Move over, Martin Scorsese! Kinabog ng visual effects team ni Bossing ang ginawang de-aging kay Robert de Niro sa The Irishman. Infer, may effort for authenticity ang pelikula. Sana lang nag-level up din siya from the usual Pinoy slapstick humor.
Nung una ko makita ang trailer nito sabi ko parang Ocean’s movie tapos ganun nga siya. Hirap na ako maniwala na very advanced ang technology abroad to pull off that kind of heist eh sa Pilipinas pa kaya? May pa-Mission Impossible reveal pa sa dulo that didn’t make any sense at all. To be fair, may apparent self-awareness siya about local action films na nakakaaliw.
Bakit halos lahat ng ginaya ng character ni Wally Bayola eh from Star Cinema/ABS? (Very Wenn Deramas ang comedy ha.) Napaisip tuloy ako kung wala ba talagang iconic characters ang GMA. Why not Victor Magtanggol or Kara Mia para mas self-deprecating? Konti lang makakuha ng reference?
Gusto ko yung unang eksena pa lang ni Jake Cuenca eh level 10 na agad ang acting niya. Yung parang hindi na ulit siya mabibigyan ng ibang pelikula ever kaya tinodo na niya lahat. Kahit pag-nguya lang niya ng gum talagang may nuance, may galit. Nagsusumigaw na “May Yahoo! OMG Award ako for Male Kontrabida of the Year mga amateurs!”
To say that this was inspired by Train to Busan would be an understatement since it directly lifted several key scenes (and characters) from that Korean sleeper hit. In this Kalyeserye version though, Lola Nidora (Wally Bayola) played the role of Gong Yoo (shoray ni lola!), also bitten by a zombie in the end before she jumped (was pushed?) off a moving speedboat. (Don’t worry, the saltwater magically cured her for the requisite happy ending.)
We rarely get local zombie movies (either we’re not technologically advanced to accidentally unleash a new virus strain or our bodies were just auto-immuned from all the pollution and dirt in our country) so I was a bit excited to watch this one. Unfortunately, it relied too much on slapstick humor that it ended up without a sense of danger or threat on any of the characters all throughout.
In one scene, the ragtag group (mostly Eat Bulaga alums) just happened to pass by a welding shop and it took a miraculous two-minute montage for them to fortify their bus. In another, the barbed wire separating the humans from the zombies was (questionably) raised so that Angelika dela Cruz could easily run to her zombie husband for a dramatic reconciliation.
Nothing here really made sense. Which would have been fine if at least the gags were funny. The three lolas pulled all the weight and the drop in energy was noticeable whenever they were offscreen. I would love to see them next in a family drama. Mukhang magaling magpaiyak ang JoWaPao. Until then, we’d have to be contented with this zombie movie where the undead extras try their best to avoid a rampaging bus.