kiki-usapan ko pa…”), a Chinese character named Tsing Tsong Atsay (Epy Quizon) who used an abacus to compute his poker winnings, and a joke about a maliit na unan (unano, of course!). Woke social media… attack!!
7. Tito Sen, what happened to the movie’s budget? Why were the same American soldier extras and pokpok chorus walking in the background in every Olongapo scene? Why was a green screen used in the Guam tourist spots montage? Why didn’t they even change the name of Kandi Towers in Pampanga when it was supposed to substitute for a hotel in Guam?
On the other hand, four different actresses played Daughter Tokwa and yet they looked nothing like each other.
8. My favorite moment in the movie was when Boy Tokwa was abandoned by his wife and he started reading her goodbye letter. The voiceover screamed, “I AM LEAVING YOU BOY! YOU ARE NEVER SEEING US AGAIN!”. I imagined that the letter was also written in all caps.
Immediately after, Boy had a walling scene while wailing, “Juskopo, anong kasalanan ko?” and then the camera focused on an altar of religious images. Buti hindi nagsalita ang mga rebulto ng, “Anak, nanloko ka kasi ng mga ‘Kano. Karma yan.”
9. Sample dialogue that made me fart in my seat:
• Boy Tokwa courting his future wife with this bagung-bagong pick-up line: “Remember M, remember E, put them together, remember ME!”
• Millennial apo after the con man story: “In this house, we stan a generous low-low!”
• One of the Sotto kids on the phone with his mom (Karel Marquez): “Sometimes I like talking to Siri more than talking to you!”
• Girlfriend to one of the Sotto kids: “The stars shine so bright, but if you take a closer look, they burn deep inside… just like you.”
Repeat after me: Anak ng tokwa!!
My notes on My Big Bossing:
1. Vic Sotto just had this certain charm that I wasn’t surprised when the ladies kept fawning at him. In the movie’s very first scene, he simply said a throwaway “Exchuse me!” and I couldn’t control my laughter. In the second segment, he even showed some range dealing with a dead daughter. Good one, Bossing!
2. Sotto wore a crisp white polo shirt and of course I knew what was coming next: “Bossing sa kaputian!”. To be fair though, this sequel only had a few commercials. The only other product I noticed was PLDT Home.
3. The Sirena segment by Tony Reyes could have been an episode of Okay Ka, Fairy Ko. Only this one had Ryzza Mae Dizon donning a mermaid costume. It was still a very weak entry already given its sitcom roots. People just kept getting pushed in different bodies of water. Not funny.
4. Speaking of Dizon, why haven’t we seen her launching movie yet? She has the same spunk and charm of a young Aiza Seguerra. Given the right material, she can achieve the same superkid status. She’s just too adorable. Obviously I’m a fan.
5. The cast of Ina-Tay was here! (Refer to Cinemalaya 2014.)
6. Manilyn Reynes was supposed to play a fish vendor so they covered her up with dark make-up. Sometimes it looked like she had jaundice instead.
7. The Taktak segment by Marlon Rivera had a lot of potential. Unfortunately, there were just so many sub-plots to tackle in forty minutes. You’re not yet completely forgiven for the first one, Sir. Not yet.
8. Dizon here played Angel, a version of Elsa (more La Aunor, less Frozen) and she looked funny during the seances. This reminded me so much of Judiel Nieva, the transgendered lady who apparently could see the Virgin Mary back in the early 90’s. Wikipedia refers to her as an actress and businesswoman.
9. Marian Rivera looked good onscreen but has she ever played any character that didn’t scream her head off at other actors? Her characters always sounded shrill and high-strung like she was invoking the spirit of Maricel Soriano during her Inday days.
10. One obvious gaffe: Jose Manalo’s character texted Angel looking for her even if in the previous scene he was seen walking away with her.
11. One ghost mentioned something really scary and had always been one of my fears: “Susundan kita sa banyo.” Imagine a dead relative watching you take a shower in all your naked glory. Horrors!!
12. The third segment called Prinsesa by Joyce Bernal looked really good. Granted, most of the castle scenes were shot in Fernbrook Gardens in Las Pinas, I was impressed with the village that looked very much like The Shire and was populated by digital animals. Eat your heart out, Peter Jackson!
13. One character had his tongue cut off and was shown all bloody in a succeeding scene. What happened to the General Patronage rating?
14. If Mara Clara was a fairy tale, this would be that version.
15. At first I thought that the trilogy was very Eat Bulaga Holy Week presentation levels. And then it dawned on me. It was trying to be that other movie anthology, Mga Kuwento ni Lola Basyang. Am I right, 80’s kids?
(Originally published January 5, 2015.)
My notes on DOTGA: Da One That Ghost Away:
1. I was surprised that Vhong Navarro wasn’t included in the cast given that he headlined the last two horror-comedy films of Star Cinema (please note that I didn’t consider the unintentionally comedic horror films of Kris Aquino, like Segunda Mano where she pissed her pants in terror for buying a secondhand Prada bag).
In terms of comparison, this one was less like Bulong (actually a guilty pleasure) and more of Da Possessed (which had the gall to make fun of Vhong’s rape case). I already expected tons of corny jokes and lame slapstick humor, but even with my IQ lowered and in full babaw mode, I could only muster one giggle in all 100 minutes (again, I only counted the intentional one because I spent the entire movie hysterically laughing at Enzo Pineda’s acting that he equated with wide eyes and flaring nostrils).
2. Carmel (Kim Chiu) and Jerald (Ryan Bang) were ghost hunters slash con artists that brought along their team dressed as horror film characters (Ghost Bride, Chucky, Tiyanak, etc.) to terrorize and pretend exorcise haunted houses. She used a magical triangle (yes, the musical instrument in the percussion family) and shouted nonsensical chants (“Mother Ignacia! Sergeant Esguerra! Papuntang Abra!”) as part of her ritual. I was surprised that there were people who actually fell for this kind of silliness (although their first victim was a Krizzy impersonator and we all knew how gullible she could get).
3. This movie was rated PG because the MTRCB thought that parents could easily explain what Carmel meant when she said “Sabi na di ako nagpi-pinger eh” after using a dating app called PinGer. Or why she kept emphasizing the name of Enzo as JACK COLmenares (just in case it still wasn’t obvious enough, his name was written exactly like that on a white board). Should we expect the Colmenares sisters to be named Jaja, Nadia, and Gina? Seriously, this type of Pinoy green humor hadn’t been funny since my high school days circa ‘90s.
4. Terrible, terrible editing. In one scene, Serrah (Maymay Entrata) was looking at her compact mirror and asking “What is that ghost I see?” and then it abruptly cut to her and Chire (Edward Barber) walking to school. What was that about?
(Also, as a huge #MayWard fan, please give them a good film that they actually deserved! Sayang talaga sila!)
5. Oh, Jerald also worked as a language teacher in a school called Fil-Eng-The-Blanks. Wala na bang ikaka-corny pa ang pelikulang ito?
6. The only funny scene that I mentioned earlier was a brief gag where Carmel hugged a sweaty Jack, then wiped the wet part of her cheek with her left hand, and smelled it like she was endorsing the newest Downy fabric conditioner. It was a testament to Kim’s charm and sharp comic timing that a throwaway moment like that would actually work.
7. If Enzo acted like his life (or career?) depended on it, on the other end of the spectrum was Ronnie Alonte who didn’t even feel the need to act at all (was it because it was just a cameo role?).
8. Tabako vs Sadako? Bearable. Valak vs Halak? Meh. Black Panty vs Black Panther? Wala na maisip??
9. I felt bad for the extras in the scene where they pretended to freeze as part of a spell (think Mannequin Challenge only without music). Carmel had this really lengthy monologue (“Oo nasaktan na ako lola. Shinota niya ang best friend mo!!”) and you could actually see some of them in the background starting to shake (as in nanginginig na sa sobrang ngalay). I could have subbed for any of them because I had always been a master Statue Dancer.
10. Carmel: “Ikaw pa rin ang DOTGA ko!”
Jerald: “Da One That Ghost Away?”
Carmel: “Da One That Gusto Ako Pero Baka Maging Gusto Ko Rin!!”
Huh? Isn’t that DOTGAPBMGKR?!
Kimmy, pinapainit mo ang anit sa ibabaw ng ulo ko!!
My notes on Enteng Kabisote 10 and the Abangers:
1. I already wasted two hours of my life watching this movie and I figured that I wouldn’t want to waste more time writing down these notes, but then it would be a crime not to share my grueling experience and let other people suffer the same fate. So let me start with these brilliant lines that might convince you to rethink that planned family bonding to the cinema:
• Joey de Leon as Pandoy, Alalay ng Panday: “Pang-araw lang yun kaya Pang-Day. Ang pangalan ko kapag gabi, Pang-Gay.” And then he swished and sashayed down the corridor. Groan.
• Ken Chan and Bea Binene getting scared from an approaching villain: “May tatlong bibe akong nakita. Mataba, mapayat, mga bibe.” HUH?! Groan.
• Vic Sotto on Aiza Seguerra: “Akalain mo mahilig pala sa itlog ang batang yun.” Groan.
• An employee of Enteng Kabisote Robotics introducing the new Iron Man-like costume: “Eto ang bagong Kalba Kalba Kalba Kameleon.” Groan.
• Bossing to his four employees speaking in unison: “Nag-duet pa kayong apat ha!” HUH?! Groan.
2. As a huge fan of the Okay Ka, Fairy Ko TV series, I could only cry in my seat while seeing this tenth film installment mutate into the lamest Marvel wannabe. Ina Magenta had the right instincts about Enteng Kabisote after all. The ending even had the gall to hint at another sequel. Kapag natuloy ito, ako na mismo ang magsisimula ng Infinity War.
3. Infer, ang lakas maka-gwapo ng ash silver hair ni Bossing. I might try that shade soon.
4. Poor Epy Quizon was in full acting na acting mode even if his character didn’t really have much to do except be included in an embarrassing battle sequence ala Mortal Kombat set to the Tatlong Bibe Remix.
5. Most of the jokes were as outdated as Pandoy. The extended walling montage set to April Boy Regino’s Di Ko Kayang Tanggapin was just annoying. That Madam Oring line? Eek! And they still had a stale Pabebe Girls reference. Wala na talagang ibang maisip?
6. Why were Alden Richards and Maine Mendoza (in ugly heavy eyeliner! as a huge fan, I am incensed beyond belief) inserted in every Bohol scene even if their characters didn’t really serve any purpose? How many times did Bossing have to ask the perennial “Kayo na ba?” question before it started getting old? Were the filmmakers scared to shortchange AlDub Nation lest they get burned at the stakes set up in Kamuning?
7. If there was one good thing here, I only noticed a single product placement (for O+). Consider that one tiny step for mankind.
8. I couldn’t stop laughing at the drones that looked like they were purchased from CD-R King. Also, why did the team spend a lot of time assembling one drone when Oyo Boy Sotto’s character could magically reproduce the same thing pala?
9. During the climactic fight scene, laser beams were shooting out of Bossing’s groin while he furiously pumped his hips (or more appropriately, made kadyot motions).
Yes, this is really the kind of family movie that kids should be watching for Christmas.